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** Milky White from the 2022 revival became an online fan favorite due to her unique design and Kennedy Kanagawa's puppeteering.

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** %%** Milky White from the 2022 revival became an online fan favorite due to her unique design and Kennedy Kanagawa's puppeteering.
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** Milky White from the 2022 revival became an online fan favorite due to her unique design and Kennedy Kanagawa's puppeteering.
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* GeniusBonus: In the original fairy tale, Rapunzel is named after the plant her mother craves while pregnant with her. This plant is also sometimes referred to as "rampion," which the Witch is the most upset about the Baker's father stealing from her, making it a stealth reference to the original story. Knowing this also explains why Cinderella's Prince makes fun of Rapunzel's name: not many people share a name with a vegetable.
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* AdaptationDisplacement: The musical adapts the lesser known Grimm version of Cinderella - which features the golden shoes, a ball for three nights, a tree at her mother's grave that grants the dress, and the stepsisters getting their toes cut off to try to fit into the shoe, and subsequently have their eyes pecked out by birds. The general public is more familiar with the Perrault version (which, to be fair, is the older of the two, at least in print form), which has the FairyGodmother and a ball for only two nights.

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* AdaptationDisplacement: The musical adapts the lesser known Grimm version of Cinderella - which features the golden Cinderella: gold shoes, a ball for three nights, successive nights at the ball, Cinderella's garb coming from a tree at planted on her mother's grave that grants the dress, and grave, the stepsisters getting cutting pieces of their toes cut feet off to try to fit into the shoe, and subsequently have the stepfamily's subsequent humiliation when birds peck their eyes pecked out by birds. out. The general public is more familiar with the Perrault version (which, to be fair, is the older of the two, at least in print form), which has the glass slipper, the FairyGodmother and a ball for only two nights.
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* AdaptationDisplacement: The musical adapts the lesser known Grimm version of Cinderella - which features the golden shoes, a ball for three nights, a tree at her mother's grave that grants the dress, and the stepsisters getting their toes cut off to try to fit into the shoe. The general public is more familiar with the Perrault version (which, to be fair, is the older of the two, at least in print form), which has the FairyGodmother and a ball for only two nights.

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* AdaptationDisplacement: The musical adapts the lesser known Grimm version of Cinderella - which features the golden shoes, a ball for three nights, a tree at her mother's grave that grants the dress, and the stepsisters getting their toes cut off to try to fit into the shoe.shoe, and subsequently have their eyes pecked out by birds. The general public is more familiar with the Perrault version (which, to be fair, is the older of the two, at least in print form), which has the FairyGodmother and a ball for only two nights.
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* AdaptationDisplacement: The musical adapts the lesser known Grimm version of Cinderella - which features the golden shoes, a ball for three nights and a tree at her mother's grave that grants the dress. The general public is more familiar with the Perrault version (which, to be fair, is the older of the two, at least in print form), which has the FairyGodmother and a ball for only two nights.

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* AdaptationDisplacement: The musical adapts the lesser known Grimm version of Cinderella - which features the golden shoes, a ball for three nights and nights, a tree at her mother's grave that grants the dress.dress, and the stepsisters getting their toes cut off to try to fit into the shoe. The general public is more familiar with the Perrault version (which, to be fair, is the older of the two, at least in print form), which has the FairyGodmother and a ball for only two nights.
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* TheyChangedItNowItSucks: Fans who enjoyed the musical for its MetaFiction were unhappy that the Narrator was AdaptedOut from the movie adaptation, since it has serious thematic consequences for the already-abridged Act 2. In the musical, the Narrator keeps the story on track for a happy ending, and the fact that the characters turn against him and kill him is what's directly responsible for the story immediately going OffTheRails. But in the movie, the lack of Narrator (and therefore, the lack of the Narrator's death) means that Act 2's darker tonal shift comes across as a sudden DiabolusExMachina without any explanation.

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* AlternativeCharacterInterpretation: The Witch comes across as much more evil in the 2014 movie adaptation, to the point where Rapunzel seems like just another one of her victims than anything else. While at the same time one could also look at The Witch's actions towards Rapunzel as an old woman desperately wants appreciation but doesn't quite know how to express it properly.

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* AlternativeCharacterInterpretation: AlternativeCharacterInterpretation:
**
The Witch comes across as much more evil in the 2014 movie adaptation, to the point where Rapunzel seems like just another one of her victims than anything else. While at the same time one could also look at The Witch's actions towards Rapunzel as an old woman desperately wants appreciation but doesn't quite know how to express it properly.properly.
** The Baker's Wife is much nicer and considerate in the 2014 movie adaptation. Her willingness to justify doing morally questionable things for a good cause is mostly downplayed in favor of her desire for motherhood.
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** This is also what happens when you have Anna Kendrick playing Cinderella. "On the Steps of the Palace" really shows off how quirky the girl is, as well as other adorably awkward interactions with the Baker's Wife.

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** This is also what happens when you have Anna Kendrick Creator/AnnaKendrick playing Cinderella. "On the Steps of the Palace" really shows off how quirky the girl is, as well as other adorably awkward interactions with the Baker's Wife.



** Creator/EmilyBlunt wasn't nominated for an Academy Award, despite many reviews acclaiming her as one of the best, if not ''the'' best, part of the 2014 movie. She ''was'' nominated for a Golden Globe, but that was the biggest award she was nominated for.

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** Creator/EmilyBlunt wasn't nominated for an Academy Award, UsefulNotes/AcademyAward, despite many reviews acclaiming her as one of the best, if not ''the'' best, part of the 2014 movie. She ''was'' nominated for a Golden Globe, UsefulNotes/GoldenGlobe, but that was the biggest award she was nominated for.



* BaseBreakingCharacter: Despite his small role, Creator/JohnnyDepp as the Big Bad Wolf in the 2014 movie has been divisive. Some don't mind him and feel he had a good mix of creepy and funny that the role requires but others decry him as the weakest of the cast and he's often compared to Creator/RussellCrowe's jarring performance in ''Film/{{Les Miserables|2012}}''. Not to mention the constant criticism of Depp [[TypeCasting repeating his eccentric roles]].

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* BaseBreakingCharacter: Despite his small role, Creator/JohnnyDepp as the Big Bad Wolf in the 2014 movie has been divisive. Some don't mind him and feel he had a good mix of creepy and funny that the role requires but others decry him as the weakest of the cast and he's often compared to Creator/RussellCrowe's jarring performance in ''Film/{{Les Miserables|2012}}''. Not to mention the constant criticism of Depp [[TypeCasting repeating his eccentric roles]].



* CriticalDissonance: Critics are mixed on the 2014 movie but overall are leaning more on the positive side. Audiences, on the other hand, are even ''more'' mixed on the movie, with a 53% audience rating on Rotten Tomatoes.

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* CriticalDissonance: Critics are mixed on the 2014 movie were mixed, but overall are were leaning more on the positive side. Audiences, on the other hand, are even ''more'' mixed on the movie, with a 53% audience rating on Rotten Tomatoes.Website/RottenTomatoes.



* SugarWiki/HeReallyCanAct: While Chris Pine had been proving his acting chops for years prior to this, he impressed people with his singing as Cinderella's Prince. Some even call foul that he didn't receive any major nominations for the role.

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* SugarWiki/HeReallyCanAct: While Chris Pine Creator/ChrisPine had been proving his acting chops for years prior to this, he impressed people with his singing as Cinderella's Prince. Some even call foul that he didn't receive any major nominations for the role.



** Meryl Streep and Emily Blunt would reunite in a musical directed by Rob Marshall four years later - ''Film/MaryPoppinsReturns''. This time it's Emily playing the powerful one, but again Meryl's character requires her help.

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** Meryl Streep Creator/MerylStreep and Emily Blunt Creator/EmilyBlunt would reunite in a musical directed by Rob Marshall four years later - ''Film/MaryPoppinsReturns''. This time it's Emily playing the powerful one, but again Meryl's character requires her help.



** Before this movie came out, it had been announced that Creator/JamesCorden was going to replace Craig Ferguson as the host of ''Series/TheLateLateShow'', but he still wasn’t very well-known to American audiences yet when he was in this movie.
* SugarWiki/RuleOfSeanConnery: Anna Kendrick! While there was some fear when her casting was announced, as her only musical film experience was ''Film/PitchPerfect'' (people forgot she had a Tony nomination at the age of twelve), but her performance ended up being acclaimed. Much praise went to her version of "On the Steps of the Palace", where they actually ''raised'' the key (Kim Crosby sang it in D major, Anna Kendrick sings it in Eb major), and her soprano note at the end.

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** Before this movie came out, it had been announced that Creator/JamesCorden was going to replace Craig Ferguson Creator/CraigFerguson as the host of ''Series/TheLateLateShow'', but he still wasn’t wasn't very well-known to American audiences yet when he was in this movie.
* SugarWiki/RuleOfSeanConnery: Anna Kendrick! Creator/AnnaKendrick! While there was some fear when her casting was announced, as her only musical film experience was ''Film/PitchPerfect'' (people forgot she had a Tony nomination at the age of twelve), but her performance ended up being acclaimed. Much praise went to her version of "On the Steps of the Palace", where they actually ''raised'' the key (Kim Crosby sang it in D major, Anna Kendrick sings it in Eb major), and her soprano note at the end.
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* RuleOfSeanConnery: Anna Kendrick! While there was some fear when her casting was announced, as her only musical film experience was ''Film/PitchPerfect'' (people forgot she had a Tony nomination at the age of twelve), but her performance ended up being acclaimed. Much praise went to her version of "On the Steps of the Palace", where they actually ''raised'' the key (Kim Crosby sang it in D major, Anna Kendrick sings it in Eb major), and her soprano note at the end.

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* RuleOfSeanConnery: SugarWiki/RuleOfSeanConnery: Anna Kendrick! While there was some fear when her casting was announced, as her only musical film experience was ''Film/PitchPerfect'' (people forgot she had a Tony nomination at the age of twelve), but her performance ended up being acclaimed. Much praise went to her version of "On the Steps of the Palace", where they actually ''raised'' the key (Kim Crosby sang it in D major, Anna Kendrick sings it in Eb major), and her soprano note at the end.

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* {{Adorkable}}:
** Rapunzel's Prince looks like a massive dork, from his badly thought out attempt at swinging from Rapunzel's hair like a vine, to his awkward shirt ripping in "Agony". Both moments are very endearing.
** This is also what happens when you have Anna Kendrick playing Cinderella. "On the Steps of the Palace" really shows off how quirky the girl is, as well as other adorably awkward interactions with the Baker's Wife.
* AlternativeCharacterInterpretation: The Witch comes across as much more evil in the 2014 movie adaptation, to the point where Rapunzel seems like just another one of her victims than anything else. While at the same time one could also look at The Witch's actions towards Rapunzel as an old woman desperately wants appreciation but doesn't quite know how to express it properly.



* AlternativeCharacterInterpretation: The Witch comes across as much more evil in the 2014 movie adaptation, to the point where Rapunzel seems like just another one of her victims than anything else. While at the same time one could also look at The Witch's actions towards Rapunzel as an old woman desperately wants appreciation but doesn't quite know how to express it properly.



** Rapunzel's fate is averted in the movie. According to Sondheim, he tried to get Rapunzel to die in the 2014 movie like she did in the play. However, most likely due to the more family-oriented audience, they decided they wanted Rapunzel to live. Some are ok with the change and like her getting a [[EarnYourHappyEnding happy ending with her prince,]] but some argue that Rapunzel's death was very significant for the Witch's arc. Check [[http://www.playbill.com/news/article/sondheim-reveals-plot-changes-for-disney-into-the-woods-film-322631 here]] for the article. A counter point to this says that Rapunzel's death makes more sense in the show - where she's left to fend for herself while pregnant in the desert. In the movie, she's found the next day and so there's less time for her to go mad.

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** Rapunzel's fate is averted in the movie. According to Sondheim, he tried to get Rapunzel to die in the 2014 movie like she did in the play. However, most likely due to the more family-oriented audience, they decided they wanted Rapunzel to live. Some are ok with the change and like her getting a [[EarnYourHappyEnding happy ending with her prince,]] but some argue that Rapunzel's death was very significant for the Witch's arc. Check [[http://www.playbill.com/news/article/sondheim-reveals-plot-changes-for-disney-into-the-woods-film-322631 here]] for the article. A counter point to this says that Rapunzel's death makes more sense in the show - where she's left to fend for herself while pregnant in the desert. In the movie, she's found the next day and so there's less time for her to go mad. Not helping matters was that a song "She'll Be Back" was written for The Witch to address this change, and then cut.


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* FanPreferredCutContent: The MovieBonusSong "She'll Be Back" was cut for pacing reasons. However, this song was written to accommodate the change in Rapunzel's fate; with The Witch trying to convince herself that Rapunzel will come back to her, and properly realising she's been such an awful mother that she's driven her daughter away permanently. Several fans found that it would have actually solved many of the pacing issues they had with Act 2, and there are fan edits restoring it. Superficially, it gives Meryl Streep a nice solo, and she kills it.
* SugarWiki/HeReallyCanAct: While Chris Pine had been proving his acting chops for years prior to this, he impressed people with his singing as Cinderella's Prince. Some even call foul that he didn't receive any major nominations for the role.


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** Rapunzel's Prince gets AdaptationalHeroism so that he's thought to be a predator but turns out to be a NiceGuy. Billy Magnussen plays him, and six years later does the reverse of this role in ''Film/NoTimeToDie''; [[spoiler: playing TheMole and succeeding in killing an iconic Bond character]].


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* RuleOfSeanConnery: Anna Kendrick! While there was some fear when her casting was announced, as her only musical film experience was ''Film/PitchPerfect'' (people forgot she had a Tony nomination at the age of twelve), but her performance ended up being acclaimed. Much praise went to her version of "On the Steps of the Palace", where they actually ''raised'' the key (Kim Crosby sang it in D major, Anna Kendrick sings it in Eb major), and her soprano note at the end.
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* AccidentalAesop: It's okay to be content if not happy. Act Two starts with everyone a little unsatisfied, but they take steps to solve their problems: Cinderella says she wants to sponsor a festival to deal with her boredom of being a princess and not being allowed to do anything, Jack helps his mother with some chores now that they have enough money for food and home repairs, and the Baker promises he will expand the bakery for their child. Even in the end, everyone agrees they don't have to be happy, but they can be content together.
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* EarnYourHappyEnding: Could be argued that this is first subverted, then played straight - even LampShaded at at the end of Act I, where everyone mostly gets what they wanted but didn't actually to more than get lucky in many places; then, in Act II, they earn their results (even though the results are pretty sober).

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* SeinfeldIsUnfunny: ''Into the Woods'' was notable at the time for being one of the first mainstream works to deconstruct fairy tales. Things such as PrinceCharming being revealed as a cheating {{Jerkass}}, the WickedWitch being more complicated than outright evil, and becoming a princess proving unfulfilling were extremely new and fresh at the time. A generation used to the FracturedFairyTale formula of ''WesternAnimation/{{Shrek}}'' and even Disney doing their own revisionist fairy tales like ''{{WesternAnimation/Frozen 2013}}'' might find ''Into the Woods'' passé (although the music itself is still held in high regard). Notably when the film adaptation came along in 2014, the tone became significantly less cynical and satirical.



* ValuesDissonance: Given that the story of Little Red Riding Hood is generally accepted as being a cautionary tale about rape, it's becoming precarious in our post-Me-Too, hashtag-rape-culture society that the musical's ultimate statement on the matter is that it is up to potential victims to take responsibility for keeping themselves out of danger ("Don't be scared ... just be prepared") due to the reality that wishful thinking won't actually do anything to provide safety ("Do not put your faith in a cape and a hood; they will not protect you the way that they should").

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* ValuesDissonance: ValuesDissonance:
**
Given that the story of Little Red Riding Hood is generally accepted as being a cautionary tale about rape, it's becoming precarious in our post-Me-Too, hashtag-rape-culture society that the musical's ultimate statement on the matter is that it is up to potential victims to take responsibility for keeping themselves out of danger ("Don't be scared ... just be prepared") due to the reality that wishful thinking won't actually do anything to provide safety ("Do not put your faith in a cape and a hood; they will not protect you the way that they should").should").
** There's also the treatment of the Baker's Wife's 'infidelity' with Cinderella's Prince. It's treated as a consensual tryst, even though the prince seduces her and she doesn't say no. Given the class and power imbalance between them (as well as the prince's established characterization as a womaniser), it's unlikely she would have been in a position to turn him down even if she wanted to. Cinderella indeed hears of the prince's actions and doesn't tell the Baker to spare his feelings so he won't know his wife cheated on him; with greater awareness of sexual politics, a modern viewer is less likely to find too much wrongdoing on the wife's part.



* HilariousInHindsight:
** Disney would release ''{{Film/Cinderella 2015}}'' only months after this one, making an interesting companion piece to the Cinderella story; ''Into the Woods'' is a {{Deconstruction}}, while ''Cinderella'' is a {{Reconstruction}}.
** Meryl Streep and Emily Blunt would reunite in a musical directed by Rob Marshall four years later - ''Film/MaryPoppinsReturns''. This time it's Emily playing the powerful one, but again Meryl's character requires her help.
** Meryl Streep would play another toxic mother who sings a lot in ''Film/RickiAndTheFlash'' a few months later. Although in that, Ricki is considerably nicer than the Witch.
** Emily Blunt was pregnant playing a character whose infertility is a plot point. When she was pregnant with her second child only two years later, she was again playing a character who can't have children; Rachel of ''Literature/TheGirlOnTheTrain''.



* RetroactiveRecognition: Lilla Crawford, who plays Red Riding Hood in the 2014 film, later voices the title character in the Nickelodeon series ''Sunny Day''. She's also a regular on Netflix's ''The Who Was? Show''.

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* RetroactiveRecognition: RetroactiveRecognition:
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Lilla Crawford, who plays Red Riding Hood in the 2014 film, later voices the title character in the Nickelodeon series ''Sunny Day''. She's also a regular on Netflix's ''The Who Was? Show''.
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** Although it had been announced before this movie came out that he was going to replace Craig Ferguson as the host of ''Series/TheLateLateShow'', Creator/JamesCorden still wasn’t very well-known to American audiences yet when he was in this movie.

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** Although Before this movie came out, it had been announced before this movie came out that he Creator/JamesCorden was going to replace Craig Ferguson as the host of ''Series/TheLateLateShow'', Creator/JamesCorden but he still wasn’t very well-known to American audiences yet when he was in this movie.
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** Creator/JamesCorden wasn’t very well-known to American audiences yet when he was in this movie.

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** Although it had been announced before this movie came out that he was going to replace Craig Ferguson as the host of ''Series/TheLateLateShow'', Creator/JamesCorden still wasn’t very well-known to American audiences yet when he was in this movie.
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** Creator/JamesCorden wasn’t very well-known to American audiences yet when he was in this movie.
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* MagnificentBitch: [[WickedWitch The Witch]] catches the Baker's father stealing her greens years before the Baker himself is born and demands to him that as payment for doing so that she let him take his newborn daughter Rapunzel to raise as her own. While treating Rapunzel well, the Witch is [[KnightTemplarParent so overprotective]] to the point that she locks her in a tower and temporarily blinds Rapunzel's prince on one of the occasions he comes to see her. Years after taking Rapunzel, needing to break the curse [[AbusiveParents her own mother]] set on her, the Witch goes to the Baker and his wife revealing she placed an infertility spell on them and that they will only be able to reverse it if they retrieve the necessary items to help her reverse her own, while noticing when the white cow they get is [[PaperThinDisguise disguised with flower]] rather than being the right color. This ultimately is successful for all parties and things are well, until the Witch insists that [[WouldHurtAChild Jack be sacrificed to the Giant's wife]] when she wants vengeance for her husband's death.

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* MagnificentBitch: [[WickedWitch The Witch]] catches the Baker's father stealing her greens years before the Baker himself is born and demands to him that as payment for doing so that she let him take his newborn daughter Rapunzel to raise as her own. While treating Rapunzel well, the Witch is [[KnightTemplarParent so overprotective]] to the point that she locks her in a tower and temporarily blinds Rapunzel's prince on one of the occasions he comes to see her. Years after taking Rapunzel, needing to break the curse [[AbusiveParents her own mother]] set on her, the Witch goes to the Baker and his wife revealing she placed an infertility spell on them and that they will only be able to reverse it if they retrieve the necessary items to help her reverse her own, while noticing when the white cow they get is [[PaperThinDisguise disguised with flower]] flour]] rather than being the right color. This ultimately is successful for all parties and things are well, until the Witch insists that [[WouldHurtAChild Jack be sacrificed to the Giant's wife]] when she wants vengeance for her husband's death.

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* AwardSnub: The original production lost the "Best New Musical" Tony to ''Theatre/ThePhantomOfTheOpera'', and many theater snobs are salty about it to this day.

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* AwardSnub: AwardSnub:
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The original production lost the "Best New Musical" Tony to ''Theatre/ThePhantomOfTheOpera'', and many theater snobs are salty about it to this day.day. Noticeably it won the awards for Score and Book, which typically translates to winning the top prize.
** While Joanna Gleeson and Robert Westenberg earned highly deserving Tony nominations, the rest of the highly acclaimed original cast went snubbed, noticeable in the cases of Chip Zien, Tom Aldridge, Kim Crosby, Ben Wright, and Danielle Ferland. Bernadette Peters was also ignored, though she had left the show early and the producers asked if they could put aside her campaign so they could clear the path to Gleeson winning their shared category. Peters have them her blessing, was snubbed, and Gleeson won.



* TheWoobie: When he was at a very young age, The Baker lost his entire family due to his father angering The Witch. She steals away his sister, which causes his mother to die out of grief, [[DisappearedDad and his dad to abandon him due to his guilt]]. The Baker goes on to grow up into a highly insecure man who mourns his inability to make a family with his wife. The Witch spitefully tells him of their history together, refusing to let him know anything about his sister, and goes on to reveal that his lack of children is due to a curse she placed on him, making him sterile, [[SinsOfOurFather all because of his father's actions]]. The Witch gives him an opportunity to lift this curse, sending him on a journey where [[ButtMonkey he's scared, out of his depths, and has to deal with her constant physical and verbal abuse]]. During this journey, he comes across [[spoiler: his supposedly dead father several times, only realizing the man’s identity mere minutes before he actually passes away, cutting their reunion short.]] Succeeding in his quest, The Baker finally gets his child, who he feels unfit to parent. Some time later, over the course of a single day, The Giant destroys his home, his wife cheats on him (which he never finds out), and [[spoiler: she ends up dying due to the attack on the kingdom, with their last interaction being an argument]]. Overcome with sorrow, after initially lashing out at those around him, he gives into despair and [[spoiler: abandons his son, only being broken out of his despair when his dad's ghost convinces him to not make the same mistake he did all those years ago. Even after returning and saving the day,]] his insecurity still hasn't disappeared, as he briefly contemplates that he was never meant to have children. [[spoiler: [[ThrowTheDogABone Luckily he finishes the show on a happy note]], when he takes in Jack, Red Riding Hood, and Cinderella as his new surrogate family, with his wife's spirit also reassuring him that he’ll be a good father, bringing him newfound hope for the future.]]

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* TheWoobie: When he was at a very young age, The Baker lost his entire family due to his father angering The Witch. She steals away his sister, which causes his mother to die out of grief, [[DisappearedDad and his dad to abandon him due to his guilt]]. The Baker goes on to grow up into a highly insecure man who mourns his inability to make a family with his wife. The Witch spitefully tells him of their history together, refusing to let him know anything about his sister, and goes on to reveal that his lack of children is due to a curse she placed on him, making him sterile, [[SinsOfOurFather [[SinsOfOurFathers all because of his father's actions]]. The Witch gives him an opportunity to lift this curse, sending him on a journey where [[ButtMonkey he's scared, out of his depths, and has to deal with her constant physical and verbal abuse]]. During this journey, he comes across [[spoiler: his supposedly dead father several times, only realizing the man’s identity mere minutes before he actually passes away, cutting their reunion short.]] Succeeding in his quest, The Baker finally gets his child, who he feels unfit to parent. Some time later, over the course of a single day, The Giant destroys his home, his wife cheats on him (which he never finds out), and [[spoiler: she ends up dying due to the attack on the kingdom, with their last interaction being an argument]]. Overcome with sorrow, after initially lashing out at those around him, he gives into despair and [[spoiler: abandons his son, only being broken out of his despair when his dad's ghost convinces him to not make the same mistake he did all those years ago. Even after returning and saving the day,]] his insecurity still hasn't disappeared, as he briefly contemplates that he was never meant to have children. [[spoiler: [[ThrowTheDogABone Luckily he finishes the show on a happy note]], when he takes in Jack, Red Riding Hood, and Cinderella as his new surrogate family, with his wife's spirit also reassuring him that he’ll be a good father, bringing him newfound hope for the future.]]
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* TheWoobie: When he was at a very young age, The Baker lost his entire family due to his father angering The Witch. She steals away his sister, which causes his mother to die out of grief, [[DisappearedDad and his dad to abandon him due to his guilt]]. The Baker goes on to grow up into a highly insecure man who mourns his inability to make a family with his wife. The Witch spitefully tells him of their history together, refusing to let him know anything about his sister, and goes on to reveal that his lack of children is due to a curse she placed on him, making him sterile, [[SinsOfOurFather all because of his father's actions]]. The Witch gives him an opportunity to lift this curse, sending him on a journey where [[ButtMonkey he's scared, out of his depths, and has to deal with her constant physical and verbal abuse]]. During this journey, he comes across [[spoiler: his supposedly dead father several times, only realizing the man’s identity mere minutes before he actually passes away, cutting their reunion short.]] Succeeding in his quest, The Baker finally gets his child, who he feels unfit to parent. Some time later, over the course of a single day, The Giant destroys his home, his wife cheats on him (which he never finds out), and [[spoiler: she ends up dying due to the attack on the kingdom, with their last interaction being an argument]]. Overcome with sorrow, after initially lashing out at those around him, he gives into despair and [[spoiler: abandons his son, only being broken out of his despair when his dad's ghost convinces him to not make the same mistake he did all those years ago. Even after returning and saving the day,]] his insecurity still hasn't disappeared, as he briefly contemplates that he was never meant to have children. [[spoiler: [[ThrowTheDogABone Luckily he finishes the show on a happy note]], when he takes in Jack, Red Riding Hood, and Cinderella as his new surrogate family, with his wife's spirit also reassuring him that he’ll be a good father, bringing him newfound hope for the future.]]
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Forgot to leave a note in the last one, but three examples were placed under the 2014 movie when they don’t apply exclusively to it. If a trope doesn’t apply exclusively to the movie, it should be placed under the musical instead

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* EnsembleDarkhorse: The Princes (especially Cinderella’s) are quite beloved for being hilariously hammy jerks, who get to sing what’s arguably the show’s most popular song.
* FanPreferredCouple: A weird example, as Baker/Baker's Wife isn't ''disliked'', really, but the fandom generally agrees that after [[spoiler:the Baker's Wife dies, after some mourning, the Baker moves on with Cinderella after they agree to live platonically rebuilding a home with Red and Jack.]] About 90% of the fanfiction ships them.



* OneSceneWonder: The Wolf isn't around for long, but man is he memorable.



* EnsembleDarkhorse:
** The Princes (especially Cinderella’s) are quite beloved for being hilariously hammy jerks, who get to sing what’s arguably the show’s most popular song.
** Lilla Crawford's portrayal of Red Riding Hood in the 2014 movie. As she had only done Broadway before this, many were impressed that she could work so well in front of the camera too - especially at the age of twelve.
* FanPreferredCouple: A weird example, as Baker/Baker's Wife isn't ''disliked'', really, but the fandom generally agrees that after [[spoiler:the Baker's Wife dies, after some mourning, the Baker moves on with Cinderella after they agree to live platonically rebuilding a home with Red and Jack.]] About 90% of the fanfiction ships them.

to:

* EnsembleDarkhorse:
** The Princes (especially Cinderella’s) are quite beloved for being hilariously hammy jerks, who get to sing what’s arguably the show’s most popular song.
**
EnsembleDarkhorse: Lilla Crawford's portrayal of Red Riding Hood in the 2014 movie. As she had only done Broadway before this, many were impressed that she could work so well in front of the camera too - especially at the age of twelve. \n* FanPreferredCouple: A weird example, as Baker/Baker's Wife isn't ''disliked'', really, but the fandom generally agrees that after [[spoiler:the Baker's Wife dies, after some mourning, the Baker moves on with Cinderella after they agree to live platonically rebuilding a home with Red and Jack.]] About 90% of the fanfiction ships them.



* OneSceneWonder: The Wolf. It's no wonder they got Creator/JohnnyDepp in the 2014 movie.

Added: 1101

Removed: 1101

Is there an issue? Send a MessageReason:
The Witch counts in the movie. Not the play.


* MagnificentBitch: [[WickedWitch The Witch]] catches the Baker's father stealing her greens years before the Baker himself is born and demands to him that as payment for doing so that she let him take his newborn daughter Rapunzel to raise as her own. While treating Rapunzel well, the Witch is [[KnightTemplarParent so overprotective]] to the point that she locks her in a tower and temporarily blinds Rapunzel's prince on one of the occasions he comes to see her. Years after taking Rapunzel, needing to break the curse [[AbusiveParents her own mother]] set on her, the Witch goes to the Baker and his wife revealing she placed an infertility spell on them and that they will only be able to reverse it if they retrieve the necessary items to help her reverse her own, while noticing when the white cow they get is [[PaperThinDisguise disguised with flower]] rather than being the right color. This ultimately is successful for all parties and things are well, until the Witch insists that [[WouldHurtAChild Jack be sacrificed to the Giant's wife]] when she wants vengeance for her husband's death.


Added DiffLines:

* MagnificentBitch: [[WickedWitch The Witch]] catches the Baker's father stealing her greens years before the Baker himself is born and demands to him that as payment for doing so that she let him take his newborn daughter Rapunzel to raise as her own. While treating Rapunzel well, the Witch is [[KnightTemplarParent so overprotective]] to the point that she locks her in a tower and temporarily blinds Rapunzel's prince on one of the occasions he comes to see her. Years after taking Rapunzel, needing to break the curse [[AbusiveParents her own mother]] set on her, the Witch goes to the Baker and his wife revealing she placed an infertility spell on them and that they will only be able to reverse it if they retrieve the necessary items to help her reverse her own, while noticing when the white cow they get is [[PaperThinDisguise disguised with flower]] rather than being the right color. This ultimately is successful for all parties and things are well, until the Witch insists that [[WouldHurtAChild Jack be sacrificed to the Giant's wife]] when she wants vengeance for her husband's death.

Added: 6302

Changed: 554

Removed: 6584

Is there an issue? Send a MessageReason:
Something has something in common with another work is not Hilarious In Hindsight. Also, softsplitting!


!!The musical



** The Witch comes across as much more evil in the 2014 movie adaptation, to the point where Rapunzel seems like just another one of her victims than anything else. While at the same time one could also look at The Witch's actions towards Rapunzel as an old woman desperately wants appreciation but doesn't quite know how to express it properly.



* AwardSnub:
** The original production lost the "Best New Musical" Tony to ''Theatre/ThePhantomOfTheOpera'', and many theater snobs are salty about it to this day.
** Creator/EmilyBlunt wasn't nominated for an Academy Award, despite many reviews acclaiming her as one of the best, if not ''the'' best, part of the 2014 movie. She ''was'' nominated for a Golden Globe, but that was the biggest award she was nominated for.
** Creator/ChrisPine got very little awards attention despite his uproarious performance being widely praised.

to:

* AwardSnub:
**
AwardSnub: The original production lost the "Best New Musical" Tony to ''Theatre/ThePhantomOfTheOpera'', and many theater snobs are salty about it to this day.
** Creator/EmilyBlunt wasn't nominated for an Academy Award, despite many reviews acclaiming her as one of the best, if not ''the'' best, part of the 2014 movie. She ''was'' nominated for a Golden Globe, but that was the biggest award she was nominated for.
** Creator/ChrisPine got very little awards attention despite his uproarious performance being widely praised.
day.



* BaseBreakingCharacter: Despite his small role, Creator/JohnnyDepp as the Big Bad Wolf in the 2014 movie has been divisive. Some don't mind him and feel he had a good mix of creepy and funny that the role requires but others decry him as the weakest of the cast and he's often compared to Creator/RussellCrowe's jarring performance in ''Film/{{Les Miserables|2012}}''. Not to mention the constant criticism of Depp [[TypeCasting repeating his eccentric roles]].
* BrokenBase:
** Rapunzel's fate is averted in the movie. According to Sondheim, he tried to get Rapunzel to die in the 2014 movie like she did in the play. However, most likely due to the more family-oriented audience, they decided they wanted Rapunzel to live. Some are ok with the change and like her getting a [[EarnYourHappyEnding happy ending with her prince,]] but some argue that Rapunzel's death was very significant for the Witch's arc. Check [[http://www.playbill.com/news/article/sondheim-reveals-plot-changes-for-disney-into-the-woods-film-322631 here]] for the article. A counter point to this says that Rapunzel's death makes more sense in the show - where she's left to fend for herself while pregnant in the desert. In the movie, she's found the next day and so there's less time for her to go mad.
** The removal of a few songs. One song, "No More", is given an instrumental version and [[spoiler:The Baker running away doesn't last for very long. While others argue that it helps the pacing, others retort that it also removes any growth for the Baker. During the song in the stage show, he realizes that by running away, he'd be turning into his father. The 2014 movie, on the other hand, makes it look like he just needed a moment alone to mourn his wife's death.]] WordOfGod says they wanted to include the song, but it wouldn't make sense with the Mysterious Man's role in Act 1 being removed. To compensate for it, they built on the Baker's fear of turning into his father earlier. It's been debated whether or not it was enough.
** The shortening of Act 2 overall. They cut a lot compared to Act 1. It either still contains what made the message of the original or it lessens it.



* CriticalDissonance: Critics are mixed on the 2014 movie but overall are leaning more on the positive side. Audiences, on the other hand, are even ''more'' mixed on the movie, with a 53% audience rating on Rotten Tomatoes.
* CrossesTheLineTwice: Cinderella's stepsisters cutting parts of their feet off to try and fit into the slipper. The scene is played for as much CringeComedy as you'd expect - and the film has a fantastic moment where the prince seems genuinely impressed that Lucinda is able to walk while missing a heel.
* EndingFatigue: The 2014 movie version has received complaints that it really should have just been an expanded version of Act 1, especially since some of the darker elements of Act 2 are toned down anyway. Since there is no attempt of translating the story being two separate acts into movie, it also loses many of the powerful parallels of structure and song. It is argued that this is the whole point of ''Into The Woods'' - showing what happens after the supposed fairy tale endings, but it divides up much easier on the stage than in film.
* EnsembleDarkhorse:
** The Princes (especially Cinderella’s) are quite beloved for being hilariously hammy jerks, who get to sing what’s arguably the show’s most popular song.
** Lilla Crawford's portrayal of Red Riding Hood in the 2014 movie. As she had only done Broadway before this, many were impressed that she could work so well in front of the camera too - especially at the age of twelve.
* FanPreferredCouple: A weird example, as Baker/Baker's Wife isn't ''disliked'', really, but the fandom generally agrees that after [[spoiler:the Baker's Wife dies, after some mourning, the Baker moves on with Cinderella after they agree to live platonically rebuilding a home with Red and Jack.]] About 90% of the fanfiction ships them.
* HilariousInHindsight:
** In the theatre version, it is implied that Cinderella's stepfamily died of starvation while lost in the woods. This is one of only two known productions made since the 1990s that killed them off. The other is ''VideoGame/KingdomHeartsBirthBySleep'', where they were burned alive in the midst of their MoralEventHorizon.
** Rapunzel's prince becomes more {{Adorkable}} in the 2014 film adaptation, and she's charmed by his awkwardness. Billy Magnussen, who plays the prince, stars as another royal with NoSocialSkills in ''{{Film/Aladdin 2019}}''...and is considerably [[RomanticFalseLead less successful]].



* MemeticMutation:
** One very popular comment about the 2014 movie is that for some reason, Creator/ChrisPine seems far more [[Creator/WilliamShatner Shatner-esque]] as Cinderella's Prince than when he's actually playing [[Film/StarTrek2009 Captain]] [[Film/StarTrekIntoDarkness Kirk]].
** "WHOOOOOOOOOOOOOOO ''cares?!?''"
* {{Narm}}:
** [[spoiler:The Baker's Wife's death, since what is shown is her slipping from a branch and the few seconds of the camera focusing on the branch.]]
** The Giant would probably be a lot more intimidating if her voice wasn't pitched down.
* NarmCharm:
** "Giants In The Sky " and Daniel Huttlestone's lisp got some people laughing, but also people calling it "adorable."
** The Agony number seems almost like a bizarre attempt to ''be'' Narm. It comes off as quite silly nonetheless.
* OneSceneWonder: The Wolf. It's no wonder they got Creator/JohnnyDepp in the 2014 movie.
* RetroactiveRecognition: Lilla Crawford, who plays Red Riding Hood in the 2014 film, later voices the title character in the Nickelodeon series ''Sunny Day''. She's also a regular on Netflix's ''The Who Was? Show''



** The 2014 movie adaptation, being a Disney movie musical based on fairy tales. Yes, it's a somewhat LighterAndSofter adaptation of the original stage musical, but the movie still ends with a rampaging giant and the deaths of major characters. And note that they still leave in Cinderella's sisters mutilating themselves (albeit with a GoryDiscretionShot to make it more appropriate for the PG audience).

to:


!!The 2014 film
* AwardSnub:
** Creator/EmilyBlunt wasn't nominated for an Academy Award, despite many reviews acclaiming her as one of the best, if not ''the'' best, part of the 2014 movie. She ''was'' nominated for a Golden Globe, but that was the biggest award she was nominated for.
** Creator/ChrisPine got very little awards attention despite his uproarious performance being widely praised.
* AlternativeCharacterInterpretation: The Witch comes across as much more evil in the 2014 movie adaptation, to the point where Rapunzel seems like just another one of her victims than anything else. While at the same time one could also look at The Witch's actions towards Rapunzel as an old woman desperately wants appreciation but doesn't quite know how to express it properly.
* BaseBreakingCharacter: Despite his small role, Creator/JohnnyDepp as the Big Bad Wolf in the 2014 movie has been divisive. Some don't mind him and feel he had a good mix of creepy and funny that the role requires but others decry him as the weakest of the cast and he's often compared to Creator/RussellCrowe's jarring performance in ''Film/{{Les Miserables|2012}}''. Not to mention the constant criticism of Depp [[TypeCasting repeating his eccentric roles]].
* BrokenBase:
** Rapunzel's fate is averted in the movie. According to Sondheim, he tried to get Rapunzel to die in the 2014 movie like she did in the play. However, most likely due to the more family-oriented audience, they decided they wanted Rapunzel to live. Some are ok with the change and like her getting a [[EarnYourHappyEnding happy ending with her prince,]] but some argue that Rapunzel's death was very significant for the Witch's arc. Check [[http://www.playbill.com/news/article/sondheim-reveals-plot-changes-for-disney-into-the-woods-film-322631 here]] for the article. A counter point to this says that Rapunzel's death makes more sense in the show - where she's left to fend for herself while pregnant in the desert. In the movie, she's found the next day and so there's less time for her to go mad.
** The removal of a few songs. One song, "No More", is given an instrumental version and [[spoiler:The Baker running away doesn't last for very long. While others argue that it helps the pacing, others retort that it also removes any growth for the Baker. During the song in the stage show, he realizes that by running away, he'd be turning into his father. The 2014 movie, on the other hand, makes it look like he just needed a moment alone to mourn his wife's death.]] WordOfGod says they wanted to include the song, but it wouldn't make sense with the Mysterious Man's role in Act 1 being removed. To compensate for it, they built on the Baker's fear of turning into his father earlier. It's been debated whether or not it was enough.
** The shortening of Act 2 overall. They cut a lot compared to Act 1. It either still contains what made the message of the original or it lessens it.
* CriticalDissonance: Critics are mixed on the 2014 movie but overall are leaning more on the positive side. Audiences, on the other hand, are even ''more'' mixed on the movie, with a 53% audience rating on Rotten Tomatoes.
* CrossesTheLineTwice: Cinderella's stepsisters cutting parts of their feet off to try and fit into the slipper. The scene is played for as much CringeComedy as you'd expect - and the film has a fantastic moment where the prince seems genuinely impressed that Lucinda is able to walk while missing a heel.
* EndingFatigue: The 2014 movie version has received complaints that it really should have just been an expanded version of Act 1, especially since some of the darker elements of Act 2 are toned down anyway. Since there is no attempt of translating the story being two separate acts into movie, it also loses many of the powerful parallels of structure and song. It is argued that this is the whole point of ''Into The Woods'' - showing what happens after the supposed fairy tale endings, but it divides up much easier on the stage than in film.
* EnsembleDarkhorse:
** The Princes (especially Cinderella’s) are quite beloved for being hilariously hammy jerks, who get to sing what’s arguably the show’s most popular song.
** Lilla Crawford's portrayal of Red Riding Hood in the 2014 movie. As she had only done Broadway before this, many were impressed that she could work so well in front of the camera too - especially at the age of twelve.
* FanPreferredCouple: A weird example, as Baker/Baker's Wife isn't ''disliked'', really, but the fandom generally agrees that after [[spoiler:the Baker's Wife dies, after some mourning, the Baker moves on with Cinderella after they agree to live platonically rebuilding a home with Red and Jack.]] About 90% of the fanfiction ships them.
* MemeticMutation:
** One very popular comment about the 2014 movie is that for some reason, Creator/ChrisPine seems far more [[Creator/WilliamShatner Shatner-esque]] as Cinderella's Prince than when he's actually playing [[Film/StarTrek2009 Captain]] [[Film/StarTrekIntoDarkness Kirk]].
** "WHOOOOOOOOOOOOOOO ''cares?!?''"
* {{Narm}}:
** [[spoiler:The Baker's Wife's death, since what is shown is her slipping from a branch and the few seconds of the camera focusing on the branch.]]
** The Giant would probably be a lot more intimidating if her voice wasn't pitched down.
* NarmCharm:
** "Giants In The Sky " and Daniel Huttlestone's lisp got some people laughing, but also people calling it "adorable."
** The Agony number seems almost like a bizarre attempt to ''be'' Narm. It comes off as quite silly nonetheless.
* OneSceneWonder: The Wolf. It's no wonder they got Creator/JohnnyDepp in the 2014 movie.
* RetroactiveRecognition: Lilla Crawford, who plays Red Riding Hood in the 2014 film, later voices the title character in the Nickelodeon series ''Sunny Day''. She's also a regular on Netflix's ''The Who Was? Show''.
* WhatDoYouMeanItsNotForKids:
The 2014 movie adaptation, being a Disney movie musical based on fairy tales. Yes, it's a somewhat LighterAndSofter adaptation of the original stage musical, but the movie still ends with a rampaging giant and the deaths of major characters. And note that they still leave in Cinderella's sisters mutilating themselves (albeit with a GoryDiscretionShot to make it more appropriate for the PG audience).
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* ValuesDissonance: Given that the story of Little Red Riding Hood is generally accepted as being a cautionary tale about rape, it's becoming precarious in our post-Me-Too, hashtag-rape-culture society that the musical's ultimate statement on the matter is that it is up to potential victims to take responsibility for keeping themselves out of danger ("Don't be scared ... just be prepared") due to the reality that wishful thinking won't actually do anything to provide safety ("Do not put your faith in a cape and a hood; they will not protect you the way that they should").
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* CantUnhearIt: Joanna Gleeson as The Baker's Wife has been heralded by many as one of the most perfect joinings of character and actress in musical theatre history.
Is there an issue? Send a MessageReason:
Wrong trope name


** Rapunzel's prince becomes more {{Adorkable}} in the 2014 film adaptation, and she's charmed by his awkwardness. Billy Magnussen, who plays the prince, stars as another royal with PoorSocialSkills in ''{{Film/Aladdin 2019}}''...and is considerably [[RomanticFalseLead less successful]].

to:

** Rapunzel's prince becomes more {{Adorkable}} in the 2014 film adaptation, and she's charmed by his awkwardness. Billy Magnussen, who plays the prince, stars as another royal with PoorSocialSkills NoSocialSkills in ''{{Film/Aladdin 2019}}''...and is considerably [[RomanticFalseLead less successful]].
Is there an issue? Send a MessageReason:
This was the version that was run.


* MagnificentBitch: [[WickedWitch The Witch]] catches the Baker’s father stealing her greens years before the Baker himself is born and demands to him that as payment for doing so that she let him take his newborn daughter Rapunzel to raise as her own. While treating Rapunzel well, the Witch is [[KnightTemplarParent so overprotective]] to the point that she locks her in a tower and blinds Rapunzel’s prince (temporarily) on one of the occasions he comes to see her. Years after taking Rapunzel, needing to break the curse [[AbusiveParents her own mother]] set on her, the Witch goes to the Baker and his wife revealing she placed an infertility spell on them and that they will only be able to reverse it if they retrieve the necessary items to help her reverse her own, while noticing when the white cow they get is [[PaperThinDisguise disguised with flower]] rather than being the right color. This ultimately is successful for all parties and things are well, until the Witch insists that [[WouldHurtAChild Jack be sacrificed to the Giant’s wife]] when she wants vengeance for her husband’s death.

to:

* MagnificentBitch: [[WickedWitch The Witch]] catches the Baker’s Baker's father stealing her greens years before the Baker himself is born and demands to him that as payment for doing so that she let him take his newborn daughter Rapunzel to raise as her own. While treating Rapunzel well, the Witch is [[KnightTemplarParent so overprotective]] to the point that she locks her in a tower and temporarily blinds Rapunzel’s Rapunzel's prince (temporarily) on one of the occasions he comes to see her. Years after taking Rapunzel, needing to break the curse [[AbusiveParents her own mother]] set on her, the Witch goes to the Baker and his wife revealing she placed an infertility spell on them and that they will only be able to reverse it if they retrieve the necessary items to help her reverse her own, while noticing when the white cow they get is [[PaperThinDisguise disguised with flower]] rather than being the right color. This ultimately is successful for all parties and things are well, until the Witch insists that [[WouldHurtAChild Jack be sacrificed to the Giant’s Giant's wife]] when she wants vengeance for her husband’s husband's death.
Is there an issue? Send a MessageReason:
Approved by the thread.

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