Characters: Sense and Sensibility

Elinor Dashwood

"If you can think me capable of ever feeling — surely you may suppose that I have suffered now."

  • Birds of a Feather: With Edward Ferrars
  • Deadpan Snarker: She mostly keeps her snarks to herself because she's just that polite and often she feels others don't even deserve her answer or the privilege of reasonable conversation. She has the "deadpan" part of the trope polished to perfection.
  • Did You Think I Can't Feel?: She give one of these speeches to Marianne who is shocked to discover what Elinor had to suffer and was silent about it. Her own mother is also horrified when she finds out she behaved insensibly to Elinor.
  • Double In-Law Marriage: Half-siblings John and Elinor Dashwood to siblings Fanny and Edward Ferrars.
  • Emotionless Girl: She appears to be one, but the truth is she has lots of true and deep feelings. She's just that polite and can control herself really well.
  • English Rose: She's a very pretty girl with loving nature, devoted to her family and polite even to people who don't deserve it. Her sister Marianne is said to be prettier, but she's a dark and exotic beauty. Elinor though is fair like a true archetypal English Rose.
  • Foolish Sibling, Responsible Sibling: Responsible Elinor and foolish Marianne, albeit one where the "foolish" daughter is portrayed fairly sympathetically.
  • Genre Savvy: Elinor is quick at correctly identifying everyone's role in the Love Triangles around her. She deduces that Lucy is a Clingy Jealous Girl probably faster than the reader could at that point.
  • The Glorious War of Sisterly Rivalry: The conflict between Marianne's advocation of her behavior and indulgence in sensibility and Elinor's practical sense and insistence she try to control herself more mirrors the glorious war between Freud's Id and Superego.
  • Grumpy Bear
  • Hidden Depths: She really has deep feelings, only she doesn't parade them in front of everyone. She's a great reader and she draws and paints wonderfully.
  • Higher Self: Elinor acts something like this for Marianne.
  • I Want My Beloved to Be Happy: She doesn't force herself on Edward. Firstly because she knows his family wouldn't approve and secondly, she sincerely wishes that he and Lucy might be happy as a married couple. Elinor knows Lucy is fairly smart and hopes she also loves him. However, Elinor also sees her real self, her cunning nature and not so pretty ways.
  • Love Triangle: Elinor loves Edward and Edward loves Elinor. However, he used to love, nay, he was infatuated with Lucy Steele. He promised to marry her, and even when he falls in love with Elinor feels obligated by his word.
  • Not So Stoic: She's really desperate when her sister is dying. And she really loses her cool when their servant announces them that Mr. Ferrars got married. Poor Elinor.
    • And there's her reaction when Edward tells her he did not marry Lucy and would very much like to marry her.
  • Only Sane Woman: She's the reasonable one in her family. She's even more sensible than her mother. Had there been no Colonel Brandon, she would be Only Sane Woman in the entire novel.
  • Platonic Life Partners/Like Brother and Sister: With Colonel Brandon, with whom she is very close but there's not a smidge of romantic feeling between them. Their closeness is quite understandable since they're far and away the most sensible people in the entire cast.
  • Politeness Judo: A true master.
  • The Quiet One
  • The Reliable One: After her father's death, she becomes the most responsible member in her family.
  • Red Oni, Blue Oni: The Blue to Marianne's Red.
  • Sibling Yin-Yang: With Marianne.
  • Single Woman Seeks Good Man
  • The Spock: She is the voice of reason and logic in her family.
  • Stepford Smiler: She manages to appear happy when she suffers inside horribly, knowing that Edward really loves her but is engaged to another one and wants to go through with the marriage.
  • Stiff Upper Lip: She resolutely maintains her composure through being turned out of her home, the embarrassing company of Sir John and Mrs. Jennings, Lucy Steele's passive-aggressive "friendship", loss of Edward, and Marianne's dramatics.
  • The Stoic
  • Sugar and Ice Personality: She appears nearly emotionless and cold becuase she is so sensible and well-balanced, but she is capable of showing genuine love and concern to several people, particularly her family. Especially Marianne who she loves dearly. And of course, to Edward, her big love. She's also very nice and considerate to Mrs Jennings, unlike Marianne who almost snubs her at times.
  • Surrounded by Idiots: She sometimes feel this way. Her family — the other Dashwood ladies — are very intelligent, but exaggerate their passionate feelings. The Middletons, the Ferrars clan (save for Edward), her half-brother, the Steele sisters, Mrs Palmer and Mrs Jennings have all their fair share of silliness or stupidity. Thank God for Colonel Brandon.
  • Twice Shy: She and Edward had a hard time to express their mutual affection. Though it was mainly because of Edward's mixed signals.

Marianne Dashwood

"I have been too much at my ease, too happy, too frank. I have erred against every common-place notion of decorum; I have been open and sincere where I ought to have been reserved, spiritless, dull, and deceitful — had I talked only of the weather and the roads, and had I spoken only once in ten minutes, this reproach would have been spared."

  • Annoying Younger Sibling: Mildly to Elinor.
  • Birds of a Feather: With Colonel Brandon, as revealed via Ironic/Meaningful Echo.
  • Damsel in Distress: Her romances with Willoughby and Colonel Brandon both start with them rescuing her.
  • Emo Teen: The Regency England version. She exaggerates her feelings for everything and everyone. She has genuinely deep love for poetry, music and nature.
  • Foolish Sibling, Responsible Sibling: Responsible Elinor and foolish Marianne, albeit one where the "foolish" daughter is portrayed fairly sympathetically.
  • The Glorious War of Sisterly Rivalry: The conflict between Marianne's advocation of her behavior and indulgence in sensibility and Elinor's practical sense and insistence she try to control herself more mirrors the glorious war between Freud's Id and Superego.
  • Ill Girl: Towards the end of the novel.
  • It's All About Me: Marianne is deeply self-absorbed, considering her feelings (whether positive or negative) absolutely irrepressible and in the process disregarding common politeness and the feelings of others; when circumstances force Elinor to confess that she too has been unhappy, Marianne breaks down in tears of remorse, forcing Elinor to comfort her again, and continues to wallow in her own unhappiness - with added guilt, now - rather than provide emotional support for Elinor. It takes near-death to smarten her up. Granted, she's a teenager, but it's a major contrast with Elinor, who's 19 and displays more responsibility and consideration for others than many people much older than her.
  • Love Triangle: She's involved in two — Marianne, Willoughby and Colonel Brandon, and also Marianne, Miss Gray and Willoughby. She loves Willoughby who tries to trick her but later admits he really loves her too, but marries Miss Gray. Colonel Brandon loves her as well from the moment they met. She falls for him at the end of the novel.
  • The McCoy: She's the heart of her family. She's concerned with feelings, true affection and love.
  • Oblivious to Love: Marianne seems, through much of the story, like she's deliberately ignoring Colonel Brandon's undeclared love for her. On literally the second-to-last page, it's finally clarified that she honestly had no idea, and is stunned when she realizes it.
  • Parental Favouritism: It's clear that Marianne is her mother's favorite child. But to Mrs Dashwood's credit, she's never unkind to her two other daughters and she loves them all.
  • Red Oni, Blue Oni: The Red to Elinor's Blue.
  • Sibling Yin-Yang: With Elinor.
  • Wrong Guy First: Mr Willoughby was a mistake and it could have been even worse, considering his seducing ways with ladies and girls.

Edward Ferrars

  • Adaptation Expansion: The major adaptations give him, frankly, a more distinctive personality to show why Elinor is so taken with him.
  • Honor Before Reason: He absolutely refuses to break his engagement to Lucy Steele, which was made years ago, and which has since lost any appeal for him.
  • Nice Guy: He's an amiable young man. The Emma Thompson film elaborates greatly on this.
  • Parental Marriage Veto: His mother would never approve of him being engaged to Elinor or Lucy Steele, and she disinherits him when the latter is revealed.
  • Shrinking Violet: Described as shy and diffident.
  • The Unfavorite: Actually, his mother and sister both have great plans for him—plans which don't coincide with his own wish to be a clergyman. However, while he is disinherited for his engagement to Lucy Steele, his brother John remains his mother's absolute favorite and suffers no reprimand.

Colonel Brandon

  • Birds of a Feather: Played with. Numerous characters ship him and Elinor because of this, even though their feelings for each other remain strictly friendly throughout.
  • Christmas Cake: A rare male version. Not that society in general would view him as such, but Marianne certainly thinks he's too old to be interesting when they first meet. (He's thirty-five.)
  • Love at First Sight: With Marianne; she reminds him of his first love.
  • My Greatest Failure: He blames himself for the unhappy fate of his first love and, after her untimely death, fostered her illegitimate daughter.
  • Only Sane Man: He's a man of thorough sense.
  • Opposites Attract: An older and very steady man who's not given to fits of fancy or wild emotion. He falls quite in love with Marianne Dashwood, who's the opposite.
  • Platonic Life Partners: With Elinor, as they're the most level-headed people around.
  • Second Love: He and Marianne are this to each other.

Mrs Dashwood

  • Good Parents: She's a bit irresponsible and a little too passionate for a lady of her age, but she's a loving mother to all her three daughters.
  • Happily Married: To her late husband.
  • Impoverished Patrician: Norland was entailed to the male line. Although Mr. Dashwood did leave a son, he's a spineless ninny who turns out his stepmother and stepsisters at the suggestion of his wife.
  • Parents as People: She loves both of her daughters very much, but she somewhat favors Marianne, and Elinor behaves more responsibly and rationally.
  • Widow Woman: She's widowed and reduced to a status of Impoverished Patrician who had to move from grand Norland mansion to a small cottage house.

Lucy Steele

  • Bitch in Sheep's Clothing:
  • Childhood Marriage Promise: She and Edward promised to marry as teenagers, and though he no longer loves her, she's adamant about carrying it through.
  • Gold Digger: Although she first promises to marry Edward in spite of his new poverty, she quickly abandons him for his older brother.
  • Sugary Malice: She cultivates a friendship with Elinor and ropes her into the engagement secret, knowing that Elinor herself is in love with Edward. Every chance she gets, she reminds Elinor—in the guise of innocent friendship—that she and Edward are engaged. Elinor knows it, but she's too polite to do anything about it.

John Willoughby

  • Anguished Declaration of Love: After marrying Miss Gray, he visits the Dashwoods during Marianne's illness and says that he did genuinely love her.
  • Alas, Poor Villain: Subverted. At first, his lament over having to abandon his love for Marianne seems sympathetic, but then Elinor reminds herself of what he did to her and Colonel Brandon's ward which impelled said separation.
  • Bitch in Sheep's Clothing: His charm conceals the fact that he is an irresponsible cad. It helps that what he feels for Marianne is genuine, he just feels for himself more than anyone else.
  • The Hedonist: He does whatever seems pleasurable in the moment. In Devonshire, that's romancing Marianne. But it's also seducing the fifteen-year-old ward of Colonel Brandon, and marrying a rich woman so he can maintain his lifestyle.
  • Jerk Ass: Although he has some measure of conscience, and thus is a little better than some other Austen villains, his actions are still completely selfish and reprehensible.
  • Rescue Romance: He meets Marianne after she sprains her ankle and carries her home.
  • Shotgun Wedding: Subverted. He's compelled to marry immediately after impregnating young Eliza, but not to Eliza—he abandons her, is disinherited by his aunt, and so immediately marries Miss Grey.
  • Take Back Your Gift: After he's engaged to Miss Grey, he sends back all of Marianne's letters and the lock of hair he asked of her.