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Unlaunched trope


* HeroicDimples: Theodora and the roguish Michael.

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Changed: -8

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* HeelFaceTurn: Theodora's aunts are exceedingly shocked about Theodora's behaviour, but they eventually warm up to her differences and accept her for who she is. Near the end, they defend her against the gossipy women in Lynnfield [[spoiler: even when she comes in with a baby in tow.]]

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* HeelFaceTurn: Theodora's aunts are exceedingly shocked about Theodora's behaviour, but they eventually warm up to her differences and accept her for who she is. Near the end, they defend her against the gossipy women in Lynnfield [[spoiler: even [[spoiler:even when she comes in with a baby in tow.]]]]
* HeroicDimples: Theodora and the roguish Michael.



* LivingADoubleLife: Theodora: A scion of Lynnfield society who condemns this Caroline Adams person and doesn’t disrupt anything vs. the author of a sexy novel who nervously tries to hide her true identity. [[spoiler: Eventually, these two worlds collide.]]

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* LivingADoubleLife: Theodora: A scion of Lynnfield society who condemns this Caroline Adams person and doesn’t disrupt anything vs. the author of a sexy novel who nervously tries to hide her true identity. [[spoiler: Eventually, [[spoiler:Eventually, these two worlds collide.]]



* NoblewomansLaugh: Theodora cracks a hearty chuckle like this when she visits her publisher, and then rants until he gets a headache.



* SmallTownBoredom: A large reason why Theodora began writing her racy stories. [[spoiler: Eventually, she does move to the big city, and into another man's apartment, no less.]]
* StalkerWithACrush: Michael founds out Theodora’s true identity, then goes to her home and refuses to go away. He doesn’t do anything creepy beyond that, but he eventually does get a crush. [[spoiler: And runs away when he becomes too involved and sees that Theodora is in love with him, too.]]

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* SmallTownBoredom: A large reason why Theodora began writing her racy stories. [[spoiler: Eventually, [[spoiler:Eventually, she does move to the big city, and into another man's apartment, no less.]]
* StalkerWithACrush: Michael founds out Theodora’s true identity, then goes to her home and refuses to go away. He doesn’t do anything creepy beyond that, but he eventually does get a crush. [[spoiler: And [[spoiler:And runs away when he becomes too involved and sees that Theodora is in love with him, too.]]
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* LovableRogue: Michael also fits into this trope. He’s a rascal for causing some much trouble for Theodora, but he’s still so likable. It helps that he’s played by Melvyn Douglas.

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* LovableRogue: Michael also fits into this trope. He’s a rascal for causing some so much trouble for Theodora, but he’s still so likable. It helps that he’s played by Melvyn Douglas.
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HilarityEnsues, and [[ScrewballComedy ensues]].

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HilarityEnsues, HilarityEnsues and [[ScrewballComedy ensues]].



* {{Cloudcuckoolander}}: PlayedWith: To get back at Michael, Theodora acts like this for a lot of the film, but we all know she's a fairly clear headed woman.

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* {{Cloudcuckoolander}}: PlayedWith: To get back at Michael, Theodora acts like this for a lot of the film, but we all know she's a fairly clear headed clear-headed woman.
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* RomComJob

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* RomComJobRomComJob: Theodora's a writer while Michael is an artist.
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A wonderful output from Creator/ColumbiaPictures, it’s a “riotous romantic comedy”.
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* GoingForTheBigScoop: Lynnfield’s own DaEditor, Jed Waterbury (played by the fantastic Thomas Mitchell), decides to print Caroline Adams real identity (Theodora), throwing himself into the herd of Lynnfield’s literary circle who have condemned everything Caroline Adams has written.

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* GoingForTheBigScoop: Lynnfield’s own DaEditor, Jed Waterbury (played by the fantastic Thomas Mitchell), Creator/ThomasMitchell), decides to print Caroline Adams real identity (Theodora), throwing himself into the herd of Lynnfield’s literary circle who have condemned everything Caroline Adams has written.
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Trope is getting cut


* SlidingScaleOfFilmObscurity: Perhaps between Level 4 and 5, but hopefully, mostly a level 4.
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Added DiffLines:

* HeelFaceTurn: Theodora's aunts are exceedingly shocked about Theodora's behaviour, but they eventually warm up to her differences and accept her for who she is. Near the end, they defend her against the gossipy women in Lynnfield [[spoiler: even when she comes in with a baby in tow.]]
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But it all seems to come apart when the book’s cover designer, Michael Grant (Creator/MelvynDouglas), finds out her true identity, and decides to free her from her stuffy upbringing. But Theodora won’t take this lying down; soon enough, Michael will get a taste of his own medicine.

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But it all seems to come apart when the book’s cover designer, Michael Grant (Creator/MelvynDouglas), finds out her true identity, identity and decides to free her from her stuffy upbringing. But Theodora won’t take this lying down; soon enough, Michael will get a taste of his own medicine.



* {{Cloudcuckoolander}}: PlayedWith: To get back at Michael, Theodora acts like this for a lot of the film---but we all know she's a fairly clear headed woman.

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* {{Cloudcuckoolander}}: PlayedWith: To get back at Michael, Theodora acts like this for a lot of the film---but film, but we all know she's a fairly clear headed woman.



* HypocriticalHumour: Lynnfield’s literary circle, consisting of almost all the women in town, condemn ''The Sinner'' from running in serials in The Lynnfield Bugle. However, they all privately buy the newspaper to find out what happens next, and even read it out loud during their meetings, much to their secret enjoyment.

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* HypocriticalHumour: Lynnfield’s literary circle, consisting of almost all the women in town, condemn ''The Sinner'' from running in serials in The Lynnfield Bugle. However, they all privately buy the newspaper to find out what happens next, next and even read it out loud during their meetings, much to their secret enjoyment.



* StalkerWithACrush: Michael founds out Theodora’s true identity, then goes to her home, and refuses to go away. He doesn’t do anything creepy beyond that, but he eventually does get a crush. [[spoiler: And runs away when he becomes too involved and sees that Theodora is in love with him, too.]]

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* StalkerWithACrush: Michael founds out Theodora’s true identity, then goes to her home, home and refuses to go away. He doesn’t do anything creepy beyond that, but he eventually does get a crush. [[spoiler: And runs away when he becomes too involved and sees that Theodora is in love with him, too.]]

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* SignificantWardrobeShift: At first, Theodora wears modest, simple suits a la 1930s style, but as her identity is revealed, her outfits get more extravagant and stylish, showing that she has “gone wild”.


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*SignificantWardrobeShift: At first, Theodora wears modest, simple suits a la 1930s style, but as her identity is revealed, her outfits get more extravagant and stylish, showing that she has “gone wild."
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* BeYourself: Theodora’s gives this advice to women via newspapermen:
---> '''Theodora Lynn:''' I have this to say to the modern young girls, gentlemen - Be free, express yourselves! Take your life in your own hands and mold it. The world will try to rob you of your freedom, but fight for it! It's all you have to live for! That's all for the modern girl.

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* BeYourself: Theodora’s Theodora gives this advice to women via newspapermen:
---> '''Theodora -->'''Theodora Lynn:''' I have this to say to the modern young girls, gentlemen - Be free, express yourselves! Take your life in your own hands and mold it. The world will try to rob you of your freedom, but fight for it! It's all you have to live for! That's all for the modern girl.



--->'''Uncle John''': Now, ''[points his walking stick to a plethora of photos of women]'' meet Annabelle 1896, right down to including Margie from 1936.

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--->'''Uncle -->'''Uncle John''': Now, ''[points his walking stick to a plethora of photos of women]'' meet Annabelle 1896, right down to including Margie from 1936.
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* LovableRogue: Michal also fits into this trope. He’s a rascal for causing some much trouble for Theodora, but he’s still so likable. It helps that he’s played by Melvyn Douglas.

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* LovableRogue: Michal Michael also fits into this trope. He’s a rascal for causing some much trouble for Theodora, but he’s still so likable. It helps that he’s played by Melvyn Douglas.
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Added DiffLines:

* LoyalAnimalCompanion: Michael's stray dog, Jake.
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* GoingForTheBigScoop: Lynnfield’s own DaEditor, Jed Waterbury, decides to print Caroline Adams real identity (Theodora), throwing himself into the herd of Lynnfield’s literary circle who have condemned everything Caroline Adams has written.

to:

* GoingForTheBigScoop: Lynnfield’s own DaEditor, Jed Waterbury, Waterbury (played by the fantastic Thomas Mitchell), decides to print Caroline Adams real identity (Theodora), throwing himself into the herd of Lynnfield’s literary circle who have condemned everything Caroline Adams has written.
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''Theodora Goes Wild'' (1936) stars Theodora Lynn (Creator/IreneDunne), author of a popular salacious novel (''The Sinner''), who keeps a [[PenName nom de plume,]] Caroline Adams, to stop anyone—especially her aunts—in her prim and proper town of Lynnfield from discovering her double life.

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''Theodora Goes Wild'' (1936) stars follows Theodora Lynn (Creator/IreneDunne), author of a popular salacious novel (''The Sinner''), who keeps a [[PenName nom de plume,]] Caroline Adams, to stop anyone—especially her aunts—in her prim and proper town of Lynnfield from discovering her double life.
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Added DiffLines:

* ScrewballComedy: One of the early ones.
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Handsome Devil is being redirected to Hot Guys Are Bastards per TRS. Misuse and zero context examples will be cut.


* HandsomeDevil: Michael is so annoying, but darn, he’s not hard on the eyes.

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