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YMMV: Jesus Christ Superstar

  • Alternative Character Interpretation: You are supposed to sympathize with Judas.
    • How much you end up sympathising with him is, of course, up the the interpretation of the audience. Either he was a pawn in God's/Jesus' plan, a pawn in the Pharisees' plans, or misguided but ultimately chose his fate. (Or a mix)
    • Word of God from Tim Rice says that his aim as far as presenting Judas' character was more to with showing what he might have done in the same situation rather than making him interesting.
    • Pontius Pilate was also given some different perspective. In the musical he does not want to execute Jesus, thinking he is just another nut case who doesn't deserve death, and is utterly baffled why the mob wants him killed. He only goes through with the execution because he was given no other choice.
      • Though a similar impression is given in the Bible. That or not wanting to be bossed around.
  • Awesome Music: The soundtrack topped the charts before the play came out.
    • "Heaven On Their Minds"
    • "Superstar"
    • "This Jesus Must Die"
    • "Gethsemane"
    • "The Last Supper"
    • "Damned For All Time"
  • Big Lipped Alligator Moment: King Herod's Song.
    • And, in the original movie, that bizzare scene with Judas being chased through the desert by helicopters and tanks.
  • Broken Base: Either you love the original movie, or you love the 2000 movie. There is no middle ground. Both sides say the other is a vile mockery. Or you think both are good in their own regards.
    • Fans of Ian Gillan vs. fans of Ted Neeley. This is Serious Business.
    • As well as Murray Head vs. Carl Anderson.
  • Dueling Movies: Godspell was filmed and released around the same time.
  • First Installment Wins: Fans of the original LP concept album point out that it set the standard for all subsequent versions.
    • Literally, in the case of the vocal score, which in many places merely transcribes what was performed on the original album.
  • Hell Is That Noise: The overture starting out the original 1970 album begins with an acid guitar lick with a sinister Asiatic purr (perhaps representing traditional Middle Eastern music) that can be very unsettling - even spooky - to Western listeners. And that's even before the "horror movie" synthesizer kicks in...
  • Ho Yay: Judas and Jesus. Oh God, the Judas and Jesus... Depending on the Production.
    • A few of the live productions play up the gentility and respect in their relationship - they're like brothers.
    • The 2000 version seemed to do this as blatantly as possible. All the apostles wore tight ripped shirts, leather pants, and very frequently caressed and hugged each other. While the women all wore pretty modest ankle length dresses and their hair held in a ratty bun.
      • To compare, in the 1973 version Judas' kiss of betrayal is Judas sneaking up from behind, giving Jesus a very quick light peck on the cheek. In the 2000 version, the two are looking each other directly in the eyes while crying. Then Judas gives him a deep, long, smooch and Jesus responds by briefly wrapping his arms around him before Judas pushes him off.
      • In the 2000 version of "Heaven on Their Minds", Judas pleads to Jesus while they are alone together, with lots of Judas getting into Jesus's personal space, and hesitant, delicate touches to Jesus's bare skin. Compare the 1973 version of "Heaven on Their Minds" which has Judas overlooking the group from a distance and talking to himself.
      • There's also the clinging and crying during "The Last Supper".
  • Jerkass Woobie: Oh Judas, you're so troubled.
  • Memetic Mutation: A well-known parody. "Jesus Christ... Superstar... Burning 'round the corner on a Yamaha!"
  • Narm: In the original album, during "Pilate and Christ" when a Roman soldier says "Someone Chrois', king of da Jeeewwwsss" in the Cockney accent.
    • The bizarre facial expressions made by Simon during "Simon Zealotes". The portrayal is less "violent, rebel agitator" and more "stoned, dancing hippie." Made even better by Judas' reaction shot, which can only be described as "What is this I don't even..."
      • You can even see Christ cracking up a little when Simon starts singing in his face. Corpsing?
      • It doesn't get better in the 2000 production, given Simon's frosted tips and the flamboyancy of some of his gestures.
    • The 90s Aussie production in spades. Strange Thing Mystifying sounds like a hair metal anthem.
    • The potential for Narm in "Heaven On Their Minds" is very strong, especially the first cry of "JEEEESUUUUS!"
    • Narm Charm: "King Herod's Song" in the film Crosses the Line Twice past Narm and goes straight into ridiculously awesome.
  • Nightmare Fuel: The Crucifixion and preceding torture in the 1973 version.
    • The stage version includes a sequence so traumatizing that it's the visual/musical equivalent of swallowing an ice cube too fast. Immediately after performing the first half of "The Temple and Lepers," Jesus is accosted by a whole horde of lepers, cripples, and various other blighted folk. Pretty heart-rending in itself. But did I mention that they are covered in spider webs? That they're so wrapped in rags that you can't see their faces? And that they graphically describe all their injuries and infirmities in song? True, it's not Michael Jackson's Thriller, but it's pretty grotesque in itself. You can hardly blame Jesus when, in a What the Hell, Hero? moment, he screams: "HEAL YOURSELVES!!!"
      • Not forgetting that the song they're singing? It's the same tune as the merchants', only... different. And in 7/8 time, one of the most unsettling time signatures.
  • One-Scene Wonder: Herod and Simon.
  • The Woobie: Mary Magdalene. Depending on the production, Jesus and/or Judas could be as well.


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