The Trash Heap of the TV Tropes Forum.

I know it sounds strange, but I'd actually be interested in seeing your ideas/designs for a new VH1 logo.

(I was actually gonna say this earlier, but I forgot)

@JZ: That's up to the executives, I suppose.

edited 6th Mar '11 4:44:07 PM by CentralAvenue

I initially mentally had a reprise of their 1994 one, but without the terminal(?) at the bottom and rounded corners.

I have no drawing programs, so no concepts.

Download Inkscape and try to draw it only to end up with something that only slightly resembles what it looks like in your head. That's what I do!

Why did this song randomly pop into my head?

I don't know about retaining the "VH" in the middle. I fear it would not reproduce well at smaller sizes. And it would look like crap otherwise.

This is probably why they tweaked it and stuck it in a circle after a few years, give it a bit more distinction. I remember when they did that and I hated it; now I prefer it to the original.

edited 6th Mar '11 4:48:36 PM by AnonymousUser

I love this movie. Probably my favorite John Wayne film

All ponies, all the time, except from 2:37 AM to 7:06 AM, when it's nonstop fuzzy camcorder footage of the Hellhorse at Denver International Airport, overlaid with white noise.

Well The Hub will probably be moved into the Channel Seven Clock Tower, provided it's okay with Hasbro...

Also, I'm trying to think of a Punny Name for that. The Nick Jr. analogue is "HubBub", the old-stuff action block is "HubBoom".

Look, I've even done your branding for you!◊

Hahaha No.

If I were me the ponies would definitely be more prominent, and not air when the target audience is in school and at no other time fuck.

That's pretty good, CA.

That's a very nice logo, in a diabetes-y sort of way.

Y'all know I just edited the current My Little Pony logo◊, right?

edited 6th Mar '11 5:12:46 PM by CentralAvenue

-opinion of CA drops 30 percent-

How dare those bastards. The previous logo was one of 2009's best

A Reading from

Human sacrifice, agriculture, eating, reproduction, aging, death, fertilizing, growth and decay. The flows are endless. There is no top, no bottom. We are all someones food. We flow into each other, use, abuse, each other. We sacrifice to our All forms of nature are variations of the verb “to eat.” Evidence is in the form of fossils of Desmodus draculae, the giant vampire bat. There have also been skeletons of D. draculae found which were sub-fossil, of very recent age All forms of nature are variations of the verb “to eat.” gods, we are worshiped, we all eat and sleep. The gods need us. We all sleep sometime. The will to power is the ideal, the lie we live. We are all weak. We are all powerful. We are all-week… we are all-powerful. We are all Bat-Gods to someone.

Lions are the most powerful mammals simply because they feed on animals, dying planets, and falling stars

SILENCE TO THE HEATHEN

Mirror

DEATH TO THE MASQUERADE CANINE

Let the rain fall and fall and fall and fall and fall

Large things are not more IS than no things and small things

Let the cyclops remain.

edited 6th Mar '11 5:18:36 PM by Myrmidon

YOUR SIX-PACK OF COKE FOR MY SAUCEPOT

I was wondering when you were gonna make another one of those.

^But what about a 12-pack?

edited 6th Mar '11 5:20:03 PM by AnonymousUser

I'll give you a saucepot and a crockpot in that case.

I would pay to read a book by Myrmidon where he just has a freakout over 300 pages or so

I find it hilarious that this guy apparently fictionalised his friend as a Schoolgirl Lesbian and published the resulting work without bothering to ask the guy's permission first.

edited 6th Mar '11 5:22:45 PM by Idler20

I now completely understand CA's burning hatred of GIF◊

I am surprised that Neutraface has become so ubiquitous. I can't leave my apartment without running into an ad for a new condo development using it, or a restaurant, or a new cookbook. Seeing it around so much, little things started to bother me about it. The low crossbars are fine in a short block of text, but in a whole magazine's worth of captions, they start to grate on my nerves. I had also seen a number of logos and a Swedish home design magazine using versions of the face that had been modified with varying degrees of success, so the demand for a more 'normal' Neutraface seemed clear. We had discussed drawing an alternate version with more normal crossbars as part of the initial release, but ulitmately decided that it would water the concept of the face down too much. In 2006, I asked House if they might reconsider this decision and let me do a 'director's cut' of the face, raising the crossbars, adjusting accent heights for better setting of Scandinavian languages, and fine-tuning a few other details. I also took this opportunity to add an Inline version, which helped alleviate some of the inevitable boredom of going back into an old project. We decided to call this new versions 'Neutraface No. 2', after Linotype's 'Metro No. 2', W.A. Dwiggins's rethinking of his geometric sans.

Silly, books don't have youtube embeds.