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Made minor grammatical corrections.
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* FishOutOfWater: The primary reason for Porky's troubles at the film studio. First of all, he does not know that you cannot simply enter a film studio unannounced and start work, which results in him making an enemy with the studio guard. When he does manage to sneak in, he does not know where to go, resulting in him wandering around a number of sets and sound stages, and causing problems much to the staffs displeasure.
to:
* FishOutOfWater: The primary reason for Porky's troubles at the film studio. First of all, he does not know that you cannot simply enter a film studio unannounced and start work, which results in him making an enemy with the studio guard. When he does manage to sneak in, he does not know where to go, resulting in him wandering around a number of sets and sound stages, stages and causing problems problems, much to the staffs staff's displeasure.
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* TitledAfterTheSong: From the 1930s song "You Oughta Be in Pictures", which is even used as the shorts opening theme.
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* TitledAfterTheSong: From the 1930s song "You Oughta Be in Pictures", which is even used as the shorts short's opening theme.
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* PorkyPigPronunciation: From the TropeNamer.
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* AttentionWhore: The reason Daffy wants to get rid of Porky.
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%% * AttentionWhore: The reason Daffy wants to get rid of Porky.
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* IWantSong: Daffy gets one in which he begs Schlesinger to give him a larger role.
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%% * IWantSong: Daffy gets one in which he begs Schlesinger to give him a larger role.
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Moved to the Trivia page.
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* [[NonSingingVoice Non-Speaking Voice]]: With the exception of Leon Schlesinger, all of the live actors are dubbed by Creator/MelBlanc.
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* {{Toon}}
to:
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* AFishOutOfWater: The primary reason for Porky's troubles at the film studio. First of all, he does not know that you cannot simply enter a film studio unannounced and start work, which results in him making an enemy with the studio guard. When he does manage to sneak in, he does not know where to go, resulting in him wandering around a number of sets and sound stages, and causing problems much to the staffs displeasure.
to:
* AFishOutOfWater: FishOutOfWater: The primary reason for Porky's troubles at the film studio. First of all, he does not know that you cannot simply enter a film studio unannounced and start work, which results in him making an enemy with the studio guard. When he does manage to sneak in, he does not know where to go, resulting in him wandering around a number of sets and sound stages, and causing problems much to the staffs displeasure.
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* AFishOutOfWater: The primary reason for Porky's troubles at the film studio. First of all, he does not know that you cannot simply enter a film studio unannounced and start work, which results in him making an enemy with the studio guard. When he does manage to sneak in, he does not know where to go, resulting in him wandering around a number of sets and sound stages, and causing problems much to the staffs displeasure.
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None
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* [[NonSingingVoice Non-Speaking Voice]]: With the exception of Leon Schlesinger, all of the live actors are dubbed by MelBlanc.
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* [[NonSingingVoice Non-Speaking Voice]]: With the exception of Leon Schlesinger, all of the live actors are dubbed by MelBlanc.Creator/MelBlanc.
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** Among the staffers running out of the studio for lunch is directors Creator/ChuckJones and Creator/BobClampett.
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** Among the staffers running out of the studio for lunch is are directors Creator/ChuckJones and Creator/BobClampett.
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A very interesting short made during UsefulNotes/TheGoldenAgeOfAnimation, this groundbreaking WesternAnimation/LooneyTunes short from 1940, directed by Creator/FrizFreleng, is one of the earliest well-executed attempts at the RogerRabbitEffect (the effect to make it look as if cartoon characters are interacting with live-action actors). While there were many attempts at this before and during UsefulNotes/TheSilentAgeOfAnimation, the technology was far too crude for it to be truly convincing. This short, however, takes it to levels that would only be surpassed by ''Film/WhoFramedRogerRabbit'' decades later.
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* ConspicuouslyLightPatch: The live-action Stage 7 door becomes a hand-drawn cartoon door when Porky opens it during his escape from the guard. The flurry of papers Porky pulls out of the wastebin at the end also count, including his contract itself (which is a live-action contract otherwise).
** The scenes in which the live actors physically interact with the 'toons are noticeably blurrier (most of the shots otherwise have them acting against still photographs) due to the double-exposure to make the magic happen.
** The scenes in which the live actors physically interact with the 'toons are noticeably blurrier (most of the shots otherwise have them acting against still photographs) due to the double-exposure to make the magic happen.
to:
* ConspicuouslyLightPatch: The live-action Certain objects, such as the Stage 7 door becomes a hand-drawn cartoon door when Porky opens it during his escape from and Porky's torn-up contract, as well as the guard. The flurry of papers Porky pulls out of the wastebin at wastebin, become hand-drawn cartoon objects when the end also count, including his contract itself (which is a live-action contract otherwise).
**'toons need to manipulate them. The scenes in which the live actors physically interact with the 'toons are also noticeably blurrier (most of the shots otherwise have them acting against still photographs) due to the double-exposure to make the magic happen.
**
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* RealLifeWritesThePlot: Friz allegedly based the events of the short off of a real life event where he briefly left the Warner Bros. cartoon studio to get a job at MGM. Unfortunately, the only work he got there was on the schlocky ''Captain And The Kids'' shorts, which he hated. As soon as his contract expired, he went right back to Leon's studio, using this real life event as the basis for this cartoon.
to:
* RealLifeWritesThePlot: Friz allegedly based the events of the short off of a real life event where he briefly left the Warner Bros. cartoon studio to get a job at MGM. Unfortunately, the only work he got there was on the schlocky ''Captain ''[[ComicStrip/TheKatzenjammerKids The Captain And The Kids'' Kids]]'' shorts, which he hated. As soon as his contract expired, he went right back to Leon's studio, using this real life event as the basis for this cartoon.
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* CreatorCameo: Numerous Looney Tunes staff made cameos in this film:
** Producer Leon Schlesinger appears AsHimself in the cartoon.
** Among the staffers running out of the studio for lunch is directors Creator/ChuckJones and Creator/BobClampett.
** Writer Mike Maltese appears as the studio security guard (although his voice is dubbed over by Mel Blanc).
** Animator Gerry Chiniquy plays the studio director who calls for the stage to be quiet (though like with Mike, his voice is dubbed over by Mel Blanc). Staffers Henry Binder and Paul Marin make cameos, and Henry is the stagehand who throws Porky off the set.
** Producer Leon Schlesinger appears AsHimself in the cartoon.
** Among the staffers running out of the studio for lunch is directors Creator/ChuckJones and Creator/BobClampett.
** Writer Mike Maltese appears as the studio security guard (although his voice is dubbed over by Mel Blanc).
** Animator Gerry Chiniquy plays the studio director who calls for the stage to be quiet (though like with Mike, his voice is dubbed over by Mel Blanc). Staffers Henry Binder and Paul Marin make cameos, and Henry is the stagehand who throws Porky off the set.
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The plot of the short follows WesternAnimation/PorkyPig and WesternAnimation/DaffyDuck, who are AnimatedActors that reside at the cartoon studio "Termite Terrace". During lunch time, Daffy, wanting to become the star of the studio and usurp Porky's fame, tricks Porky into tearing up his contract with Leon Schlesinger and leave to try and make it big on his own in another studio. [[HilarityEnsues Hilarity]], naturally, [[HilarityEnsues ensues]].
to:
The plot of the short follows WesternAnimation/PorkyPig and WesternAnimation/DaffyDuck, who are AnimatedActors that reside at the cartoon studio "Termite Terrace". During lunch time, Daffy, wanting to become the star of the studio and usurp Porky's fame, tricks Porky into tearing up his contract with Leon Schlesinger and leave to try and make it big on his own in another studio. [[HilarityEnsues Hilarity]], {{Hilarity|Ensues}}, naturally, [[HilarityEnsues ensues]].
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* BewareTheNiceOnes: This short includes one of the rare moments where Porky Pig gets angry, and gives Daffy a NoHoldsBarredBeatDown.
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* BewareTheNiceOnes: This short includes one of the rare moments where Porky Pig gets angry, and gives Daffy a NoHoldsBarredBeatDown.NoHoldsBarredBeatdown.
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The plot of the short is centered around WesternAnimation/PorkyPig and WesternAnimation/DaffyDuck, who are AnimatedActors that reside at the cartoon studio "Termite Terrace". During lunch time, Daffy, wanting to become the star of the studio and usurp Porky's fame, tricks Porky into tearing up his contract with Leon Schlesinger and leave to try and make it big on his own in another studio. [[HilarityEnsues Hilarity]], naturally, [[HilarityEnsues ensues]].
to:
The plot of the short is centered around follows WesternAnimation/PorkyPig and WesternAnimation/DaffyDuck, who are AnimatedActors that reside at the cartoon studio "Termite Terrace". During lunch time, Daffy, wanting to become the star of the studio and usurp Porky's fame, tricks Porky into tearing up his contract with Leon Schlesinger and leave to try and make it big on his own in another studio. [[HilarityEnsues Hilarity]], naturally, [[HilarityEnsues ensues]].
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Namespacing
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A very interesting short made during UsefulNotes/TheGoldenAgeOfAnimation, this groundbreaking WesternAnimation/LooneyTunes short from 1940, directed by Creator/FrizFreleng, is one of the earliest well-executed attempts at the RogerRabbitEffect (the effect to make it look as if cartoon characters are interacting with live-action actors). While there were many attempts at this before and during TheSilentAgeOfAnimation, the technology was far too crude for it to be truly convincing. This short, however, takes it to levels that would only be surpassed by ''Film/WhoFramedRogerRabbit'' decades later.
to:
A very interesting short made during UsefulNotes/TheGoldenAgeOfAnimation, this groundbreaking WesternAnimation/LooneyTunes short from 1940, directed by Creator/FrizFreleng, is one of the earliest well-executed attempts at the RogerRabbitEffect (the effect to make it look as if cartoon characters are interacting with live-action actors). While there were many attempts at this before and during TheSilentAgeOfAnimation, UsefulNotes/TheSilentAgeOfAnimation, the technology was far too crude for it to be truly convincing. This short, however, takes it to levels that would only be surpassed by ''Film/WhoFramedRogerRabbit'' decades later.
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None
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A very interesting short made during TheGoldenAgeOfAnimation, this groundbreaking WesternAnimation/LooneyTunes short from 1940, directed by Creator/FrizFreleng, is one of the earliest well-executed attempts at the RogerRabbitEffect (the effect to make it look as if cartoon characters are interacting with live-action actors). While there were many attempts at this before and during TheSilentAgeOfAnimation, the technology was far too crude for it to be truly convincing. This short, however, takes it to levels that would only be surpassed by ''Film/WhoFramedRogerRabbit'' decades later.
to:
A very interesting short made during TheGoldenAgeOfAnimation, UsefulNotes/TheGoldenAgeOfAnimation, this groundbreaking WesternAnimation/LooneyTunes short from 1940, directed by Creator/FrizFreleng, is one of the earliest well-executed attempts at the RogerRabbitEffect (the effect to make it look as if cartoon characters are interacting with live-action actors). While there were many attempts at this before and during TheSilentAgeOfAnimation, the technology was far too crude for it to be truly convincing. This short, however, takes it to levels that would only be surpassed by ''Film/WhoFramedRogerRabbit'' decades later.
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http://static.tvtropes.org/pmwiki/pub/images/250px-You_Ought_to_Be_in_Pictures_screenshot_7150.jpg
[[caption-width:250:TheyWalkAmongUs.]]
[[caption-width:250:TheyWalkAmongUs.]]
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[[caption-width:250:TheyWalkAmongUs.
[[caption-width-right:250:TheyWalkAmongUs.]]
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Morally Ambiguous Ducktorate is no longer a trope.
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* MorallyAmbiguousDucktorate: Daffy arguably crosses his very first MoralEventHorizon. Up until this cartoon, he'd merely been Porky's crazy costar, but here he's revealed to have an [[AttentionWhore insatiable greed for the spotlight]] which leads him to lie and scheme to get a bigger role. This tendency would later become a major aspect of his character.
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** The scenes in which the live actors physically interact with the 'toons are noticeably blurrier (most of the shots otherwise have them acting against still photographs) due to the double-exposure to make the magic happen.
Added DiffLines:
* [[NonSingingVoice Non-Speaking Voice]]: With the exception of Leon Schlesinger, all of the live actors are dubbed by MelBlanc.
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None
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* RealLifeWritesThePlot: Friz allegedly based the events of the short off of a real life event where he briefly left the Warner Bros. cartoon studio to get a job at MGM. He did not like it there ''at all'', however. As soon as his contract expired, he went right back to Leon's studio, using this real life event as the basis for this cartoon.
to:
* RealLifeWritesThePlot: Friz allegedly based the events of the short off of a real life event where he briefly left the Warner Bros. cartoon studio to get a job at MGM. He did not like it Unfortunately, the only work he got there ''at all'', however.was on the schlocky ''Captain And The Kids'' shorts, which he hated. As soon as his contract expired, he went right back to Leon's studio, using this real life event as the basis for this cartoon.
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* AsHimself: LooneyTunes producer Leon Schlesinger.
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* AsHimself: LooneyTunes WesternAnimation/LooneyTunes producer Leon Schlesinger.
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* AsHimself: LooneyTunes producer Leon Schlesinger.
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The plot of the short is centered around PorkyPig and DaffyDuck, who are AnimatedActors that reside at the cartoon studio "Termite Terrace". During lunch time, Daffy, wanting to become the star of the studio and usurp Porky's fame, tricks Porky into tearing up his contract with Leon Schlesinger and leave to try and make it big on his own in another studio. [[HilarityEnsues Hilarity]], naturally, [[HilarityEnsues ensues]].
to:
The plot of the short is centered around PorkyPig WesternAnimation/PorkyPig and DaffyDuck, WesternAnimation/DaffyDuck, who are AnimatedActors that reside at the cartoon studio "Termite Terrace". During lunch time, Daffy, wanting to become the star of the studio and usurp Porky's fame, tricks Porky into tearing up his contract with Leon Schlesinger and leave to try and make it big on his own in another studio. [[HilarityEnsues Hilarity]], naturally, [[HilarityEnsues ensues]].
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Changed line(s) 19 (click to see context) from:
* RogerRabbitEffect: Obviously.
to:
* RogerRabbitEffect: Obviously.A milestone in the technique.
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A very interesting short made during TheGoldenAgeOfAnimation, this groundbreaking WesternAnimation/LooneyTunes short from 1940, directed by Creator/FrizFreleng, is one of the earliest well-executed attempts at the RogerRabbitEffect. While there were many attempts at this before and during TheSilentAgeOfAnimation, the technology was far too crude for it to be truly convincing -- this short, however, takes it to levels that would only be surpassed by ''Film/WhoFramedRogerRabbit'', many decades later.
to:
A very interesting short made during TheGoldenAgeOfAnimation, this groundbreaking WesternAnimation/LooneyTunes short from 1940, directed by Creator/FrizFreleng, is one of the earliest well-executed attempts at the RogerRabbitEffect. RogerRabbitEffect (the effect to make it look as if cartoon characters are interacting with live-action actors). While there were many attempts at this before and during TheSilentAgeOfAnimation, the technology was far too crude for it to be truly convincing -- this convincing. This short, however, takes it to levels that would only be surpassed by ''Film/WhoFramedRogerRabbit'', many ''Film/WhoFramedRogerRabbit'' decades later.
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None
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* TitledAfterTheSong: From the 1930s song "You Oughta Be in Pictures".
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* TitledAfterTheSong: From the 1930s song "You Oughta Be in Pictures".Pictures", which is even used as the shorts opening theme.
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we don\'t usually note critical acclaim.
Deleted line(s) 8 (click to see context) :
This cartoons holds #34 on The50GreatestCartoons list. It has also made it onto ''Literature/The100GreatestLooneyTunes'' list.
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This cartoons holds #34 on The50GreatestCartoons list. It has also made it onto ''The100GreatestLooneyTunes'' list.
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This cartoons holds #34 on The50GreatestCartoons list. It has also made it onto ''The100GreatestLooneyTunes'' ''Literature/The100GreatestLooneyTunes'' list.
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http://static.tvtropes.org/pmwiki/pub/images/250px-You_Ought_to_Be_in_Pictures_screenshot_7150.jpg
[[caption-width:250:TheyWalkAmongUs.]]
A very interesting short made during TheGoldenAgeOfAnimation, this groundbreaking WesternAnimation/LooneyTunes short from 1940, directed by Creator/FrizFreleng, is one of the earliest well-executed attempts at the RogerRabbitEffect. While there were many attempts at this before and during TheSilentAgeOfAnimation, the technology was far too crude for it to be truly convincing -- this short, however, takes it to levels that would only be surpassed by ''Film/WhoFramedRogerRabbit'', many decades later.
The plot of the short is centered around PorkyPig and DaffyDuck, who are AnimatedActors that reside at the cartoon studio "Termite Terrace". During lunch time, Daffy, wanting to become the star of the studio and usurp Porky's fame, tricks Porky into tearing up his contract with Leon Schlesinger and leave to try and make it big on his own in another studio. [[HilarityEnsues Hilarity]], naturally, [[HilarityEnsues ensues]].
This cartoons holds #34 on The50GreatestCartoons list. It has also made it onto ''The100GreatestLooneyTunes'' list.
----
!! Tropes:
* AttentionWhore: The reason Daffy wants to get rid of Porky.
* BewareTheNiceOnes: This short includes one of the rare moments where Porky Pig gets angry, and gives Daffy a NoHoldsBarredBeatDown.
* ConspicuouslyLightPatch: The live-action Stage 7 door becomes a hand-drawn cartoon door when Porky opens it during his escape from the guard. The flurry of papers Porky pulls out of the wastebin at the end also count, including his contract itself (which is a live-action contract otherwise).
* IWantSong: Daffy gets one in which he begs Schlesinger to give him a larger role.
* MorallyAmbiguousDucktorate: Daffy arguably crosses his very first MoralEventHorizon. Up until this cartoon, he'd merely been Porky's crazy costar, but here he's revealed to have an [[AttentionWhore insatiable greed for the spotlight]] which leads him to lie and scheme to get a bigger role. This tendency would later become a major aspect of his character.
* NoCelebritiesWereHarmed: At one point, Porky pretends to be [[Creator/LaurelAndHardy Oliver Hardy]].
* NoHoldsBarredBeatdown: Porky gives an offscreen one to Daffy near the end. He's covered in bandages the next time we see him.
* RealLifeWritesThePlot: Friz allegedly based the events of the short off of a real life event where he briefly left the Warner Bros. cartoon studio to get a job at MGM. He did not like it there ''at all'', however. As soon as his contract expired, he went right back to Leon's studio, using this real life event as the basis for this cartoon.
* RogerRabbitEffect: Obviously.
* TitledAfterTheSong: From the 1930s song "You Oughta Be in Pictures".
* {{Toon}}
----
[[caption-width:250:TheyWalkAmongUs.]]
A very interesting short made during TheGoldenAgeOfAnimation, this groundbreaking WesternAnimation/LooneyTunes short from 1940, directed by Creator/FrizFreleng, is one of the earliest well-executed attempts at the RogerRabbitEffect. While there were many attempts at this before and during TheSilentAgeOfAnimation, the technology was far too crude for it to be truly convincing -- this short, however, takes it to levels that would only be surpassed by ''Film/WhoFramedRogerRabbit'', many decades later.
The plot of the short is centered around PorkyPig and DaffyDuck, who are AnimatedActors that reside at the cartoon studio "Termite Terrace". During lunch time, Daffy, wanting to become the star of the studio and usurp Porky's fame, tricks Porky into tearing up his contract with Leon Schlesinger and leave to try and make it big on his own in another studio. [[HilarityEnsues Hilarity]], naturally, [[HilarityEnsues ensues]].
This cartoons holds #34 on The50GreatestCartoons list. It has also made it onto ''The100GreatestLooneyTunes'' list.
----
!! Tropes:
* AttentionWhore: The reason Daffy wants to get rid of Porky.
* BewareTheNiceOnes: This short includes one of the rare moments where Porky Pig gets angry, and gives Daffy a NoHoldsBarredBeatDown.
* ConspicuouslyLightPatch: The live-action Stage 7 door becomes a hand-drawn cartoon door when Porky opens it during his escape from the guard. The flurry of papers Porky pulls out of the wastebin at the end also count, including his contract itself (which is a live-action contract otherwise).
* IWantSong: Daffy gets one in which he begs Schlesinger to give him a larger role.
* MorallyAmbiguousDucktorate: Daffy arguably crosses his very first MoralEventHorizon. Up until this cartoon, he'd merely been Porky's crazy costar, but here he's revealed to have an [[AttentionWhore insatiable greed for the spotlight]] which leads him to lie and scheme to get a bigger role. This tendency would later become a major aspect of his character.
* NoCelebritiesWereHarmed: At one point, Porky pretends to be [[Creator/LaurelAndHardy Oliver Hardy]].
* NoHoldsBarredBeatdown: Porky gives an offscreen one to Daffy near the end. He's covered in bandages the next time we see him.
* RealLifeWritesThePlot: Friz allegedly based the events of the short off of a real life event where he briefly left the Warner Bros. cartoon studio to get a job at MGM. He did not like it there ''at all'', however. As soon as his contract expired, he went right back to Leon's studio, using this real life event as the basis for this cartoon.
* RogerRabbitEffect: Obviously.
* TitledAfterTheSong: From the 1930s song "You Oughta Be in Pictures".
* {{Toon}}
----