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TRS cleanup


* SomethingCompletelyDifferent: ''Yeomen'' is very different from Creator/GilbertAndSullivan's other collaborations, to accommodate Sullivan's desire to do more serious work. ''Yeomen'' is much darker in tone than other G&S works; it's an outright tragedy instead of the usual light comedy, with a {{downer ending}} instead of the usual armload of marriages; it alone has no satire of British institutions; it alone has a cast that includes someone who [[HistoricalDomainCharacter actually existed]]; it alone starts with a solo instead of the usual chorus; and it alone has an opera-style overture instead of the usual medley of tunes from the show.
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This trope is In-Universe Examples Only.


* {{Mondegreen}}: Anyone else hear the "love a heartless jade" line from "When Jealous Torments Rack My Soul" as "love a heartless jail"?

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Crosswick Faint In shock


* {{Fainting}}:
** Happens to Elsie Maynard.
** And to Jack Point. [[spoiler:That, or he dies.]]

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* {{Fainting}}:
FaintInShock:
** Happens to In the course of the first act, Elsie Maynard.
Maynard is thoroughly justified in doing so. She:
### Is forced to marry a condemned criminal to buy medicine to save her mother. [[note]]Fairfax was framed in order that his cousin can inherit his fortune, but, by the terms of the will, he can shift the inheritance to another branch of the family if he's married. He arranges with his guards to sort out a marriage with anyone whatsoever, for cash.[[/note]]
### Witnesses the highly-charged leadup to his execution by beheading.
### Then she finds out that he's escaped, meaning she, as a poor woman in Tudor times, is now permanently a criminal's wife.
### Being a moral woman, love is now forbidden to her, because loving anyone else would be adultery. It is at this point she faints.
** And to At the end of Act II, the jester Jack Point. [[spoiler:That, or he dies.]]Point, who is in love with Elsie Maynard, faints because Fairfax is pardoned and is married to Elsie.

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* AdaptationExpansion: Based on Gilbert's poem "[[http://diamond.boisestate.edu/gas/bab_ballads/html/annie.html Annie Protheroe]]", with some truly epic expansion, turning a fairly trivial little comic poem into easily the most serious and realistic of the Gilbert and Sullivan operas.
* AffablyEvil: Wilfred Shadbolt, head jailer and assistant tormentor, but wants to be more affable by becoming a jester.



* DarkerAndEdgier / DownerEnding: Most Gilbert and Sullivan plays end with all of the leads happily married off. In ''Yeomen'', two of the three marriages are [[AndNowYouMustMarryMe forced and loveless on one side]] and DoggedNiceGuy Jack Point appears to [[spoiler:die of a broken heart]] after his love interest is reunited with his rival.

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* DarkerAndEdgier / DownerEnding: Most Gilbert and DarkerAndEdgier: Sullivan plays end was fed up with all of the leads happily married off. In ''Yeomen'', two of the three marriages are [[AndNowYouMustMarryMe forced frivolous "topsy-turvydom", so Gilbert wrote a much more serious libretto. Even though it was a hit (and remained Sullivan's favourite and loveless on one side]] and DoggedNiceGuy Jack Point appears to [[spoiler:die of a broken heart]] after his love interest is reunited probably Gilbert's), they went LighterAndSofter again with his rival.''The Gondoliers''.



* DownerEnding: Most Gilbert and Sullivan plays end with all of the leads happily married off. In ''Yeomen'', two of the three marriages are [[AndNowYouMustMarryMe forced and loveless on one side]] and DoggedNiceGuy Jack Point appears to [[spoiler:die of a broken heart]] after his love interest is reunited with his rival.



* {{Fainting}}:
** Happens to Elsie Maynard.
** And to Jack Point. [[spoiler:That, or he dies.]]



* TheIngenue: Elsie Maynard.



* ObliviousToLove: Fairfax to Phoebe (unless [[DependingOnTheWriter the director decides]] that he notices but [[JerkAss doesn't care]]).



* PairTheSpares: Subverted. The marriages that result do not appear happy, and Jack Point gets left out to dry.

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* OffWithHisHead: Fairfax is to be executed on a false charge of sorcery.
* PairTheSpares: Subverted. The marriages that result do not appear happy, After Elsie and Fairfax get together, the spares are Phoebe (who had pursued Fairfax) and Jack Point (who had pursued Elsie). They don't pair up; Phoebe marries someone else -- not for love, but to protect Fairfax -- and Jack Point doesn't marry anybody, but gets left out to dry.
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* SpannerInTheWorks: In order to prevent his accusers from inheriting his property after his execution Fairfax marries Elsie so that she will inherit instead. When he is rescued his escape is complicated by the fact that he is now married.
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* MarriageBeforeRomance: While waiting to be executed Fairfax marries Elise in order to prevent his property being inherited by those who have falsely accused him. She is blindfolded for the ceremony and he is too distracted to remember her face so that when they meet later neither recognizes the other. They then proceed to fall in love.
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* JobSong: "A Private Buffoon" is sung by Jack Point about his job as a jester, from a rather cynical perspective.
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* AuthorFilibuster: "I've Wisdom from the East and from the West" appears to be Gilbert himself explaining his use of comedy.
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How To Create A Works Page explicitly says "No bolding is used for work titles."


'''''The Yeomen of the Guard, or, The Merryman and his Maid''''' is an opera by Creator/GilbertAndSullivan. Though generally considered a "comic opera," it is notable as the team's [[SeriousBusiness most serious]] work. (Sir Henry Lytton wrote that Gilbert once told him that he had always intended Jack Point to die at the end, but had somewhat modified his intention due to the great comic reputation of George Grossmith, who originated the role.)

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'''''The ''The Yeomen of the Guard, or, The Merryman and his Maid''''' Maid'' is an opera by Creator/GilbertAndSullivan. Though generally considered a "comic opera," it is notable as the team's [[SeriousBusiness most serious]] work. (Sir Henry Lytton wrote that Gilbert once told him that he had always intended Jack Point to die at the end, but had somewhat modified his intention due to the great comic reputation of George Grossmith, who originated the role.)
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Moving Cut Song to the Trivia page


* CutSong: "When Jealous Torments Rack My Soul" for Wilfred, "A Laughing Boy But Yesterday" for Sgt. Meryll. Modern productions may include either or both songs. As well, both Act Finales have extra lines that can be reinserted in several places.
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* NeverSayDie: According to the stage directions, [[spoiler:Jack]] doesn't die, but "falls insensible".

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* NeverSayDie: According to the stage directions, [[spoiler:Jack]] doesn't die, but "falls insensible".
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* NeverSayDie: According to the stage directions, [[spoiler:Jack]] doesn't die, but "falls insensible".
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It\'s \"Meryll\" with one R and two Ls.


** Sergeant Merryl has Dame Carruthers, whom he finds too old to be attractive.

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** Sergeant Merryl Meryll has Dame Carruthers, whom he finds too old to be attractive.



* PatterSong: Jack Point has two, "I've Jibe and Joke" and "Oh, a Private Buffoon", as well as a patter duet with Wilfred in "Like a Ghost His Vigil Keeping". Sgt. Merryl and Dame Carruthers have a semi-patter duet in "Rapture, Rapture!"

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* PatterSong: Jack Point has two, "I've Jibe and Joke" and "Oh, a Private Buffoon", as well as a patter duet with Wilfred in "Like a Ghost His Vigil Keeping". Sgt. Merryl Meryll and Dame Carruthers have a semi-patter duet in "Rapture, Rapture!"
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* SoUnfunnyItsFunny: Jack Point's attempts to impress the Lieutenant are this.

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* SoUnfunnyItsFunny: SoUnfunnyItsFunny / IncrediblyLamePun: Jack Point's attempts to impress the Lieutenant are this.
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* DoggedNiceGuy: Jack Point "is not yet marries to Elsie Maynard, but time works wonders..."

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* DoggedNiceGuy: Jack Point "is not yet marries married to Elsie Maynard, but time works wonders..."
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* SheIsAllGrownUp: Played with. When Phœbe greets Fairfax as "Leonard", he has no idea who she is. Upon learning that she's his sister, he exclaims, "Why, how you've grown! I did not recognise you!"

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* SheIsAllGrownUp: Played with. When Phœbe greets Fairfax as "Leonard", he has no idea who she is. Upon learning that she's his "his" sister, he exclaims, "Why, how you've grown! I did not recognise you!"
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* HistoricalDomainCharacter: Sir Richard Cholmondeley was Lieutenant of the Tower of London from 1513 to 1520. [[note]]This indicates that the play is set early in the reign of King HenryVIII, although a reference to Anne Boleyn's execution suggests a date after 1536.[[/note]]

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* HistoricalDomainCharacter: Sir Richard Cholmondeley was Lieutenant of the Tower of London from 1513 to 1520. [[note]]This indicates that the play is set early in the reign of King HenryVIII, UsefulNotes/HenryVIII, although a reference to Anne Boleyn's execution suggests a date after 1536.[[/note]]
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* CutSong: "When Jealous Torments Rack My Soul" for Wilfred, "A Laughing Boy But Yesterday" for Sgt. Meryll. Modern productions may include either or both songs.
* DarkReprise: "I Have a Song to Sing, O!" first appears as an uplifting song and dance in the first act, with the first two (and more depressing) verses slightly altered for their reprise at the end.

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* CutSong: "When Jealous Torments Rack My Soul" for Wilfred, "A Laughing Boy But Yesterday" for Sgt. Meryll. Modern productions may include either or both songs.
songs. As well, both Act Finales have extra lines that can be reinserted in several places.
* DarkReprise: "I Have a Song to Sing, O!" first appears as an uplifting song and dance in the first act, with the first two (and more (more depressing) first and third verses slightly altered for their reprise at the end.
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adding detail to a couple of examples


* AndNowYouMustMarryMe: Not one, but two major characters are forced into loveless marriages to [[AbhorrentAdmirer detested admirers]] who have enough dirt on them to get them executed.

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* AndNowYouMustMarryMe: Not one, but two major characters are forced into loveless marriages to [[AbhorrentAdmirer detested admirers]] who have enough dirt on them to get them executed. Marriage to said admirers is the price of their silence.



* PatterSong: Jack Point has two, "I've Jibe and Joke" and "Oh, a Private Buffoon." Sgt. Merryl and Dame Carruthers get a patter duet in "Rapture, Rapture!"

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* PatterSong: Jack Point has two, "I've Jibe and Joke" and "Oh, a Private Buffoon." Buffoon", as well as a patter duet with Wilfred in "Like a Ghost His Vigil Keeping". Sgt. Merryl and Dame Carruthers get have a patter semi-patter duet in "Rapture, Rapture!"
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* AbhorrentAdmirer:
** Sergeant Merryl has Dame Carruthers, whom he finds too old to be attractive.
** Phoebe has Wilfred Shadbolt, whom she detests for his occupation as jailer at [[UsefulNotes/BritishTouristAttractions the Tower of London]].

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added a couple of tropes & cleaned up other examples


* AndNowYouMustMarryMe: Not one, but two major characters are forced into loveless marriages to [[AbhorrentAdmirer detested admirers]] who have enough dirt on them to get them executed.



* DarkReprise: "I Have a Song to Sing, O!"
* DarkerAndEdgier / DownerEnding: Most Gilbert and Sullivan plays end with all of the leads happily married off. [[spoiler: The leads get married off, but two of the three marriages involve being forced into marrying someone they despise and DoggedNiceGuy Jack Point dies of a broken heart after Elsie is reunited with Fairfax]].

to:

* DarkReprise: "I Have a Song to Sing, O!"
O!" first appears as an uplifting song and dance in the first act, with the first two (and more depressing) verses slightly altered for their reprise at the end.
* DarkerAndEdgier / DownerEnding: Most Gilbert and Sullivan plays end with all of the leads happily married off. [[spoiler: The leads get married off, but In ''Yeomen'', two of the three marriages involve being are [[AndNowYouMustMarryMe forced into marrying someone they despise and loveless on one side]] and DoggedNiceGuy Jack Point dies appears to [[spoiler:die of a broken heart heart]] after Elsie his love interest is reunited with Fairfax]].his rival.



* FaceDeathWithDignity: Fairfax

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* FaceDeathWithDignity: FairfaxFairfax, facing execution for a crime he did not commit, appears to have accepted his fate in his song, "Is Life a Boon?" In it, he notes that if life is good ("Is life a boon?") then it doesn't matter how much time people are given, they'll always want more; and if life is not good ("Is life a thorn?") then it's just as well to get it over with.



* HistoricalDomainCharacter: Sir Richard Cholmondeley was Lieutenant of the Tower of London from 1513 to 1524. The play is thus set early in the reign of King HenryVIII.

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* HistoricalDomainCharacter: Sir Richard Cholmondeley was Lieutenant of the Tower of London from 1513 to 1524. The 1520. [[note]]This indicates that the play is thus set early in the reign of King HenryVIII.HenryVIII, although a reference to Anne Boleyn's execution suggests a date after 1536.[[/note]]



* PatterSong: Jack Point has two of them -- "I've Jibe and Joke" and "Oh, a Private Buffoon." Sgt. Merryl and Dame Carruthers get a patter duet in "Rapture, rapture!"

to:

* PatterSong: Jack Point has two of them -- two, "I've Jibe and Joke" and "Oh, a Private Buffoon." Sgt. Merryl and Dame Carruthers get a patter duet in "Rapture, rapture!"Rapture!"



* SadClown: Jack Point

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* SadClown: Jack PointPoint, professional jester. The story doesn't end well for him, and some productions depict him as sickly.



* SomethingCompletelyDifferent: ''Yeomen'' is very different from Creator/GilbertAndSullivan's other collaborations, to accommodate Sullivan's desire to do more serious work. ''Yeomen'' is much darker in tone than other G&S works; it's an outright tragedy instead of the usual light comedy, with a {{downer ending}} instead of the usual armload of marriages; it alone has no satire of British institutions; it alone has a cast that includes someone who [[HistoricalDomainCharacter actually existed]]; it alone starts with a solo instead of the usual chorus; and it alone has an opera-style overture instead of the usual medley of tunes from the show.



* YeOldeButcheredeEnglishe: Averted, for the most part; as mentioned above, Gilbert made a special study of Elizabethan language to get it right.
** He did make one blunder, however. In "When a wooer goes a-wooing," he uses the word "mickle" to mean "little" ("'Tis but mickle sister reaps"); it actually means the exact opposite, "much, large, great."
*** To be fair, "mickle" ''does'' mean "little" in Scottish dialects, which use "muckle" to mean "large". (Northern English dialects reverse the meanings.) Gilbert probably learned the Scottish definitions of the words during his many years in a Highland volunteer regiment.

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* YeOldeButcheredeEnglishe: Averted, for the most part; as mentioned above, Gilbert made a special study of Elizabethan language to get it right.
** He did make one blunder, however. In "When a wooer goes a-wooing," he uses the word "mickle" to mean "little" ("'Tis but mickle sister reaps"); it actually means the exact opposite, "much, large, great."
*** To be fair, "mickle" ''does'' mean "little" in Scottish dialects, which
right. [[note]]There is question regarding Gilbert's use "muckle" to mean "large". (Northern English dialects reverse the meanings.) Gilbert probably learned the Scottish definitions of the words during his many years word, "mickle", which has one meaning in a Highland volunteer regiment. one dialect and the opposite meaning in another.[[/note]]
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* MurderTheHypotenuse: Played with. Fairfax is the hypotenuse of not one but ''two'' love triangles. His rivals, Point and Wilfred, publicly claim to have killed him as he tried to swim across the Thames, reasoning that Fairfax can't contradict them without fatally blowing his cover.

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* MurderTheHypotenuse: Played with. Fairfax is the hypotenuse of not one but ''two'' love triangles.triangles (not to mention the center of a third). His rivals, Point and Wilfred, publicly claim to have killed him as he tried to swim across the Thames, reasoning that Fairfax can't contradict them without fatally blowing his cover.
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'''''The Yeomen of the Guard, or, The Merryman and his Maid''''' is an opera by GilbertAndSullivan. Though generally considered a "comic opera," it is notable as the team's [[SeriousBusiness most serious]] work. (Sir Henry Lytton wrote that Gilbert once told him that he had always intended Jack Point to die at the end, but had somewhat modified his intention due to the great comic reputation of George Grossmith, who originated the role.)

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'''''The Yeomen of the Guard, or, The Merryman and his Maid''''' is an opera by GilbertAndSullivan.Creator/GilbertAndSullivan. Though generally considered a "comic opera," it is notable as the team's [[SeriousBusiness most serious]] work. (Sir Henry Lytton wrote that Gilbert once told him that he had always intended Jack Point to die at the end, but had somewhat modified his intention due to the great comic reputation of George Grossmith, who originated the role.)



* DarkerAndEdgier / DownerEnding: Most Gilbert Sullivan productions end with all of the leads happily married off. [[spoiler: The leads get married off, but two of the three marriages involve being forced into marrying someone they despise and DoggedNiceGuy Jack Point dies of a broken heart after Elsie is reunited with Fairfax]].

to:

* DarkerAndEdgier / DownerEnding: Most Gilbert and Sullivan productions plays end with all of the leads happily married off. [[spoiler: The leads get married off, but two of the three marriages involve being forced into marrying someone they despise and DoggedNiceGuy Jack Point dies of a broken heart after Elsie is reunited with Fairfax]].

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[[folder:Synopsis]]
In [[TheRenaissance the early sixteenth century]], Colonel Fairfax, framed on a charge of sorcery, is imprisoned in the Tower of London, set to be executed; his friend, Sergeant Meryll and Meryll's amorous daughter Phœbe hatch a plot to loose Fairfax and let him assume the place of Meryll's son, due to join the Yeomen of the Guard.

Meanwhile, the strolling players [[TheJester Jack Point]] and Elsie Maynard take service with the Lieutenant of the Tower; the Lieutenant, who has been asked by Fairfax to find him a woman to marry (in order to keep his property from going to the cousin who framed him), convinces Elsie (and Point, who loves her) to let a blindfolded Elsie be Fairfax's bride, since the groom will be executed immediately thereafter.) The marriage accomplished, Meryll springs his plot; Elsie and Point are horrified to find that her husband is still alive. When Fairfax learns that it is the winsome Elsie whom he has married, he resolves to woo her in the character of Leonard Meryll, and succeeds in gaining her affections, though she refuses to marry him until assured that she is free of Fairfax.

Meanwhile, Point and the oafish gaoler Wilfred Shadbolt plot to declare that Shadbolt has shot the escaped Fairfax, but that the body unfortunately sank in the river. Elsie, to the grief and shock of Point and Phœbe, agrees to marry Leonard/Fairfax; but is shocked in her turn when she learns that Fairfax has been pardoned and come to claim her; her tears turn to joy when she learns that Fairfax ''is'' Leonard -- but the opera [[DownerEnding ends on a melancholy note]], as Point, seeing that Elsie is lost to him forever, "[[NeverSayDie falls insensible]]" at her feet.
[[/folder]]

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\n[[folder:Synopsis]]\nIn [[TheRenaissance the early sixteenth century]], Colonel Fairfax, framed on a charge of sorcery, is imprisoned in the Tower of London, set to be executed; his friend, Sergeant Meryll and Meryll's amorous daughter Phœbe hatch a plot to loose Fairfax and let him assume the place of Meryll's son, due to join the Yeomen of the Guard. \n\nMeanwhile, the strolling players [[TheJester Jack Point]] and Elsie Maynard take service with the Lieutenant of the Tower; the Lieutenant, who has been asked by Fairfax to find him a woman to marry (in order to keep his property from going to the cousin who framed him), convinces Elsie (and Point, who loves her) to let a blindfolded Elsie be Fairfax's bride, since the groom will be executed immediately thereafter.) The marriage accomplished, Meryll springs his plot; Elsie and Point are horrified to find that her husband is still alive. When Fairfax learns that it is the winsome Elsie whom he has married, he resolves to woo her in the character of Leonard Meryll, and succeeds in gaining her affections, though she refuses to marry him until assured that she is free of Fairfax.\n\nMeanwhile, Point and the oafish gaoler Wilfred Shadbolt plot to declare that Shadbolt has shot the escaped Fairfax, but that the body unfortunately sank in the river. Elsie, to the grief and shock of Point and Phœbe, agrees to marry Leonard/Fairfax; but is shocked in her turn when she learns that Fairfax has been pardoned and come to claim her; her tears turn to joy when she learns that Fairfax ''is'' Leonard -- but the opera [[DownerEnding ends on a melancholy note]], as Point, seeing that Elsie is lost to him forever, "[[NeverSayDie falls insensible]]" at her feet.\n[[/folder]]\n----
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* OffstageVillainy: Fairfax's cousin and heir apparent, [[TheGhost Sir Clarence Poltwhistle]], has falsely accused Fairfax of sorcery in order to get his hands on his estates and fortune after his execution. It's Fairfax's determination to prevent this that sets up the play's DownerEnding.
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* DarkerAndEdgier
* DownerEnding

to:

* DarkerAndEdgier
DarkerAndEdgier / DownerEnding: Most Gilbert Sullivan productions end with all of the leads happily married off. [[spoiler: The leads get married off, but two of the three marriages involve being forced into marrying someone they despise and DoggedNiceGuy Jack Point dies of a broken heart after Elsie is reunited with Fairfax]].
* DownerEndingDoggedNiceGuy: Jack Point "is not yet marries to Elsie Maynard, but time works wonders..."



* ForDoomTheBellTolls

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* ForDoomTheBellTollsForDoomTheBellTolls: The finale of the first act employs the ensemble singing along as the bell tolls for Fairfax's execution.



** DeathOfTheHypotenuse: Jack Point.

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** DeathOfTheHypotenuse: Jack Point.[[spoiler:Jack Point]].



* PatterSong: Jack Point has two of them -- "I've Jibe and Joke" and "Oh, a Private Buffoon."

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* PatterSong: Jack Point has two of them -- "I've Jibe and Joke" and "Oh, a Private Buffoon."" Sgt. Merryl and Dame Carruthers get a patter duet in "Rapture, rapture!"



* RagsToRoyalty

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* RagsToRoyaltyRagsToRoyalty: Elsie. Or at least from rags to prosperous upper class as Fairfax is indicated to have a considerable estate.
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* HealthcareMotivation: Elsie agrees to marry Fairfax because she needs the money for her sick mother.
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* [[SoUnfunnyItsFunny So Unfunny, It's Funny]]: Jack Point's attempts to impress the Lieutenant are this.

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* [[SoUnfunnyItsFunny So Unfunny, It's Funny]]: SoUnfunnyItsFunny: Jack Point's attempts to impress the Lieutenant are this.
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[[quoteright:300:http://static.tvtropes.org/pmwiki/pub/images/TheYeomenOfTheGuard_777.jpg]]

'''''The Yeomen of the Guard, or, The Merryman and his Maid''''' is an opera by GilbertAndSullivan. Though generally considered a "comic opera," it is notable as the team's [[SeriousBusiness most serious]] work. (Sir Henry Lytton wrote that Gilbert once told him that he had always intended Jack Point to die at the end, but had somewhat modified his intention due to the great comic reputation of George Grossmith, who originated the role.)

The central motif of the drama is said to have been suggested to Gilbert when he saw a Beefeater displayed on the advertisement of a London furniture moving company. His imagination took fire at the picturesque Tower of London setting, and he made a special study of Shakespearean language in order to create the proper feel for the period. The plot-device of the secret wedding may have been suggested by an earlier melodrama, ''Maritana'', itself based on a still earlier French play, ''Don César de Bazan''. However, neither of those sources have the eccentricity of character or the wit, grace, and occasional profundity of Gilbert's libretto, let alone the rich and glittering texture of Sullivan's outstanding score, "over which" (it has been said) "the [[{{Leitmotif}} motif]] of the Tower broods like a watchful giant."

[[folder:Synopsis]]
In [[TheRenaissance the early sixteenth century]], Colonel Fairfax, framed on a charge of sorcery, is imprisoned in the Tower of London, set to be executed; his friend, Sergeant Meryll and Meryll's amorous daughter Phœbe hatch a plot to loose Fairfax and let him assume the place of Meryll's son, due to join the Yeomen of the Guard.

Meanwhile, the strolling players [[TheJester Jack Point]] and Elsie Maynard take service with the Lieutenant of the Tower; the Lieutenant, who has been asked by Fairfax to find him a woman to marry (in order to keep his property from going to the cousin who framed him), convinces Elsie (and Point, who loves her) to let a blindfolded Elsie be Fairfax's bride, since the groom will be executed immediately thereafter.) The marriage accomplished, Meryll springs his plot; Elsie and Point are horrified to find that her husband is still alive. When Fairfax learns that it is the winsome Elsie whom he has married, he resolves to woo her in the character of Leonard Meryll, and succeeds in gaining her affections, though she refuses to marry him until assured that she is free of Fairfax.

Meanwhile, Point and the oafish gaoler Wilfred Shadbolt plot to declare that Shadbolt has shot the escaped Fairfax, but that the body unfortunately sank in the river. Elsie, to the grief and shock of Point and Phœbe, agrees to marry Leonard/Fairfax; but is shocked in her turn when she learns that Fairfax has been pardoned and come to claim her; her tears turn to joy when she learns that Fairfax ''is'' Leonard -- but the opera [[DownerEnding ends on a melancholy note]], as Point, seeing that Elsie is lost to him forever, "[[NeverSayDie falls insensible]]" at her feet.
[[/folder]]

!!Tropes present in this work:

* CutSong: "When Jealous Torments Rack My Soul" for Wilfred, "A Laughing Boy But Yesterday" for Sgt. Meryll. Modern productions may include either or both songs.
* DarkReprise: "I Have a Song to Sing, O!"
* DarkerAndEdgier
* DownerEnding
* FaceDeathWithDignity: Fairfax
* ForDoomTheBellTolls
* HistoricalDomainCharacter: Sir Richard Cholmondeley was Lieutenant of the Tower of London from 1513 to 1524. The play is thus set early in the reign of King HenryVIII.
* {{Mondegreen}}: Anyone else hear the "love a heartless jade" line from "When Jealous Torments Rack My Soul" as "love a heartless jail"?
* MurderTheHypotenuse: Played with. Fairfax is the hypotenuse of not one but ''two'' love triangles. His rivals, Point and Wilfred, publicly claim to have killed him as he tried to swim across the Thames, reasoning that Fairfax can't contradict them without fatally blowing his cover.
** DeathOfTheHypotenuse: Jack Point.
* PairTheSpares: Subverted. The marriages that result do not appear happy, and Jack Point gets left out to dry.
* PatterSong: Jack Point has two of them -- "I've Jibe and Joke" and "Oh, a Private Buffoon."
* PlayingCyrano: Played with. Fairfax leads a quartet about how wooing has to be learned, with Jack Point eagerly hoping to apply this teaching to Elsie. Then Fairfax proposes to Elsie and sends Jack off.
* RagsToRoyalty
* SadClown: Jack Point
* SheIsAllGrownUp: Played with. When Phœbe greets Fairfax as "Leonard", he has no idea who she is. Upon learning that she's his sister, he exclaims, "Why, how you've grown! I did not recognise you!"
* ShownTheirWork: The Tower of London is guarded by the Yeomen of the Guard, not the Yeomen Warders, which didn't exist until 1548.
* [[SoUnfunnyItsFunny So Unfunny, It's Funny]]: Jack Point's attempts to impress the Lieutenant are this.
* TalkingInYourSleep: Kate hears Elsie talking in her sleep, and learns important information from it.
* YeOldeButcheredeEnglishe: Averted, for the most part; as mentioned above, Gilbert made a special study of Elizabethan language to get it right.
** He did make one blunder, however. In "When a wooer goes a-wooing," he uses the word "mickle" to mean "little" ("'Tis but mickle sister reaps"); it actually means the exact opposite, "much, large, great."
*** To be fair, "mickle" ''does'' mean "little" in Scottish dialects, which use "muckle" to mean "large". (Northern English dialects reverse the meanings.) Gilbert probably learned the Scottish definitions of the words during his many years in a Highland volunteer regiment.
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