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De-wicked one trope.
* InconsistentSpelling: The original five piece group was called Micro-Disney. When everyone but Cathal and Sean left, they changed the group name to Microdisney.
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* SpellMyNameWithAnS: The original five piece group was called Micro-Disney. When everyone but Cathal and Sean left, they changed the group name to Microdisney.
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Per wick cleanup.
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%% * GettingCrapPastThe Radar: Due to overwhelming and persistent misuse, GCPTR is on-page examples only until 01 June 2021. If you are reading this in the future, please check the trope page to make sure your example fits the current definition.
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* InTheStyleOf: The song "Little Town In Ireland" is a dig at Irish folk music, and the various versions of "I Can't Say No" are parodies of CountryMusic ("I Can't Say No"), pub rock ("Can't I Say No"), eastern european folk music ("No I Can't Say") and {{Jazz}} ("Say No I Can't").
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* StylisticParody: The song "Little Town In Ireland" is a dig at Irish folk music, and the various versions of "I Can't Say No" are parodies of CountryMusic ("I Can't Say No"), pub rock ("Can't I Say No"), eastern european folk music ("No I Can't Say") and {{Jazz}} ("Say No I Can't").
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Moving to the trivia page.
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%%* LineOfSightName: Microdisney's name was a tabloid nickname (A play on Eurodisney) for a Butlins holiday camp that was in a particularly religious part of Ireland. The aforementioned camp closed down due to the religious complaints that it was bringing America debauchery into the area, then was turned into an insane asylum, followed by a refugee camp (both of which were far worse for the crime rate.). The group found the contast amusing, and Cathal took the name of a rough Dublin housing estate, "The Fatima Mansions" for his next group.
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%%* LineOfSightName: Microdisney's name was a tabloid nickname (A play on Eurodisney) for a Butlins holiday camp that was in a particularly religious part of Ireland. The aforementioned camp closed down due to the religious complaints that it was bringing America debauchery into the area, then was turned into an insane asylum, followed by a refugee camp (both of which were far worse for the crime rate.). The group found the contast contrast amusing, and Cathal took the name of a rough Dublin housing estate, "The Fatima Mansions" for his next group.
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* MoneyDearBoy: This was the main reason the band signed to Virgin, as Rough Trade did not pay them enough to cover the numerous bills they had to pay. Whilst the band did get better distribution on Virgin, their later material suffered from ExecutiveMeddling, largely with lyrics.
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* OutOfOrder: Whilst it mostly collects their music in chronological order, Daunt Square To Elsewhere places the tracks that first appeared on "We Hate You South African Bastards" after those that appeared on "Everybody Is Fantastic". All the tracks on "Bastards" were recorded before "Everybody Is Fantastic", but only four of them were released at the time. As a result, the remaining tracks have a later copyright date, thus explaining why they are OutOfOrder.
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** "Send Herman Home" has "Good old Ch-Ches-ter Clark" with the first part pronounced exactly like the first two thirds of Ceaucescu, a Romanian dictator who Cathal would reference in his Fatima Mansion single "blues for Ceaucescu".
to:
** "Send Herman Home" has "Good old Ch-Ches-ter Clark" with the first part pronounced exactly like the first two thirds of Ceaucescu, a Romanian dictator who Cathal would reference in his Fatima Mansion single "blues "Blues for Ceaucescu".
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%%* LineOfSightName: Microdisney's name was a tabloid nickname (A play on Eurodisney) for a Butlins holiday camp that was in a particularly religious part of Ireland. The aforementioned camp closed down due to the religious complaints that it was bringing America debauchery into the area, then was turned into an insane asylum, followed by a refugee camp (both of which were far worse for the crime rate.). The group found the contast amusing, and Cathal took the name of a rough housing estate, "The Fatima Mansions" for his next group.
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%%* LineOfSightName: Microdisney's name was a tabloid nickname (A play on Eurodisney) for a Butlins holiday camp that was in a particularly religious part of Ireland. The aforementioned camp closed down due to the religious complaints that it was bringing America debauchery into the area, then was turned into an insane asylum, followed by a refugee camp (both of which were far worse for the crime rate.). The group found the contast amusing, and Cathal took the name of a rough Dublin housing estate, "The Fatima Mansions" for his next group.
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Misuse
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* UsefulNotes/TheApartheidEra: See "Completely Missing The Point", below.
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*** And the Beirut train on "High And Dry".
*** Money For The Trams has the line "Take your clothes off...". The later song "Give Me All Of Your Clothes" shares a similar sentiment. It may imply that the person intends to steal the clothes so he can sell them.
*** Money For The Trams has the line "Take your clothes off...". The later song "Give Me All Of Your Clothes" shares a similar sentiment. It may imply that the person intends to steal the clothes so he can sell them.
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* CompletelyMissingThePoint: The title of the album ''We Hate You South African Bastards'' was titled in reference to [[UsefulNotes/TheApartheidEra apartheid]]. The label tried to get them to change it to ''We Hate You White South African Bastards'' but the band felt that the smart people would understand it. It still caused a lot of controversy, leading to the album to be renamed ''Love Your Enemies'' 12 years later, when it was rereleased.
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* GettingCrapPastTheRadar: Numerous occasions, especially on their last two albums.
** In High And Dry, Cathal managed to fit the line 'See you all in hell' into the backing vocals, something which is hard to notice.
** In High And Dry, Cathal managed to fit the line 'See you all in hell' into the backing vocals, something which is hard to notice.
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%% * GettingCrapPastTheRadar: Numerous occasions, especially on their last two albums.
** In High And Dry, Cathal managedGettingCrapPastThe Radar: Due to fit overwhelming and persistent misuse, GCPTR is on-page examples only until 01 June 2021. If you are reading this in the line 'See you all in hell' into future, please check the backing vocals, something which is hard trope page to notice.make sure your example fits the current definition.
** In High And Dry, Cathal managed
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I hid the Line Of Sight Name entry because I'm not sure if it's true. I can't find ANYTHING about "Microdisney" being a tabloid nickname for a Butlins camp, the Butlins camp described sounds like Butlin's Mosney, which had religious opposition when it was BUILT, and was turned into a refugee camp long after Microdisney disbanded.
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Removing a redundant red
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* LineOfSightName: Microdisney's name was a tabloid nickname (A play on Eurodisney) for a Butlins holiday camp that was in a particularly religious part of Ireland. The aforementioned camp closed down due to the religious complaints that it was bringing America debauchery into the area, then was turned into an insane asylum, followed by a refugee camp (both of which were far worse for the crime rate.). The group found the contast amusing, and Cathal took the name of a rough housing estate, "The Fatima Mansions" for his next group.
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* {{Oirish}}: Humane has the line "die with a smile", pronounced like "doi with a smoile".
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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/microdisney_8416.jpg]]
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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/microdisney_8416.jpg]]
org/pmwiki/pub/images/microdisney_3.jpg]]
[[caption-width-right:350:They can't sleep alone[[note]]Clockwise from the left: Cathal Coughlan, Jon Fell, Sean O'Hagan, Tom Fenner [[/note]]]]
[[caption-width-right:350:They can't sleep alone[[note]]Clockwise from the left: Cathal Coughlan, Jon Fell, Sean O'Hagan, Tom Fenner [[/note]]]]
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* HarshVocals: Cathal screams in "National Anthem", "Everybody Is Dead (Peel Session)", "464" (especially live), "Money For The Trams" and live versions of "Back To The Old Town". This side of him became much more pronounced in FatimaMansions.
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* HarshVocals: Cathal screams in "National Anthem", "Everybody Is Dead (Peel Session)", "464" (especially live), "Money For The Trams" and live versions of "Back To The Old Town". This side of him became much more pronounced in FatimaMansions.Fatima Mansions.
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* UsefulNotes/IrishAccents: Cathal has a thick Irish accent which is apparent in his singing.
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* UsefulNotes/IrishAccents: Cathal has a thick Irish Cork accent which is apparent in his singing.
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** Also, the album title "Everybody Is Fantastic", which is almost the same as the title of the last song "Everybody Is Dead". Of course, the title of the album is sarcastic.
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** Also, the album title "Everybody "''Everybody Is Fantastic", Fantastic''", which is almost the same as the title of the last song "Everybody Is Dead". Of course, the title of the album is sarcastic.
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* AllThereInTheManual: In a rare musical example, Cathal's handwritten lyric sheets for their albums "The Clock Comes Down The Stairs" and "Crooked Mile" also contain extra text that sheds light on the meanings of the songs. He also wrote self-deprecating liner notes for "Everybody Is Fantastic" (under the guise of a journalist) and "We Hate You South African Bastards" (under his real name). Furthermore, all their releases with the exception of 39 Minutes have phrases etched into their runout grooves. None of these things were replicated for their CD releases.
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* AllThereInTheManual: In a rare musical example, Cathal's handwritten lyric sheets for their albums "The Clock Comes Down The Stairs" and "Crooked Mile" also contain extra text that sheds light on the meanings of the songs. He also wrote self-deprecating liner notes for "Everybody ''Everybody Is Fantastic" Fantastic'' (under the guise of a journalist) and "We ''We Hate You South African Bastards" Bastards'' (under his real name). Furthermore, all their releases with the exception of 39 Minutes have phrases etched into their runout grooves. None of these things were replicated for their CD releases.
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* Determinator: At a 1984 gig, the power went out, and Cathal sang a few acapella songs and cracked a few jokes, to entertain the crowd whilst the problem was sorted out. This despite the crowd constantly heckling him.
to:
* Determinator: {{Determinator}}: At a 1984 gig, the power went out, and Cathal sang a few acapella songs and cracked a few jokes, to entertain the crowd whilst the problem was sorted out. This despite the crowd constantly heckling him.
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* Ireland
* IrishAccents: Cathal has a thick Irish accent which is apparent in his singing.
* JohnPeel: Peel was a big fan of the band and they performed six sessions for him. It began with Peel's championing of early single tracks "Helicopter Of The Holy Ghost" and "Pink Skinned Man". When he heard Cathal and Sean had relocated to London in 1983, still unsigned, he invited them over for a session. The resultant exposure led them to get signed to Rough Trade, and it sparked a long friendship and six radio sessions (four tracks each). The Peel Sessions are beloved by fans as many of the tracks are in earlier or more abrasive arrangements to their released versions. The song "Half A Day" was only ever recorded for its Peel Session.
* IrishAccents: Cathal has a thick Irish accent which is apparent in his singing.
* JohnPeel: Peel was a big fan of the band and they performed six sessions for him. It began with Peel's championing of early single tracks "Helicopter Of The Holy Ghost" and "Pink Skinned Man". When he heard Cathal and Sean had relocated to London in 1983, still unsigned, he invited them over for a session. The resultant exposure led them to get signed to Rough Trade, and it sparked a long friendship and six radio sessions (four tracks each). The Peel Sessions are beloved by fans as many of the tracks are in earlier or more abrasive arrangements to their released versions. The song "Half A Day" was only ever recorded for its Peel Session.
to:
* Ireland
UsefulNotes/{{Ireland}}
*IrishAccents: UsefulNotes/IrishAccents: Cathal has a thick Irish accent which is apparent in his singing.
*JohnPeel: Creator/JohnPeel: Peel was a big fan of the band and they performed six sessions for him. It began with Peel's championing of early single tracks "Helicopter Of The Holy Ghost" and "Pink Skinned Man". When he heard Cathal and Sean had relocated to London in 1983, still unsigned, he invited them over for a session. The resultant exposure led them to get signed to Rough Trade, and it sparked a long friendship and six radio sessions (four tracks each). The Peel Sessions are beloved by fans as many of the tracks are in earlier or more abrasive arrangements to their released versions. The song "Half A Day" was only ever recorded for its Peel Session.
*
*
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** Some songs have female vocalists guesting on backing vocals, for example "Pink Skinned Man", "Are You Happy", "And" and "Bluerings". In addition, a male soul group from London was drafted in for harmonies on "United Colours", which was intended to be ironic, yet worked.
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* SpellMyNameWithAnS: The original five piece group was called Micro-Disney. When everyone but Cathal and Sean left, they changed the group name to Microdisney.
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* LineOfSightName: Microdisney's name was a tabloid nickname (A play on Eurodisney) for a Butlins holiday camp that was in a particularly religious part of Ireland. The aforementioned camp closed down due to the religious complaints that it was bringing America debauchery into the area, then was turned into an insane asylum, followed by a refugee camp (both of which were far worse for the crime rate.). The group found the contast amusing, and Cathal took the name of a rough housing estate, "The Fatima Mansions" for his next group.
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Useful Notes/ pages are not tropes
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* IrishNames: Cathal and Sean.
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* AllThereInTheManual: In a rare musical example, Cathal's handwritten lyric sheets for their albums "The Clock Comes Down The Stairs" and "Crooked Mile" also contain extra text that sheds light on the meanings of the songs. He also wrote self-deprecating liner notes for "Everybody Is Fantastic" (under the guise of a journalist) and "We Hate You South African Bastards" (under his real name). Furthermore, all their releases with the exception of 39 Minutes have phrases etched into their runout grooves. None of these things were replicated for their CD releases.
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* ArcSymbol: There is a recurring theme of rail based transport. Train tracks appear on both "The Clock Comes Down The Stairs" and "39 Minutes", and a tram appears on the cover of the single "Birthday Girl".
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* ArcSymbol: There is a recurring theme of rail based transport. Train tracks appear on both "The Clock Comes Down The Stairs" and "39 Minutes", and a tram appears on the cover of the single "Birthday Girl". Sean also worked in a locomotive factory before the formation of the band.
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*** An early song "Dreaming Drains" features the line "What is the worst thing they can do? Leave me to dream I'm rich in some drain?". Their last single, "Gale Force Wind" features the line "Nights of soaking in the city's drains - he hates the rich but he hates in vain." implying that the narrator of Dreaming Drains has become the homeless person in Gale Force Wind simply because of the CrapsackWorld he inhabits.
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*** An early song "Dreaming Drains" features the line "What is the worst meanest thing they can do? Leave me to dream I'm rich in some drain?". Their last single, "Gale Force Wind" features the line "Nights of soaking in the city's drains - he hates the rich but he hates in vain." implying that the narrator of Dreaming Drains has become the homeless person in Gale Force Wind simply because of the CrapsackWorld he inhabits.
** "Send Herman Home" has "Good old Ch-Ches-ter Clark" with the first part pronounced exactly like the first two thirds of Ceaucescu, a Romanian dictator who Cathal would reference in his Fatima Mansion single "blues for Ceaucescu".
* MoneyDearBoy: This was the main reason the band signed to Virgin, as Rough Trade did not pay them enough to cover the numerous bills they had to pay. Whilst the band did get better distribution on Virgin, their later material suffered from ExecutiveMeddling, largely with lyrics.
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** "Genius" is one towards Bono.
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** "Genius" is one towards Bono.Bono, and again to the English, albeit the upper class socialites this time.
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* TheArtifact: "A Friend With A Big Mouth" was the earliest song written for "The Clock Comes Down The Stairs" and really shows it. Not only is it built around a bouncy rhythm of jangly guitars and synth (exactly like Everybody Is Fantastic's material) but the lyric retains an attitude to a failing relationship that is still slightly romantic as opposed to outright bitter and hopeless. The band were fond of the song, however, and stayed in the set until mid-1986.
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* JohnPeel: Peel was a big fan of the band and they performed six sessions for him. It began with Peel's championing of early single tracks "Helicopter Of The Holy Ghost" and "Pink Skinned Man". When he heard Cathal and Sean had relocated to London in 1983, still unsigned, he invited them over for a session. The resultant exposure led them to get signed to Rough Trade, and it sparked a long friendship and six radio sessions (four tracks each). The Peel Sessions are beloved by fans as many of the tracks are in earlier or more abrasive arrangements to their released versions. The song "Half A Day" was only ever recorded for its Peel Session.
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** "Victory" is one to the English middle class, who Cathal describes as "the stupidest people in the world".
** "Helicopter Of The Holy Ghost" is one to the Pope and the Catholic church in general.
** "Genius" is one towards Bono.
** "Helicopter Of The Holy Ghost" is one to the Pope and the Catholic church in general.
** "Genius" is one towards Bono.
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* HarshVocals: Cathal screams in "National Anthem", "Everybody Is Dead (Peel Session)", "464" (especially live), "Money For The Trams" and live versions of "Back To The Old Town". This side of him became much more pronounced in FatimaMansions.
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* LampshadeHanging: Cathal's line "She's trying to pronounce my name" in Town To Town, echoes one of his problems with journalists outside of Ireland. It's pronounced like Carl Cofflan.
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* LampshadeHanging: Cathal's line "She's trying to pronounce my name" in Town To Town, echoes one of his problems with journalists outside of Ireland. It's pronounced like Carl Cofflan.Cahul Cocklan.
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Trope was cut a while back.
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* Synthesizeritis: "High and Dry".
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** Cathal did adlib Music/RodStewart's "Do Ya Think I'm Sexy?" in the throwaway B-Side track "No I Can't Say", although it's only a couple of lines.
* CreatorBacklash: The former members of the band will often say that Microdisney was the past and that they were young and naive then, and that they've gone onto better things. Fans tend to disagree.
** Perhaps due to renewed interest in the band, Cathal and Sean seem to have become warmer about those times in recent years.
* CreatorBreakdown: The album Everybody Is Fantastic for despair, the song 464 for anger. We Hate You South African Bastards for a combination of the two.
* CreatorBacklash: The former members of the band will often say that Microdisney was the past and that they were young and naive then, and that they've gone onto better things. Fans tend to disagree.
** Perhaps due to renewed interest in the band, Cathal and Sean seem to have become warmer about those times in recent years.
* CreatorBreakdown: The album Everybody Is Fantastic for despair, the song 464 for anger. We Hate You South African Bastards for a combination of the two.
to:
** Cathal did adlib Music/RodStewart's "Do Ya Think I'm Sexy?" in the throwaway B-Side track "No I Can't Say", although it's only a couple of lines.
* CreatorBacklash: The former members of the band will often say that Microdisney was the past and that they were young and naive then, and that they've gone onto better things. Fans tend to disagree.
** Perhaps due to renewed interest in the band, Cathal and Sean seem to have become warmer about those times in recent years.
* CreatorBreakdown: The album Everybody Is Fantastic for despair, the song 464 for anger. We Hate You South African Bastards for a combination of the two.lines.
* CreatorBacklash: The former members of the band will often say that Microdisney was the past and that they were young and naive then, and that they've gone onto better things. Fans tend to disagree.
** Perhaps due to renewed interest in the band, Cathal and Sean seem to have become warmer about those times in recent years.
* CreatorBreakdown: The album Everybody Is Fantastic for despair, the song 464 for anger. We Hate You South African Bastards for a combination of the two.
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* ExecutiveMeddling: The band cite this as a reason for breaking up after their last album, 39 Minutes. The label were after a hit and the album has the hallmarks of 80s production.
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* KeepCirculatingTheTapes: The band's discography is out of print on CD with the exception of a couple of Best Of compilations. There are also few B Sides that haven't appeared on CD, such as fan favourites Harmony Time and Money For The Trams. There are also many songs from radio sessions that didn't appear on their Peel Sessions CD and so are circulated by fans who originally taped them.
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* UnintentionalPeriodPiece: The band's early work is on drum machines and early 80s synths because they didn't have a full band at the time of recording. The band's last album has later 80s synths and production because the record company insisted.
** Many of the band's lyrics pertaining to [[UsefulNotes/TheApartheidEra apartheid]], [[Music/CultureClub Boy George]], and [[UsefulNotes/TheTroubles the IRA]], to name just a few, indicate their 80s origin.
** Many of the band's lyrics pertaining to [[UsefulNotes/TheApartheidEra apartheid]], [[Music/CultureClub Boy George]], and [[UsefulNotes/TheTroubles the IRA]], to name just a few, indicate their 80s origin.
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Microdisney were a Music/NewWave band from Cork, UsefulNotes/{{Ireland}}. They relocated to UsefulNotes/{{London}}, England early in their career.
to:
Microdisney were a Music/NewWave [[NewWaveMusic New Wave]] band from Cork, UsefulNotes/{{Ireland}}. They relocated to UsefulNotes/{{London}}, England early in their career.
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* MissingEpisode: Despite releasing several demo tapes in 1980 and 1981, as well as recording a radio session at that time, only three songs from this period have turned up (the session tracks "Mitchelstown", "Leper" and "Cack Hand"), which were recorded by a fan at the the time of their broadcast.
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* WhatCouldHaveBeen: Whilst the band's musical directions were totally at odds when they broke up in the late 80s (Cathal's anger and Sean's melody taken to their logical extreme in their solo work), they have both reached a creative and melodic point where they are on a similar page musically. However it is unlikely they will work together again.
** The band played the original song "King Of Free Speech" on several gigs on their last tour, leading people to believe it would be recorded later on. Ultimately, this never happened.
** The band played the original song "King Of Free Speech" on several gigs on their last tour, leading people to believe it would be recorded later on. Ultimately, this never happened.
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* StylisticParody: The song "Little Town In Ireland" is a dig at Irish folk music, and the various versions of I Can't Say No are parodies of country music (I Can't Say No), pub rock (Can't I Say No), eastern european folk music (No I Can't Say) and jazz (Say No I Can't).
* StylisticSuck: The various versions of I Can't Say No, as well as Little Town In Ireland.
* StylisticSuck: The various versions of I Can't Say No, as well as Little Town In Ireland.
to:
* StylisticParody: The song "Little Town In Ireland" is a dig at Irish folk music, and the various versions of I "I Can't Say No No" are parodies of country music (I CountryMusic ("I Can't Say No), No"), pub rock (Can't ("Can't I Say No), No"), eastern european folk music (No ("No I Can't Say) Say") and jazz (Say {{Jazz}} ("Say No I Can't).
Can't").
* StylisticSuck: The various versions ofI "I Can't Say No, No", as well as Little "Little Town In Ireland.Ireland".
* StylisticSuck: The various versions of
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* Synthesizeritis: High And Dry.
* TakeThat: The doctor in Rack: "He spent fifteen years in a jesuit school, and now he's not fit for any job" Ouch.
* TakeThat: The doctor in Rack: "He spent fifteen years in a jesuit school, and now he's not fit for any job" Ouch.
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* Synthesizeritis: High And Dry.
"High and Dry".
*TakeThat: TakeThat:
** The doctor inRack: "Rack": "He spent fifteen years in a jesuit Jesuit school, and now he's not fit for any job" job". Ouch.
*
** The doctor in
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[[quoteright:350:http://static.tvtropes.org/pmwiki/pub/images/microdisney_8416.jpg]]
Microdisney were a Music/NewWave band from Cork, UsefulNotes/{{Ireland}}. They relocated to UsefulNotes/{{London}}, England early in their career.
They were composed of singer/keyboardist Cathal Coughlan and guitarist Sean O' Hagan, with backing musicians varying by album. A duo for their first few singles and album, they formed a five piece band for the rest of their career. An early incarnation of Microdisney was known as Constant Reminders and Micro-Disney respectively, one incarnation featuring future Stump singer Mick Lynch on vocals.
Existing from 1980-1988 they were basically rooted in New Wave but had a unique approach - accessible and often beautiful melodies with cynical and despairing lyrics. They broke up in 1988 due to a combination of factors: their record company dropped them due to their last album being a flop, they had run out of ideas for potential singles, and the main band members began to differ musically.
The band members went on to more famous things: Cathal in The Fatima Mansions and Sean (and most of Microdisney's backing band) in The High Llamas.
Releases:
* Albums:
* 1984: ''Everybody Is Fantastic''
* 1985: ''The Clock Comes Down The Stairs''
* 1987: ''Crooked Mile''
* 1988: ''39 Minutes''
* Compilations:
* 1984: ''We Hate You South African Bastards / Love Your Enemies'' (A collection of their early work from 1982-1984. A later CD release adds the ''In The World'' EP from 1985 as bonus tracks)
* 1988: ''Peel Sessions'' (Compilation of most, but not all Peel Session tracks)
* 1995: ''Big Sleeping House'' (GreatestHits)
* 2007: ''Daunt Square To Elsewhere'' (Anthology)
* Singles:
* 1982: Hello Rascals
* 1982: Pink Skinned Man
* 1984: Dolly
* 1985: In The World (EP)
* 1985: Birthday Girl
* 1987: Town To Town
* 1988: Singer's Hampstead Home
* 1988: Gale Force Wind
!!Tropes:
* AerithAndBob: Cathal and Sean. Both are normal names in Ireland, however.
* AlliterativeTitle: "Dreaming Drains"
* UsefulNotes/TheApartheidEra: See "Completely Missing The Point", below.
* ArcSymbol: There is a recurring theme of rail based transport. Train tracks appear on both "The Clock Comes Down The Stairs" and "39 Minutes", and a tram appears on the cover of the single "Birthday Girl".
** The phrase "All you people want is money for the trams" appears in And., Money For The Trams and at least one live performance of Harmony Time. It has never been revealed what it actually means.
*** And the Beirut train on "High And Dry".
**** Money For The Trams has the line "Take your clothes off...". The later song "Give Me All Of Your Clothes" shares a similar sentiment. It may imply that the person intends to steal the clothes so he can sell them.
* BerserkButton: The song "464" is basically Cathal's BerserkButton in musical form, as is "Money for the Trams", with its yelled line "Take your clothes off! Take your stupid, stupid, stupid, stupid clothes off!".
* BlatantLies: Cathal would frequently do this live for comic effect. For instance "I am {{God}}", "I am [[Music/{{U2}} Bono]]", "I am UsefulNotes/ThePope", etc.
* CallBack: ''In The World'''s "Teddy Dogs" features the line "Look into Loftholdingswood" which is the opening line of the previous track, "Loftholdingswood".
** The title of ''Give Me All of Your Clothes'' is possibly connected to "Money for the Trams" which has the line "Take your clothes off" (as mentioned in Berserk Button).
*** As is the first line of "And He Descended Into Hell": "Put your dress back on, and I will sing a song".
**** The cover of the compilation ''Daunt Square To Elsewhere'' is an obvious callback to their album ''Everybody Is Fantastic''. Both have a sunrise view of a city across the river, and both use the same font for the band name. The original (unused) version of the cover has the album name in the same font as ''Everybody Is Fantastic'' as well.
***** Microdisney seemed to like doing these a lot. The first track released was called National Anthem, and the last one was called Irish National Anthem - both are completely different songs.
****** An early song "Dreaming Drains" features the line "What is the worst thing they can do? Leave me to dream I'm rich in some drain?". Their last single, "Gale Force Wind" features the line "Nights of soaking in the city's drains - he hates the rich but he hates in vain." implying that the narrator of Dreaming Drains has become the homeless person in Gale Force Wind simply because of the CrapsackWorld he inhabits.
* CompletelyMissingThePoint: The title of the album ''We Hate You South African Bastards'' was titled in reference to [[UsefulNotes/TheApartheidEra apartheid]]. The label tried to get them to change it to ''We Hate You White South African Bastards'' but the band felt that the smart people would understand it. It still caused a lot of controversy, leading to the album to be renamed ''Love Your Enemies'' 12 years later, when it was rereleased.
* CoverVersion: None in studio, but the band were very fond of doing them live. Cathal admitted that they often did them whilst drunk - he has little recollection of doing them or why they did them. Special mention must go out to their cover of Music/CreedenceClearwaterRevival's "Who'll Stop The Rain", which was reworked surprisingly well in their own style.
** Cathal did adlib Music/RodStewart's "Do Ya Think I'm Sexy?" in the throwaway B-Side track "No I Can't Say", although it's only a couple of lines.
* CreatorBacklash: The former members of the band will often say that Microdisney was the past and that they were young and naive then, and that they've gone onto better things. Fans tend to disagree.
** Perhaps due to renewed interest in the band, Cathal and Sean seem to have become warmer about those times in recent years.
* CreatorBreakdown: The album Everybody Is Fantastic for despair, the song 464 for anger. We Hate You South African Bastards for a combination of the two.
* DeadpanSnarker: Cathal.
* Determinator: At a 1984 gig, the power went out, and Cathal sang a few acapella songs and cracked a few jokes, to entertain the crowd whilst the problem was sorted out. This despite the crowd constantly heckling him.
* EarlyInstallmentWeirdness: If you got into the band via Crooked Mile or 39 Minutes and pick up We Hate You South African Bastards or Everybody Is Fantastic, you're in for a surprise.
* EightiesHair: The band members sported mullets in early 1985, around the time of the In The World EP. TV performances of Loftholdingswood can attest to this.
* ExecutiveMeddling: The band cite this as a reason for breaking up after their last album, 39 Minutes. The label were after a hit and the album has the hallmarks of 80s production.
* GettingCrapPastTheRadar: Numerous occasions, especially on their last two albums.
** In High And Dry, Cathal managed to fit the line 'See you all in hell' into the backing vocals, something which is hard to notice.
* Ireland
* IrishAccents: Cathal has a thick Irish accent which is apparent in his singing.
* IrishNames: Cathal and Sean.
* KeepCirculatingTheTapes: The band's discography is out of print on CD with the exception of a couple of Best Of compilations. There are also few B Sides that haven't appeared on CD, such as fan favourites Harmony Time and Money For The Trams. There are also many songs from radio sessions that didn't appear on their Peel Sessions CD and so are circulated by fans who originally taped them.
* LampshadeHanging: Cathal's line "She's trying to pronounce my name" in Town To Town, echoes one of his problems with journalists outside of Ireland. It's pronounced like Carl Cofflan.
** Dear Rosemary has the line "And some people liked me for that" referring directly to the paparazzi.
* LastSecondWordSwap: High And Dry starts off with the line "Why'd you have to leave me for some Albanian gambler on the Beirut train. When I finished laughing, I celebrated with a glass of pain-t" The booklet says 'glass of pain' but Cathal can clearly be heard overpronouncing the 't' at the end just to make sure.
** Also, the album title "Everybody Is Fantastic", which is almost the same as the title of the last song "Everybody Is Dead". Of course, the title of the album is sarcastic.
* LyricalDissonance: The band made this a trademark. Special mention must be given to Town To Town, a very upbeat and accessible song and the closest thing the band had to a hit. It's about the singer and his ex girlfriend burying bodies after a nuclear fallout.
** The seemingly charming acoustic ditty, Dear Rosemary causes MoodWhiplash with its line "They want to build a land fit for heroes to starve to death in".
* MissingEpisode: Despite releasing several demo tapes in 1980 and 1981, as well as recording a radio session at that time, only three songs from this period have turned up (the session tracks "Mitchelstown", "Leper" and "Cack Hand"), which were recorded by a fan at the the time of their broadcast.
* NewSoundAlbum: The band went from melancholic drum machine based indie to upbeat radio orientated 80s pop with a full band in several years.
** Compare the band's first single Hello Rascals to their last, Gale Force Wind and the difference is...astounding.
* {{Oirish}}: Humane has the line "die with a smile", pronounced like "doi with a smoile".
* OutOfOrder: Whilst it mostly collects their music in chronological order, Daunt Square To Elsewhere places the tracks that first appeared on "We Hate You South African Bastards" after those that appeared on "Everybody Is Fantastic". All the tracks on "Bastards" were recorded before "Everybody Is Fantastic", but only four of them were released at the time. As a result, the remaining tracks have a later copyright date, thus explaining why they are OutOfOrder.
* PrecisionFStrike: Love Your Enemies has the classic "Idiots, fucking ugly fools, fucking idiots, fucking idiots, fucking all my friends"
* RearrangeTheSong: In addition to the various versions of "I Can't Say No" (See Stylistic Parody), they rearranged their own songs live. For instance, Harmony Time was rewritten into a faster, punk inspired arrangement. Town To Town starts off with vocal intro (this is done on the Peel Session, as well) and Genius is played at a faster tempo. The Peel Session of Soul Boy features accordion, whereas the album version doesn't.
* SopranoAndGravel: Sean's voice- quite high, soft accent = sweet sounding and inoffensive. Cathal's voice- fairly deep, strong accent = powerful and occasionally aggressive.
* StylisticParody: The song "Little Town In Ireland" is a dig at Irish folk music, and the various versions of I Can't Say No are parodies of country music (I Can't Say No), pub rock (Can't I Say No), eastern european folk music (No I Can't Say) and jazz (Say No I Can't).
* StylisticSuck: The various versions of I Can't Say No, as well as Little Town In Ireland.
** As with some of their live covers.
* Synthesizeritis: High And Dry.
* TakeThat: The doctor in Rack: "He spent fifteen years in a jesuit school, and now he's not fit for any job" Ouch.
** "Singer's Hampstead Home" is a TakeThat at [[Music/CultureClub Boy George]]. Cathal has said that they did not mention his name for fear of getting sued.
* UnintentionalPeriodPiece: The band's early work is on drum machines and early 80s synths because they didn't have a full band at the time of recording. The band's last album has later 80s synths and production because the record company insisted.
** Many of the band's lyrics pertaining to [[UsefulNotes/TheApartheidEra apartheid]], [[Music/CultureClub Boy George]], and [[UsefulNotes/TheTroubles the IRA]], to name just a few, indicate their 80s origin.
* WhatCouldHaveBeen: Whilst the band's musical directions were totally at odds when they broke up in the late 80s (Cathal's anger and Sean's melody taken to their logical extreme in their solo work), they have both reached a creative and melodic point where they are on a similar page musically. However it is unlikely they will work together again.
** The band played the original song "King Of Free Speech" on several gigs on their last tour, leading people to believe it would be recorded later on. Ultimately, this never happened.
----
Microdisney were a Music/NewWave band from Cork, UsefulNotes/{{Ireland}}. They relocated to UsefulNotes/{{London}}, England early in their career.
They were composed of singer/keyboardist Cathal Coughlan and guitarist Sean O' Hagan, with backing musicians varying by album. A duo for their first few singles and album, they formed a five piece band for the rest of their career. An early incarnation of Microdisney was known as Constant Reminders and Micro-Disney respectively, one incarnation featuring future Stump singer Mick Lynch on vocals.
Existing from 1980-1988 they were basically rooted in New Wave but had a unique approach - accessible and often beautiful melodies with cynical and despairing lyrics. They broke up in 1988 due to a combination of factors: their record company dropped them due to their last album being a flop, they had run out of ideas for potential singles, and the main band members began to differ musically.
The band members went on to more famous things: Cathal in The Fatima Mansions and Sean (and most of Microdisney's backing band) in The High Llamas.
Releases:
* Albums:
* 1984: ''Everybody Is Fantastic''
* 1985: ''The Clock Comes Down The Stairs''
* 1987: ''Crooked Mile''
* 1988: ''39 Minutes''
* Compilations:
* 1984: ''We Hate You South African Bastards / Love Your Enemies'' (A collection of their early work from 1982-1984. A later CD release adds the ''In The World'' EP from 1985 as bonus tracks)
* 1988: ''Peel Sessions'' (Compilation of most, but not all Peel Session tracks)
* 1995: ''Big Sleeping House'' (GreatestHits)
* 2007: ''Daunt Square To Elsewhere'' (Anthology)
* Singles:
* 1982: Hello Rascals
* 1982: Pink Skinned Man
* 1984: Dolly
* 1985: In The World (EP)
* 1985: Birthday Girl
* 1987: Town To Town
* 1988: Singer's Hampstead Home
* 1988: Gale Force Wind
!!Tropes:
* AerithAndBob: Cathal and Sean. Both are normal names in Ireland, however.
* AlliterativeTitle: "Dreaming Drains"
* UsefulNotes/TheApartheidEra: See "Completely Missing The Point", below.
* ArcSymbol: There is a recurring theme of rail based transport. Train tracks appear on both "The Clock Comes Down The Stairs" and "39 Minutes", and a tram appears on the cover of the single "Birthday Girl".
** The phrase "All you people want is money for the trams" appears in And., Money For The Trams and at least one live performance of Harmony Time. It has never been revealed what it actually means.
*** And the Beirut train on "High And Dry".
**** Money For The Trams has the line "Take your clothes off...". The later song "Give Me All Of Your Clothes" shares a similar sentiment. It may imply that the person intends to steal the clothes so he can sell them.
* BerserkButton: The song "464" is basically Cathal's BerserkButton in musical form, as is "Money for the Trams", with its yelled line "Take your clothes off! Take your stupid, stupid, stupid, stupid clothes off!".
* BlatantLies: Cathal would frequently do this live for comic effect. For instance "I am {{God}}", "I am [[Music/{{U2}} Bono]]", "I am UsefulNotes/ThePope", etc.
* CallBack: ''In The World'''s "Teddy Dogs" features the line "Look into Loftholdingswood" which is the opening line of the previous track, "Loftholdingswood".
** The title of ''Give Me All of Your Clothes'' is possibly connected to "Money for the Trams" which has the line "Take your clothes off" (as mentioned in Berserk Button).
*** As is the first line of "And He Descended Into Hell": "Put your dress back on, and I will sing a song".
**** The cover of the compilation ''Daunt Square To Elsewhere'' is an obvious callback to their album ''Everybody Is Fantastic''. Both have a sunrise view of a city across the river, and both use the same font for the band name. The original (unused) version of the cover has the album name in the same font as ''Everybody Is Fantastic'' as well.
***** Microdisney seemed to like doing these a lot. The first track released was called National Anthem, and the last one was called Irish National Anthem - both are completely different songs.
****** An early song "Dreaming Drains" features the line "What is the worst thing they can do? Leave me to dream I'm rich in some drain?". Their last single, "Gale Force Wind" features the line "Nights of soaking in the city's drains - he hates the rich but he hates in vain." implying that the narrator of Dreaming Drains has become the homeless person in Gale Force Wind simply because of the CrapsackWorld he inhabits.
* CompletelyMissingThePoint: The title of the album ''We Hate You South African Bastards'' was titled in reference to [[UsefulNotes/TheApartheidEra apartheid]]. The label tried to get them to change it to ''We Hate You White South African Bastards'' but the band felt that the smart people would understand it. It still caused a lot of controversy, leading to the album to be renamed ''Love Your Enemies'' 12 years later, when it was rereleased.
* CoverVersion: None in studio, but the band were very fond of doing them live. Cathal admitted that they often did them whilst drunk - he has little recollection of doing them or why they did them. Special mention must go out to their cover of Music/CreedenceClearwaterRevival's "Who'll Stop The Rain", which was reworked surprisingly well in their own style.
** Cathal did adlib Music/RodStewart's "Do Ya Think I'm Sexy?" in the throwaway B-Side track "No I Can't Say", although it's only a couple of lines.
* CreatorBacklash: The former members of the band will often say that Microdisney was the past and that they were young and naive then, and that they've gone onto better things. Fans tend to disagree.
** Perhaps due to renewed interest in the band, Cathal and Sean seem to have become warmer about those times in recent years.
* CreatorBreakdown: The album Everybody Is Fantastic for despair, the song 464 for anger. We Hate You South African Bastards for a combination of the two.
* DeadpanSnarker: Cathal.
* Determinator: At a 1984 gig, the power went out, and Cathal sang a few acapella songs and cracked a few jokes, to entertain the crowd whilst the problem was sorted out. This despite the crowd constantly heckling him.
* EarlyInstallmentWeirdness: If you got into the band via Crooked Mile or 39 Minutes and pick up We Hate You South African Bastards or Everybody Is Fantastic, you're in for a surprise.
* EightiesHair: The band members sported mullets in early 1985, around the time of the In The World EP. TV performances of Loftholdingswood can attest to this.
* ExecutiveMeddling: The band cite this as a reason for breaking up after their last album, 39 Minutes. The label were after a hit and the album has the hallmarks of 80s production.
* GettingCrapPastTheRadar: Numerous occasions, especially on their last two albums.
** In High And Dry, Cathal managed to fit the line 'See you all in hell' into the backing vocals, something which is hard to notice.
* Ireland
* IrishAccents: Cathal has a thick Irish accent which is apparent in his singing.
* IrishNames: Cathal and Sean.
* KeepCirculatingTheTapes: The band's discography is out of print on CD with the exception of a couple of Best Of compilations. There are also few B Sides that haven't appeared on CD, such as fan favourites Harmony Time and Money For The Trams. There are also many songs from radio sessions that didn't appear on their Peel Sessions CD and so are circulated by fans who originally taped them.
* LampshadeHanging: Cathal's line "She's trying to pronounce my name" in Town To Town, echoes one of his problems with journalists outside of Ireland. It's pronounced like Carl Cofflan.
** Dear Rosemary has the line "And some people liked me for that" referring directly to the paparazzi.
* LastSecondWordSwap: High And Dry starts off with the line "Why'd you have to leave me for some Albanian gambler on the Beirut train. When I finished laughing, I celebrated with a glass of pain-t" The booklet says 'glass of pain' but Cathal can clearly be heard overpronouncing the 't' at the end just to make sure.
** Also, the album title "Everybody Is Fantastic", which is almost the same as the title of the last song "Everybody Is Dead". Of course, the title of the album is sarcastic.
* LyricalDissonance: The band made this a trademark. Special mention must be given to Town To Town, a very upbeat and accessible song and the closest thing the band had to a hit. It's about the singer and his ex girlfriend burying bodies after a nuclear fallout.
** The seemingly charming acoustic ditty, Dear Rosemary causes MoodWhiplash with its line "They want to build a land fit for heroes to starve to death in".
* MissingEpisode: Despite releasing several demo tapes in 1980 and 1981, as well as recording a radio session at that time, only three songs from this period have turned up (the session tracks "Mitchelstown", "Leper" and "Cack Hand"), which were recorded by a fan at the the time of their broadcast.
* NewSoundAlbum: The band went from melancholic drum machine based indie to upbeat radio orientated 80s pop with a full band in several years.
** Compare the band's first single Hello Rascals to their last, Gale Force Wind and the difference is...astounding.
* {{Oirish}}: Humane has the line "die with a smile", pronounced like "doi with a smoile".
* OutOfOrder: Whilst it mostly collects their music in chronological order, Daunt Square To Elsewhere places the tracks that first appeared on "We Hate You South African Bastards" after those that appeared on "Everybody Is Fantastic". All the tracks on "Bastards" were recorded before "Everybody Is Fantastic", but only four of them were released at the time. As a result, the remaining tracks have a later copyright date, thus explaining why they are OutOfOrder.
* PrecisionFStrike: Love Your Enemies has the classic "Idiots, fucking ugly fools, fucking idiots, fucking idiots, fucking all my friends"
* RearrangeTheSong: In addition to the various versions of "I Can't Say No" (See Stylistic Parody), they rearranged their own songs live. For instance, Harmony Time was rewritten into a faster, punk inspired arrangement. Town To Town starts off with vocal intro (this is done on the Peel Session, as well) and Genius is played at a faster tempo. The Peel Session of Soul Boy features accordion, whereas the album version doesn't.
* SopranoAndGravel: Sean's voice- quite high, soft accent = sweet sounding and inoffensive. Cathal's voice- fairly deep, strong accent = powerful and occasionally aggressive.
* StylisticParody: The song "Little Town In Ireland" is a dig at Irish folk music, and the various versions of I Can't Say No are parodies of country music (I Can't Say No), pub rock (Can't I Say No), eastern european folk music (No I Can't Say) and jazz (Say No I Can't).
* StylisticSuck: The various versions of I Can't Say No, as well as Little Town In Ireland.
** As with some of their live covers.
* Synthesizeritis: High And Dry.
* TakeThat: The doctor in Rack: "He spent fifteen years in a jesuit school, and now he's not fit for any job" Ouch.
** "Singer's Hampstead Home" is a TakeThat at [[Music/CultureClub Boy George]]. Cathal has said that they did not mention his name for fear of getting sued.
* UnintentionalPeriodPiece: The band's early work is on drum machines and early 80s synths because they didn't have a full band at the time of recording. The band's last album has later 80s synths and production because the record company insisted.
** Many of the band's lyrics pertaining to [[UsefulNotes/TheApartheidEra apartheid]], [[Music/CultureClub Boy George]], and [[UsefulNotes/TheTroubles the IRA]], to name just a few, indicate their 80s origin.
* WhatCouldHaveBeen: Whilst the band's musical directions were totally at odds when they broke up in the late 80s (Cathal's anger and Sean's melody taken to their logical extreme in their solo work), they have both reached a creative and melodic point where they are on a similar page musically. However it is unlikely they will work together again.
** The band played the original song "King Of Free Speech" on several gigs on their last tour, leading people to believe it would be recorded later on. Ultimately, this never happened.
----