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Trope was cut/disambiguated due to cleanup
Changed line(s) 3,4 (click to see context) from:
It’s the island of Sicily, 1282 (or whatever year the production director decides it to be). The French have just conquered the island, killing its ruler Duke Frederick in the process, and have set their own governor, Guy de Montfort. The Sicilian LaResistance, led by Elena, sister of the deceased Duke, and [[BassoProfondo Procida]], a Sicilian doctor, plans to assassinate Montfort and start a rebellion. The situation becomes much more complicated when one of the rebels, a [[TenorBoy young Henri/Arrigo]], turns out to be Montfort’s [[LukeIAmYourFather long-lost son]]…
to:
It’s the island of Sicily, 1282 (or whatever year the production director decides it to be). The French have just conquered the island, killing its ruler Duke Frederick in the process, and have set their own governor, Guy de Montfort. The Sicilian LaResistance, led by Elena, sister of the deceased Duke, and [[BassoProfondo Procida]], Procida, a Sicilian doctor, plans to assassinate Montfort and start a rebellion. The situation becomes much more complicated when one of the rebels, a [[TenorBoy young Henri/Arrigo]], turns out to be Montfort’s [[LukeIAmYourFather long-lost son]]…
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Trope was cut/disambiguated due to cleanup
Deleted line(s) 12 (click to see context) :
%%* BassoProfondo: Procida
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Badass Baritone is disambiguated
Deleted line(s) 12 (click to see context) :
%%* BadassBaritone: Procida is a bass and a morally ambiguous character, but quite badass for sure.
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The Chick is now a disambig, dewicking
Deleted line(s) 16 (click to see context) :
%%* TheChick: Elena
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dewicking redirect
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* AmbiguousEnding: It’s either this or a KillEmAll ending.
* AngryMobSong: The chorus in Act I and in the finale.
* AntiVillain: Arguably, Montfort. Really, he’s not as bad as LaResistance leaders would want us to believe.
* BadassBaritone: Procida is a bass and a morally ambiguous character, but quite badass for sure.
* BassoProfondo: Procida
* AngryMobSong: The chorus in Act I and in the finale.
* AntiVillain: Arguably, Montfort. Really, he’s not as bad as LaResistance leaders would want us to believe.
* BadassBaritone: Procida is a bass and a morally ambiguous character, but quite badass for sure.
* BassoProfondo: Procida
to:
*
%%* AngryMobSong: The chorus in Act I and in the finale.
Changed line(s) 15,17 (click to see context) from:
* BSODSong: what’s a Verdi opera without one? Arrigo’s ''Giorno di pianto''. Act 5 has a BSOD ''trio'' of Arrigo, Elena and Procida, all going BSOD for different reasons.
* TheChick: Elena
* LesCollaborateurs: First Procida and Elena accuse Arrigo of being one, then Procida accuses them both.
* TheChick: Elena
* LesCollaborateurs: First Procida and Elena accuse Arrigo of being one, then Procida accuses them both.
to:
Changed line(s) 19,21 (click to see context) from:
* {{Determinator}}: Procida
* FaceHeelTurn: Though it depends on how you look at it, because of…
* GreyAndGreyMorality: Sure, Montfort and the French have killed the Duke and taken over the country, but the revolutionaries are [[TheRevolutionWillNotBeCivilized perfectly willing to instigate a]] KillEmAll DownerEnding if it serves their purposes.
* FaceHeelTurn: Though it depends on how you look at it, because of…
* GreyAndGreyMorality: Sure, Montfort and the French have killed the Duke and taken over the country, but the revolutionaries are [[TheRevolutionWillNotBeCivilized perfectly willing to instigate a]] KillEmAll DownerEnding if it serves their purposes.
to:
* GreyAndGreyMorality: Sure, Montfort and the French have killed the Duke and taken over the country, but the revolutionaries are [[TheRevolutionWillNotBeCivilized perfectly willing to instigate a]]
Changed line(s) 23,33 (click to see context) from:
* IrrelevantActOpener: Elena’s ''Mercé, dilette amiche'' in Act 5.
* LukeIAmYourFather
* MassiveMultiplayerEnsembleNumber: Act 3 grand finale.
* OminousLatinChanting: ''De profundis'' in Act 4
* LaResistance
* TenorBoy: Henri/Arrigo, of the most classic kind.
* TheUnfettered: Procida, who blatantly states he’d sacrifice ''anything'', even his honour, to liberate Sicily.
* UtopiaJustifiesTheMeans: Procida seems to believe it.
* VillainousLament: Montfort’s ''In braccio alle dovizie''.
* WellIntentionedExtremist: Procida
* [[YouKilledMyFather You Killed My Brother]]
* LukeIAmYourFather
* MassiveMultiplayerEnsembleNumber: Act 3 grand finale.
* OminousLatinChanting: ''De profundis'' in Act 4
* LaResistance
* TenorBoy: Henri/Arrigo, of the most classic kind.
* TheUnfettered: Procida, who blatantly states he’d sacrifice ''anything'', even his honour, to liberate Sicily.
* UtopiaJustifiesTheMeans: Procida seems to believe it.
* VillainousLament: Montfort’s ''In braccio alle dovizie''.
* WellIntentionedExtremist: Procida
* [[YouKilledMyFather You Killed My Brother]]
to:
* [[YouKilledMyFather You Killed My Brother]]
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None
Changed line(s) 21 (click to see context) from:
* GreyAndGreyMorality: Sure, Montfort and the French have killed the Duke and taken over the country, but the revolutionaries are [[TheRevolutionWillNotBeCivilized perfectly willing to instigate bloodshed and let young brides be raped]] if it serves their purposes.
to:
* GreyAndGreyMorality: Sure, Montfort and the French have killed the Duke and taken over the country, but the revolutionaries are [[TheRevolutionWillNotBeCivilized perfectly willing to instigate bloodshed and let young brides be raped]] a]] KillEmAll DownerEnding if it serves their purposes.
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Changed line(s) 3,4 (click to see context) from:
It’s the island of Sicily, 1282 (or whatever year the production director decides it to be). The French have just conquered the island, killing its ruler Duke Frederick in the process, and have set their own governor, Guy de Montfort. The Sicilian LaResistance, led by [[TheSoprano Elena]], sister of the deceased Duke, and [[BassoProfondo Procida]], a Sicilian doctor, plans to assassinate Montfort and start a rebellion. The situation becomes much more complicated when one of the rebels, a [[TenorBoy young Henri/Arrigo]], turns out to be Montfort’s [[LukeIAmYourFather long-lost son]]…
to:
It’s the island of Sicily, 1282 (or whatever year the production director decides it to be). The French have just conquered the island, killing its ruler Duke Frederick in the process, and have set their own governor, Guy de Montfort. The Sicilian LaResistance, led by [[TheSoprano Elena]], Elena, sister of the deceased Duke, and [[BassoProfondo Procida]], a Sicilian doctor, plans to assassinate Montfort and start a rebellion. The situation becomes much more complicated when one of the rebels, a [[TenorBoy young Henri/Arrigo]], turns out to be Montfort’s [[LukeIAmYourFather long-lost son]]…
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None
Changed line(s) 33 (click to see context) from:
* [[YouKilledMyFather You Killed My Brother]]
to:
* [[YouKilledMyFather You Killed My Brother]]Brother]]
----
----
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None
Changed line(s) 1,2 (click to see context) from:
''I vespri siciliani'' (The Sicilian Vespers, French ''Les vêpres siciliennes'') is an opera by GiuseppeVerdi. The libretto, written by a popular French dramatist Eugène Scribe, and VeryLooselyBasedOnATrueStory, was originally in French but the opera has since become better known in its Italian translation.
to:
''I vespri siciliani'' (The Sicilian Vespers, French ''Les vêpres siciliennes'') is an opera by GiuseppeVerdi.Music/GiuseppeVerdi. The libretto, written by a popular French dramatist Eugène Scribe, and VeryLooselyBasedOnATrueStory, was originally in French but the opera has since become better known in its Italian translation.
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None
* LesCollaborateurs: First Procida and Elena accuse Arrigo of being one, then Procida accuses them both.
Deleted line(s) 23,24 (click to see context) :
* LaResistance
* LesCollaborateurs: First Procida and Elena accuse Arrigo of being one, then Procida accuses them both.
* LesCollaborateurs: First Procida and Elena accuse Arrigo of being one, then Procida accuses them both.
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* LaResistance
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Removed per TRS.
Changed line(s) 12 (click to see context) from:
* BadassBaritone: Procida is a bass and a morally ambiguous character, but quite {{Badass}} for sure.
to:
* BadassBaritone: Procida is a bass and a morally ambiguous character, but quite {{Badass}} badass for sure.
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None
Deleted line(s) 18 (click to see context) :
* DawsonCasting: Good luck trying to find a 18-years old tenor who can sing the part of Henri/Arrigo.
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None
Changed line(s) 11 (click to see context) from:
* AntiVillain: Arguably, Montfort. Really, he’s not such a CompleteMonster as LaResistance leaders would want us to believe.
to:
* AntiVillain: Arguably, Montfort. Really, he’s not such a CompleteMonster as bad as LaResistance leaders would want us to believe.
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None
* BreakTheCutie: Poor Arrigo. First he learns that his worst enemy [[LukeIAmYourFather is his father]], then the said father captures and threatens to kill Ariigo's girlfriend, then the girlfriend treats Arrigo like a piece of shit because she thinks he has betrayed their common cause... And finally, LaResistance members kill Arrigo's newfound father. Geez, does this guy need a break.
Changed line(s) 17 (click to see context) from:
* DawsonCasting: Good luck trying to find a 17-years old tenor who can sing the part of Henri/Arrigo.
to:
* DawsonCasting: Good luck trying to find a 17-years 18-years old tenor who can sing the part of Henri/Arrigo.
Changed line(s) 20 (click to see context) from:
* GreyAndGreyMorality: Montfort and the French have killed the Duke and taken over the country, but the revolutionaries are [[TheRevolutionWillNotBeCivilized perfectly willing to instigate bloodshed and let young brides be raped]] if it serves their purposes.
to:
* GreyAndGreyMorality: Sure, Montfort and the French have killed the Duke and taken over the country, but the revolutionaries are [[TheRevolutionWillNotBeCivilized perfectly willing to instigate bloodshed and let young brides be raped]] if it serves their purposes.
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None
Changed line(s) 5 (click to see context) from:
Noted for its extremely difficult tenor part (with a high D, no less!), the opera is rarely performed today, although its grand overture and the beautiful bass aria are well known.
to:
Noted for its extremely difficult tenor part (with a high D, no less!), the opera is rarely performed today, although its grand overture and two arias (the soprano and the beautiful bass aria ones) are well known.
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None
Added DiffLines:
* DawsonCasting: Good luck trying to find a 17-years old tenor who can sing the part of Henri/Arrigo.
Is there an issue? Send a MessageReason:
None
Changed line(s) 12 (click to see context) from:
* BadassBaritone: Procida is bass and a morally ambiguous character, but quite {{Badass}} for sure.
to:
* BadassBaritone: Procida is a bass and a morally ambiguous character, but quite {{Badass}} for sure.
* OminousLatinChanting: ''De profundis'' in Act 4
Changed line(s) 28 (click to see context) from:
* UtopiaJustifiesTheMeans: Procida seems to think so.
to:
* UtopiaJustifiesTheMeans: Procida seems to think so.believe it.
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None
Changed line(s) 3,4 (click to see context) from:
It’s the island of Sicily, 1282 (or whatever year the production director decides it to be). The French have just conquered the island, killing its ruler Duke Frederick in the process, and have set their own governor, Guy de Montfort. The Sicilian LaResistance, led by [[TheSoprano Elena]], sister of the deceased Duke, and Procida, [[CombatMedic a Sicilian doctor]], plans to assassinate Montfort and start a rebellion. The situation becomes much more complicated when one of the rebels, a [[TenorBoy young Henri/Arrigo]], turns out to be Montfort’s [[LukeIAmYourFather long-lost son]]…
to:
It’s the island of Sicily, 1282 (or whatever year the production director decides it to be). The French have just conquered the island, killing its ruler Duke Frederick in the process, and have set their own governor, Guy de Montfort. The Sicilian LaResistance, led by [[TheSoprano Elena]], sister of the deceased Duke, and Procida, [[CombatMedic [[BassoProfondo Procida]], a Sicilian doctor]], doctor, plans to assassinate Montfort and start a rebellion. The situation becomes much more complicated when one of the rebels, a [[TenorBoy young Henri/Arrigo]], turns out to be Montfort’s [[LukeIAmYourFather long-lost son]]…
Is there an issue? Send a MessageReason:
None
Added DiffLines:
''I vespri siciliani'' (The Sicilian Vespers, French ''Les vêpres siciliennes'') is an opera by GiuseppeVerdi. The libretto, written by a popular French dramatist Eugène Scribe, and VeryLooselyBasedOnATrueStory, was originally in French but the opera has since become better known in its Italian translation.
It’s the island of Sicily, 1282 (or whatever year the production director decides it to be). The French have just conquered the island, killing its ruler Duke Frederick in the process, and have set their own governor, Guy de Montfort. The Sicilian LaResistance, led by [[TheSoprano Elena]], sister of the deceased Duke, and Procida, [[CombatMedic a Sicilian doctor]], plans to assassinate Montfort and start a rebellion. The situation becomes much more complicated when one of the rebels, a [[TenorBoy young Henri/Arrigo]], turns out to be Montfort’s [[LukeIAmYourFather long-lost son]]…
Noted for its extremely difficult tenor part (with a high D, no less!), the opera is rarely performed today, although its grand overture and the beautiful bass aria are well known.
----
'''Tropes:'''
* AmbiguousEnding: It’s either this or a KillEmAll ending.
* AngryMobSong: The chorus in Act I and in the finale.
* AntiVillain: Arguably, Montfort. Really, he’s not such a CompleteMonster as LaResistance leaders would want us to believe.
* BadassBaritone: Procida is bass and a morally ambiguous character, but quite {{Badass}} for sure.
* BassoProfondo: Procida
* BSODSong: what’s a Verdi opera without one? Arrigo’s ''Giorno di pianto''. Act 5 has a BSOD ''trio'' of Arrigo, Elena and Procida, all going BSOD for different reasons.
* TheChick: Elena
* CounterpointDuet: Arrigo and Montfort in Act I. The tenor is singing of how he hates the baritone, and the baritone admires his spirit.
* {{Determinator}}: Procida
* FaceHeelTurn: Though it depends on how you look at it, because of…
* GreyAndGreyMorality: Montfort and the French have killed the Duke and taken over the country, but the revolutionaries are [[TheRevolutionWillNotBeCivilized perfectly willing to instigate bloodshed and let young brides be raped]] if it serves their purposes.
* InformedAbility: the list of characters says that Procida is a doctor (the historical Giovanni da Procida [[TruthInTelevision was one]]), but it’s never mentioned in the opera itself.
* IrrelevantActOpener: Elena’s ''Mercé, dilette amiche'' in Act 5.
* LaResistance
* LesCollaborateurs: First Procida and Elena accuse Arrigo of being one, then Procida accuses them both.
* LukeIAmYourFather
* MassiveMultiplayerEnsembleNumber: Act 3 grand finale.
* TenorBoy: Henri/Arrigo, of the most classic kind.
* TheUnfettered: Procida, who blatantly states he’d sacrifice ''anything'', even his honour, to liberate Sicily.
* UtopiaJustifiesTheMeans: Procida seems to think so.
* VillainousLament: Montfort’s ''In braccio alle dovizie''.
* WellIntentionedExtremist: Procida
* [[YouKilledMyFather You Killed My Brother]]
It’s the island of Sicily, 1282 (or whatever year the production director decides it to be). The French have just conquered the island, killing its ruler Duke Frederick in the process, and have set their own governor, Guy de Montfort. The Sicilian LaResistance, led by [[TheSoprano Elena]], sister of the deceased Duke, and Procida, [[CombatMedic a Sicilian doctor]], plans to assassinate Montfort and start a rebellion. The situation becomes much more complicated when one of the rebels, a [[TenorBoy young Henri/Arrigo]], turns out to be Montfort’s [[LukeIAmYourFather long-lost son]]…
Noted for its extremely difficult tenor part (with a high D, no less!), the opera is rarely performed today, although its grand overture and the beautiful bass aria are well known.
----
'''Tropes:'''
* AmbiguousEnding: It’s either this or a KillEmAll ending.
* AngryMobSong: The chorus in Act I and in the finale.
* AntiVillain: Arguably, Montfort. Really, he’s not such a CompleteMonster as LaResistance leaders would want us to believe.
* BadassBaritone: Procida is bass and a morally ambiguous character, but quite {{Badass}} for sure.
* BassoProfondo: Procida
* BSODSong: what’s a Verdi opera without one? Arrigo’s ''Giorno di pianto''. Act 5 has a BSOD ''trio'' of Arrigo, Elena and Procida, all going BSOD for different reasons.
* TheChick: Elena
* CounterpointDuet: Arrigo and Montfort in Act I. The tenor is singing of how he hates the baritone, and the baritone admires his spirit.
* {{Determinator}}: Procida
* FaceHeelTurn: Though it depends on how you look at it, because of…
* GreyAndGreyMorality: Montfort and the French have killed the Duke and taken over the country, but the revolutionaries are [[TheRevolutionWillNotBeCivilized perfectly willing to instigate bloodshed and let young brides be raped]] if it serves their purposes.
* InformedAbility: the list of characters says that Procida is a doctor (the historical Giovanni da Procida [[TruthInTelevision was one]]), but it’s never mentioned in the opera itself.
* IrrelevantActOpener: Elena’s ''Mercé, dilette amiche'' in Act 5.
* LaResistance
* LesCollaborateurs: First Procida and Elena accuse Arrigo of being one, then Procida accuses them both.
* LukeIAmYourFather
* MassiveMultiplayerEnsembleNumber: Act 3 grand finale.
* TenorBoy: Henri/Arrigo, of the most classic kind.
* TheUnfettered: Procida, who blatantly states he’d sacrifice ''anything'', even his honour, to liberate Sicily.
* UtopiaJustifiesTheMeans: Procida seems to think so.
* VillainousLament: Montfort’s ''In braccio alle dovizie''.
* WellIntentionedExtremist: Procida
* [[YouKilledMyFather You Killed My Brother]]
