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Wick removal.
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%% * GettingCrapPastThe Radar: Due to overwhelming and persistent misuse, GCPTR is on-page examples only until 01 June 2021. If you are reading this in the future, please check the trope page to make sure your example fits the current definition.
* GratuitousPanning: "Interstellar Overdrive" - in the stereo mix, once the main riff of the song reappears about 8 and a half minutes into the track, the entire song starts rapidly bouncing back and forth between the left and right speakers.
* GratuitousPanning: "Interstellar Overdrive" - in the stereo mix, once the main riff of the song reappears about 8 and a half minutes into the track, the entire song starts rapidly bouncing back and forth between the left and right speakers.
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''The Piper at the Gates of Dawn'' is the debut studio album by Music/PinkFloyd, released in 1967. Released ''long'' before the band developed the ProgressiveRock style that would come to define them in the public consciousness, this album is starkly representative of the PsychedelicRock sound that they had started out with in the early phases of their career, thanks in no small part to then-frontman Music/SydBarrett's knack for eccentric and esoteric sound and subject matter. That said, they weren't exactly unknowns when the album released; they'd already built up a mainstream following over the course of that year, and by the time ''Piper'' released they were already seen as an important enough act in the psychedelic scene to influence the likes of Music/DavidBowie years down the road.
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''The Piper at the Gates of Dawn'' is the debut studio album by Music/PinkFloyd, released in 1967.1967 through Creator/EMIColumbiaRecords in the UK and Tower Records in the US. Released ''long'' before the band developed the ProgressiveRock style that would come to define them in the public consciousness, this album is starkly representative of the PsychedelicRock sound that they had started out with in the early phases of their career, thanks in no small part to then-frontman Music/SydBarrett's knack for eccentric and esoteric sound and subject matter. That said, they weren't exactly unknowns when the album released; they'd already built up a mainstream following over the course of that year, and by the time ''Piper'' released they were already seen as an important enough act in the psychedelic scene to influence the likes of Music/DavidBowie years down the road.
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* GratuitousPanning: "Interstellar Overdrive"
to:
* GratuitousPanning: "Interstellar Overdrive"Overdrive" - in the stereo mix, once the main riff of the song reappears about 8 and a half minutes into the track, the entire song starts rapidly bouncing back and forth between the left and right speakers.
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Renamed and scope adjusted.
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* PrecisionFStrike: On the bonus track "Candy and a Currant Bun" ("Please just fuck with me...")
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I don't think Pink Floyd were planning "Time" that far back.
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* CutAndPasteTranslation: Keeping in line with American releases of British albums at the time, the original US release drops "Astronomy Domine", "Flaming", and "Bike", inserts the non-album single "See Emily Play", and rearranges the rest of the tracklist, adjusting the between-track segues as necessary. The UK version would first become officially available Stateside with the compilation ''A Nice Pair'' in 1973 (albeit with the live version of "Astronomy Domine" swapped in), and like other modified British albums from its era, it would become standard on both sides of the Pond when it was reissued on CD (with the studio version of "Astronomy Domine" this time around).
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* {{Foreshadowing}}: The ''musique concrète'' section which ends "Bike" foreshadows the one which begins [[Music/TheDarkSideOfTheMoon "Time"]].
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* {{Foreshadowing}}: {{Frankenslation}}: Keeping in line with American releases of British albums at the time, the original US release drops "Astronomy Domine", "Flaming", and "Bike", inserts the non-album single "See Emily Play", and rearranges the rest of the tracklist, adjusting the between-track segues as necessary. The ''musique concrète'' section which ends "Bike" foreshadows UK version would first become officially available Stateside with the one which begins [[Music/TheDarkSideOfTheMoon "Time"]].compilation ''A Nice Pair'' in 1973 (albeit with the live version of "Astronomy Domine" swapped in), and like other modified British albums from its era, it would become standard on both sides of the Pond when it was reissued on CD (with the studio version of "Astronomy Domine" this time around).
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->"I’ve got a bike, you can ride it if you like\\
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I’ll give you anything, everything if you want thing"
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I’ll give you anything, everything if you want thing"thing"''
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* CutAndPasteTranslation: Keeping in line with American releases of British albums at the time, the original US release drops "Astronomy Domine", "Flaming", and "Bike", inserts the non-album single "See Emily Play", and rearranges the rest of the tracklist, adjusting the between-track segues as necessary. The UK version would first become officially available Stateside with the compilation ''A Nice Pair'' in 1973, and like other modified British albums from its era, it would become standard on both sides of the Pond when it was reissued on CD.
to:
* CutAndPasteTranslation: Keeping in line with American releases of British albums at the time, the original US release drops "Astronomy Domine", "Flaming", and "Bike", inserts the non-album single "See Emily Play", and rearranges the rest of the tracklist, adjusting the between-track segues as necessary. The UK version would first become officially available Stateside with the compilation ''A Nice Pair'' in 1973, 1973 (albeit with the live version of "Astronomy Domine" swapped in), and like other modified British albums from its era, it would become standard on both sides of the Pond when it was reissued on CD.CD (with the studio version of "Astronomy Domine" this time around).
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This album is named after Chapter 7 of Kenneth Grahame's ''Literature/TheWindInTheWillows''.
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* CutAndPasteTranslation: Keeping in line with American releases of British albums at the time, the original US release drops "Astronomy Domine", "Flaming", and "Bike", inserts the non-album single "See Emily Play", and rearranges the rest of the tracklist, adjusting the between-track segues as necessary. The UK version would first become officially available Stateside with the compilation ''A Nice Pair'' in 1973, and like other modified British albums from its era, it would become standard on both sides of the Pond when it was reissued on CD.
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* StalkerWithACrush: The protagonist of ''Apples & Oranges''....a guy who gets infatuated with a lady he first sees at the supermarket.
* SelfTitledAlbum: The album was marketed as one in the US (thanks to the cover art only saying "PINK FLOYD"), though it still kept the name ''The Piper at the Gates of Dawn'' on the back cover. Consequently, it'd be referred to by its UK name when the band debuted on ''Series/AmericanBandstand'' in November of 1967.
* StalkerWithACrush: The protagonist of ''Apples & Oranges''....a guy who gets infatuated with a lady he first sees at the supermarket.
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* TextlessAlbumCover: On the standard issue. The US version of the album added "Pink Floyd" to the cover.
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* TextlessAlbumCover: On The 2011 ''Discovery'' reissue removes the standard issue. The US version of "PINK FLOYD" logotype; the album added "Pink Floyd" to the cover.2016 Pink Floyd Records reissue brings it back.
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** The once - unreleased single, "Vegetable Man" is basically straightforward ''punk rock''.
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** The once - unreleased once-unreleased single, "Vegetable Man" is basically straightforward ''punk rock''.
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Added a page quote
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->"I’ve got a bike, you can ride it if you like\\
It’s got a basket, a bell that rings\\
And things to make it look good\\
I’d give it to you if I could, but I borrowed it\\
\\
You’re the kind of girl that fits in with my world\\
I’ll give you anything, everything if you want thing"
-->--'''[[OneWordTitle "Bike"]]'''
It’s got a basket, a bell that rings\\
And things to make it look good\\
I’d give it to you if I could, but I borrowed it\\
\\
You’re the kind of girl that fits in with my world\\
I’ll give you anything, everything if you want thing"
-->--'''[[OneWordTitle "Bike"]]'''
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** The once - unreleased single, "Vegetable Man" is basically straightforward ''punk rock''.
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Despite being relatively overshadowed in popularity by ''Music/TheDarkSideOfTheMoon'', ''Music/WishYouWereHere'', and ''Music/TheWall'', ''Piper'' retains a major following. In particular, it's generally regarded as one of the greatest psychedelic albums ever made and is popular with those who dislike the later, more ArenaRock incarnations of Floyd. The album was listed at No. 347 in Magazine/RollingStone's ''Music/RollingStone500GreatestAlbumsOfAllTime'', later being bumped up to No. 253 in [[UsefulNotes/RollingStone500GreatestAlbumsOfAllTime2020 the 2020 revision]]. A big-name fan was influential British radio DJ Creator/JohnPeel who, in 1997, placed it at #11 in a list of his 20 personal favourite albums [[note]]it was by no means meant as a definitive list, as he felt that top albums lists "are terribly self-indulgent" and said "he'd change it to a completely different list if he would be asked again a week later," but as it was the ''only'' time in his life he agreed to make such a list, it's as close to definitive as it can get[[/note]] when asked by the newspaper ''The Guardian''. [=AllMusic's=] editors named it an "album pick," meaning that they feel that the album is representative of Pink Floyd's work as a whole.
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Despite being relatively overshadowed in popularity by ''Music/TheDarkSideOfTheMoon'', ''Music/WishYouWereHere'', and ''Music/TheWall'', ''Piper'' retains a major following. In particular, it's generally regarded as one of the greatest psychedelic albums ever made and is popular with those who dislike the later, more ArenaRock incarnations of Floyd. The album was listed at No. 347 in Magazine/RollingStone's ''Music/RollingStone500GreatestAlbumsOfAllTime'', later being bumped up to No. 253 in [[UsefulNotes/RollingStone500GreatestAlbumsOfAllTime2020 the 2020 revision]]. A big-name fan was influential British radio DJ Creator/JohnPeel who, in 1997, placed it at #11 in a list of his 20 personal favourite albums [[note]]it was by no means meant as a definitive list, as he felt that top albums lists "are terribly self-indulgent" and said "he'd change it to a completely different list if he would be asked again a week later," but as it was the ''only'' time in his life he agreed to make such a list, it's as close to definitive as it can get[[/note]] when asked by the newspaper ''The Guardian''. [=AllMusic's=] editors named it an "album pick," meaning that they feel that the album is representative of Pink Floyd's work as a whole.
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Despite being relatively overshadowed in popularity by ''Music/TheDarkSideOfTheMoon'', ''Music/WishYouWereHere'', and ''Music/TheWall'', ''Piper'' retains a major following. In particular, it's generally regarded as one of the greatest psychedelic albums ever made and is popular with those who dislike the later, more ArenaRock incarnations of Floyd. The album was listed at No. 347 in Magazine/RollingStone's ''Music/RollingStone500GreatestAlbumsOfAllTime'', later being bumped up to No. 253 in [[UsefulNotes/RollingStone500GreatestAlbumsOfAllTime2020 the 2020 revision]]. A big-name fan was influential British radio DJ Creator/JohnPeel who, in 1997, placed it at #11 in a list of his 20 personal favourite albums [[note]]it was by no means meant as a definitive list, as he felt that top albums lists "are terribly self-indulgent" and said "he'd change it to a completely different list if he would be asked again a week later," but as it was the ''only'' time in his life he agreed to make such a list, it's as close to definitive as it can get[[/note]] when asked by the newspaper ''The Guardian''. [=AllMusic's=] editors named it an "album pick," meaning that they feel that the album is representative of Pink Floyd's work as a whole.
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that really isn't necessary; waxing lyrical with the "contains examples of"
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[[TheOneWith The One That]] started it all.
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!! Interstellar Troperdrive:
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[[TheOneWith The One That Started It All.]]
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[[TheOneWith The One That Started It All.]]
That]] started it all.
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[[TheOneWith The One That Started It All.]]
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* StepUpToTheMicrophone: Richard Wright sings co-lead vocals on "Astronomy Domine", "Matilda Mother" and "Bike", as well as full lead vocals on the bonus track "Paintbox".
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* StepUpToTheMicrophone: Richard Wright sings co-lead vocals on "Astronomy Domine", "Matilda Mother" Mother", "Bike" and "Bike", "Arnold Layne", as well as full lead vocals on the bonus track "Paintbox".
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* SanitySlippage: This is evident on Barrett's part from the bonus track "Apples and Oranges", as well as the ''Music/ASaucerfulOfSecrets'' track "Jugband Blues" which is explicitly about Barret's experience suffering from this trope. There are other songs from the same era (such as "Scream Thy Last Scream (Old Woman with a Casket)" and "Vegetable Man") that display even more of this, but they have not been officially released as the other members of Pink Floyd feel they are too voyeuristic. They are available on bootlegs, however.
** Both tracks were eventually released on the "Pink Floyd: The Early Years" compilation in 2016, nearly ''50 years'' after they were originally recorded.
** Both tracks were eventually released on the "Pink Floyd: The Early Years" compilation in 2016, nearly ''50 years'' after they were originally recorded.
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* SanitySlippage: SanitySlippage:
** This is evident on Barrett's part from the bonus track "Apples and Oranges", as well as the ''Music/ASaucerfulOfSecrets'' track "Jugband Blues" which is explicitly about Barret's experience suffering from thistrope. trope.
** There are other songs from the same era (such as "Scream Thy Last Scream (Old Woman with a Casket)" and "Vegetable Man") that display even more ofthis, but this; they have were not been officially released for a long time, as the other members of Pink Floyd feel felt they are were too voyeuristic. They are voyeuristic, although they were available on bootlegs, however.
**bootlegs. Both tracks were eventually released included on the "Pink ''Pink Floyd: The Early Years" Years'' compilation in 2016, nearly ''50 years'' after they were originally recorded.
** This is evident on Barrett's part from the bonus track "Apples and Oranges", as well as the ''Music/ASaucerfulOfSecrets'' track "Jugband Blues" which is explicitly about Barret's experience suffering from this
** There are other songs from the same era (such as "Scream Thy Last Scream (Old Woman with a Casket)" and "Vegetable Man") that display even more of
**
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Despite being relatively overshadowed in popularity by ''Music/TheDarkSideOfTheMoon'', ''Music/WishYouWereHere'', and ''Music/TheWall'', ''Piper'' retains a major following. In particular, it's generally regarded as one of the greatest psychedelic albums ever made and is popular with those who dislike the later, more ArenaRock incarnations of Floyd. The album was listed at No. 347 in Magazine/RollingStone's ''Music/RollingStone500GreatestAlbumsOfAllTime'', later being bumped up to No. 253 in [[UsefulNotes/RollingStone500GreatestAlbumsOfAllTime2020 the 2020 revision]]. A BigNameFan was influential British radio DJ Creator/JohnPeel who, in 1997, placed it at #11 in a list of his 20 personal favourite albums [[note]]it was by no means meant as a definitive list, as he felt that top albums lists "are terribly self-indulgent" and said "he'd change it to a completely different list if he would be asked again a week later," but as it was the ''only'' time in his life he agreed to make such a list, it's as close to definitive as it can get[[/note]] when asked by the newspaper ''The Guardian''. [=AllMusic's=] editors named it an "album pick," meaning that they feel that the album is representative of Pink Floyd's work as a whole.
to:
Despite being relatively overshadowed in popularity by ''Music/TheDarkSideOfTheMoon'', ''Music/WishYouWereHere'', and ''Music/TheWall'', ''Piper'' retains a major following. In particular, it's generally regarded as one of the greatest psychedelic albums ever made and is popular with those who dislike the later, more ArenaRock incarnations of Floyd. The album was listed at No. 347 in Magazine/RollingStone's ''Music/RollingStone500GreatestAlbumsOfAllTime'', later being bumped up to No. 253 in [[UsefulNotes/RollingStone500GreatestAlbumsOfAllTime2020 the 2020 revision]]. A BigNameFan big-name fan was influential British radio DJ Creator/JohnPeel who, in 1997, placed it at #11 in a list of his 20 personal favourite albums [[note]]it was by no means meant as a definitive list, as he felt that top albums lists "are terribly self-indulgent" and said "he'd change it to a completely different list if he would be asked again a week later," but as it was the ''only'' time in his life he agreed to make such a list, it's as close to definitive as it can get[[/note]] when asked by the newspaper ''The Guardian''. [=AllMusic's=] editors named it an "album pick," meaning that they feel that the album is representative of Pink Floyd's work as a whole.
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Despite being relatively overshadowed in popularity by ''Music/TheDarkSideOfTheMoon'', ''Music/WishYouWereHere'', and ''Music/TheWall'', ''Piper'' retains a major following. In particular, it's generally regarded as one of the greatest psychedelic albums ever made and is popular with those who dislike the later, more ArenaRock incarnations of Floyd. The album was listed at No. 347 in Magazine/RollingStone's ''Music/RollingStone500GreatestAlbumsOfAllTime'', later being bumped up to No. 253 in [[UsefulNotes/RollingStone500GreatestAlbumsOfAllTime2020 the 2020 revision]]. A BigNameFan was influential British radio DJ Creator/JohnPeel who, in 1997, placed it at #11 in a list of his 20 personal favourite albums [[note]]it was by no means meant as a definitive list, as he felt that top albums lists "are terribly self-indulgent" and said "he'd change it to a completely different list if he would be asked again a week later," but as it was the ''only'' time in his life he agreed to make such a list, it's as close to definitive as it can get[[/note]] when asked by the newspaper ''The Guardian''.
to:
Despite being relatively overshadowed in popularity by ''Music/TheDarkSideOfTheMoon'', ''Music/WishYouWereHere'', and ''Music/TheWall'', ''Piper'' retains a major following. In particular, it's generally regarded as one of the greatest psychedelic albums ever made and is popular with those who dislike the later, more ArenaRock incarnations of Floyd. The album was listed at No. 347 in Magazine/RollingStone's ''Music/RollingStone500GreatestAlbumsOfAllTime'', later being bumped up to No. 253 in [[UsefulNotes/RollingStone500GreatestAlbumsOfAllTime2020 the 2020 revision]]. A BigNameFan was influential British radio DJ Creator/JohnPeel who, in 1997, placed it at #11 in a list of his 20 personal favourite albums [[note]]it was by no means meant as a definitive list, as he felt that top albums lists "are terribly self-indulgent" and said "he'd change it to a completely different list if he would be asked again a week later," but as it was the ''only'' time in his life he agreed to make such a list, it's as close to definitive as it can get[[/note]] when asked by the newspaper ''The Guardian''. \n [=AllMusic's=] editors named it an "album pick," meaning that they feel that the album is representative of Pink Floyd's work as a whole.
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* GettingCrapPastTheRadar: "Candy and a Currant Bun" contains the line "Please, just [[PrecisionFStrike fuck]] with me". This was written as a WriterRevolt after the record company censored the drug references in the previous version of the song (it was entitled "Let's Roll Another One" and contained lyrics like "I'm high; don't try to spoil my fun"), but the record company failed to notice. [[note]]Likely due to the fact that the line follows "Please don't TALK to me...." and "fuck" is kind of slurred. The Suits probably wrongly-assumed he said, "Please just ''walk'' with me".[[/note]]
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%% * GettingCrapPastTheRadar: "Candy GettingCrapPastThe Radar: Due to overwhelming and a Currant Bun" contains the line "Please, just [[PrecisionFStrike fuck]] with me". This was written as a WriterRevolt after the record company censored the drug references persistent misuse, GCPTR is on-page examples only until 01 June 2021. If you are reading this in the previous version of future, please check the song (it was entitled "Let's Roll Another One" and contained lyrics like "I'm high; don't try trope page to spoil my fun"), but make sure your example fits the record company failed to notice. [[note]]Likely due to the fact that the line follows "Please don't TALK to me...." and "fuck" is kind of slurred. The Suits probably wrongly-assumed he said, "Please just ''walk'' with me".[[/note]]current definition.
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--> ''A gnome named Grimble Gromble''.
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--> ''You're the kind of girl that fits in with my world''
--> ''I'll give you anything, ev'rything if you want things''.
--> ''I'll give you anything, ev'rything if you want things''.
to:
--> ''I'll
I'll give you anything, ev'rything if you want
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--> ''I'm in bed''
--> ''Achin' head''
--> ''Gold is lead''
--> ''Choke on bread''
--> ''Underfed''
--> ''Gold is lead''
--> ''Jesus bled''
--> ''Pain is red''
--> ''Achin' head''
--> ''Gold is lead''
--> ''Choke on bread''
--> ''Underfed''
--> ''Gold is lead''
--> ''Jesus bled''
--> ''Pain is red''
to:
--> ''Achin' head''
--> ''Gold
Achin' head\\
Gold is
--> ''Choke
Choke on
--> ''Underfed''
--> ''Gold
Underfed\\
Gold is
--> ''Jesus bled''
--> ''Pain
Jesus bled\\
Pain is red''
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--> ''The seven is the number of the young light''
--> ''It forms [[WordSaladLyrics when darkness is increased by one]]''
--> ''It forms [[WordSaladLyrics when darkness is increased by one]]''
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--> ''It
It forms [[WordSaladLyrics when darkness is increased by one]]''
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--> ''Stairway scare, Dan Dare, who's there?''
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* LiteraryAllusionTitle: ''The Piper at the Gates of Dawn" is taken from the title of the seventh chapter of ''Literature/TheWindInTheWillows''.
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* LiteraryAllusionTitle: ''The "The Piper at the Gates of Dawn" is taken from the title of the seventh chapter of ''Literature/TheWindInTheWillows''.