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Names The Same is no longer a trope.


* NamesTheSame: Christopher Wren, the character, shares his name with Christopher Wren, architect of St. Paul's Cathedral. The character is an architect, as well. [[spoiler: [[InvokedTrope Deliberately invoked]] InUniverse, as this is just a pseudonym.]]
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* InspirationForTheWork: The original radio play was inspired by the case of Dennis O'Neill, a 12-year-old boy who died due to abuse he suffered while in foster care.
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* NoAdaptationsAllowed: None can be made while the play is still running.[[note]]The 2022 film ''See How They Run'' revolves around the 100th performance of the play and may be as close to a film version as we ever get.[[/note]]

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* NoAdaptationsAllowed: None can be made while the play is still running.[[note]]The 2022 film ''See How They Run'' ''Film/SeeHowTheyRun'' revolves around the 100th performance of the play and may be as close to a film version as we ever get.[[/note]]
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* NoAdaptationsAllowed: None can be made while the play is still running.

to:

* NoAdaptationsAllowed: None can be made while the play is still running.[[note]]The 2022 film ''See How They Run'' revolves around the 100th performance of the play and may be as close to a film version as we ever get.[[/note]]
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* SelfAdaptation: It started as the ''Three Blind Mice'' radio play written by Creator/AgatheChristie that she adapted into the short story of the same name and then turned into the titular play.

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* SelfAdaptation: It started as the ''Three Blind Mice'' radio play written by Creator/AgatheChristie Creator/AgathaChristie that she adapted into the short story of the same name and then turned into the titular play.
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* SelfAdaptation: It started as the ''Three Blind Mice'' radio play written by Creator/AgatheChristie that she adapted into the short story of the same name and then turned into the titular play.
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* ItWillNeverCatchOn: ''Christie herself'' thought it might last about eight months in the West End. [[LongRunner Six decades later...]]



* UnintentionalPeriodPiece: In 1952 this was a contemporary play. A mention of ration books meant this was already showing its age just two years later when rationing was abolished. The radio being the source of news and entertainment, the fashions (possibly much more overtly "1950's" than they would have been in the actual 1950's), and especially the shock of a woman wearing trousers cement this firmly in a narrow time period.
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* DevelopmentHell: The film rights for the play have been bought and sold over the years, but always with the proviso that production not start until the play has been closed in London for six months, which only finally happened in 2020 because of the UsefulNotes/COVID19Pandemic. Even then, the show returned the following year, so no, COVID-19 is not going to provide whoever currently owns the film adaptation rights an excuse to start making one right away.

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* DevelopmentHell: The film rights for the play have been bought and sold over the years, but always with the proviso that production not start until the play has been closed in London for six months, which only finally happened in 2020 because of the UsefulNotes/COVID19Pandemic. Even then, the show returned the following year, so no, COVID-19 is not going to provide whoever currently owns the film adaptation rights an excuse to start making one right away.away -- "closed" means "actually closed", not "forced to go on hiatus during a worldwide catastrophe but then coming back as soon as possible".
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* DevelopmentHell: The film rights for the play have been bought and sold over the years, but always with the proviso that production not start until the play has been closed in London for six months, which only finally happened in 2020 because of the UsefulNotes/COVID19Pandemic. Even then, the show will return in once it's safe to perform again, so no, COVID-19 is not going to provide whoever currently owns the film adaptation rights an excuse to start making one right away.

to:

* DevelopmentHell: The film rights for the play have been bought and sold over the years, but always with the proviso that production not start until the play has been closed in London for six months, which only finally happened in 2020 because of the UsefulNotes/COVID19Pandemic. Even then, the show will return in once it's safe to perform again, returned the following year, so no, COVID-19 is not going to provide whoever currently owns the film adaptation rights an excuse to start making one right away.
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Some edits.


* DevelopmentHell: The film rights for the play have been bought and sold over the years, but always with the proviso that production not start until the play has been closed in London for six months. With its 67th anniversary coming up in 2019, it's a safe bet that this status will continue indefinitely.

to:

* DevelopmentHell: The film rights for the play have been bought and sold over the years, but always with the proviso that production not start until the play has been closed in London for six months. With its 67th anniversary coming up months, which only finally happened in 2019, 2020 because of the UsefulNotes/COVID19Pandemic. Even then, the show will return in once it's a safe bet that this status will continue indefinitely.to perform again, so no, COVID-19 is not going to provide whoever currently owns the film adaptation rights an excuse to start making one right away.
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None

Added DiffLines:

* UnintentionalPeriodPiece: In 1952 this was a contemporary play. A mention of ration books meant this was already showing its age just two years later when rationing was abolished. The radio being the source of news and entertainment, the fashions (possibly much more overtly "1950's" than they would have been in the actual 1950's), and especially the shock of a woman wearing trousers cement this firmly in a narrow time period.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* DevelopmentHell: The film rights for the play have been bought and sold over the years, but always with the proviso that production not start until the play has been closed in London for six months. With its 67th anniversary coming up in 2019, it's a safe bet that this status will continue indefinitely.
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None

Added DiffLines:

* NoAdaptationsAllowed: None can be made while the play is still running.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* ItWillNeverCatchOn: ''Christie herself'' thought it might last about eight months in the West End. [[LongRunner Six decades later...]]
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None


* NamesTheSame: Christopher Wren, the character, shares his name with Christopher Wren, architect of St. Paul's Cathedral. The character is an architect, as well.

to:

* NamesTheSame: Christopher Wren, the character, shares his name with Christopher Wren, architect of St. Paul's Cathedral. The character is an architect, as well. [[spoiler: [[InvokedTrope Deliberately invoked]] InUniverse, as this is just a pseudonym.]]
Is there an issue? Send a MessageReason:
None


* NamesTheSame: Christopher Wren, the character, shares his name with Christopher Wren, architect of St. Paul's Cathedral. The character is an architect, as well.

to:

* NamesTheSame: Christopher Wren, the character, shares his name with Christopher Wren, architect of St. Paul's Cathedral. The character is an architect, as well.well.
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Added DiffLines:

* NamesTheSame: Christopher Wren, the character, shares his name with Christopher Wren, architect of St. Paul's Cathedral. The character is an architect, as well.

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