You'd think that people would have had enough of silly love songs. But I look around me and I see it isn't so. Some people wanna fill the world with silly love songs. And what's wrong with that, I'd like to know 'Cause here I go...again...
When you turn on the radio and hear music with lyrics, at least nine times out of ten, the song will be a love song of some sort, either praising love and one's lover (or wished-for lover) to the high heavens, or singing about how much angst or anger love gone sour has caused. (These songs are sometimes indistinguishable from songs about Intercourse with You.) For some reason, there's always a market for even the silliest of Silly Love Songs, making this an Undead Horse Trope.
Frank Zappa once noted that if popular music really could change or affect people, everyone would be in love.
Music critics of the past commonly referred to this sort of song as a "Moon-June song", sometimes with "spoon" added, after the (supposed) tendency for writers of these songs to rhyme the two words together. The originator of this name was likely the 1908 hit Shine On, Harvest Moon.
Some performers write Anti Love Songs because they want to try something different. They never stop the deluge of Silly Love Songs that fill the airwaves. And what's wrong with that? (A lack of variety, of course, but Tropes Are Not Bad all the time.)
If you want to hear an example, just turn on your radio to any popular music station. You'll find one soon enough. Listing them all would be pointless and time-consuming. Some of the sillier examples could be listed here, especially those that hang a lampshade on their triteness.
This trope name was first coined by John Lennon, who criticized Paul McCartney for always writing Silly Love Songs. McCartney in turn wrote the song he gave the title to as a rebuttal.
Compare Intercourse with You, songs about... making love. Contrast Anti-Love Song and Breakup Song.
Played with by Australian comic, Tim Minchin, at the 2008 Secret Policeman's Ball, where he sang a song that began by extolling the virtues of his lover, but then got to the chorus which went: "If I didn't have you … then I'd probably have somebody else..." Still played fairly straight, as the song says that although he might have somebody else without her, he does have her, and that's special. Also subverted by Tim Minchin (several times) with Inflatable You; a loving ode to an inflatable doll. And You Grew on Me, which compares his love to his partner as quickly worsening diseases. And more. Tim seems to like his messed up love songs.
There's also a few levels of this trope working, as the song's about an actual love song playing on the radio as well as being a love song itself (since listening to the love song on the radio prompts the singer to muse about his own romance).
Most Broadway musicals include at least one Silly Love Song; Spamalot has one titled "The Song That Goes Like This", which explains how every Broadway musical contains at least one Silly Love Song.
Don Johnson's "Heartbeat", while faring better than many actors-turned-singer albums, has been thoroughly roasted by the likes of The Agony Booth and legitimate music critics. Don sings well, but his lyricism and stage performance could've used a bit more polish.
Miles Antwiler: You can’t help but chuckle at the repetitive nature of Don’s songs. After all, we are “looking for a heartbeat”, but we also learn “the last sound love makes is a heartbreak” and also “when looking for love, it is a heartache away”. It is like filling out a MadLibs but replacing all nouns with either “love”, “heartache” or “heartbreak”.
FM Static's song "My First Stereo". A line in the chorus goes "My first love was my first stereo." Yes, it's true.
Another episode has "Gypsy Moon" (as in the film of same name), making use of nearly every word that rhymes with 'moon'.
Veggie Tales once replaced Larry's silly songs with "Love Songs by Mr. Lunt". It ended up being a song about how much Mr. Lunt wanted a cheeseburger, and his being tempted to have breakfast at Denny's rather than staying faithful to "his cheeseburger!"
Not to mention "Pizza Angel", where Larry performs a fifties ballad (complete with double-tracked voice, leather jacket, and backup singers) to his delivery dinner.
Pizza Angel, please come to me Tomato sauce and cheese so gooey Pizza Angel I'm on my knees You'll live forever in my me-e-emorieeees
Or "Barbara Manatee." Larry's love ballad to a manatee from a soap opera.
There are a number of silly love songs in musicals:
Subverted by Sara Bareilles with "Love Song". The story goes that her producer told her that she was doing pretty well as an up-and-coming artist, but she still needed a big hit. "You need to write me a love song", said the producer. Sara, not liking this idea, decided instead to write a song about how she's not gonna write him a love song. And now it's her Signature Song. And now it's probably stuck in your head.
The Beautiful South's "One Last Love Song" is about these.
The Beautiful South also wrote "Song For Whoever", which subverts the trope; the musician is writing songs to keep him in money ("I love the PRS cheques that you bring") based on whoever his latest girlfriend is - whose name he has conveniently forgotten.
And when you've gone upstairs I'll creep And write it all down Down Down ...Oh, Julie, oh Alison, oh Philippa, oh Sue...
"Title of the Song" by Da Vinci's Notebook is a meta "love song". The songwriter started out intending to write a parody of a Boy Band song, and ended up parodying ALL boy band songs. Ever.
Older/ Deader than you think: back in the 1800s Ambrose Bierce commented:
Moon-kiss-June-bliss. 'Tis this appalling stuff, such miserable trash, that makes us cry out, 'Hold! Enough!' and use too oft a big, big ——
Much older than that, even. Medieval minstrels composed silly love songs up the ass. Basically the ancient equivalent of, "Tra la la, I love you, dee dah dah."
Noah and the Whale had a little hit among indie-folk fans with the song "Five Years' Time". Why it's silly?
"I no longer feel I have to be James Dean..."
Subverted and quite possibly deconstructed by, of all people, Taylor Swift with the song "Fifteen". A freshman girl in high school meets a boy that she feels is her true love, and she's already planning to marry him... and then he dumps her for another girl, breaking her heart. The song was based on the experience of Taylor's longtime friend Abigail Anderson, who is mentioned by name in the song and appears in the video.
The Michael Buble song "Everything" seems to fit with this trope.
You're a mystery You're from outer space
Because all woman love to be called confusing space aliens.
"Haven't Met You Yet" is a bit of a reconstruction, it's a silly love song to his future significant other, and he has no idea who it is. The whole thing is filled with hopes and promises to a woman he's never met.
If we're talking Buble, we have a whole plethora: "The Best is Yet to Come", "I've Got The World on a String", "Crazy Love", "All I Do is Dream of You", "Baby (You've Got What It Takes)", "How Sweet It Is", and "Moondance", just to name a few. Although all of those songs are covers.
Bumpy and lumpy, I know it sounds corny, I kinda like a guy who's a little bit horny. He's a vengeance demon; don't wanna cross him. His swingin' hell dimension is totally awesome!
A common subject of parodies by Weird Al, both specifically (e.g., "Addicted to Spuds" of "Addicted to Love") and generally (e.g., "I Was Only Kidding" and "You Make Me"). Some are silly love songs in their own right (very silly love songs), while others are actually about a Stalker with a Crush or outright hatred for the other party.
The Suicide Machines' "Sometimes I Don't Mind" gently parodies these: the first verse and the chorus both sound like a generic love song, which makes the second verse seem a little weird ("You lick my hands then I get a rash, but that's okay"), but in the third verse it becomes obvious that it's been about a pet dog the whole time ("You won't lay down, you'll hardly sit / I give you a bath when you smell like shit, but you don't mind..."). The joke is made more obvious by the music video, which follows the antics of a fursuited human behaving like a real dog.
"Gitchee Gitchee Goo" from Phineas and Ferb is a parody of this. "Don't worry if you get lost, the lyrics are meaningless anyway."
The Dutch group Jazzpolitie has the song Liefdesliedjes (Love Songs) in which they lampshade most love song cliches. But the refrain is still: "There's only one way to tell you [what I feel for you]... Love Songs... You should hear them..."
Supertramp has a few. Notably, Give a little bit, Downstream, and Oh! Darling!
The Magnetic Fields' album 69 Love Songs, which is not quite Exactly What It Says on the Tin by being 69 songs about love songs. In frontman Stephin Merritt's own words:
69 Love Songs is not remotely an album about love. It's an album about love songs, which are very far away from anything to do with love.
Brotherhood of Man's "Save All Your Kisses For Me" is a subversion, with the last line being 'even though you're only three'. This has been covered to make the song into a Last Note Nightmare shockfest about child rape.
The Moldy Peaches song "Anyone Else But You" is an INCREDIBLY silly love duet including references to the Konami Code and shaking turds out of pants.
Delta Goodrem's Believe Again is this Up to Eleven, every possible instrument and happy musical quotation is in this song, so it may have lived in Narm almost entirely, if the verses didn't save it so much…The chorus for your reading pleasure:
I'd lost my faith in love, now I believe again My heart was a broken place, now I feel whole again You bring me honesty,and that's worth believing in and I believe, I believe again
Hugh Laurie sang the love song "Mystery" in A Bit of Fry and Laurie. It involved a girl he never met, whom he was almost completely incompatible with and that died over a decade ago. The mystery was why he was in love with her. And what tortured rhyme for "mystery" Hugh was going to come up with next. (Some examples: estuary, unsanitary, Port Authority.)
Dead since 1973 You've been dead now ... wait a minute, let me see... Fifteen years come next January (jan-YOO-ary) As a human being you are history So why do I still long for you? Why is my love so strong for you? Why did I write this song for you? Well, I guess it's just the mystery
Tricia Yearwood's "How Do I Live", the closing theme to Con Air. It was later made even sillier with an intentionally cheesy, So Bad, It's Good cover by M.G. Bowman for Homestuck.
The sketch show Hello Cheeky had one or two songs every episode, written and performed by the regular cast. All that were love songs were parodies, such as Moon Over Romford, in which all the exotic locations typically found in love songs have been replaced with less glamorous English locations — Carrots For My Lady, about giving a sweetheart vegetables so she can cook an Irish stew — and Your Third Leg, about a woman with three legs. Then there's Don't Say Goodbye...
Don't say goodbye, my dar-ling Goodbye is a terrible word Farewell and adieu Are terrible too And ta-ta is simply absurd Don't say goodbye, my darling Because it would make me feel low So don't say goodbye, my darling... Just pack up your suitcase and go!
The opening lines of Selena Gomez and the Scene's "Love You Like A Love Song" deserve mention simply for lampshading the oversaturation.
It's been said and done Every beautiful thought's already been sung And I guess right now here's another one So your melody will play on and on with the best of 'em
Charva, I loved you I loved you through and through I loved you since in grammar school When we were sniffing glue I loved you purty baby doll And I don't know what in the world to do about it Boppa-ba-boppa-choo-wah * "Cadence and Cascade," from King Crimson's second album In The Wake of Poseidon. Not a place you'd expect one, but there you are.
They Might Be Giants' "Pet Name" musically sounds like this, except that if you listen to the lyrics, you'll realize it's a song about a couple who are utterly sick of each other but mask it behind a sentimental facade. They do, however, have one straightforward example: "Another First Kiss." They themselves describe it as pretty much the only straight love song they've ever done, but in their typical style, it's a (their words) "Screw that" to the idea that you need to be young to be in love and instead depicts a happy couple with history.
Jonathan Coulton's cover of "Baby Got Back". The Sir Mix-A-Lot original, not so much.
Mitch Benn has written a few of these, as well as Anti Love Songs. "Disgustingly in Love" is positive for the couple, if not anyone around them; "My Girlfriend is an Alien" has the singer conclude that he doesn't mind; and "One of These Days" is so sincere it's barely funny at all.
Chériefm, a French radio station, offering in its site , several webradio speciliazed in various musical genres dont chérie love song ( its slogan "la webradio de l'amour" in english "the webradio of the love") and periodically "cheriefm romantic" its slogan ? "la webradio des amoureux" (in English "the sweetheart's webradio)
Extreme included Tragic Comic to keep their concept album "III Sides To Every Story" from getting too heavy (and bid for another pop hit). The accompanying video adds a cute nod to the Trope Namer, showing their bassist playing McCartney's signature guitar.
"When I Decide" by My Terrible Friend somehow manages to be one of these while also being about planning to kill the object of the singer's affections. At no point does the song stop being earnestly romantic, even during the murder-plotting part.