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Crosswicking

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* LeadSingerPlaysLeadGuitar: During their initial lineup with Barry Andrews on keyboard, lead singer Andy Partridge played lead guitar as he was the only guitarist in the band. Once Andrews left the band and Dave Gregory joined, Andy often left the role of lead guitar to Dave but occasionally did still perform many lead guitar lines. This can be heard in the outro solo of "Books are Burning", which Andy and Dave both play.
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** The album version of "Respectable Street" opens with a snippet of the bridge done in the style of an old 78 rpm record.
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Meddling Parents have been disambiguated.


* MeddlingParents: "Making Plans for Nigel".
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Partridge continues to release occasional material, usually one-off singles and EPs.

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Partridge continues to release occasional material, usually one-off singles and EPs.[=EPs=].



* HeterosexualLifePartners: Andy Partridge and Colin Moulding, at least before the latter's departure effectively ended the band. They grew up together and Partridge even described their relationship as a "male marriage." Their partnership very obviously spurred each other on, with Andy admitting that nothing gave him greater impetus to write than having Colin present a good song to the band -- he felt he had to keep up. In the nearly 25 years the duo worked together, they spurred each other to create 13 full-length albums (and enough non-album material to fill up several more.) Since XTC broke up, though, their productivity has plummeted precipitously. Though both Partridge and Moulding have continued to occasionally record material, it's been mostly very, ''very'' widely-spaced one-off singles or EPs (and also in Partidge's case, the odd experimental instrumental recording). In fact, in the over two decades since XTC's last album ''Wasp Star'', neither Partridge nor Moulding has managed to release even ''one'' complete full-length album of newly-written pop songs.

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* HeterosexualLifePartners: Andy Partridge and Colin Moulding, at least before the latter's departure effectively ended the band. They grew up together and Partridge even described their relationship as a "male marriage." Their partnership very obviously spurred each other on, with Andy admitting that nothing gave him greater impetus to write than having Colin present a good song to the band -- he felt he had to keep up. In the nearly 25 years the duo worked together, they spurred each other to create 13 full-length albums (and enough non-album material to fill up several more.) Since XTC broke up, though, their productivity has plummeted precipitously. Though both Partridge and Moulding have continued to occasionally record material, it's been mostly very, ''very'' widely-spaced one-off singles or EPs [=EPs=] (and also in Partidge's case, the odd experimental instrumental recording). In fact, in the over two decades since XTC's last album ''Wasp Star'', neither Partridge nor Moulding has managed to release even ''one'' complete full-length album of newly-written pop songs.
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The band's other two initial members were keyboardist Barry Andrews (who left after two albums in 1979 and was replaced by Gregory; Andrews wound up joining [[Music/KingCrimson Robert Fripp & The League of Gentlemen]] shortly thereafter and later formed his own group, Shriekback), and drummer Terry Chambers (who left in 1983 when the band's retirement from touring severely cut into his income, and was replaced by a series of session musicians for each album).

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The band's other two initial members were keyboardist Barry Andrews (who left after two albums in 1979 and was replaced by Gregory; Andrews wound up joining [[Music/KingCrimson [[Music/RobertFripp Robert Fripp & The League of Gentlemen]] shortly thereafter and later formed his own group, Shriekback), and drummer Terry Chambers (who left in 1983 when the band's retirement from touring severely cut into his income, and was replaced by a series of session musicians for each album).
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The band retired from touring definitively in 1982 after Partridge [[CreatorBreakdown suffered a severe mental breakdown]], forcing their world tour to be cancelled. They remained studio-bound for the rest of their career, making occasional live appearances on radio and television (like a 1989 appearance on ''[[Creator/DavidLetterman Late Night with David Letterman]]'' where [[https://www.youtube.com/watch?v=Amx5CK7vdoc Partridge looks absolutely uncomfortable]]). In response to the loss of touring income, Chambers left and moved to Australia. Partridge, Moulding and Gregory didn't bother to replace him, instead recruiting session drummers on an album-per-album basis. These drummers have included: Pete Phipps (Gary Glitter, Music/{{Eurythmics}}), Prairie Prince (The Tubes), Dave Mattacks (Music/FairportConvention), Pat Mastelotto (Mr. Mister, Music/KingCrimson) and Dave's brother Ian Gregory.

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The band retired from touring definitively in 1982 after Partridge [[CreatorBreakdown suffered a severe mental breakdown]], forcing their world tour to be cancelled. They remained studio-bound for the rest of their career, making occasional live appearances on radio and television (like a 1989 appearance on ''[[Creator/DavidLetterman Late Night with David Letterman]]'' where [[https://www.youtube.com/watch?v=Amx5CK7vdoc Partridge looks absolutely uncomfortable]]). In response to the loss of touring income, Chambers left and moved to Australia. Partridge, Moulding and Gregory [[UnreplacedDeparted didn't bother to replace him, him]], instead recruiting session drummers on an album-per-album basis. These drummers have included: Pete Phipps (Gary Glitter, Music/{{Eurythmics}}), Prairie Prince (The Tubes), Dave Mattacks (Music/FairportConvention), Pat Mastelotto (Mr. Mister, Music/KingCrimson) and Dave's brother Ian Gregory.
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* FilkSong: See above with Partridge's love of comics.

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Now independent and benefiting from a large settlement obtained from Virgin (Partridge had discovered the label withheld substantial royalties from them), XTC formed their own record label and Partridge and Moulding installed recording studios in their own homes. A double album of material written during the dispute named ''Apple Venus'' was planned, which was eventually released in two volumes in 1999 and 2000, the second album containing their last major single, "I'm the Man Who Murdered Love". However, the band experienced a new setback when Gregory left in 1999 due to a conflict with Partridge and Moulding. Their fanbase became absolutely incensed by this announcement, with fans slamming Partridge and Moulding for forcing Gregory's departure. The band itself disintegrated shortly afterwards due to Moulding's decreasing contributions and lack of interest, with Partridge officially announcing XTC's breakup in 2006. However, Patridge, Moulding and Gregory are all still good friends with one another - in 2003, the three of them performed a charity gig as The Dukes of Stratosphear - so the chance of a reunion, while slim due to Moulding's continued disinterest in making music, is always possible.

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Now independent and benefiting from a large settlement obtained from Virgin (Partridge had discovered the label withheld substantial royalties from them), XTC formed their own record label and Partridge and Moulding installed recording studios in their own homes. A double album of material written during the dispute named ''Apple Venus'' was planned, which was eventually released in two volumes in 1999 and 2000, the second album containing their last major single, "I'm the Man Who Murdered Love". However, the band experienced a new setback when Gregory left in 1999 due to a conflict with Partridge and Moulding. Their fanbase became absolutely incensed by this announcement, with fans slamming Partridge and Moulding for forcing Gregory's departure. (He and brother Ian Gregory would reunite with Moulding and Partridge in 2003 for a charity single as The Dukes of Stratosphear.)

The band itself disintegrated shortly afterwards by the mid-2000s due to Moulding's decreasing contributions and lack of interest, with Partridge officially announcing XTC's breakup in 2006. However, Patridge, After some on-and-off squabbling over the ensuing decade-plus, Partridge, Moulding and Gregory have now said (in separate interviews) that they are all still good friends back to being on more-or-less friendly terms, although they have no intention of working together again.

Two spin-off projects that reunited former XTC members occurred after the breakup. In 2007, Partridge and keyboardist Barry Andrews (collectively billed as "Monstrance") released an album of improvised freeform instrumental jazz music which sounded ''nothing'' like XTC. In the late 2010s, Moulding reunited
with one another - in 2003, the three of them performed a charity gig former XTC drummer Terry Chambers for an EP and live dates billed as The Dukes of Stratosphear - so the chance of a reunion, while slim due to "TC&I", playing both XTC-ish new material and selections from Moulding's continued disinterest in making music, is always possible.
XTC catalogue. They had broken up by 2020.

Partridge continues to release occasional material, usually one-off singles and EPs.
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* HeterosexualLifePartners: Andy Partridge and Colin Moulding, at least before the latter's departure effectively ended the band. They grew up together and Partridge even described their relationship as a "male marriage." Their partnership very obviously spurred each other on, with Andy admitting that nothing gave him greater impetus to write than having Colin present a good song to the band -- he felt he had to keep up. In the nearly 25 years the duo worked together, they spurred each other to create 13 full-length albums (and enough non-album material to fill up several more.) Since XTC broke up, though both Partridge and Moulding have continued to occasionally record material, in the two decades since their last album ''Wasp Star'', neither Partridge nor Moulding has managed to release even one complete full-length album of newly-written pop songs.

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* HeterosexualLifePartners: Andy Partridge and Colin Moulding, at least before the latter's departure effectively ended the band. They grew up together and Partridge even described their relationship as a "male marriage." Their partnership very obviously spurred each other on, with Andy admitting that nothing gave him greater impetus to write than having Colin present a good song to the band -- he felt he had to keep up. In the nearly 25 years the duo worked together, they spurred each other to create 13 full-length albums (and enough non-album material to fill up several more.) Since XTC broke up, though though, their productivity has plummeted precipitously. Though both Partridge and Moulding have continued to occasionally record material, it's been mostly very, ''very'' widely-spaced one-off singles or EPs (and also in Partidge's case, the odd experimental instrumental recording). In fact, in the over two decades since their XTC's last album ''Wasp Star'', neither Partridge nor Moulding has managed to release even one ''one'' complete full-length album of newly-written pop songs.
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* LyricalDissonance: Don't let the vocal harmonies or upbeat backing track fool you, "Big Day"'s lyrics are a bit more skeptical and realistic towards marriage. And under all those catchy Beatles riffs, "Earn Enough For Us" is [[http://www.lyricsfreak.com/x/xtc/earn+enough+for+us_20147942.html a huge Angst-fest]] about being married and [[PerpetualPoverty broke]].

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* LyricalDissonance: These guys are masters at it. Don't let the vocal harmonies or upbeat backing track fool you, "Big Day"'s lyrics are a bit more skeptical and realistic towards marriage. And under all those catchy Beatles riffs, "Earn Enough For Us" is [[http://www.lyricsfreak.com/x/xtc/earn+enough+for+us_20147942.html a huge Angst-fest]] about being married and [[PerpetualPoverty broke]].
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cut trope


XTC throughout their existence were based around the two main songwriters, Partridge and Moulding. Their initial style was a frantic, hyperactive variation of [[NewWaveMusic New Wave]] that added in elements of {{Funk}}, PunkRock, {{Ska}} and {{Reggae}}. This [[NeoclassicalPunkZydecoRockabilly stylistic fusion]] found favour with the contemporary PunkRock movement, and the band gained some success with its first two albums.

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XTC throughout their existence were based around the two main songwriters, Partridge and Moulding. Their initial style was a frantic, hyperactive variation of [[NewWaveMusic New Wave]] that added in elements of {{Funk}}, PunkRock, {{Ska}} and {{Reggae}}. This [[NeoclassicalPunkZydecoRockabilly stylistic fusion]] fusion found favour with the contemporary PunkRock movement, and the band gained some success with its first two albums.
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* ContemptibleCover: The original artwork for ''Skylarking'', rejected by Virgin and used for the 2010 remaster, featuring a shot of female pubic hair with flowers. Yet somehow, Virgin accepted as a substitute a cover that depicted a naked man and woman playing flutes.
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* VocalTagTeam: The original lineup had three lead vocalists: Andy Partridge, Colin Moulding, and Barry Andrews. The replacement of Andrews with Dave Gregory brought it down to just Partridge and Moulding. While Partridge tends to be seen as FaceOfTheBand, Moulding has sung lead on some popular songs, including their first semi-hit, "Making Plans for Nigel".
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* {{Minimalism}}: The guitar solo on "Love at First Sight" is just a single note repeated over and over at an increasing speed until it accelerates into frantic shredding.

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* FailedFutureForecast: According to "Living Through Another Cuba", recorded in 1980, the U.S. and the U.S.S.R. were due for another replay in 1998.



* TheGreatPoliticsMessUp: According to "Living Through Another Cuba", recorded in 1980, the U.S. and the U.S.S.R. were due for another replay in 1998.
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** The cover art for ''The Big Express'' is a photo of the wheel of a steam train against a black background.
* MisognySong: "Sgt. Rock (Is Going to Help Me)". According to Andy, he wrote the song as "a bit of fun", played it to the band, and started to have second thoughts. The record company, however, liked it, and effectively forced Andy to release it as a single. Consequently, Andy [[CreatorBacklash disowned the song after it was released]].
* MoneySong: Or, rather, ''[[BrokeEpisode lack]]'' of money song - "Love on a Farmboy's Wages", "Earn Enough for Us", "Paper and Iron" and "Bungalow"

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** The cover art for ''The Big Express'' is a photo of the wheel of a steam train against a black background.
background; early LP releases went a step further and came in a circular sleeve containing just the wheel.
* MisognySong: MisogynySong: "Sgt. Rock (Is Going to Help Me)". According to Andy, he wrote the song as "a bit of fun", played it to the band, and started to have second thoughts. The record company, however, liked it, and effectively forced Andy to release it as a single. Consequently, Andy [[CreatorBacklash disowned the song after it was released]].
* MoneySong: Or, rather, ''[[BrokeEpisode lack]]'' of money song - song-- "Love on a Farmboy's Wages", "Earn Enough for Us", "Paper and Iron" and "Bungalow"



* ReligionRantSong: "Dear God"

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* ReligionRantSong: "Dear God"God" details a struggling agnostic raging against God for His apparent apathy towards the suffering of mankind and conflicting ideas of what His will constitutes, ultimately concluding that believing in Him is pointless and self-defeating. The music video compounds this, depicting God as a looming tree that Partridge angrily chops down in the climax.

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* PunnyName: The band's name is a play on "ecstasy," based on a quote from Creator/JimmyDurante.



* XMakesAnythingCool: Andy Partridge chose to spell the band's name this way, adapted from a phrase by Jimmy Durante, because he thought that it looked good in print. The band quickly becoming a critical darling might have proved him right.

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* XMakesAnythingCool: Andy Partridge chose to spell the band's name this way, adapted from a phrase by Jimmy Durante, Creator/JimmyDurante, because he thought that it looked good in print. The band quickly becoming a critical darling might have proved him right.
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* MisognySong: "Sgt. Rock (Is Going to Help Me)". According to Andy, he wrote the song as "a bit of fun", played it to the band, and started to have second thoughts. The record company, however, liked it, and effectively forced Andy to release it as a single. Consequently, Andy [[CreatorBacklash disowned the song after it was released]].
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* HeterosexualLifePartners: Andy Partridge and Colin Moulding, at least before the latter's departure effectively ended the band. They grew up together and Partridge even described their relationship as a "male marriage." Their partnership very obviously spurred each other on, with Andy admitting that nothing gave him greater impetus to write than having Colin present a good song to the band -- he felt he had to keep up. Since XTC broke up, both Partridge and Moulding have continued to occasionally record material in various guises (sometimes with very long gaps between projects) but in the two decades since ''Wasp Star'', neither Partridge nor Moulding has managed to release even one complete full-length album of newly-written pop songs.

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* HeterosexualLifePartners: Andy Partridge and Colin Moulding, at least before the latter's departure effectively ended the band. They grew up together and Partridge even described their relationship as a "male marriage." Their partnership very obviously spurred each other on, with Andy admitting that nothing gave him greater impetus to write than having Colin present a good song to the band -- he felt he had to keep up. In the nearly 25 years the duo worked together, they spurred each other to create 13 full-length albums (and enough non-album material to fill up several more.) Since XTC broke up, though both Partridge and Moulding have continued to occasionally record material in various guises (sometimes with very long gaps between projects) but material, in the two decades since their last album ''Wasp Star'', neither Partridge nor Moulding has managed to release even one complete full-length album of newly-written pop songs.
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* LongestSongGoesLast:
** ''Black Sea'' closes with "Travels in Nihilon" (6:56).
** ''Apple Venus Volume 1'' closes with "The Last Balloon" (6:40).
** ''Wasp Star (Apple Venus Volume 2)'' closes with "The Wheel and the Maypole" (5:55).
** Additionally, both of their Dukes of Stratosphear albums close with their longest tracks. ''25 O'Clock'' closes with "The Mole From the Ministry" (5:50), while ''Psonic Psunspot'' closes with "Pale and Precious" (4:24).
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-->-- "Summer's Cauldron"

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-->-- "Summer's Cauldron"
"'''Summer's Cauldron'''"

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** The two they made as the Dukes of Stratosphear: "The Mole from the Ministry" is very much an AffectionateParody of ''Film/MagicalMysteryTour'' and "You're a Good Man Albert Brown" is a psychedelic Punch and Judy show.

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** The two they made as the Dukes of Stratosphear: "The Mole from the Ministry" is very much an AffectionateParody of ''Film/MagicalMysteryTour'' ''Film/MagicalMysteryTour'', and "You're a Good Man Albert Brown" is a psychedelic Punch and Judy show.



* XMakesAnythingCool: Andy Partridge chose to spell the band's name this way, adapted from a phrase by Jimmy Durante, because he thought that it looked good in print. The band quickly becoming a critical darling might have proved him right.


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* XMakesAnythingCool: Andy Partridge chose to spell the band's name this way, adapted from a phrase by Jimmy Durante, because he thought that it looked good in print. The band quickly becoming a critical darling might have proved him right.
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** They got Music/ToddRundgren to produce ''Skylarking'' and ended up with acrimony. Partridge is still kind of pissed off by what he perceives as Rundgren's JerkAss-ish behaviour. Other observers feel that Rundgren and Partridge were just never ever going to get along, as ''both'' sides were inflexible. The problem? XTC had produced their last three albums assisted by an engineer, and Partridge was used to the control that gave him over the finished product. Rundgren, meanwhile, was hired at the label's insistence to produce a record that would be commercially viable, and was used to having complete control in the studio ... after all, he wasn't hired to ''co''-produce the record, he was hired as '''the''' producer. Over time, Partridge has reluctantly admitted that Rundgren's work as producer on the record was what the album needed ... though he will still slam his work as a recording engineer. (A "reversed polarity" issue had to be fixed for a later reissue of the album.)

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** They got Music/ToddRundgren to produce ''Skylarking'' and ended up with acrimony. Partridge is still kind of pissed off by what he perceives as Rundgren's JerkAss-ish behaviour. Other observers feel that Rundgren and Partridge were just never ever going to get along, as ''both'' sides were inflexible. The problem? XTC had produced their last three albums assisted by an engineer, and Partridge was used to the control that gave him over the finished product. Rundgren, meanwhile, was hired at the label's insistence to produce a record that would be commercially viable, and was used to having complete control in the studio ... after all, he wasn't hired to ''co''-produce the record, he was hired as '''the''' producer. Over time, Partridge has reluctantly admitted that Rundgren's work as producer on the record was what the album needed ...needed ("Todd conjured up some of the most magical production and arranging conceivable.") ... though he will still slam his work as a recording engineer. (A "reversed polarity" issue had to be fixed for a later reissue of the album.)

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* RecordProducer: They got Music/ToddRundgren to produce ''Skylarking'' and ended up with acrimony. Partridge is still kind of pissed off by Rundgren's JerkAss-ish behaviour. They haven't really complained about the other producers they worked with.

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* RecordProducer: They RecordProducer:
**They
got Music/ToddRundgren to produce ''Skylarking'' and ended up with acrimony. Partridge is still kind of pissed off by what he perceives as Rundgren's JerkAss-ish behaviour. They haven't really Other observers feel that Rundgren and Partridge were just never ever going to get along, as ''both'' sides were inflexible. The problem? XTC had produced their last three albums assisted by an engineer, and Partridge was used to the control that gave him over the finished product. Rundgren, meanwhile, was hired at the label's insistence to produce a record that would be commercially viable, and was used to having complete control in the studio ... after all, he wasn't hired to ''co''-produce the record, he was hired as '''the''' producer. Over time, Partridge has reluctantly admitted that Rundgren's work as producer on the record was what the album needed ... though he will still slam his work as a recording engineer. (A "reversed polarity" issue had to be fixed for a later reissue of the album.)
** Andy has also
complained about Gus Dudgeon, feeling he was an inappropriate choice of producer for ''Nonsuch''.
** And then there was XTC's ill-fated attempt to work with Clive Langer, who apparently walked out in
the other producers they worked with.middle of a session for the single "Ball And Chain", after the band decided against re-arranging the song in line with Langer's suggestions. The released single recording of "Ball And Chain" was from a completely different session, produced by the band with Hugh Padgham.
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* HeterosexualLifePartners: Andy Partridge and Colin Moulding, at least before the latter's departure effectively ended the band. They grew up together and Partridge even described their relationship as a "male marriage."

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* HeterosexualLifePartners: Andy Partridge and Colin Moulding, at least before the latter's departure effectively ended the band. They grew up together and Partridge even described their relationship as a "male marriage."" Their partnership very obviously spurred each other on, with Andy admitting that nothing gave him greater impetus to write than having Colin present a good song to the band -- he felt he had to keep up. Since XTC broke up, both Partridge and Moulding have continued to occasionally record material in various guises (sometimes with very long gaps between projects) but in the two decades since ''Wasp Star'', neither Partridge nor Moulding has managed to release even one complete full-length album of newly-written pop songs.
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Trope is In Universe examples only


* YouKeepUsingThatWord: Andy initially chose the title of ''Nonsuch'' after seeing a picture of now-demolished Nonsuch Palace and assuming "nonsuch" meant "nonexistent". It actually means "unique".
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Tabs MOD

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* LennonSpecs: One of Andy Partridge's visual trademarks.



* [[RevolvingDoorBand Revolving Drummer Band]]: After Terry Chambers left, the remaining members recruited a new drummer for every album, to the point where fans called the band members Andy, Colin, David and "The Drummer".

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* [[RevolvingDoorBand Revolving Drummer Band]]: RevolvingDoorBand: After Terry Chambers left, the remaining members recruited a new drummer for every album, to the point where fans called the band members Andy, Colin, David and "The Drummer".Drummer".
* RoundHippieShades: One of Andy Partridge's visual trademarks.
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+ Music/{{Jellyfish}}
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No longer a trope.


* YourCheatingHeart: "Another Satellite" is about Partridge's collapsing marriage to his wife Marianne and his relationship with Erica Wexler. Andy's been with her ever since his divorce.

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