Novas Aventuras de Mega Man (New Adventures of Mega Man) is a late-90's Brazilian comic featuring the Blue Bomber, Mega Man, and some of his supporting cast and enemies. This is where the overlap between this continuity and that of the games ends.It has been thirty years since Dr. Wily took over the world, or at least Brazil, and most of the population is either dead or enslaved. Mega Man and Roll were unable to prevent this since they spent those thirty years in power-up capsules. Dr. Light is deceased; the two must fend for themselves in this hostile place.Thankfully, they quickly make an ally in X, their younger brother who has gone into retirement for unknown reasons, and soon the three of them are officially back in action. Unfortunately, things are only going to get worse from there…That was the easy part. Unfortunately, this comic had so many retcons and continuity issues that sorting everything out is a bit of a chore. There's also plenty of artwork gaffs, since few of the artists chosen to draw for this comic retained many details from the past issues. NAdM was produced a bit differently than most other comics; the writers would produce a script, then have fan artists draw it; whoever's was the best would be selected for that issue. (It should be noted that only one artist, Rogerio Hanata, illustrated more than a single issue; also, artists would eventually write the scripts as well.)The publisher went under before the comic (and another series detailing events post-X4, before X5 was released) was completed, leaving many story threads dangling.Detailed summaries and scans of this series can be found at O Ácido Cinza, provided by one Rodrigo Shin; an overall summary of the convoluted plot and characters can be found here, at the Mechanical Maniacs.And now, a translation of the entire series by the Optical Internet Translation Gang is available here.Not to be confused with the Archie ComicsMega Man comic book, nor the the short-lived comic from Dreamwave, and definitely should not be confused with the Manga, Mega Man Megamix.
Art Shift: Every. Single. Issue. Sometimes multiple times within a single issue - the second one alone changes artists and styles twice!
Artificial Human: “Project Lazarus”, initiated years before the main events of the comic, involved kidnapping homeless girls from all over Brazil and turning them into robots, for a variety of horrible purposes. Roll was among them.
Kalinka was implied to be one as well, since she witnessed her father’s death thirty years ago, yet her age didn’t match this claim. Presumably, this would’ve been brought up again later had the comic lasted long enough.
Ax-Crazy: Princess, at least in the one issue in which she has any prominence (which is the one in which she’s kicked out of the comic). The reason she crossed over into the series’ dimension (long story) was, essentially, to kill everything that wasn’t her and her robotic pet.
Brain Uploading: Early on, Roll’s body is temporarily destroyed, and her brothers are forced to move what’s left of her to... a washing machine. She is most displeased, but at least she’s not totally helpless in this state.
Canon Foreigner: Tons. Most notably are Nastenka (Kalinka’s robot bodyguard and friend), Princess, the rebels, Holzenbein and its forces, and the various robots that impede Mega Man, Roll and co.’s progress.
Chivalrous Pervert: For all of X’s questionable behaviour around Roll and Nastenka, he’s not a bastard. The same can be said of Mega.
Chuck Cunningham Syndrome: Towards the end, Kalinka just sorta... goes poof. Considering that most of the last issues were one big fight, it might not be unreasonable to assume that she just stayed out of it.
Cultural Posturing: While everyone in the comic loves Brazil something fierce, Princess is the most egregious example; her introduction (on a fake talk show) includes a rant about how there need to be more comics about Brazilian characters.
Cultural Translation: Did you know that the first eight Classic-series games took place in Brazil? And that everyone in the cast’s always lived there?
Cut Short: Sure would’ve been nice to see how this thing would’ve concluded.
Defector from Decadence: Dr. Light was one of the scientists involved with Project Lazarus; he wanted no part of it.
Protoman was part of “The Six”, the original replacements for all of the world’s robots and Wily‘s present allies, but abandoned them at some undetermined point. Oddly, he was allowed in the group despite not being one of the said replacements, the “Neo-Mavericks“.
Exactly What I Aimed At: During the fight with Princess, Mega Man and X launch a buster attack that seems to miss, but really hit the large pillar behind that swung into her.
Fan Disservice: Most of issue #4, and for good reason—all of the Project Lazarus victims were underage.
Roll is rendered almost completely naked in issue #12. This is made scary by the circumstances in which it happened, and that she's missing half her face due to a buster shot.
For the Evulz: At one point, Mr. Holzenbein sacrifices some poor girl in a Voodoo ceremony(?) for no reason. (At least the comic admits this.)
Four Is Death: Mega Man's group is attacked by four powerful robots in issue #10.
Gainax Ending: Grey aliens interrupt the final fight scene in the last issue.
Genre Shift: The writers have admitted to changing the genre nearly every issue, because they wanted to see which sort of storylines the readers liked best. As such, one comic could be a flashback to a horrifying backstory about Roll's mind being taken from a young girl whom an evil scientist murdered for his mad robotics experiment, while another could be an anything goes, Large Ham comedy with No Fourth Wall.
Godiva Hair: Kalinka has this while naked. Roll...doesn't.
Heel Face Door Slam: Two of them occur in rapid succession…sort of. The first, Protoman forcing X and Slasher back onto his side is quite delayed (though Slasher was working more with Protoman than with anyone else); the second is something of an odd case. Protoman is offered the chance to rejoin the Six; Wily slams the door by kicking the Six to the curb.
Heel-Face Turn: The circumstances of Proto’s are vague at best; was he planning on overthrowing Wily, or did he really snap?
Hotter and Sexier: For a comic based on Mega Man, there sure are a lot of naked women.
Idiot Hero: Both Mega Man and X, to various degrees. To X's credit, he's the only one to wonder why Kalinka still looks like a teenager if she witnessed her father's death thirty years ago.
In Name Only: After a certain point, the comic focuses so much on Roll that calling it "The New Adventures of Mega Man" isn't all that accurate. Could also qualify as an Artifact Title or Decoy Protagonist depending on the authors' plans.
Oddball in the Series: Even without the rampant blood and gore, weird continuity, and naked women running about, this comic has about as much to do with Mega Man as a history textbook. Needless to say it tends to be ignored everywhere else in the franchise.
Series Continuity Error / Continuity Snarl: Plenty of smaller ones to go around, but the most notable one has to be issue #12. The actual events—Roll fleeing from her pursuers, even though she was knocked out at the end of issue #11—isn’t too bad, if you assume that she recovered in-between issues. However, her reflections during #12 directly contradict what she (and the reader) have learned only a few issues prior (for example, the manner in which Dr. Light died). You could almost assume that much of #12 was Roll dreaming, but in the point at which the “dream” ends, one can see that X and “Slasher” are trussed up along with Mega Man, Roll, Kalinka, and Nastenka, even though not only are they free in #13, but they’re revealed to be traitors.
Spell My Name with an S: Kalinka’s name is rendered as “Karinka” here; Dr. Light/Right is Wright, and for a good chunk of time, Wily is Willy.
You Didn't Ask: X knew much, much more than he let on, but never shared this info with his allies. There was a supposedly good reason for this that was never revealed, so it’s probably safe to assume that the info—the exact details of Dr. Light’s death—had traumatized him. Slasher, on the other hand, is forced to remain vague, as Proto doesn‘t want the others knowing of their plans just yet.