History WMG / FriendshipIsWitchcraft

[[WMG: The Cakes are going to be TheBeard.]]

Twilight's characterization here mirrors that of one [[Literature/{{Twilight}} Bella Swan]], albeit with a more cheerful less emo outlook. She is largely selfish and self-centered, creepily enamored with her friends, who seem to be there solely for her own needs rather than any genuine bond, and seems to have an unfounded sense of entitlement to whatever she wants. For example, on the train ride in "Cherry Bomb", she starts talking about Applejack, but ultimately brings the topic to herself and in "Faoly Matropony" she outright tells Francis (who she's supposed to be in love with) that she doesn't care about his problems. She seems to live in her own rather warped reality, uses others for her own needs on a whim and doesn't seem to care who or how many get hurt to get her own way, and she'll resort to tantrums if she must. These are all common criticisms of the characters from Twilight.

The one involving the Apple sisters is by far the more popular, but the theory that Rarity might actually be Sweetie Belle's deeply shamed mother is definitely out there. However, it's pointed out several times that Rainbow Dash and Scootaloo are nowhere related, so they definitely aren't mother and child. FiW parodies this by instead making Scootaloo Rainbow's kid while the others kept their status as sisters.

* This Troper's interpretation is that everything Fluttershy said he did was true FromACertainPointOfView, such that the robot wolves = plushies, and the ants = . . . I'm not sure about the ants, tbh.

[[WMG: Celestia knew that Celestia2 is Twilight.]]

[[WMG: Spike has similar properties to [[Wiki/SCPFoundation SCP-053]].]]

The thing is she's born in a world where the vast majority of the population is sociopathic due to the dominance of sociopathy. She wants Smooze to end the world so that somepony else can rebuild it into [[WesternAnimation/MyLittlePonyFriendshipIsMagic a happier place.]] Of course her plan is heavily flawed because she has no means to ensure the rebirth of the world, but [[Recap/MyLittlePonyFriendshipIsMagicS3Ep11KeepCalmAndFlutterOn a certain god of Chaos could provide her with the perfect opportunity.]]

* This is also why, jokes about obliviousness aside, nobody bats an eyelid at her being so robot-like. Everybody in town knows she's a cyborg, and even with the level of madness FiW!Equestria has, it's still not very polite to point and stare at someone with a disability.

* Don't forget the tensions between Applejack and Big Mac over their relationship to Applebloom (FiW ep 7 and "Brotherhoove social" respectively), the Humane 5 + Sunset starting a band, and... what else? I know there's more.
* Or maybe they have insider knowledge and because their show is so out there, [[CasandraTruth people don't initially think it could possibly be true.]]

Kimi Sparkle is a weeaboo, has strong resentment of Rarity, a strange attraction to Trixie, and tries to force ideas from fan fiction into the show. All of these traits are consistent with FiW's portrayal of the character. Lunar Slander shows that she's not above using sockpuppets. Further evidence? The last part of her name is "Sparkle" and for a split second in her "Transyl-Mania" review a horn appeared on her forehead. Co-incidence? I think not.

[[WMG: The FiW writers come to this very WMG to know what not to do.]]

Particularly in light of canon Fluttershy's TheReasonYouSuckSpeech towards Pinkie Pie and Rarity; in this show Pinkie is a gypsy that Fluttershy may be involved in a one sided FoeYay with and Rarity is [[TheDragon Fluttershy's right hoof mare.]] [[OhCrap Whatever causes this will not be good.]]

Her EstablishingCharacterMoment sees her singing [[WesternAnimation/TheHunchbackOfNotreDame "Hellfire"]] -- something which [[ReligionOfEvil suits her role]]. However, the lyrics specifically involve the singer's obsession with a gypsy... and what does everyone keep calling Pinkie?

Her EstablishingCharacterMoment sees her singing "[[Disney/TheHunchbackOfNotreDame Hellfire]]" -- something which [[ReligionOfEvil suits her role]]. However, the lyrics specifically involve the singer's obsession with a gypsy... and what does everyone keep calling Pinkie?

[[WMG: Cadence will be brought back by Pinkie's portals.]]

[[WMG: Cadence survives and turns into Chrysalis, Queen of the Changelings.]]

-->'''Twilight''': Who disrupts my coronation?!
-->'''Chrysalis''': Coronation, Twilight? This is bad comedy.
-->'''Twilight''': [[OhCrap ...Cadence? Is that you?!]]
-->'''Chrysalis''':[[WesternAnimation/TransformersTheMovie Here's a hint!]]

Twilight's characterization here mirrors that of one [[Literature/{{Twilight}} Bella Swan]], albeit with a more cheerful less emo outlook. She is largely selfish and self-centered, creepily enamored with her friends, who seem to be there solely for her own needs rather than any genuine bond, and seems to have an unfounded sense of entitlement to whatever she wants. For example, on the train ride in "Cherry Bomb", she starts talking about Applejack, but ultimately brings the topic to herself and in "Faoly Matropony" she outright tells Francis (who she's supposed to be in love with) that she don't care about his problems. She seems to live in her own rather warped reality, uses others for her own needs on a whim and doesn't seem to care who or how many get hurt to get her own way, and she'll resort to tantrums if she must. These are all common criticisms of the characters from Twilight.

** Likely jossed. Apple Bloom said that only parents can be resurrected by the partial, and given her purity resume, it's unlikely that she would have a child.

causing a crossover with The MyLittlePonyTheMentallyAdvancedSeries that will be too awesome for words.

[[WMG: The reason Fluttershy's did what he did was because he was lashing out at Pony Society]]

Finally sick of abuse and nothing to lose, the dragons stage a successful revolt. All because of a certain young "assistant", who was just waiting for the time to be right. At the end, Spike will be seen whipping random ponies, while his unicorn "assistant" pulls his wheel-less carriage. Twilight will try to apologize, while trying to make it sound like they were the villains, who the ponies were trying to help.

[[WMG: The series will end with dragons enslaved Equistria.]]

Spike will just whip her, while either saying an IronicEcho of some kind or simply "Karma's a bitch."

[[spoiler: Given what we see in the animatics, this may be an accurate guess of its in-show persona...]]

[[WMG: One of the writers has psychic powers]]

[[WMG: Kimi Sparkle is FriendshipIsWitchcraft Twilight Sparkle.]]

[[WMG: Spike Simply Takes the abuse because he knows eventually the ponies will die of old age and he'll be free]]
* And the easiest way to avoid screwing that up is keep his head down and do as he is told.

* Either that, or they're too dumb to create their own ideas.

Twilight's characterization here mirrors that of one Literature/{{Twilight}}, albeit with a more cheerful less emo outlook. She is largely selfish and self-centered, creepily enamored with her friends, who seem to be there solely for her own needs rather than any genuine bond, and seems to have an unfounded sense of entitlement to whatever she wants. For example, on the train ride in "Cherry Bomb", she starts talking about Applejack, but ultimately brings the topic to herself and in "Faoly Matropony" she outright tells Francis (who she's supposed to be in love with) that she don't care about his problems. She seems to live in her own rather warped reality, uses others for her own needs on a whim and doesn't seem to care who or how many get hurt to get her own way, and she'll resort to tantrums if she must. These are all common criticisms of the characters from Twilight.

Twilight's characterization here mirrors that of one [[http://tvtropes.org/Literature/Twilight Bella Swan]], albeit with a more cheerful less emo outlook. She is largely selfish and self-centered, creepily enamored with her friends, who seem to be there solely for her own needs rather than any genuine bond, and seems to have an unfounded sense of entitlement to whatever she wants. For example, on the train ride in "Cherry Bomb", she starts talking about Applejack, but ultimately brings the topic to herself and in "Faoly Matropony" she outright tells Francis (who she's supposed to be in love with) that she don't care about his problems. She seems to live in her own rather warped reality, uses others for her own needs on a whim and doesn't seem to care who or how many get hurt to get her own way, and she'll resort to tantrums if she must. These are all common criticisms of the characters from Twilight.