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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/sopor_aeturnus.jpg]]
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** Muisc/BlackSabbath's "Paranoid" from ''Music/{{Paranoid}}'' and "A National Acrobat" were covered for a compilation, as "Diô N'arâp (The unability within Time)" and "Tabor C'âlan O'itanâ (My Womb is barren, but I can conceive)", respectively. The bassline from their song "Under the Sun" was also quoted for "Shadowsphere (The Monologue-World and the subconscious Symbols)".
to:
** Muisc/BlackSabbath's "Paranoid" from ''Music/{{Paranoid}}'' "[[Music/{{Paranoid|Album}}" and "A National Acrobat" were covered for a compilation, as "Diô N'arâp (The unability within Time)" and "Tabor C'âlan O'itanâ (My Womb is barren, but I can conceive)", respectively. The bassline from their song "Under the Sun" was also quoted for "Shadowsphere (The Monologue-World and the subconscious Symbols)".
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* RecordProducer: John A. Rivers, producer for goth/post-goth rock bands Love & Rockets and Dead Can Dance, produced ''"Es Reiten die Toten so schnell"'' through to ''Sanitorium Altrosa''. Cantodea took the reigns back after that.
to:
* RecordProducer: John A. Rivers, producer for goth/post-goth rock bands Love & Rockets Music/LoveAndRockets and Dead Can Dance, Music/DeadCanDance, produced ''"Es Reiten die Toten so schnell"'' through to ''Sanitorium Altrosa''. Cantodea took the reigns back after that.
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* VocalEvolution: On the early albums and demos, especially ''"…Ich Tote Mich…"'', the vocals were very tortured, unprofessional and alternated between near-crying and singing fairly often. On the newer albums, she sings much more professionally, sounds more feminine, and has less of a pronounced accent. Cantodea had a habit of recording only one take of the vocals early on, and used it regardless of quality. This changed around the time ''Dead Lovers' Sarabande'' was being recorded.
to:
* VocalEvolution: On the early albums and demos, especially ''"…Ich Tote Mich…"'', the vocals were very tortured, unprofessional and alternated between near-crying and singing fairly often. On the newer albums, she sings much more professionally, sounds more feminine, and has less of a pronounced accent. Cantodea had a habit of recording only one take of the vocals early on, and used it regardless of quality. This changed around the time ''Dead Lovers' Sarabande'' was being recorded.recorded.
----
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* ContemptibleCover: ''Es Reiten die Toten so schnell'' features a nude Varney on the cover, standing in a crypt. The vinyl cover for ''"La Chambre D'Echo"'' features Varney laying down nude in a crypt.
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No longer a trope.
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* {{Transgender}}: Anna-Varney is male-to-female, but refuses hormone treatment or surgery for "spiritual reasons."
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* NobodyOverFiftyIsGay: Averted. Cantodea is transgender, and although no birthdate has ever been officially given, is assumed to be around sixty.
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trope was renamed
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* {{Transsexual}}: Anna-Varney is male-to-female, but refuses hormone treatment or surgery for "spiritual reasons."
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* {{Transsexual}}: {{Transgender}}: Anna-Varney is male-to-female, but refuses hormone treatment or surgery for "spiritual reasons."
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* ShoutOut: The name Varney comes from the first vampire story, ''Varney the Vampire''. A song is named after its subtitled, "The Feast of Blood".
** Cantodea has turned several of EdgarAllanPoe's poems into songs. They were all re-recorded and paired with additional songs for the album ''POETICA''.
** Cantodea has turned several of EdgarAllanPoe's poems into songs. They were all re-recorded and paired with additional songs for the album ''POETICA''.
to:
* ShoutOut: ShoutOut:
** The name Varney comes from the first vampire story, ''Varney the Vampire''. A song is named after its subtitled, "The Feast of Blood".
** Cantodea has turned several ofEdgarAllanPoe's Creator/EdgarAllanPoe's poems into songs. They were all re-recorded and paired with additional songs for the album ''POETICA''.
** The name Varney comes from the first vampire story, ''Varney the Vampire''. A song is named after its subtitled, "The Feast of Blood".
** Cantodea has turned several of
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Sopor Aeternus & the Ensemble of Shadows is a German neoclassical darkwave band, whose sole constant member by Anna-Varney Cantodea. Formed in 1989 by Cantodea and Holger, the band has released 10 studio albums and six [=EPs=], or "[[InsistentTerminology sister albums]]". At the time of the project's start, Cantodea was living in complete isolation, afflicted by severe depression and close to blindness, and claims to have been "given" the music in her dreams by spirits, the "Ensemble of Shadows", thus forming Sopor Aeternus. Holger would leave the band after the demo recordings, but Cantodea would continue under the name.
to:
Sopor Aeternus & the Ensemble of Shadows is a German neoclassical darkwave band, whose sole constant member by is singer Anna-Varney Cantodea. Formed in 1989 by Cantodea and Holger, the band has released 10 studio albums and six [=EPs=], or "[[InsistentTerminology sister albums]]". At the time of the project's start, Cantodea was living in complete isolation, afflicted by severe depression and close to blindness, and claims to have been "given" the music in her dreams by spirits, the "Ensemble of Shadows", thus forming Sopor Aeternus. Holger would leave the band after the demo recordings, but Cantodea would continue under the name.
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None
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** The music of Music/CatStevens' "I Think I See the Light" was used for "Todeswunsch (vers.)"
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** The music of Music/CatStevens' ''Cat Stevens''' "I Think I See the Light" was used for "Todeswunsch (vers.)"
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!! Discography
to:
!!
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* ''Ehjeh Ascher Ehjeh''[[note]]''I am what I am]]''[[/note]] (1995; sister EP)
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* ''Ehjeh Ascher Ehjeh''[[note]]''I Ehjeh'' [[note]] ''I am what I am]]''[[/note]] am'' [[/note]] (1995; sister EP)
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** The music of CatStevens' "I Think I See the Light" was used for "Todeswunsch (vers.)"
** BlackSabbath's "Paranoid" and "A National Acrobat" were covered for a compilation, as "Diô N'arâp (The unability within Time)" and "Tabor C'âlan O'itanâ (My Womb is barren, but I can conceive)", respectively. The bassline from their song "Under the Sun" was also quoted for "Shadowsphere (The Monologue-World and the subconscious Symbols)".
** {{Kraftwerk}}'s "The Model" received a TranslatedCoverVersion as "Modela est", which was sung in Latin.
** ''Have You Seen This Ghost?'' featured three covers: "It Is Safe to Sleep Alone" ("Sleep" by Marianne Faithfull), "Hello" by Lionel Richie and "Holding Out for a Hero" by Bonnie Tyler.
** BlackSabbath's "Paranoid" and "A National Acrobat" were covered for a compilation, as "Diô N'arâp (The unability within Time)" and "Tabor C'âlan O'itanâ (My Womb is barren, but I can conceive)", respectively. The bassline from their song "Under the Sun" was also quoted for "Shadowsphere (The Monologue-World and the subconscious Symbols)".
** {{Kraftwerk}}'s "The Model" received a TranslatedCoverVersion as "Modela est", which was sung in Latin.
** ''Have You Seen This Ghost?'' featured three covers: "It Is Safe to Sleep Alone" ("Sleep" by Marianne Faithfull), "Hello" by Lionel Richie and "Holding Out for a Hero" by Bonnie Tyler.
to:
** The music of CatStevens' Music/CatStevens' "I Think I See the Light" was used for "Todeswunsch (vers.)"
**BlackSabbath's Muisc/BlackSabbath's "Paranoid" from ''Music/{{Paranoid}}'' and "A National Acrobat" were covered for a compilation, as "Diô N'arâp (The unability within Time)" and "Tabor C'âlan O'itanâ (My Womb is barren, but I can conceive)", respectively. The bassline from their song "Under the Sun" was also quoted for "Shadowsphere (The Monologue-World and the subconscious Symbols)".
**{{Kraftwerk}}'s Music/{{Kraftwerk}}'s "The Model" from ''Music/TheManMachine'' received a TranslatedCoverVersion as "Modela est", which was sung in Latin.
** ''Have You Seen This Ghost?'' featured three covers: "It Is Safe to Sleep Alone" ("Sleep" byMarianne Faithfull), Music/MarianneFaithfull), "Hello" by Lionel Richie Music/LionelRichie and "Holding Out for a Hero" by Bonnie Tyler.
**
**
** ''Have You Seen This Ghost?'' featured three covers: "It Is Safe to Sleep Alone" ("Sleep" by
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* ''A Strange Thing to Say'' (2011; sister EP)
* ''Have You Seen This Ghost?'' (2010)
* ''Have You Seen This Ghost?'' (2010)
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* ''A ''a Strange Thing to Say'' say'' (2011; sister EP)
* ''HaveYou Seen This you seen this Ghost?'' (2010)
* ''Have
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* ''Mitternacht - The Dark Night of the Soul''[[note]]''Midnight''[[/note]] (2014)
to:
* ''Mitternacht - The Dark Night of the Soul''[[note]]''Midnight''[[/note]] Soul…''[[note]]''Midnight''[[/note]] (2014)
* CannotSpitItOut: Cantodea habitually says that she loves people in the past tense, after they have died. When covering Lionel Richie's "Hello", she only utters the "I" or "I love you" before trailing off.
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* GenreShift: "Ich Tote Mich..." was a standard synthesized darkwave album, with production values akin to that of BlackMetal. "Todeswunsch" was an abrupt switch to Medieval/Renaissance-influenced folk, using real instruments played by session musicians. The synthesizers made sparing return from ''Spiral Traveller'' until ''inverted Womb'', when elements of progressive rock began to entrench into Cantodea's work. From ''Es Reiten die Toten so schnell'' onward, it's been straight-forward neoclassical darkwave, with touches of ElectronicMusic and chamber music throughout.
to:
* GenreShift: "Ich ''"…Ich Tote Mich..." Mich…"'' was a standard synthesized darkwave album, with production values akin to that of BlackMetal. "Todeswunsch" was an abrupt switch to Medieval/Renaissance-influenced folk, using real instruments played by session musicians. The synthesizers made sparing return from ''Spiral Traveller'' until ''inverted Womb'', when elements of which was influenced by progressive rock began to entrench into Cantodea's work.rock. From ''Es Reiten die Toten so schnell'' onward, it's been straight-forward neoclassical darkwave, with touches of ElectronicMusic and chamber music throughout.
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** Later albums received a near-equal level of treatment. It's common now for her albums to become available as 128+-page coffee table books.
to:
** Later albums received a near-equal level of treatment. It's common now for her albums to become available as 128+-page coffee table books.treatment, with elaborate photo books, exclusive t-shirts and gifts.
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* VocalEvolution: On the early albums and demos, especially "Ich Tote Mich...", the vocals were very tortured, unprofessional and alternated between near-crying and singing fairly often. On the newer albums, she sings much more professionally, sounds more feminine, and has less of a pronounced accent. Cantodea had a habit of recording only one take of the vocals early on, and used it regardless of quality. This changed around the time ''Dead Lovers' Sarabande'' was being recorded.
to:
* VocalEvolution: On the early albums and demos, especially "Ich ''"…Ich Tote Mich...", Mich…"'', the vocals were very tortured, unprofessional and alternated between near-crying and singing fairly often. On the newer albums, she sings much more professionally, sounds more feminine, and has less of a pronounced accent. Cantodea had a habit of recording only one take of the vocals early on, and used it regardless of quality. This changed around the time ''Dead Lovers' Sarabande'' was being recorded.
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* ''Les Fleurs du Mal – Die Blumen des Bösen''[[note]]''The flowers of evil'' [[/note]] (2007)
to:
* ''Les Fleurs du Mal – Die Blumen des Bösen''[[note]]''The flowers of evil'' [[/note]] (both title and subtitle translate to this.)[[/note]] (2007)
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None
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* MissingEpisode: There were apparently three demos recorded by Cantodea and Holger. Only the first, ''"Es reiten die Toten so schnell..."'' has been released publicly.
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more
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* CanonDiscontinuity: Despite hating ''Spiral Traveller'' and ''"Voyager"'', Cantodea has reissued both albums.
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* CanonDiscontinuity: Averted. Despite hating ''Spiral Traveller'' and ''"Voyager"'', Cantodea has reissued both albums.
Added DiffLines:
** BlackSabbath's "Paranoid" and "A National Acrobat" were covered for a compilation, as "Diô N'arâp (The unability within Time)" and "Tabor C'âlan O'itanâ (My Womb is barren, but I can conceive)", respectively. The bassline from their song "Under the Sun" was also quoted for "Shadowsphere (The Monologue-World and the subconscious Symbols)".
Added DiffLines:
* LongTitle: Several of Sopor's songs are reflective of this trope, but ''Spiral Traveller'' excels at it. Aside from the name of the album -- a title only outdone by Sopor's debut album -- only one of the fifteen songs has a short title: "Memalon". The next shortest is "May I kiss your Wound ?"
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* NoTitle: ''"...Ich töte mich…"'' originally had no title. Since the quotation was printed on the back of the CD case, everyone simply assumed that it was the title. It was later adapted as the title when the album was reissued.
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discography, rewritten intro, boatload of tropes
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German DarkWave band formed by Anna-Varney Cantodea in 1989, at the time simply known as Varney. The band has released 10 studio albums, six [=EPs=] and three demos, only one of which has been released. At the time of the project's start, Cantodea was living in complete isolation, afflicted by severe depression and close to blindness, and claims to have been "given" the music in her dreams by spirits, the "Ensemble of Shadows", thus forming Sopor Aeternus. Lyrical themes in the band's early songs focused on the extreme pain of her life, the occult, her own spiritual discovery, and vampires, but later embraced her own coming to terms with her transsexuality, love, sex, and whatnot.
to:
Sopor Aeternus & the Ensemble of Shadows is a German DarkWave band formed neoclassical darkwave band, whose sole constant member by Anna-Varney Cantodea. Formed in 1989 by Cantodea in 1989, at and Holger, the time simply known as Varney. The band has released 10 studio albums, albums and six [=EPs=] and three demos, only one of which has been released.[=EPs=], or "[[InsistentTerminology sister albums]]". At the time of the project's start, Cantodea was living in complete isolation, afflicted by severe depression and close to blindness, and claims to have been "given" the music in her dreams by spirits, the "Ensemble of Shadows", thus forming Sopor Aeternus. Holger would leave the band after the demo recordings, but Cantodea would continue under the name.
The band's sound is based upon the doom and gloom synthpop sound of darkwave, with heavy influence from Medieval and Neo-Medieval, Renaissance and chamber music. Lyrical themes in the band's early songs focused on the extreme pain of her life, the occult, her own spiritual discovery, andvampires, but later vampires. Later works embraced her own coming to terms with her transsexuality, love, love and sex, and whatnot.Cantodea began to showcase a newfound humorous side to her work. Much of the band's imagery is a ghostly pale Cantodea, nude (and with a vagina airbrushed on) in forests, caves and crypts. Post 2005, Cantodea can be seen in elaborate dresses and gowns in a variety of settings. Fans generally refer to these phases as "Varney", and "Cantodea" or "Anna-Varney", due to the vast differences in presentation.
Cantodea recorded two songs under the name White Onyx Elephants for the compilation album ''Jekura - Deep the Eternal Forest''. She also recorded an album with Constanze Fröhling under the name of Nenia C'Alladhan.
The band's sound is based upon the doom and gloom synthpop sound of darkwave, with heavy influence from Medieval and Neo-Medieval, Renaissance and chamber music. Lyrical themes in the band's early songs focused on the extreme pain of her life, the occult, her own spiritual discovery, and
Cantodea recorded two songs under the name White Onyx Elephants for the compilation album ''Jekura - Deep the Eternal Forest''. She also recorded an album with Constanze Fröhling under the name of Nenia C'Alladhan.
!! Discography
* ''Es reiten die Toten so schnell…''[[note]]''The Dead ride so fast…''[[/note]] (1989; demo)
* ''"...Ich töte mich jedesmal aufs Neue, doch ich bin unsterblich, und ich erstehe wieder auf; in einer Vision des Untergangs..."''[[note]]''"...I kill myself every time anew, but I am immortal, and I rise again; in a vision of Doom.."''[[/note]] (1994)
* ''"Todeswunsch - Sous le soleil de Saturne"''[[note]]''"Death wish - Under the sun of Saturn"[[/note]] (1995)
* ''Ehjeh Ascher Ehjeh''[[note]]''I am what I am]]''[[/note]] (1995; sister EP)
* ''The inexperienced Spiral Traveller (aus dem Schoß der Hölle ward geboren die Totensonne)''[[note]](from the Womb of Hell was born the Sun of the Dead)[[/note]] (1997)
* ''"Voyager" - The Jugglers of Jusa'' (1997; sister/remix album)
* ''"Dead Lovers' Sarabande" (Face One)'' (1999)
* ''"Dead Lovers' Sarabande" (Face Two)'' (1999)
* ''"Songs from the inverted Womb"'' (2000)
* ''Nenia C'Alladhan'' (2001; side project with Constanze Fröhling as Nenia C'Alladhan)
* ''"Es reiten die Toten so schnell" (or: the Vampyre sucking at his own Vein)'' (2003)
* ''"La Chambre D'Echo" - Where the dead Birds sing''[[note]]''The Echo Chamber''[[/note]] (2004)
* ''"Flowers in Formaldehyde"'' (2004; sister EP)
* ''Like a Corpse standing in Desperation'' (2005; rarities box set)
* ''Les Fleurs du Mal – Die Blumen des Bösen''[[note]]''The flowers of evil'' [[/note]] (2007)
* ''Sanatorium Altrosa (Musical Therapy for ''spiritual'' Dysfunction)'' (2008; sister/remix album)
* ''A Strange Thing to Say'' (2011; sister EP)
* ''Have You Seen This Ghost?'' (2010)
* ''Children of the Corn'' (2011; sister EP)
* ''POETICA - all beauty sleeps'' (2013)
* ''Mitternacht - The Dark Night of the Soul''[[note]]''Midnight''[[/note]] (2014)
----
* ''Es reiten die Toten so schnell…''[[note]]''The Dead ride so fast…''[[/note]] (1989; demo)
* ''"...Ich töte mich jedesmal aufs Neue, doch ich bin unsterblich, und ich erstehe wieder auf; in einer Vision des Untergangs..."''[[note]]''"...I kill myself every time anew, but I am immortal, and I rise again; in a vision of Doom.."''[[/note]] (1994)
* ''"Todeswunsch - Sous le soleil de Saturne"''[[note]]''"Death wish - Under the sun of Saturn"[[/note]] (1995)
* ''Ehjeh Ascher Ehjeh''[[note]]''I am what I am]]''[[/note]] (1995; sister EP)
* ''The inexperienced Spiral Traveller (aus dem Schoß der Hölle ward geboren die Totensonne)''[[note]](from the Womb of Hell was born the Sun of the Dead)[[/note]] (1997)
* ''"Voyager" - The Jugglers of Jusa'' (1997; sister/remix album)
* ''"Dead Lovers' Sarabande" (Face One)'' (1999)
* ''"Dead Lovers' Sarabande" (Face Two)'' (1999)
* ''"Songs from the inverted Womb"'' (2000)
* ''Nenia C'Alladhan'' (2001; side project with Constanze Fröhling as Nenia C'Alladhan)
* ''"Es reiten die Toten so schnell" (or: the Vampyre sucking at his own Vein)'' (2003)
* ''"La Chambre D'Echo" - Where the dead Birds sing''[[note]]''The Echo Chamber''[[/note]] (2004)
* ''"Flowers in Formaldehyde"'' (2004; sister EP)
* ''Like a Corpse standing in Desperation'' (2005; rarities box set)
* ''Les Fleurs du Mal – Die Blumen des Bösen''[[note]]''The flowers of evil'' [[/note]] (2007)
* ''Sanatorium Altrosa (Musical Therapy for ''spiritual'' Dysfunction)'' (2008; sister/remix album)
* ''A Strange Thing to Say'' (2011; sister EP)
* ''Have You Seen This Ghost?'' (2010)
* ''Children of the Corn'' (2011; sister EP)
* ''POETICA - all beauty sleeps'' (2013)
* ''Mitternacht - The Dark Night of the Soul''[[note]]''Midnight''[[/note]] (2014)
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* GenreShift: "Ich Tote Mich..." was primarily synthesized, and had PostPunk and GothRock influence, and production values were very raw akin to BlackMetal. "Todeswunsch" had more of a Medieval/Renaissance-influenced sound, with gloominess still very much intact, but everything since "The Inexperienced Spiral Traveller" has been DarkWave based on ClassicalMusic, with "La Chambre D'echo" veering off into ElectronicMusic
* IAmTheBand: A man named Holger helped her record demo tapes, since the first LP was released, everything has been solely composed by Anna-Varney, with all other musicians being session musicians.
* NobodyOverFiftyIsGay: Averted. Anna-Varney is transgender, and although no birthdate has ever been officially given, is assumed to be around sixty.
* IAmTheBand: A man named Holger helped her record demo tapes, since the first LP was released, everything has been solely composed by Anna-Varney, with all other musicians being session musicians.
* NobodyOverFiftyIsGay: Averted. Anna-Varney is transgender, and although no birthdate has ever been officially given, is assumed to be around sixty.
to:
*AccentUponTheWrongSyllable: Earlier albums were prone to this. Cantodea's grasp of English increased in the 2000s.
** Song titles are prone to this because they follow Germanic capitalization rules, even when in English, resulting in song titles like "The House is empty now" and "Do you know about the Water of Life ?"
* CanonDiscontinuity: Despite hating ''Spiral Traveller'' and ''"Voyager"'', Cantodea has reissued both albums.
* CompilationRerelease: ''Like a Corpse standing in Desperation'' collects the demo tape, ''Ehjeh Ascher Ehjeh'', ''"Voyager"'', the at the time oft-bootlegged ''"Flowers in Formaldehyde"'' alongside the White Onyx Elephants songs, the ''The Goat'' single and other rarities into a 3 CD + 1 DVD boxed set. ''Like a Corpse'' was released so that fans did not have to pay high prices for copies of albums that were most likely bootlegs.
* ConceptAlbum:
** ''Dead Lovers' Sarabande'': A woman tries to resurrect her dead lover ''(Face One)''; when she proves herself unsuccessful in doing so, she learns how to cope with her loss. ''(Face Two)''
** "Songs from the inverted Womb": All of the songs are dedicated to a dead boy named Little Seven, who is referred to throughout the album.
** ''"La Chambre D'Echo"'': The album was inspired by Der Narrenturm, a mental hospital and laboratory of human experimentation in Germany that is now a museum.
** ''Les Fleurs du Mal'': DoesNotLikeMen.
* ContemptibleCover: ''Es Reiten die Toten so schnell'' features a nude Varney on the cover, standing in a crypt. The vinyl cover for ''"La Chambre D'Echo"'' features Varney laying down nude in a crypt.
* CoverVersion:
** The music of CatStevens' "I Think I See the Light" was used for "Todeswunsch (vers.)"
** {{Kraftwerk}}'s "The Model" received a TranslatedCoverVersion as "Modela est", which was sung in Latin.
** ''Have You Seen This Ghost?'' featured three covers: "It Is Safe to Sleep Alone" ("Sleep" by Marianne Faithfull), "Hello" by Lionel Richie and "Holding Out for a Hero" by Bonnie Tyler.
* DeadpanSnarker: For living such a bleak life, Cantodea has a rather sharp wit about her.
** Consider "A little Bar of Soap", [[https://www.youtube.com/watch?v=I_aqGulxkbU for starters.]]
** The warning sticker on ''A Strange Thing to Say'' reads, "This package contains ''SOPOR'' material. It's naturally ''fabulous'', but shows NO signs of humour."
** The artwork for ''Nenia C'Alladhan'' features Varney's head Photoshopped into the Fruit of the Loom logo, bearing the inscription "Fruit of the Tomb".
* DistinctDoubleAlbum: ''Dead Lovers' Sarabande''. Not only were the two albums released separately, but the sonic palette is different: ''(Face One)'' focuses more on chamber strings, while ''(Face Two)'' features numerous arrangements for horns.
** Some of her sister albums could also count, such as ''Spiral Traveller'' and ''"Voyager"'', and ''Les Fleurs du Mal'' and ''Sanitorium Altrosa''. They do share some variants of the same songs but are otherwise separate beasts.
* DoesNotLikeMen: The theme of ''Les Fleurs du Mal''.
* EeriePaleSkinnedBrunette: Cantodea's later look, complete with elaborate period gowns.
* GenreShift: "Ich Tote Mich..." wasprimarily synthesized, and had PostPunk and GothRock influence, and a standard synthesized darkwave album, with production values were very raw akin to that of BlackMetal. "Todeswunsch" had more of a was an abrupt switch to Medieval/Renaissance-influenced sound, with gloominess still very much intact, but everything since "The Inexperienced Spiral Traveller" has been DarkWave based on ClassicalMusic, with "La Chambre D'echo" veering off into ElectronicMusic
* IAmTheBand: A man named Holger helped her record demo tapes, since the first LP was released, everything has been solely composedfolk, using real instruments played by Anna-Varney, with all other musicians being session musicians.musicians. The synthesizers made sparing return from ''Spiral Traveller'' until ''inverted Womb'', when elements of progressive rock began to entrench into Cantodea's work. From ''Es Reiten die Toten so schnell'' onward, it's been straight-forward neoclassical darkwave, with touches of ElectronicMusic and chamber music throughout.
* IAmTheBand: A man named Holger helped her record demo tapes. Since the first LP was released, everything has been solely composed by Anna-Varney, with all other musicians being session musicians.
* LimitedSpecialCollectorsUltimateEdition: ''Dead Lovers' Sarabande'' was the first album to get packaging differences upon release. ''"Es Reiten die Toten so schnell"'' took things up to the trope's namesake, with 1999 copies of a boxed set edition and 666 copies of a vinyl edition. The vinyl came with a poster, T-shirt, postcards, Sopor-branded communion wafers and even ''authenticated graveyard soil''.
** Later albums received a near-equal level of treatment. It's common now for her albums to become available as 128+-page coffee table books.
* MissingEpisode: There were apparently three demos recorded by Cantodea and Holger. Only the first, ''"Es reiten die Toten so schnell..."'' has been released publicly.
* NewSoundAlbum:
**As mentioned under GenreShift, ''Todeswunsch'' was an abrupt switch from darkwave to Neo-Medieval music.
**''"Es Reiten die Toten so schnell"'' marked the prominent resurgence of synthesizers into Sopor's work, and cemented the current sound of the band.
* NobodyOverFiftyIsGay: Averted.Anna-Varney Cantodea is transgender, and although no birthdate has ever been officially given, is assumed to be around sixty.
** Song titles are prone to this because they follow Germanic capitalization rules, even when in English, resulting in song titles like "The House is empty now" and "Do you know about the Water of Life ?"
* CanonDiscontinuity: Despite hating ''Spiral Traveller'' and ''"Voyager"'', Cantodea has reissued both albums.
* CompilationRerelease: ''Like a Corpse standing in Desperation'' collects the demo tape, ''Ehjeh Ascher Ehjeh'', ''"Voyager"'', the at the time oft-bootlegged ''"Flowers in Formaldehyde"'' alongside the White Onyx Elephants songs, the ''The Goat'' single and other rarities into a 3 CD + 1 DVD boxed set. ''Like a Corpse'' was released so that fans did not have to pay high prices for copies of albums that were most likely bootlegs.
* ConceptAlbum:
** ''Dead Lovers' Sarabande'': A woman tries to resurrect her dead lover ''(Face One)''; when she proves herself unsuccessful in doing so, she learns how to cope with her loss. ''(Face Two)''
** "Songs from the inverted Womb": All of the songs are dedicated to a dead boy named Little Seven, who is referred to throughout the album.
** ''"La Chambre D'Echo"'': The album was inspired by Der Narrenturm, a mental hospital and laboratory of human experimentation in Germany that is now a museum.
** ''Les Fleurs du Mal'': DoesNotLikeMen.
* ContemptibleCover: ''Es Reiten die Toten so schnell'' features a nude Varney on the cover, standing in a crypt. The vinyl cover for ''"La Chambre D'Echo"'' features Varney laying down nude in a crypt.
* CoverVersion:
** The music of CatStevens' "I Think I See the Light" was used for "Todeswunsch (vers.)"
** {{Kraftwerk}}'s "The Model" received a TranslatedCoverVersion as "Modela est", which was sung in Latin.
** ''Have You Seen This Ghost?'' featured three covers: "It Is Safe to Sleep Alone" ("Sleep" by Marianne Faithfull), "Hello" by Lionel Richie and "Holding Out for a Hero" by Bonnie Tyler.
* DeadpanSnarker: For living such a bleak life, Cantodea has a rather sharp wit about her.
** Consider "A little Bar of Soap", [[https://www.youtube.com/watch?v=I_aqGulxkbU for starters.]]
** The warning sticker on ''A Strange Thing to Say'' reads, "This package contains ''SOPOR'' material. It's naturally ''fabulous'', but shows NO signs of humour."
** The artwork for ''Nenia C'Alladhan'' features Varney's head Photoshopped into the Fruit of the Loom logo, bearing the inscription "Fruit of the Tomb".
* DistinctDoubleAlbum: ''Dead Lovers' Sarabande''. Not only were the two albums released separately, but the sonic palette is different: ''(Face One)'' focuses more on chamber strings, while ''(Face Two)'' features numerous arrangements for horns.
** Some of her sister albums could also count, such as ''Spiral Traveller'' and ''"Voyager"'', and ''Les Fleurs du Mal'' and ''Sanitorium Altrosa''. They do share some variants of the same songs but are otherwise separate beasts.
* DoesNotLikeMen: The theme of ''Les Fleurs du Mal''.
* EeriePaleSkinnedBrunette: Cantodea's later look, complete with elaborate period gowns.
* GenreShift: "Ich Tote Mich..." was
* IAmTheBand: A man named Holger helped her record demo tapes, since the first LP was released, everything has been solely composed
* IAmTheBand: A man named Holger helped her record demo tapes. Since the first LP was released, everything has been solely composed by Anna-Varney, with all other musicians being session musicians.
* LimitedSpecialCollectorsUltimateEdition: ''Dead Lovers' Sarabande'' was the first album to get packaging differences upon release. ''"Es Reiten die Toten so schnell"'' took things up to the trope's namesake, with 1999 copies of a boxed set edition and 666 copies of a vinyl edition. The vinyl came with a poster, T-shirt, postcards, Sopor-branded communion wafers and even ''authenticated graveyard soil''.
** Later albums received a near-equal level of treatment. It's common now for her albums to become available as 128+-page coffee table books.
* MissingEpisode: There were apparently three demos recorded by Cantodea and Holger. Only the first, ''"Es reiten die Toten so schnell..."'' has been released publicly.
* NewSoundAlbum:
**As mentioned under GenreShift, ''Todeswunsch'' was an abrupt switch from darkwave to Neo-Medieval music.
**''"Es Reiten die Toten so schnell"'' marked the prominent resurgence of synthesizers into Sopor's work, and cemented the current sound of the band.
* NobodyOverFiftyIsGay: Averted.
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* ShoutOut: Has turned several of EdgarAllanPoe's poems into songs.
* {{Transsexual}}: Anna-Varney is MTF, but refuses hormone treatment or surgery.
* VocalEvolution: On the early albums and demos, especially "Ich Tote Mich...", the vocals were very tortured, unprofessional and alternated between near-crying and singing fairly often. On the newer albums, she sings much more professionally, sounds more feminine, and has less of a pronounced accent.
* {{Transsexual}}: Anna-Varney is MTF, but refuses hormone treatment or surgery.
* VocalEvolution: On the early albums and demos, especially "Ich Tote Mich...", the vocals were very tortured, unprofessional and alternated between near-crying and singing fairly often. On the newer albums, she sings much more professionally, sounds more feminine, and has less of a pronounced accent.
to:
* ReArrangeTheSong: The entirety of the demo tape was re-recorded and entirely re-arranged for ''Es Reiten die Toten so schnell''. "Reprise" went from being a dialogue sample to its own original composition for this album.
** Several songs have been re-recorded for inclusion on later albums. "Birth - Fiendish Configuartion" has been re-recorded at least four times; "Tanz der Grausamkeit" was recorded thrice.
* RecordProducer: John A. Rivers, producer for goth/post-goth rock bands Love & Rockets and Dead Can Dance, produced ''"Es Reiten die Toten so schnell"'' through to ''Sanitorium Altrosa''. Cantodea took the reigns back after that.
* ShoutOut:Has The name Varney comes from the first vampire story, ''Varney the Vampire''. A song is named after its subtitled, "The Feast of Blood".
** Cantodea has turned several of EdgarAllanPoe's poems intosongs.
songs. They were all re-recorded and paired with additional songs for the album ''POETICA''.
* {{Transsexual}}: Anna-Varney isMTF, male-to-female, but refuses hormone treatment or surgery.
surgery for "spiritual reasons."
* VocalEvolution: On the early albums and demos, especially "Ich Tote Mich...", the vocals were very tortured, unprofessional and alternated between near-crying and singing fairly often. On the newer albums, she sings much more professionally, sounds more feminine, and has less of a pronounced accent. Cantodea had a habit of recording only one take of the vocals early on, and used it regardless of quality. This changed around the time ''Dead Lovers' Sarabande'' was being recorded.
** Several songs have been re-recorded for inclusion on later albums. "Birth - Fiendish Configuartion" has been re-recorded at least four times; "Tanz der Grausamkeit" was recorded thrice.
* RecordProducer: John A. Rivers, producer for goth/post-goth rock bands Love & Rockets and Dead Can Dance, produced ''"Es Reiten die Toten so schnell"'' through to ''Sanitorium Altrosa''. Cantodea took the reigns back after that.
* ShoutOut:
** Cantodea has turned several of EdgarAllanPoe's poems into
* {{Transsexual}}: Anna-Varney is
* VocalEvolution: On the early albums and demos, especially "Ich Tote Mich...", the vocals were very tortured, unprofessional and alternated between near-crying and singing fairly often. On the newer albums, she sings much more professionally, sounds more feminine, and has less of a pronounced accent. Cantodea had a habit of recording only one take of the vocals early on, and used it regardless of quality. This changed around the time ''Dead Lovers' Sarabande'' was being recorded.
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* GenreShift - "Ich Tote Mich..." was primarily synthesized, and had PostPunk and GothRock influence, and production values were very raw akin to BlackMetal. "Todeswunsch" had more of a Medieval/Renaissance-influenced sound, with gloominess still very much intact, but everything since "The Inexperienced Spiral Traveller" has been DarkWave based on ClassicalMusic, with "La Chambre D'echo" veering off into ElectronicMusic
* IAmTheBand - a man named Holger helped her record demo tapes, since the first LP was released, everything has been solely composed by Anna-Varney, with all other musicians being session musicians.
* NobodyOverFiftyIsGay - averted. Anna-Varney is transgender, and although no birthdate has ever been officially given, is assumed to be around sixty.
* {{Transsexual}} - Anna-Varney is MTF, but refuses hormone treatment or surgery
* ShoutOut - has turns several of EdgarAllanPoe's poems into songs.
* VocalEvolution- on the early albums and demos, especially "Ich Tote Mich...", the vocals were very tortured, unprofessional and alternated between near-crying and singing fairly often. On the newer albums, she sings much more professionally, sounds more feminine, and has less of a pronounced accent.
* IAmTheBand - a man named Holger helped her record demo tapes, since the first LP was released, everything has been solely composed by Anna-Varney, with all other musicians being session musicians.
* NobodyOverFiftyIsGay - averted. Anna-Varney is transgender, and although no birthdate has ever been officially given, is assumed to be around sixty.
* {{Transsexual}} - Anna-Varney is MTF, but refuses hormone treatment or surgery
* ShoutOut - has turns several of EdgarAllanPoe's poems into songs.
* VocalEvolution- on the early albums and demos, especially "Ich Tote Mich...", the vocals were very tortured, unprofessional and alternated between near-crying and singing fairly often. On the newer albums, she sings much more professionally, sounds more feminine, and has less of a pronounced accent.
to:
* GenreShift - GenreShift: "Ich Tote Mich..." was primarily synthesized, and had PostPunk and GothRock influence, and production values were very raw akin to BlackMetal. "Todeswunsch" had more of a Medieval/Renaissance-influenced sound, with gloominess still very much intact, but everything since "The Inexperienced Spiral Traveller" has been DarkWave based on ClassicalMusic, with "La Chambre D'echo" veering off into ElectronicMusic
*IAmTheBand - a IAmTheBand: A man named Holger helped her record demo tapes, since the first LP was released, everything has been solely composed by Anna-Varney, with all other musicians being session musicians.
*NobodyOverFiftyIsGay - averted.NobodyOverFiftyIsGay: Averted. Anna-Varney is transgender, and although no birthdate has ever been officially given, is assumed to be around sixty.
*{{Transsexual}} - Anna-Varney ProfessionalKiller: This is MTF, but refuses hormone treatment or surgery
the nature of the "friend" mentioned in [[https://www.youtube.com/watch?v=DjeeNTC6uxU "A Strange Thing To Say"]].
*ShoutOut - has turns ShoutOut: Has turned several of EdgarAllanPoe's poems into songs.
*VocalEvolution- on {{Transsexual}}: Anna-Varney is MTF, but refuses hormone treatment or surgery.
* VocalEvolution: On the early albums and demos, especially "Ich Tote Mich...", the vocals were very tortured, unprofessional and alternated between near-crying and singing fairly often. On the newer albums, she sings much more professionally, sounds more feminine, and has less of a pronounced accent.
*
*
*
*
*
* VocalEvolution: On the early albums and demos, especially "Ich Tote Mich...", the vocals were very tortured, unprofessional and alternated between near-crying and singing fairly often. On the newer albums, she sings much more professionally, sounds more feminine, and has less of a pronounced accent.
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German DarkWave band formed by Anna-Varney Cantodea in 1989, at the time simply known as Varney. The band has released 10 studio albums, six [=EPs=] and three demos, only one of which has been released. At the time of the project's start, Cantodea was living in complete isolation, afflicted by severe depression and close to blindness, and claims to have been "given" the music in her dreams by spirits, the "Ensemble of Shadows", thus forming Sopor Aeternus. Lyrical themes in the band's early songs focused on the extreme pain of her life, the occult, her own spiritual discovery, and vampires, but later embraced her own coming to terms with her transsexuality, love, sex, and whatnot.
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Tropes applying to this group
* CreatorBreakdown - She has apparently suffered from depression since age SIX, because of being abused by her mother, hating herself after having an out-of-body experience, became suicidal at age 12, and later struggled with a cancer-like illness and near-blindness. She created the group after she absolutely couldn't take it anymore.
* CreatorBreakdown - She has apparently suffered from depression since age SIX, because of being abused by her mother, hating herself after having an out-of-body experience, became suicidal at age 12, and later struggled with a cancer-like illness and near-blindness. She created the group after she absolutely couldn't take it anymore.
to:
!! Tropes applying to this group
* CreatorBreakdown - She has apparently suffered from depression since age SIX, because of being abused byAnna and her mother, hating herself after having an out-of-body experience, became suicidal at age 12, and later struggled with a cancer-like illness and near-blindness. She created the group after she absolutely couldn't take it anymore.
music
* CreatorBreakdown - She has apparently suffered from depression since age SIX, because of being abused by
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* Transsexual - Anna-Varney is MTF, but refuses hormone treatment or surgery
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transgender, not transgendered
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* NobodyOverFiftyIsGay - averted. Anna-Varney is transgendered, and although no birthdate has ever been officially given, is assumed to be around sixty.
to:
* NobodyOverFiftyIsGay - averted. Anna-Varney is transgendered, transgender, and although no birthdate has ever been officially given, is assumed to be around sixty.
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*ShoutOut - has turns several of EdgarAllanPoe's poems into songs.
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*NobodyOverFiftyIsGay - averted. Anna-Varney is transgendered, and although no birthdate has ever been officially given, is assumed to be around sixty.
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* FauxSymbolism - well, sort of. Due to her use of Saturnian symbolism, people assume she is devoted to the Roman deity Saturn, when this is not the case. In Alchemical symbolism, Saturn is associated with old age, the physical realm, death, and materialism, with the Sun being God, and she explained in an early interview that "Saturn" is used to symbolize the extreme pain she has endured.
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Added DiffLines:
* FauxSymbolism - well, sort of. Due to her use of Saturnian symbolism, people assume she is devoted to the Roman deity Saturn, when this is not the case. In Alchemical symbolism, Saturn is associated with old age, the physical realm, death, and materialism, with the Sun being God, and she explained in an early interview that "Saturn" is used to symbolize the extreme pain she has endured.
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None
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* ReclusiveArtist - as mentioned before, Anna-Varney was totally isolated before starting the project, leaving her house about once a month at best. She still doesn't get out much, refuses to play live, and interacts with her fans mostly through the internet.
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* ReclusiveArtist - as mentioned before, Anna-Varney was totally isolated before starting the project, leaving her house about once a month at best. She still doesn't get out much, refuses to play live, and interacts with her fans mostly through the internet.
Is there an issue? Send a MessageReason:
None
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German darkwave band formed by Anna-Varney Cantodea in 1989, at the time simply known as Varney. The band has released 10 studio albums, six [=EPs=] and three demos, only one of which has been released. At the time of the project's start, Cantodea was living in complete isolation, afflicted by severe depression and close to blindness, and claims to have been "given" the music in her dreams by spirits, the "Ensemble of Shadows", thus forming Sopor Aeternus. Lyrical themes in the band's early songs focused on the extreme pain of her life, the occult, her own spiritual discovery, and vampires, but later embraced her own coming to terms with her transsexuality, love, sex, and whatnot.
to:
German darkwave DarkWave band formed by Anna-Varney Cantodea in 1989, at the time simply known as Varney. The band has released 10 studio albums, six [=EPs=] and three demos, only one of which has been released. At the time of the project's start, Cantodea was living in complete isolation, afflicted by severe depression and close to blindness, and claims to have been "given" the music in her dreams by spirits, the "Ensemble of Shadows", thus forming Sopor Aeternus. Lyrical themes in the band's early songs focused on the extreme pain of her life, the occult, her own spiritual discovery, and vampires, but later embraced her own coming to terms with her transsexuality, love, sex, and whatnot.
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* GenreShift - "Ich Tote Mich..." was primarily synthesized, and had PostPunk and GothRock influence, and production values were very raw akin to BlackMetal. "Todeswunsch" had more of a Medieval/Renaissance-influenced sound, with gloominess still very much intact, but everything since "The Inexperienced Spiral Traveller" has been Darkwave based on ClassicalMusic, with "La Chambre D'echo" veering off into ElectronicMusic
to:
* GenreShift - "Ich Tote Mich..." was primarily synthesized, and had PostPunk and GothRock influence, and production values were very raw akin to BlackMetal. "Todeswunsch" had more of a Medieval/Renaissance-influenced sound, with gloominess still very much intact, but everything since "The Inexperienced Spiral Traveller" has been Darkwave DarkWave based on ClassicalMusic, with "La Chambre D'echo" veering off into ElectronicMusic
Is there an issue? Send a MessageReason:
None
* GenreShift - "Ich Tote Mich..." was primarily synthesized, and had PostPunk and GothRock influence, and production values were very raw akin to BlackMetal. "Todeswunsch" had more of a Medieval/Renaissance-influenced sound, with gloominess still very much intact, but everything since "The Inexperienced Spiral Traveller" has been Darkwave based on ClassicalMusic, with "La Chambre D'echo" veering off into ElectronicMusic
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* Transsexualism - Anna-Varney is MTF, but refuses hormone treatment or surgery
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* Transsexualism Transsexual - Anna-Varney is MTF, but refuses hormone treatment or surgery
surgery
* VocalEvolution- on the early albums and demos, especially "Ich Tote Mich...", the vocals were very tortured, unprofessional and alternated between near-crying and singing fairly often. On the newer albums, she sings much more professionally, sounds more feminine, and has less of a pronounced accent.
* VocalEvolution- on the early albums and demos, especially "Ich Tote Mich...", the vocals were very tortured, unprofessional and alternated between near-crying and singing fairly often. On the newer albums, she sings much more professionally, sounds more feminine, and has less of a pronounced accent.
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None
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Tropes applying to this group
*CreatorBreakdown - She has apparently suffered from depression since age SIX, because of being abused by her mother, hating herself after having an out-of-body experience, became suicidal at age 12, and later struggled with a cancer-like illness and near-blindness. She created the group after she absolutely couldn't take it anymore.
*IAmTheBand - a man named Holger helped her record demo tapes, since the first LP was released, everything has been solely composed by Anna-Varney, with all other musicians being session musicians.
*Transsexualism - Anna-Varney is MTF, but refuses hormone treatment or surgery
Is there an issue? Send a MessageReason:
None
Added DiffLines:
German darkwave band formed by Anna-Varney Cantodea in 1989, at the time simply known as Varney. The band has released 10 studio albums, six [=EPs=] and three demos, only one of which has been released. At the time of the project's start, Cantodea was living in complete isolation, afflicted by severe depression and close to blindness, and claims to have been "given" the music in her dreams by spirits, the "Ensemble of Shadows", thus forming Sopor Aeternus. Lyrical themes in the band's early songs focused on the extreme pain of her life, the occult, her own spiritual discovery, and vampires, but later embraced her own coming to terms with her transsexuality, love, sex, and whatnot.
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