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* YouAllShareMyStory: Despite their interactions with the house beginning at different times (multiple times in the case of Yasuo) almost all of the plots collide in the final episodes when Yasuo, Haruka, and Tetsuya's mother team up with Yuuand Tomoko to stop the haunting after Tomoko interacts with Keiichi when he visited the house (years in the past). Similarly, Kiyomi interacted with Yasuo both when he was exploring the house as an adult (her first visit to the house) and when he received the child from the Woman in White as a child (when Kiyomi made a later visit as a young adult). Yasuo is the main connecting thread, as someone the house specifically let live to chronicle its doings.

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* YouAllShareMyStory: Despite their interactions with the house beginning at different times (multiple times in the case of Yasuo) almost all of the plots collide in the final episodes when Yasuo, Haruka, and Tetsuya's mother team up with Yuuand Yuu and Tomoko to stop the haunting after Tomoko interacts with Keiichi when he visited the house (years in the past). Similarly, Kiyomi interacted with Yasuo both when he was exploring the house as an adult (her first visit to the house) and when he received the child from the Woman in White as a child (when Kiyomi made a later visit as a young adult). Yasuo is the main connecting thread, as someone the house specifically let live to chronicle its doings.

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Disambiguated.


* DaylightHorror: Many scary scenes occur during the daytime, as do several deaths. It doesn't hurt that the house's time shenanigans mean that something that happened at night for one character is daytime to another.



** The House also leaves alone visitors who may draw more people in--namely the realtor, the author, and the serial killer. It wants to add people into itself for some reason, and therefore leaves alone those whose actions will bring more. Whether or not this ties into "bury together" has yet to be seen.
* GlamourFailure: The Woman in White has this in her final appearance in the first season, where the psychic turns and see her as she really looks--a disgusting rotted spirit who's been trapped in an attic for too long.

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** The House also leaves alone visitors who may draw more people in--namely in -- namely the realtor, the author, and the serial killer. It wants to add people into itself for some reason, and therefore leaves alone those whose actions will bring more. Whether or not this ties into "bury together" has yet to be seen.
* GlamourFailure: The Woman in White has this in her final appearance in the first season, where the psychic turns and see her as she really looks--a looks -- a disgusting rotted spirit who's been trapped in an attic for too long.
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Kill Em All was renamed Everybody Dies Ending due to misuse. Dewicking


* EverybodyDiesEnding: Almost everyone associated with the house dies in some way or other by the end of the first season, the only exceptions being Yasuo and the realtor (who bring more people to the house), Tomoko and her baby (saved by Haruka), and the lead detective and Miss Ariatsu (the former's fate unspecified beyond nightmares and the latter warned to run by Toshiki)



** Initially the baby given to a young [[spoiler: Yasuo]] looks normal enough...and then its mouth opens terrifyingly wide in a scream.
* KillEmAll: Almost everyone associated with the house dies in some way or other by the end of the first season, the only exceptions being Yasuo and the realtor (who bring more people to the house), Tomoko and her baby (saved by Haruka), and the lead detective and Miss Ariatsu (the former's fate unspecified beyond nightmares and the latter warned to run by Toshiki).

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** Initially the baby given to a young [[spoiler: Yasuo]] looks normal enough...and then its mouth opens terrifyingly wide in a scream.
* KillEmAll: Almost everyone associated with the house dies in some way or other by the end of the first season, the only exceptions being Yasuo and the realtor (who bring more people to the house), Tomoko and her baby (saved by Haruka), and the lead detective and Miss Ariatsu (the former's fate unspecified beyond nightmares and the latter warned to run by Toshiki).
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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/ju_on_origins.jpg]]
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Your Cheating Heart is an index, not a trope.


* YouAllShareMyStory: Despite their interactions with the house beginning at different times (multiple times in the case of Yasuo) almost all of the plots collide in the final episodes when Yasuo, Haruka, and Tetsuya's mother team up with Yuuand Tomoko to stop the haunting after Tomoko interacts with Keiichi when he visited the house (years in the past). Similarly, Kiyomi interacted with Yasuo both when he was exploring the house as an adult (her first visit to the house) and when he received the child from the Woman in White as a child (when Kiyomi made a later visit as a young adult). Yasuo is the main connecting thread, as someone the house specifically let live to chronicle its doings.
* YourCheatingHeart: The third and fourth episodes center on two families whose members cheat on each other. Chie Masaki, who is heavily pregnant, is cheating on Nobuhiko Haida, whose family is the current occupants of the cursed house. Chie's husband, Keiichi, eventually finds out about this and begins spying on them. [[spoiler:In episode 4, Chie and Nobuhiko plan to kill their respective spouses and Chie also tells Keiichi that her baby was fathered by Nobuhiko.]]

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* YouAllShareMyStory: Despite their interactions with the house beginning at different times (multiple times in the case of Yasuo) almost all of the plots collide in the final episodes when Yasuo, Haruka, and Tetsuya's mother team up with Yuuand Tomoko to stop the haunting after Tomoko interacts with Keiichi when he visited the house (years in the past). Similarly, Kiyomi interacted with Yasuo both when he was exploring the house as an adult (her first visit to the house) and when he received the child from the Woman in White as a child (when Kiyomi made a later visit as a young adult). Yasuo is the main connecting thread, as someone the house specifically let live to chronicle its doings. \n* YourCheatingHeart: The third and fourth episodes center on two families whose members cheat on each other. Chie Masaki, who is heavily pregnant, is cheating on Nobuhiko Haida, whose family is the current occupants of the cursed house. Chie's husband, Keiichi, eventually finds out about this and begins spying on them. [[spoiler:In episode 4, Chie and Nobuhiko plan to kill their respective spouses and Chie also tells Keiichi that her baby was fathered by Nobuhiko.]]

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Woman In White is a disambig and should not be wicked.


* EtherealWhiteDress: The main ghost is not only this trope, but referred to as the Woman In White such as she is unnamed.



* WomanInWhite: The main ghost is not only this trope, but referred to as such as she is unnamed.
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** Notably, this means the first season ended the year before the first Ju-On film was released in the real world.

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** Notably, this means the first season ended the year before the first Ju-On ''Ju-On'' film was released in the real world.
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* AdaptationalHeroism: While not heroic by any means, the Woman In White is far less violent than Kyako, only terrifying people when she appears to them and is only implied to have killed someone through terror. This is due to the house itself taking greater precedence and other spirits (such as the fetus or the landlord's son) doing more of the dirty work. This is also due to her goals being unknown, as opposed to Kyako's mission to simply lash out at others forever.

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* AdaptationalHeroism: While not heroic by any means, the Woman In White is far less violent than Kyako, Kayako, only terrifying people when she appears to them and is only implied to have killed someone through terror. This is due to the house itself taking greater precedence and other spirits (such as the fetus or the landlord's son) doing more of the dirty work. This is also due to her goals being unknown, as opposed to Kyako's Kayako's mission to simply lash out at others forever.

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* AdaptationalHeroism: While not heroic by any means, the Woman In White is far less violent than Kyako, only terrifying people when she appears to them and is only implied to have killed someone through terror. This is due to the house itself taking greater precedence and other spirits (such as the fetus or the landlord's son) doing more of the dirty work.

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* AdaptationalHeroism: While not heroic by any means, the Woman In White is far less violent than Kyako, only terrifying people when she appears to them and is only implied to have killed someone through terror. This is due to the house itself taking greater precedence and other spirits (such as the fetus or the landlord's son) doing more of the dirty work. This is also due to her goals being unknown, as opposed to Kyako's mission to simply lash out at others forever.


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* CurseEscapeClause: Subverted in that none of the intentional attempts work, but several characters ''do'' try to break the curse or the cycle.
** Tetsuya's psychic mother tries to have an exorcism, and also recommends the pregnant Tomoko not be left along as a potential target. While this does save Tomoko and her unborn child, the exorcism falls apart and does not save her or Yuu.
** Despite everything he goes through, Yuu does not turn violent either against his family or anyone else, and walks out of the house alone. [[WhamShot He explodes in the street.]]
** Haruka tries to end things for herself by burying the footsteps tape that started her knowledge of the house. This fails and she is taken.


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* YouAllShareMyStory: Despite their interactions with the house beginning at different times (multiple times in the case of Yasuo) almost all of the plots collide in the final episodes when Yasuo, Haruka, and Tetsuya's mother team up with Yuuand Tomoko to stop the haunting after Tomoko interacts with Keiichi when he visited the house (years in the past). Similarly, Kiyomi interacted with Yasuo both when he was exploring the house as an adult (her first visit to the house) and when he received the child from the Woman in White as a child (when Kiyomi made a later visit as a young adult). Yasuo is the main connecting thread, as someone the house specifically let live to chronicle its doings.
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* FrameUp: Kiyomi frames her teacher for the murder of her mother.

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** Notably, this means the first season ended the year before the first Ju-On film was released in the real world.



* AllGirlsWantBadBoys: Exaggerated with Kiyomi, who after he encounter with the ghost is suddenly clinging to and flirting with Yudai, who had just ''raped'' her not long before. The show makes it clear the house's influence is involved in some way.

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* AdaptationalHeroism: While not heroic by any means, the Woman In White is far less violent than Kyako, only terrifying people when she appears to them and is only implied to have killed someone through terror. This is due to the house itself taking greater precedence and other spirits (such as the fetus or the landlord's son) doing more of the dirty work.
* AllGirlsWantBadBoys: Exaggerated with Kiyomi, who after he encounter with the ghost is suddenly clinging to and flirting with Yudai, who had just ''raped'' her not long before. The show makes it clear the house's influence is involved in some way.way with her odd grin at Yoshie.



* BreakTheCutie: Poor, poor Kiyomi. Tricked by some schoolgirls into entering the cursed house so Yudai can rape her, it only gets worse when the haunting gets involved.

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* BreakTheCutie: Poor, poor Kiyomi. Tricked by some schoolgirls into entering the cursed house so Yudai can rape her, it only gets worse when the haunting gets involved. By the end she's a wreck, her son is in a coma by her abusive husband's hand, she's just killed the husband, and she allows the house to take her.



* GhostlyGoals: A running theme, particularly in the author plot, is trying to figure out what the house/ woman In White want. Other than a mysterious "Bury Together" command it's not made very clear beyond interactions with the house only ever leading to more violence.

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* GhostlyGoals: A running theme, particularly in the author plot, is trying to figure out what the house/ woman house and-or the Woman In White want. Other than a mysterious "Bury Together" command it's not made very clear beyond interactions with the house only ever leading to more violence.



* KillEmAll: Almost everyone associated with the house dies in some way or other by the end of the first season, the only exceptions being Yasuo and the realtor (who bring more people to the house), Tomoko and her baby (saved by Haruka), and the lead detective and Miss Ariatsu (the latter warned to run by Toshiki).

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* KillEmAll: Almost everyone associated with the house dies in some way or other by the end of the first season, the only exceptions being Yasuo and the realtor (who bring more people to the house), Tomoko and her baby (saved by Haruka), and the lead detective and Miss Ariatsu (the former's fate unspecified beyond nightmares and the latter warned to run by Toshiki).



* NothingIsScarier: Many times it just seems like the house influences characters to turn violent, with no monster or ghost around to obviously ''make'' them do anything.

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* NiceGirl: Miss Ariatsu, Toshiki's social worker. She doesn't blame Kiyomi for her son's state, only asks he be better cared for, and as soon as she sees Kiyomi's bruises offers her aid as well. She continues to visit Toshiki when he's in a coma.
* NothingIsScarier: Many times it just seems like the house influences characters to turn violent, with no monster or ghost around to obviously ''make'' them do anything. A notably chilling moment is when Yuu suddenly becomes enraged by Yasuo leaving behind his card in case they need his help.



* ShockingSwerve: It turns out the house ''does'' have an option to kill off people who don't turn violent, as seen with both Yuu and [[spoiler: Yasuo's]] father: simply cause them to explode in a poof of smoke before the leave the premises. Yasuo is horrified when he sees it happen to Yuu, just out on the street in broad daylight. This reveal comes out of nowhere in the final episode of the first season, seemingly just to kill off Yuu and [[spoiler: Yasuo's father.]]



* WomanInWhite: The main ghost is not only this trope, but referred to as such.

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* WhamShot: It turns out the house ''does'' have an option to kill off people who don't turn violent, as seen with both Yuu and [[spoiler: Yasuo's]] father: simply cause them to explode in a poof of smoke before the leave the premises. Yasuo is horrified when he sees it happen to Yuu, just out on the street in broad daylight. This reveal comes out of nowhere in the final episode of the first season, seemingly just to kill off Yuu and [[spoiler: Yasuo's father.]]
* WomanInWhite: The main ghost is not only this trope, but referred to as such.such as she is unnamed.
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* BewareTheSillyOnes: The ghost in his underwear? Oh, just a murderous rapist who imprisoned a woman in an attic and later tried to murder her. And he's still perfectly dangerous.

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* TwentyMinutesIntoThePast: The series was released in 2020, but is set between 1988 and 1997.

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* TwentyMinutesIntoThePast: The series was released in 2020, but is set between 1988 and 1997. Meanwhile, the incident that started the curse occurred in 1952.



** Yudai himself becomes physically abusive to Toshiki, his son with Kiyomi, until one day he beats him so badly that he sends the kid into a persistent vegetative state. [[spoiler:Subverted in that Toshiki was not really his biological son, but a kid that Kiyomi "adopted" from the cursed house.]]

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** Yudai himself becomes physically abusive to Toshiki, his son with Kiyomi, until one day he beats him so badly that he sends the kid into a persistent vegetative state. [[spoiler:Subverted in that Toshiki was not really his biological son, but a kid that Kiyomi "adopted" from the cursed house.]]]] Also the only reason he knows Kiyomi is because he got two girls to help him ''rape her'' and her possession by the house made her clingy to him afterwards.
* AllGirlsWantBadBoys: Exaggerated with Kiyomi, who after he encounter with the ghost is suddenly clinging to and flirting with Yudai, who had just ''raped'' her not long before. The show makes it clear the house's influence is involved in some way.



* AssholeVictim: Quite a few to choose from -- Yoshie and Mai; Kiyomi's mother; Yudai; Keiichi.
* BreakTheCutie: Poor, poor Kiyomi.
** Tomoko as well. She loses her boyfriend because he was looking for somewhere for them to live together, he inadvertently passed the curse to her, her attempts to help his spirit drags the boy's psychic mother in who is eventually killed by the curse as well, and when Tomoko goes to bury the cursed tape at the house she is kidnapped/killed by a ghost as well. The most she managed was to save a pregnant woman and her baby from the ghosts.

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* AssholeVictim: Quite a few to choose from -- Yoshie and Mai; Kiyomi's mother; Yudai; Keiichi.Keiichi and Chie...
* BreakTheCutie: Poor, poor Kiyomi.
Kiyomi. Tricked by some schoolgirls into entering the cursed house so Yudai can rape her, it only gets worse when the haunting gets involved.
** Tomoko Haruka as well. She loses her boyfriend because he was looking for somewhere for them to live together, he inadvertently passed the curse to her, her attempts to help his spirit drags the boy's psychic mother in who is eventually killed by the curse as well, and when Tomoko Haruka goes to bury the cursed tape at the house she is kidnapped/killed by a ghost as well. The most she managed was to save a pregnant woman and her baby from the ghosts.
* DaylightHorror: Many scary scenes occur during the daytime, as do several deaths. It doesn't hurt that the house's time shenanigans mean that something that happened at night for one character is daytime to another.



** In addition, despite the existence of the woman in white, emphasis in the series is much heavier on the house itself as a malevolent force as opposed to the ghosts being the threat.



** Initially the baby given to a young [[spoiler: Yasuo]] looks normal enough...and then its mouth opens terrifyingly wide in a scream.
* KillEmAll: Almost everyone associated with the house dies in some way or other by the end of the first season, the only exceptions being Yasuo and the realtor (who bring more people to the house), Tomoko and her baby (saved by Haruka), and the lead detective and Miss Ariatsu (the latter warned to run by Toshiki).



* NothingIsScarier: Many times it just seems like the house influences characters to turn violent, with no monster or ghost around to obviously ''make'' them do anything.



* TheReveal: Toshiki is not Kiyomi and Yudai's son, but [[spoiler: the child of the Woman in White, first given to the author as a child and then taken by Kiyomi due to the house's time shenanigans.]] While allegedly in a coma, he still appears to his parents and social worker in times of danger to warn them to run, at one point saving Yudai's life.
* StringyHairedGhostGirl: Not Kayako, as this is an alternate universe. Instead we have The Woman In White, who was held captive and impregnated in the attic by the son of an absentee landlord years and years ago. Unlike Kayako she does very little beyond appear in the earlier episodes, and it's not until later on that we see her interacting with others [[spoiler: such as giving them her baby or scaring them to death.]]

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* TheReveal: Toshiki is not Kiyomi and Yudai's son, but [[spoiler: the child of the Woman in White, first given to the author Yasuo as a child and then taken by Kiyomi due to the house's time shenanigans.]] While allegedly in a coma, he still appears to his parents and social worker in times of danger to warn them to run, at one point saving Yudai's life.
* ShockingSwerve: It turns out the house ''does'' have an option to kill off people who don't turn violent, as seen with both Yuu and [[spoiler: Yasuo's]] father: simply cause them to explode in a poof of smoke before the leave the premises. Yasuo is horrified when he sees it happen to Yuu, just out on the street in broad daylight. This reveal comes out of nowhere in the final episode of the first season, seemingly just to kill off Yuu and [[spoiler: Yasuo's father.]]
* StringyHairedGhostGirl: Not Kayako, as this is an alternate universe. Instead we have The Woman In White, who was held captive and impregnated in the attic by the son of an absentee landlord years and years ago. Unlike Kayako she does very little beyond appear in the earlier episodes, and it's not until later on that we see her interacting with others [[spoiler: such as giving them her baby or scaring them to death.]]]]
* TimeyWimeyBall: As in the original movies, time does not work normally at the house, causing several of the stories occurring in different years to intersect.
* WeirdnessCensor: The house itself, which is why even finding it takes several episodes for the characters actively looking for it. Even though it is frequently host to horrific incidents, they are all quickly forgotten and the house is resold. The serial killer only put it together that something was wrong with the house due to his habit as a child of reading old news articles--it just kept coming back up, and even with his tip Yasuo only finds it because of the latest incident generating a very brief media storm. The house does ''not'' want to be noticeable.
* WomanInWhite: The main ghost is not only this trope, but referred to as such.

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* DemonicPossession: Kiyomi encounters the woman in white in episode 2 and apparently becomes possessed by her, turning her into an aggressive and manipulative woman. However, it's unknown how much influence the woman has on Kiyomi, since the latter seems to still have control over her actions. [[spoiler:She only gets freed after killing Yudai in episode 5, upon which she has a [[BreakTheCutie mental breakdown]].]]

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** Tomoko as well. She loses her boyfriend because he was looking for somewhere for them to live together, he inadvertently passed the curse to her, her attempts to help his spirit drags the boy's psychic mother in who is eventually killed by the curse as well, and when Tomoko goes to bury the cursed tape at the house she is kidnapped/killed by a ghost as well. The most she managed was to save a pregnant woman and her baby from the ghosts.
* DemonicPossession: Kiyomi encounters the woman in white in episode 2 and apparently becomes possessed by her, turning her into an aggressive and manipulative woman. However, it's unknown how much influence the woman has on Kiyomi, since the latter seems to still have control over her actions. [[spoiler:She only gets freed after killing Yudai in episode 5, upon which she has a [[BreakTheCutie mental breakdown]].breakdown]] and allows the house to take her.]]


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* GhostlyGoals: A running theme, particularly in the author plot, is trying to figure out what the house/ woman In White want. Other than a mysterious "Bury Together" command it's not made very clear beyond interactions with the house only ever leading to more violence.
** The House also leaves alone visitors who may draw more people in--namely the realtor, the author, and the serial killer. It wants to add people into itself for some reason, and therefore leaves alone those whose actions will bring more. Whether or not this ties into "bury together" has yet to be seen.
* GlamourFailure: The Woman in White has this in her final appearance in the first season, where the psychic turns and see her as she really looks--a disgusting rotted spirit who's been trapped in an attic for too long.


Added DiffLines:

* TheReveal: Toshiki is not Kiyomi and Yudai's son, but [[spoiler: the child of the Woman in White, first given to the author as a child and then taken by Kiyomi due to the house's time shenanigans.]] While allegedly in a coma, he still appears to his parents and social worker in times of danger to warn them to run, at one point saving Yudai's life.
* StringyHairedGhostGirl: Not Kayako, as this is an alternate universe. Instead we have The Woman In White, who was held captive and impregnated in the attic by the son of an absentee landlord years and years ago. Unlike Kayako she does very little beyond appear in the earlier episodes, and it's not until later on that we see her interacting with others [[spoiler: such as giving them her baby or scaring them to death.]]

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!!'''Ju-On: Origins'' contains examples of:'''

to:

!!'''Ju-On: Origins'' Origins contains examples of:'''



* RecursiveCanon: The show is set in a continuity where the ''Film/JuOn'' movies exist but were inspired by a purportedly real cursed house, which is at the center of the show's action.

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* DemonicPossession: Kiyomi encounters the woman in white in episode 2 and apparently becomes possessed by her, turning her into an aggressive and manipulative woman. However, it's unknown how much influence the woman has on Kiyomi, since the latter seems to still have control over her actions. [[spoiler:She only gets freed after killing Yudai in episode 5, upon which she has a [[BreakTheCutie mental breakdown]].]]
* EldritchLocation: The cursed house. [[spoiler:Time does not exist there; characters who are separated years if not decades interact with each other without knowing that they aren't supposed to be there.]]
* MurderSuicide: [[spoiler:When Keiichi Masaki goes to the cursed house after killing Chie and taking her fetus, he finds Keiko Haida dead in the kitchen with stab wounds on her stomach, while her husband, Nobuhiko, is hanging from a rope on the staircase.]]
* RecursiveCanon: The show is set in a continuity where the ''Film/JuOn'' movies exist but were inspired by a purportedly real cursed house, which is at the center of the show's action.action.
* YourCheatingHeart: The third and fourth episodes center on two families whose members cheat on each other. Chie Masaki, who is heavily pregnant, is cheating on Nobuhiko Haida, whose family is the current occupants of the cursed house. Chie's husband, Keiichi, eventually finds out about this and begins spying on them. [[spoiler:In episode 4, Chie and Nobuhiko plan to kill their respective spouses and Chie also tells Keiichi that her baby was fathered by Nobuhiko.]]
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** Yudai himself becomes physically abusive to Toshiki, his son with Kiyomi, until one day he beats him so badly that he sends the kid into a persistent vegetative state. [[spoiler:Subverted in that Toshiki was not really his biological son, but a kid that Kiyomi "adopted" from the cursed house.]]

to:

** Yudai himself becomes physically abusive to Toshiki, his son with Kiyomi, until one day he beats him so badly that he sends the kid into a persistent vegetative state. [[spoiler:Subverted in that Toshiki was not really his biological son, but a kid that Kiyomi "adopted" from the cursed house.]]]]
* AnachronicOrder: It wouldn't be a ''Ju-On'' story without telling it out of order.
* AssholeVictim: Quite a few to choose from -- Yoshie and Mai; Kiyomi's mother; Yudai; Keiichi.
* BreakTheCutie: Poor, poor Kiyomi.
* RecursiveCanon: The show is set in a continuity where the ''Film/JuOn'' movies exist but were inspired by a purportedly real cursed house, which is at the center of the show's action.
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''Ju-On: Origins'' is a 2020 Creator/{{Netflix}} series which reboots the ''Film/JuOn'' film franchise. The series does not build up on the canon of the earlier films, instead depicting a series of events which [[RecursiveCanon inspired the franchise]] in its universe.

to:

''Ju-On: Origins'' is a 2020 Creator/{{Netflix}} series which reboots the ''Film/JuOn'' film franchise. The series does not build up on the canon of the earlier films, instead depicting a series of events which [[RecursiveCanon inspired the franchise]] in its universe.universe.

----
!!'''Ju-On: Origins'' contains examples of:'''

* TwentyMinutesIntoThePast: The series was released in 2020, but is set between 1988 and 1997.
* AbusiveParents:
** Kiyomi's mother Mina is emotionally abusive to her daughter, and makes her take the fall for her own affair with one of Kiyomi's teachers. [[spoiler:This bites her in the ass when Kiyomi coerces Yudai into killing her.]]
** Yudai himself becomes physically abusive to Toshiki, his son with Kiyomi, until one day he beats him so badly that he sends the kid into a persistent vegetative state. [[spoiler:Subverted in that Toshiki was not really his biological son, but a kid that Kiyomi "adopted" from the cursed house.]]
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None


''Ju-On: Origins'' is a 2020 Creator/{{Netflix}} series which reboots the ''Film/JuOn'' film franchise.

to:

''Ju-On: Origins'' is a 2020 Creator/{{Netflix}} series which reboots the ''Film/JuOn'' film franchise. The series does not build up on the canon of the earlier films, instead depicting a series of events which [[RecursiveCanon inspired the franchise]] in its universe.
Is there an issue? Send a MessageReason:
None


''Ju-On: Origins'' is a 2020 Creator/{{Netflix}} series which reboots the ''Film/Juon'' film franchise.

to:

''Ju-On: Origins'' is a 2020 Creator/{{Netflix}} series which reboots the ''Film/Juon'' ''Film/JuOn'' film franchise.
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None


''Ju-On: Origins'' is a 2020 Creator/{{Netflix}} series which reboots the ''Franchise/Ju-on'' film franchise.

to:

''Ju-On: Origins'' is a 2020 Creator/{{Netflix}} series which reboots the ''Franchise/Ju-on'' ''Film/Juon'' film franchise.
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''Ju-On: Origins'' is a 2020 Creator/{{Netflix}} series which reboots the ''Franchise/Juon'' film franchise.

to:

''Ju-On: Origins'' is a 2020 Creator/{{Netflix}} series which reboots the ''Franchise/Juon'' ''Franchise/Ju-on'' film franchise.
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''Ju-On: Origins'' is a 2020 Creator/{{Netflix}} series which reboots the ''Franchise/JuOn'' film franchise.

to:

''Ju-On: Origins'' is a 2020 Creator/{{Netflix}} series which reboots the ''Franchise/JuOn'' ''Franchise/Juon'' film franchise.
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''Ju-On: Origins'' is a 2020 Creator/{{Netflix}} series which reboots the ''Franchise/JuOn'' film franchise.

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