The Whole Nine Yards is a 2000 Mafia comedy, directed by Jonathan Lynn. Nicolas "Oz" Oseransky (Matthew Perry) is a dentist living and working in Montreal. His life is miserable: his wife and mother-in-law hate him and he is broke thanks to his father-in-law. Then Jimmy "The Tulip" Tudeski (Bruce Willis), a hitman hiding out from the mob, moves in next door. Hilarity Ensues.The film received a sequel: The Whole Ten Yards (2004).
The orginal film and its sequel provide examples of:
Acronym Confusion: In the sequel, Lazlo Gogolak often makes mistakes about idioms and terms and hates it when people correct him. For example, he thinks that a DUI and an IUD are the same thing.
Adorkable: Props to Oz for actually making a plotpoint out of his likability: Oz is so likable that both Jill and Jimmy are unable to kill him even though they were both supposed to at separate points.
Jill is also this with respect to Jimmy and contract killing.
California Doubling: Averted. When the filming started in Montreal, the script was rewritten to have the story take place in Montreal too.
Calling Card: The reason for Jimmy's nickname is his penchant to leave a tulip on his targets' bodies.
Chekhov's Gun: In Jill's first scene, she's seen having an intense whispered conversation into a phone. Nothing comes of it for 40+ minutes, until we find out that this was where she told Oz's wife that she wasn't going through with the hit on Oz.
The first patient we see Oz with turns out to be important to Oz's plan to save Cynthia.
Chekhov's Skill: It turns out that Oz's job is more useful than for making jokes about dentists being suicidal— the only way to wipe his debt clean with both the mobsters and Jimmy is to replace the dead cop's dental records with a copy of Jimmy's and burn all the bodies.
Except, in the sequel, Lazlo Gogolak quickly puts 2 and 2 together and comes after Oz.
Deadpan Snarker: When he's not being spastic, Oz is pretty deadpan. Then again, what else would you expect from Matthew Perry?
Jimmy: I'm gonna send this back and ask for another one, but if you put mayonnaise on it I'm gonna come to your house, chop your legs off, set your house on fire, and watch as you drag your bloody stumps through the door.
The threat (minus the burger part) is actually word-for-word from a message Bruce Willis left for Matthew Perry. Due to a slight miscommunication, Bruce was under the impression that Matthew Perry was dragging his feet signing on to the movie. So he called him and left a message explaining that he needed to sign on to the movie, or Bruce would...well, see the above. When the director found out, he found it sufficiently hilarious that he had it added to the script.
Which leads to Fridge Logic. There's no massive, searchable database of dental records. When unidentifiable bodies are found, their dental impressions are compared against likely candidates, usually locals reported missing. Each possibility's records have to be individually tracked down (probably with a subpoena or permission from next of kin) and examined by someone trained in dental forensics. There would be no reason for police in Montreal to suspect the corpses on their hands are (as far as anybody knows) still-living mobsters and hitmen from Chicago.
Fridge Brilliance: The only body that had to burned beyond recognition was the one that had been doctored (dentisted?) to be Frank's. Steps were obviously taken to ensure that Janni's body was identifiable, or maybe Jimmy deliberately left a wallet nearby for the cops to find, something that would give them an idea whose dental records to start checking.
I'm Standing Right Here: Oz finds out Jill was hired to kill him when she's gushing to Jimmy about it right in front of him.
The Klutz: Oz. At various points, he spins around, runs into Frankie and falls over, smashes into a glass door, tries to sit on a stack of items as they slowly collapse under him, and almost flips over backwards putting his feet on his desk.
Meet Cute: A very interesting subversion with Oz and Cynthia. He's up to his neck in hitmen and death but still finds her beautiful and compellingly strong.
Mooks: Being a mob boss and all, Janni always has men around him.
Properly Paranoid: Cynthia gives Oz grief in the sequel for installing state-of-the-art home protection systems and greeting all guests with a gun. He also wants to build a moat around the house and drops to the ground if a balloon pops nearby. Then, one night, Lazlo Gogolak and the Hungarian mob show up in his house, completely subverting the alarm system.
Retired Badass: In the sequel, Jimmy is happy to settle down with Jill in a house on the Mexican coast and be a househusband. He spends his days cleaning, cooking, and taking care of his chickens (all of whom have names). Oz is incredulous when he arrives, and can't believe what he sees (although the first thing he sees is Jimmy emptying a submachinegun clip in his direction). The whole thing was a gambit by Jimmy and Cynthia to take all of Lazlo's money.
Rich Bitch: Oz's wife acts like one and so does her mother.
Running Gag: Oz's beeper scaring the crap out of him because it usually goes off in high-stress situations.
Cynthia: It's your beeper.
Oz: I know.
The characters' annoyance at having mayonnaise put on their burgers.
Dentists apparently have a high suicide rate.
Both Janni and Lazlo like to pretend to have the same likes as others only to immediately deny it.
Tontine: The MacGuffin isn't quite a literal tontine, but it has the effect of one.
Undercover Cop Reveal: In the first one the guy assassin Oz' wife hires after Jill failed is actually a cop who was recording their conversations. He gets killed because he went to try and stop the hit on Jimmy by Janni by Jimmy.