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Changed line(s) 32,33 (click to see context) from:
* Bilinda Butcher - Guitar, vocals (Only handled vocals; Shield handled guitar)
* Colm Ó Ciosóg - Drums, sampler
* Colm Ó Ciosóg - Drums, sampler
to:
* Bilinda Butcher - Guitar, vocals (Only handled vocals; Shield Shields handled guitar)
* Colm ÓCiosóg Ciosóig - Drums, sampler
* Colm Ó
Changed line(s) 59 (click to see context) from:
* SopranoAndGravel: Averted vocally, as Butcher and Shields have similar voices. Instrumentally, however, the interplay between the breathy vocals and fuzzed-out guitars arguably creates this effect, particularly on a song like "Sometimes".
to:
* SopranoAndGravel: Averted vocally, as Butcher and Shields have similar voices. Instrumentally, however, the interplay between the breathy vocals and fuzzed-out guitars arguably creates this effect, particularly on a song like "Sometimes"."Sometimes".
----
----
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Changed line(s) 45 (click to see context) from:
* LoudnessWar: Gloriously averted. ''Loveless'' is mastered at 1991 loudness (or slightly below it) but has an excellent mastering and thus doesn't clip or cause any trouble. The mastering is so good that it can sound radically different depending on which stereo (speakers, headphones etc.) you play it on. A 2-CD reissue (two different remasters) of ''Loveless'' was released on May 7, 2012, and lo, although the two remasters are both louder than the original, it's not at the cost of dynamics. The first disc is a new master sourced from the digital tape that served as the source of the original CD issue and the second is sourced from the original 1/2 inch analogue tapes. Time and a good pair of headphones will be needed to discern the differences between the two (other than the fact that the digital remaster is slightly louder), but Kevin Shields did an excellent job of describing the separate processes in an [[http://pitchfork.com/features/interviews/8809-kevin-shields/ interview with Pitchfork]]. (He also denounces the loudness war in the same interview, meaning that none of this should be terribly surprising.)
to:
* LoudnessWar: Gloriously averted. ''Loveless'' is mastered at 1991 loudness (or slightly below it) but has an excellent mastering and thus doesn't clip or cause any trouble. The mastering is so good that it can sound radically different depending on which stereo (speakers, headphones etc.) you play it on. A 2-CD reissue (two different remasters) of ''Loveless'' was released on 7 May 7, 2012, and lo, although the two remasters are both louder than the original, it's not at the cost of dynamics. The first disc is a new master sourced from the digital tape that served as the source of the original CD issue and the second is sourced from the original 1/2 inch analogue tapes. Time and a good pair of headphones will be needed to discern the differences between the two (other than the fact that the digital remaster is slightly louder), but Kevin Shields did an excellent job of describing the separate processes in an [[http://pitchfork.com/features/interviews/8809-kevin-shields/ interview with Pitchfork]]. (He also denounces the loudness war in the same interview, meaning that none of this should be terribly surprising.)
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Changed line(s) 9,10 (click to see context) from:
[[IAmTheBand Essentially crafted single-handedly by Kevin Shields]], the album took ''two years'' to record and used 16 engineers throughout, even if all they did was provide tea. Recording for the album supposedly costed £250,000 and nearly bankrupted the band's British record label, Creator/CreationRecords. (However, Shields has disputed this, saying that most of the money spent on the album was "money to live on" and that Creation probably only spent about £15,000-20,000 on the record; he also reckons that the recording process only took about four months over a span of two years.)
to:
[[IAmTheBand Essentially crafted single-handedly by Kevin Shields]], the album took ''two years'' to record and used 16 engineers throughout, even if all they did was provide tea. Recording for the album supposedly costed £250,000 and nearly bankrupted the band's British record label, Creator/CreationRecords. (However, Shields has disputed this, saying that most of the money spent on the album was "money to live on" and that Creation probably only spent about £15,000-20,000 £15,000-20,000 on the record; he also reckons that the recording process only took about four months over a span of two years.)
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Changed line(s) 9,10 (click to see context) from:
[[IAmTheBand Essentially crafted single-handedly by Kevin Shields]], the album took ''two years'' to record and used 16 engineers throughout, even if all they did was provide tea. Recording for the album supposedly costed £250,000 and nearly bankrupted the band's British record label, Creator/CreationRecords.
to:
[[IAmTheBand Essentially crafted single-handedly by Kevin Shields]], the album took ''two years'' to record and used 16 engineers throughout, even if all they did was provide tea. Recording for the album supposedly costed £250,000 and nearly bankrupted the band's British record label, Creator/CreationRecords.
Creator/CreationRecords. (However, Shields has disputed this, saying that most of the money spent on the album was "money to live on" and that Creation probably only spent about £15,000-20,000 on the record; he also reckons that the recording process only took about four months over a span of two years.)
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Deleted line(s) 59 (click to see context) :
* SomethingCompletelyDifferent: After an album's worth of shoegazing, "Soon" ends ''Loveless'' by tossing a funky Madchester beat under the band's signature guitar walls. "Touched" is also markedly different from the rest of the album, trading the fuzzy guitars for an even fuzzier string section.
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Changed line(s) 11,14 (click to see context) from:
Further issues were compounded when drummer Colm Ó Ciosóg fell physically ill and was unable to drum properly for all but two of the tracks; "Only Shallow" and "Touched", the latter of which was Ó Ciosóg's composition. Shields worked around this by using samples. The vocals were also recorded in a fairly complex manner, and frustration with them resulted in Shields layering different takes onto each other and eventually just subduing them all together. To this day, the official lyrics still haven't been released; vocals were considered instrumentation, and Shields has a notable aversion to bad lyrics. [[FromBadToWorse Then the computer that held the masters]] threw everything out of order, and had to be remixed from memory.
''Loveless'', while only a modest commercial success, was so critically adored that every other shoegaze work (most notably Music/{{Slowdive}}'s ''Souvlaki'') was [[ToughActToFollow compared to]] ''Loveless'', ensuring the genre's death. With shoegazing's GenreRelaunch in the [[TurnOfTheMillennium late '00s]]-[[TheNewTens '10s]], comparisons are ''still'' thrown around, no matter how heavy (Music/APlaceToBuryStrangers) or light (DIIV) your sound is. Needless to say, ''Loveless'' has since gone down as one of the most influential albums of all time. Funnily enough, Shields expected the album to be [[ItWillNeverCatchOn savaged by all reviewers]]; instead the exact opposite happened.
''Loveless'', while only a modest commercial success, was so critically adored that every other shoegaze work (most notably Music/{{Slowdive}}'s ''Souvlaki'') was [[ToughActToFollow compared to]] ''Loveless'', ensuring the genre's death. With shoegazing's GenreRelaunch in the [[TurnOfTheMillennium late '00s]]-[[TheNewTens '10s]], comparisons are ''still'' thrown around, no matter how heavy (Music/APlaceToBuryStrangers) or light (DIIV) your sound is. Needless to say, ''Loveless'' has since gone down as one of the most influential albums of all time. Funnily enough, Shields expected the album to be [[ItWillNeverCatchOn savaged by all reviewers]]; instead the exact opposite happened.
to:
Further issues were compounded when drummer Colm Ó Ciosóg fell physically ill and was unable to drum properly for all but two of the tracks; "Only Shallow" and "Touched", the latter of which was Ó Ciosóg's composition. Shields worked around this by using samples. The vocals were also recorded in a fairly complex manner, and frustration with them resulted in Shields layering different takes onto each other and eventually just subduing them all together. To this day, the official lyrics still haven't been released; vocals were considered instrumentation, and Shields has a notable aversion to bad lyrics. [[FromBadToWorse Then the computer that held the masters]] masters threw everything out of order, order]], and had to be remixed from memory.
''Loveless'', while only a modest commercial success, was so critically adored that every other shoegaze work (most notably Music/{{Slowdive}}'s ''Souvlaki'') was [[ToughActToFollow compared to]] ''Loveless'', ensuring the genre's death. With shoegazing's GenreRelaunch in the [[TurnOfTheMillennium late '00s]]-[[TheNewTens '10s]], comparisons are ''still'' thrown around, no matter how heavy (Music/APlaceToBuryStrangers) or light (DIIV) your sound is. Needless to say, ''Loveless'' has since gone down as one of the most influential albums of all time. Funnily enough, Shields expected the album to be [[ItWillNeverCatchOn savaged by all reviewers]];instead instead, the exact opposite happened.
''Loveless'', while only a modest commercial success, was so critically adored that every other shoegaze work (most notably Music/{{Slowdive}}'s ''Souvlaki'') was [[ToughActToFollow compared to]] ''Loveless'', ensuring the genre's death. With shoegazing's GenreRelaunch in the [[TurnOfTheMillennium late '00s]]-[[TheNewTens '10s]], comparisons are ''still'' thrown around, no matter how heavy (Music/APlaceToBuryStrangers) or light (DIIV) your sound is. Needless to say, ''Loveless'' has since gone down as one of the most influential albums of all time. Funnily enough, Shields expected the album to be [[ItWillNeverCatchOn savaged by all reviewers]];
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[[caption-width-right:350:Pictured: the album's (and by extension, [[{{Shoegazing}} the genre's]]) sound]]
->''"It's rare in guitar-based music that somebody does something new. At the time, everybody was like, "How the fuck are they doing this?"''
->''"It's rare in guitar-based music that somebody does something new. At the time, everybody was like, "How the fuck are they doing this?"''
to:
[[caption-width-right:350:Pictured: what the album's album (and by extension, [[{{Shoegazing}} the genre's]]) sound]]
genre]]) sounds like]]
->''"It's rare in guitar-based music that somebody does something new. At the time, everybody was like,"How 'How the fuck are they doing this?"''this?'"''
->''"It's rare in guitar-based music that somebody does something new. At the time, everybody was like,
Changed line(s) 7,12 (click to see context) from:
'''''Loveless''''' is the 1991 album by Irish {{Shoegazing}} band Music/MyBloodyValentine, considered both the greatest work and [[GenreKiller unfortunate killer]] of the genre as a whole.
[[IAmTheBand Essentially crafted single-handedly by Kevin Shields]], the album took ''two years'' to record and used 16 engineers throughout, even if all they did was provide tea. Recording for the album supposedly costed £250,000 and nearly bankrupted the band's British record label, Creator/CreationRecords. Further issues were compounded when drummer Colm Ó Ciosóg fell physically ill and was unable to drum properly for all but two of the tracks; "Only Shallow" and "Touched", the latter of which was Ó Ciosóg's composition. Shields worked around this by using samples. The vocals were also recorded in a fairly complex manner, and frustration with them resulted in Shields layering different takes onto each other and eventually just subduing them all together. To this day, the official lyrics still haven't been released; vocals were considered instrumentation, and Shields has a notable aversion to bad lyrics. [[FromBadToWorse Then the computer that held the masters]] threw everything out of order, and had to be remixed from memory.
''Loveless'', while only a modest commercial success, was so critically adored that every other shoegaze work (most notably Music/{{Slowdive}}'s ''Souvlaki'') was [[ToughActToFollow compared to ]] ''Loveless'', ensuring the genre's death. Funnily enough, Shields expected the album to be [[ItWillNeverCatchOn savaged by all reviewers]]; instead the exact opposite happened. With shoegazing's GenreRelaunch in the [[TurnOfTheMillennium late '00s]]-[[TheNewTens '10s]], comparisons are ''still'' thrown around, no matter how heavy (Music/APlaceToBuryStrangers) or light (DIIV) your sound is. Needless to say, ''Loveless'' has since gone down as one of the most influential albums of all time.
[[IAmTheBand Essentially crafted single-handedly by Kevin Shields]], the album took ''two years'' to record and used 16 engineers throughout, even if all they did was provide tea. Recording for the album supposedly costed £250,000 and nearly bankrupted the band's British record label, Creator/CreationRecords. Further issues were compounded when drummer Colm Ó Ciosóg fell physically ill and was unable to drum properly for all but two of the tracks; "Only Shallow" and "Touched", the latter of which was Ó Ciosóg's composition. Shields worked around this by using samples. The vocals were also recorded in a fairly complex manner, and frustration with them resulted in Shields layering different takes onto each other and eventually just subduing them all together. To this day, the official lyrics still haven't been released; vocals were considered instrumentation, and Shields has a notable aversion to bad lyrics. [[FromBadToWorse Then the computer that held the masters]] threw everything out of order, and had to be remixed from memory.
''Loveless'', while only a modest commercial success, was so critically adored that every other shoegaze work (most notably Music/{{Slowdive}}'s ''Souvlaki'') was [[ToughActToFollow compared to ]] ''Loveless'', ensuring the genre's death. Funnily enough, Shields expected the album to be [[ItWillNeverCatchOn savaged by all reviewers]]; instead the exact opposite happened. With shoegazing's GenreRelaunch in the [[TurnOfTheMillennium late '00s]]-[[TheNewTens '10s]], comparisons are ''still'' thrown around, no matter how heavy (Music/APlaceToBuryStrangers) or light (DIIV) your sound is. Needless to say, ''Loveless'' has since gone down as one of the most influential albums of all time.
to:
[[IAmTheBand Essentially crafted single-handedly by Kevin Shields]], the album took ''two years'' to record and used 16 engineers throughout, even if all they did was provide tea. Recording for the album supposedly costed £250,000 and nearly bankrupted the band's British record label,
Further issues were compounded when drummer Colm Ó Ciosóg fell physically ill and was unable to drum properly for all but two of the tracks; "Only Shallow" and "Touched", the latter of which was Ó Ciosóg's composition. Shields worked around this by using samples. The vocals were also recorded in a fairly complex manner, and frustration with them resulted in Shields layering different takes onto each other and eventually just subduing them all together. To this day, the official lyrics still haven't been released; vocals were considered instrumentation, and Shields has a notable aversion to bad lyrics. [[FromBadToWorse Then the computer that held the masters]] threw everything out of order, and had to be remixed from memory.
''Loveless'', while only a modest commercial success, was so critically adored that every other shoegaze work (most notably Music/{{Slowdive}}'s ''Souvlaki'') was [[ToughActToFollow compared
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Added DiffLines:
* LongestSongGoesLast: "Soon" clocks in at 7 minutes and 1 second.
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Changed line(s) 7,8 (click to see context) from:
'''''Loveless''''' is the 1991 album by Irish {{Shoegazing}} band Music/MyBloodyValentine, considered both the greatest work and [[GenreKiller unfortunate killer]] of the genre as a whole. [[IAmTheBand Essentially crafted single-handedly by Kevin Shields]], the album took ''two years'' to record and used 16 engineers throughout, even if all they did was provide tea. Recording for the album supposedly costed £250,000 and nearly bankrupted the band's British record label, Creator/CreationRecords. Further issues were compounded when drummer Colm Ó Ciosóg fell physically ill and was unable to drum properly for all but two of the tracks; "Only Shallow" and "Touched", the latter of which was Ó Ciosóg's composition. Shields worked around this by using samples. The vocals were also recorded in a fairly complex manner, and frustration with them resulted in Shields layering different takes onto each other and eventually just subduing them all together. To this day, the official lyrics still haven't been released; vocals were considered instrumentation, and Shields has a notable aversion to bad lyrics. [[FromBadToWorse Then the computer that held the masters]] threw everything out of order, and had to be remixed from memory.
to:
'''''Loveless''''' is the 1991 album by Irish {{Shoegazing}} band Music/MyBloodyValentine, considered both the greatest work and [[GenreKiller unfortunate killer]] of the genre as a whole.
[[IAmTheBand Essentially crafted single-handedly by Kevin Shields]], the album took ''two years'' to record and used 16 engineers throughout, even if all they did was provide tea. Recording for the album supposedly costed £250,000 and nearly bankrupted the band's British record label, Creator/CreationRecords. Further issues were compounded when drummer Colm Ó Ciosóg fell physically ill and was unable to drum properly for all but two of the tracks; "Only Shallow" and "Touched", the latter of which was Ó Ciosóg's composition. Shields worked around this by using samples. The vocals were also recorded in a fairly complex manner, and frustration with them resulted in Shields layering different takes onto each other and eventually just subduing them all together. To this day, the official lyrics still haven't been released; vocals were considered instrumentation, and Shields has a notable aversion to bad lyrics. [[FromBadToWorse Then the computer that held the masters]] threw everything out of order, and had to be remixed from memory.
[[IAmTheBand Essentially crafted single-handedly by Kevin Shields]], the album took ''two years'' to record and used 16 engineers throughout, even if all they did was provide tea. Recording for the album supposedly costed £250,000 and nearly bankrupted the band's British record label, Creator/CreationRecords. Further issues were compounded when drummer Colm Ó Ciosóg fell physically ill and was unable to drum properly for all but two of the tracks; "Only Shallow" and "Touched", the latter of which was Ó Ciosóg's composition. Shields worked around this by using samples. The vocals were also recorded in a fairly complex manner, and frustration with them resulted in Shields layering different takes onto each other and eventually just subduing them all together. To this day, the official lyrics still haven't been released; vocals were considered instrumentation, and Shields has a notable aversion to bad lyrics. [[FromBadToWorse Then the computer that held the masters]] threw everything out of order, and had to be remixed from memory.
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# "Blown A Wish" (3:37)
to:
# "Blown A a Wish" (3:37)
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* FadingIntoTheNextSong
to:
* FadingIntoTheNextSongFadingIntoTheNextSong: Almost the whole album. There are only a few gaps between songs; outside of the vinyl edition, the one between "Sometimes" and "Blown a Wish" is probably the most distinct.
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Changed line(s) 30 (click to see context) from:
* Debbie Googe - Bass ([[{{LesserStar}} Didn't actually play]])
to:
* Debbie Googe - Bass ([[{{LesserStar}} ([[LesserStar Didn't actually play]])
Deleted line(s) 35 (click to see context) :
* {{LesserStar}}: For the duration of ''Loveless''' recording, Colm and Debbie. Kevin even said that "I'm basically the only musician on the album except for 'Touched' [Colm's song]".
* {{Instrumental}}: "Touched"
Changed line(s) 39 (click to see context) from:
* LoudnessWar: Gloriously averted. ''Loveless'' is mastered at 1991 loudness (or slightly below it) but has an excellent mastering and thus doesn't clip or cause any trouble. The mastering is so good that it can sound radically different depending on which stereo (speakers, headphones etc.) you play it on. A 2-CD reissue (two different remasters) of ''Loveless'' was released on May 7, 2012, and lo, although the two remasters are both louder than the original, it's not at the cost of dynamics. The first disc is a new master sourced from the digital tape that served as the source of the original CD issue and the second is sourced from the original 1/2 inch analogue tapes. Time and a good pair of headphones will be needed to discern the differences between the two (other than the fact that the digital remaster is slightly louder), but Kevin Shields did an excellent job of describing the separate processes in an [[http://pitchfork.com/features/interviews/8809-kevin-shields/ interview with Pitchfork]]. (He also denounces the loudness war in the same interview, meaning that none of this should be terribly surprising).
to:
* LesserStar: For the duration of the album's recording, Colm and Debbie. Kevin even said that "I'm basically the only musician on the album except for 'Touched' [Colm's song]".
* LoudnessWar: Gloriously averted. ''Loveless'' is mastered at 1991 loudness (or slightly below it) but has an excellent mastering and thus doesn't clip or cause any trouble. The mastering is so good that it can sound radically different depending on which stereo (speakers, headphones etc.) you play it on. A 2-CD reissue (two different remasters) of ''Loveless'' was released on May 7, 2012, and lo, although the two remasters are both louder than the original, it's not at the cost of dynamics. The first disc is a new master sourced from the digital tape that served as the source of the original CD issue and the second is sourced from the original 1/2 inch analogue tapes. Time and a good pair of headphones will be needed to discern the differences between the two (other than the fact that the digital remaster is slightly louder), but Kevin Shields did an excellent job of describing the separate processes in an [[http://pitchfork.com/features/interviews/8809-kevin-shields/ interview with Pitchfork]]. (He also denounces the loudness war in the same interview, meaning that none of this should be terriblysurprising).surprising.)
* LoudnessWar: Gloriously averted. ''Loveless'' is mastered at 1991 loudness (or slightly below it) but has an excellent mastering and thus doesn't clip or cause any trouble. The mastering is so good that it can sound radically different depending on which stereo (speakers, headphones etc.) you play it on. A 2-CD reissue (two different remasters) of ''Loveless'' was released on May 7, 2012, and lo, although the two remasters are both louder than the original, it's not at the cost of dynamics. The first disc is a new master sourced from the digital tape that served as the source of the original CD issue and the second is sourced from the original 1/2 inch analogue tapes. Time and a good pair of headphones will be needed to discern the differences between the two (other than the fact that the digital remaster is slightly louder), but Kevin Shields did an excellent job of describing the separate processes in an [[http://pitchfork.com/features/interviews/8809-kevin-shields/ interview with Pitchfork]]. (He also denounces the loudness war in the same interview, meaning that none of this should be terribly
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* MinimalisticCoverArt: Kevin's guitar, slathered with effects. Much like the music
to:
* MinimalisticCoverArt: Kevin's guitar, slathered with effects. Much effects (much like the musicmusic), with the band name tucked away at the bottom.
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name changed
Changed line(s) 30 (click to see context) from:
* Debbie Googe - Bass ([[{{Garfunkel}} Didn't actually play]])
to:
* Debbie Googe - Bass ([[{{Garfunkel}} ([[{{LesserStar}} Didn't actually play]])
Changed line(s) 35 (click to see context) from:
* {{Garfunkel}}: For the duration of ''Loveless''' recording, Colm and Debbie. Kevin even said that "I'm basically the only musician on the album except for 'Touched' [Colm's song]".
to:
* {{Garfunkel}}: {{LesserStar}}: For the duration of ''Loveless''' recording, Colm and Debbie. Kevin even said that "I'm basically the only musician on the album except for 'Touched' [Colm's song]".
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Changed line(s) 33 (click to see context) from:
* EpicRocking: "Soon"
to:
* EpicRocking: "Soon""Soon".
Changed line(s) 41 (click to see context) from:
* MinimalisticCoverArt: Kevin's guitar, slathered with effects. Much like the music.
to:
* MinimalisticCoverArt: Kevin's guitar, slathered with effects. Much like the music.music
* OneWordTitle: The album and its songs "Loomer", "Touched", "Sometimes" and "Soon".
* OneWordTitle: The album and its songs "Loomer", "Touched", "Sometimes" and "Soon".
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* PerformanceVideo: "Only Shallow", parts of "Soon"
to:
* PerformanceVideo: "Only Shallow", parts of "Soon""Soon".
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* {{Shoegazing}}: Considered the greatest album.
to:
* {{Shoegazing}}: Considered the greatest album.album in the genre.
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Changed line(s) 7,8 (click to see context) from:
'''''Loveless''''' is the 1991 album by Irish {{Shoegazing}} band Music/MyBloodyValentine, considered both the greatest work and [[GenreKiller unfortunate killer]] of the genre as a whole. [[IAmTheBand Essentially crafted single-handedly by Kevin Shields]], the album took ''two years'' to record and used 16 engineers throughout, even if all they did was provide tea. Recording for the album supposedly costed £250,000 and nearly bankrupted the album's record label, Creator/CreationRecords. Further issues were compounded when drummer Colm Ó Ciosóg fell physically ill and was unable to drum properly for all but two of the tracks; "Only Shallow" and "Touched", the latter of which was Ó Ciosóg's composition. Shields worked around this by using samples. The vocals were also recorded in a fairly complex manner, and frustration with them resulted in Shields layering different takes onto each other and eventually just subduing them all together. To this day, the official lyrics still haven't been released; vocals were considered instrumentation, and Shields has a notable aversion to bad lyrics. [[FromBadToWorse Then the computer that held the masters]] threw everything out of order, and had to be remixed from memory.
to:
'''''Loveless''''' is the 1991 album by Irish {{Shoegazing}} band Music/MyBloodyValentine, considered both the greatest work and [[GenreKiller unfortunate killer]] of the genre as a whole. [[IAmTheBand Essentially crafted single-handedly by Kevin Shields]], the album took ''two years'' to record and used 16 engineers throughout, even if all they did was provide tea. Recording for the album supposedly costed £250,000 and nearly bankrupted the album's band's British record label, Creator/CreationRecords. Further issues were compounded when drummer Colm Ó Ciosóg fell physically ill and was unable to drum properly for all but two of the tracks; "Only Shallow" and "Touched", the latter of which was Ó Ciosóg's composition. Shields worked around this by using samples. The vocals were also recorded in a fairly complex manner, and frustration with them resulted in Shields layering different takes onto each other and eventually just subduing them all together. To this day, the official lyrics still haven't been released; vocals were considered instrumentation, and Shields has a notable aversion to bad lyrics. [[FromBadToWorse Then the computer that held the masters]] threw everything out of order, and had to be remixed from memory.
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bolded dash before quote source
Changed line(s) 5,6 (click to see context) from:
-->-'''[[Music/TheSmashingPumpkins Billy Corgan]]'''
to:
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-->-'''[[Music/SmashingPumpkins Billy Corgan]]'''
to:
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Changed line(s) 42,43 (click to see context) from:
* OvershadowedByAwesome: Debbie. As far as the general recollection goes she didn't play on ''Loveless'' despite being credited (Kevin also took over Bilinda's guitar parts, but she didn't mind because she didn't think she was very good and wanted recording to go faster). Also, not the lead vocalist. Colm too, who's also saddled with an unpronounceable name and didn't contribute that much to ''Loveless''
either because of personal and physical issues.
either because of personal and physical issues.
to:
* OvershadowedByAwesome: Debbie. As far as the general recollection goes she didn't play on ''Loveless'' despite being credited (Kevin also took over Bilinda's guitar parts, but she didn't mind because she didn't think she was very good and wanted recording to go faster). Also, not the lead vocalist. Colm too, who's also saddled with an unpronounceable name and didn't contribute that much to ''Loveless''
''Loveless'' either because of personal and physical issues.
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Changed line(s) 42 (click to see context) from:
* OvershadowedByAwesome: Debbie. As far as the general recollection goes she didn't play on ''Loveless'' despite being credited (Kevin also took over Bilinda's guitar parts, but she didn't mind because she didn't think she was very good and wanted recording to go faster). Also, not the lead vocalist. Colm too, who's also saddled with an unpronounceable name and didn't contribute that much to ''Loveless'' either because of personal and physical issues.
to:
* OvershadowedByAwesome: Debbie. As far as the general recollection goes she didn't play on ''Loveless'' despite being credited (Kevin also took over Bilinda's guitar parts, but she didn't mind because she didn't think she was very good and wanted recording to go faster). Also, not the lead vocalist. Colm too, who's also saddled with an unpronounceable name and didn't contribute that much to ''Loveless'' ''Loveless''
either because of personal and physicalissues.issues.
* MinisculeRocking: The instrumental "Touched" barely lasts under a minute.
either because of personal and physical
* MinisculeRocking: The instrumental "Touched" barely lasts under a minute.
Changed line(s) 51 (click to see context) from:
* SomethingCompletelyDifferent: After an album's worth of shoegazing, "Soon" ends ''Loveless'' by tossing a funky Madchester beat under the band's signature guitar walls. "Touched" is also markedly different from the rest of the album.
to:
* SomethingCompletelyDifferent: After an album's worth of shoegazing, "Soon" ends ''Loveless'' by tossing a funky Madchester beat under the band's signature guitar walls. "Touched" is also markedly different from the rest of the album.album, trading the fuzzy guitars for an even fuzzier string section.
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Not to be confused with the [[Manga/{{Loveless}} manga]] of the same name.
to:
Not to be confused with the [[Manga/{{Loveless}} manga]] of the same name. Or the ShowWithinAShow in the universe of ''VideoGame/FinalFantasyVII'', which is [[TitledAfterTheSong named for the album]].
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'''''Loveless''''' is the 1991 album by Irish {{Shoegazing}} band Music/MyBloodyValentine, considered both the [[MagnumOpus greatest work]] and [[GenreKiller unfortunate killer]] of the genre as a whole. [[IAmTheBand Essentially crafted single-handedly by Kevin Shields]], the album took ''two years'' to record and used 16 engineers throughout, even if all they did was provide tea. Recording for the album supposedly costed £250,000 and nearly bankrupted the album's record label, Creator/CreationRecords. Further issues were compounded when drummer Colm Ó Ciosóg fell physically ill and was unable to drum properly for all but two of the tracks; "Only Shallow" and "Touched", the latter of which was Ó Ciosóg's composition. Shields worked around this by using samples. The vocals were also recorded in a fairly complex manner, and frustration with them resulted in Shields layering different takes onto each other and eventually just subduing them all together. To this day, the official lyrics still haven't been released; vocals were considered instrumentation, and Shields has a notable aversion to bad lyrics. [[FromBadToWorse Then the computer that held the masters]] threw everything out of order, and had to be remixed from memory.
to:
'''''Loveless''''' is the 1991 album by Irish {{Shoegazing}} band Music/MyBloodyValentine, considered both the [[MagnumOpus greatest work]] work and [[GenreKiller unfortunate killer]] of the genre as a whole. [[IAmTheBand Essentially crafted single-handedly by Kevin Shields]], the album took ''two years'' to record and used 16 engineers throughout, even if all they did was provide tea. Recording for the album supposedly costed £250,000 and nearly bankrupted the album's record label, Creator/CreationRecords. Further issues were compounded when drummer Colm Ó Ciosóg fell physically ill and was unable to drum properly for all but two of the tracks; "Only Shallow" and "Touched", the latter of which was Ó Ciosóg's composition. Shields worked around this by using samples. The vocals were also recorded in a fairly complex manner, and frustration with them resulted in Shields layering different takes onto each other and eventually just subduing them all together. To this day, the official lyrics still haven't been released; vocals were considered instrumentation, and Shields has a notable aversion to bad lyrics. [[FromBadToWorse Then the computer that held the masters]] threw everything out of order, and had to be remixed from memory.
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* ShoeGazing: Considered the greatest album
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* ShoeGazing: {{Shoegazing}}: Considered the greatest albumalbum.
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[[caption-width-right:350:Pictured: the album's (and by extension, [[ShoeGazing the genre's]]) sound]]
to:
[[caption-width-right:350:Pictured: the album's (and by extension, [[ShoeGazing [[{{Shoegazing}} the genre's]]) sound]]
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'''''Loveless''''' is the 1991 album by Irish ShoeGazing band Music/MyBloodyValentine, considered both the [[MagnumOpus greatest work]] and [[GenreKiller unfortunate killer]] of the genre as a whole. [[IAmTheBand Essentially crafted single-handedly by Kevin Shields]], the album took ''two years'' to record and used 16 engineers throughout, even if all they did was provide tea. Recording for the album supposedly costed £250,000 and nearly bankrupted the album's record label, Creator/CreationRecords. Further issues were compounded when drummer Colm Ó Ciosóg fell physically ill and was unable to drum properly for all but two of the tracks; "Only Shallow" and "Touched", the latter of which was Ó Ciosóg's composition. Shields worked around this by using samples. The vocals were also recorded in a fairly complex manner, and frustration with them resulted in Shields layering different takes onto each other and eventually just subduing them all together. To this day, the official lyrics still haven't been released; vocals were considered instrumentation, and Shields has a notable aversion to bad lyrics. [[FromBadToWorse Then the computer that held the masters]] threw everything out of order, and had to be remixed from memory.
to:
'''''Loveless''''' is the 1991 album by Irish ShoeGazing {{Shoegazing}} band Music/MyBloodyValentine, considered both the [[MagnumOpus greatest work]] and [[GenreKiller unfortunate killer]] of the genre as a whole. [[IAmTheBand Essentially crafted single-handedly by Kevin Shields]], the album took ''two years'' to record and used 16 engineers throughout, even if all they did was provide tea. Recording for the album supposedly costed £250,000 and nearly bankrupted the album's record label, Creator/CreationRecords. Further issues were compounded when drummer Colm Ó Ciosóg fell physically ill and was unable to drum properly for all but two of the tracks; "Only Shallow" and "Touched", the latter of which was Ó Ciosóg's composition. Shields worked around this by using samples. The vocals were also recorded in a fairly complex manner, and frustration with them resulted in Shields layering different takes onto each other and eventually just subduing them all together. To this day, the official lyrics still haven't been released; vocals were considered instrumentation, and Shields has a notable aversion to bad lyrics. [[FromBadToWorse Then the computer that held the masters]] threw everything out of order, and had to be remixed from memory.
Is there an issue? Send a MessageReason:
None
Changed line(s) 7,8 (click to see context) from:
''Loveless'' is the 1991 album by Irish ShoeGazing band Music/MyBloodyValentine, considered both the [[MagnumOpus greatest work]] and [[GenreKiller unfortunate killer]] of the genre as a whole. [[IAmTheBand Essentially crafted single-handedly by Kevin Shields]], the album took ''two years'' to record and used 16 engineers throughout, even if all they did was provide tea. Recording for the album supposedly costed £250,000 and nearly bankrupted the album's record label, Creator/CreationRecords. Further issues were compounded when drummer Colm Ó Ciosóg fell physically ill and was unable to drum properly for all but two of the tracks; "Only Shallow" and "Touched", the latter of which was Ó Ciosóg's composition. Shields worked around this by using samples. The vocals were also recorded in a fairly complex manner, and frustration with them resulted in Shields layering different takes onto each other and eventually just subduing them all together. To this day, the official lyrics still haven't been released; vocals were considered instrumentation, and Shields has a notable aversion to bad lyrics. [[FromBadToWorse Then the computer that held the masters]] threw everything out of order, and had to be remixed from memory.
to:
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Added DiffLines:
Not to be confused with the [[Manga/{{Loveless}} manga]] of the same name.
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''Loveless'' is the 1991 album by Irish ShoeGazing band Music/MyBloodyValentine, considered both the [[MagnumOpus greatest work]] and [[GenreKiller unfortunate killer]] of the genre as a whole. [[IAmTheBand Essentially crafted single-handedly by Kevin Shields]], the album took ''two years'' to record and used 16 engineers throughout, even if all they did was provide tea. Recording for the album supposedly costed £250,000 and nearly bankrupted the album's record label, Creator/CreationStudios. Further issues were compounded when drummer Colm Ó Ciosóg fell physically ill and was unable to drum properly for all but two of the tracks; "Only Shallow" and "Touched", the latter of which was Ó Ciosóg's composition. Shields worked around this by using samples. The vocals were also recorded in a fairly complex manner, and frustration with them resulted in Shields layering different takes onto each other and eventually just subduing them all together. To this day, the official lyrics still haven't been released; vocals were considered instrumentation, and Shields has a notable aversion to bad lyrics. [[FromBadToWorse Then the computer that held the masters]] threw everything out of order, and had to be remixed from memory.
to:
''Loveless'' is the 1991 album by Irish ShoeGazing band Music/MyBloodyValentine, considered both the [[MagnumOpus greatest work]] and [[GenreKiller unfortunate killer]] of the genre as a whole. [[IAmTheBand Essentially crafted single-handedly by Kevin Shields]], the album took ''two years'' to record and used 16 engineers throughout, even if all they did was provide tea. Recording for the album supposedly costed £250,000 and nearly bankrupted the album's record label, Creator/CreationStudios.Creator/CreationRecords. Further issues were compounded when drummer Colm Ó Ciosóg fell physically ill and was unable to drum properly for all but two of the tracks; "Only Shallow" and "Touched", the latter of which was Ó Ciosóg's composition. Shields worked around this by using samples. The vocals were also recorded in a fairly complex manner, and frustration with them resulted in Shields layering different takes onto each other and eventually just subduing them all together. To this day, the official lyrics still haven't been released; vocals were considered instrumentation, and Shields has a notable aversion to bad lyrics. [[FromBadToWorse Then the computer that held the masters]] threw everything out of order, and had to be remixed from memory.
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None
Changed line(s) 7,8 (click to see context) from:
''Loveless'' is the 1991 album by Irish ShoeGazing band Music/MyBloodyValentine, considered both the [[MagnumOpus greatest work]] and [[GenreKiller unfortunate killer]] of the genre as a whole. [[IAmTheBand Essentially crafted single-handedly by Kevin Shields]], the album took ''two years'' to record and used 16 engineers throughout, even if all they did was provide tea. Recording for the album supposedly costed £250,000 and nearly bankrupted the album's record label, Creation Studios. Further issues were compounded when drummer Colm Ó Ciosóg fell physically ill and was unable to drum properly for all but two of the tracks; "Only Shallow" and "Touched", the latter of which was Ó Ciosóg's composition. Shields worked around this by using samples. The vocals were also recorded in a fairly complex manner, and frustration with them resulted in Shields layering different takes onto each other and eventually just subduing them all together. To this day, the official lyrics still haven't been released; vocals were considered instrumentation, and Shields has a notable aversion to bad lyrics. [[FromBadToWorse Then the computer that held the masters]] threw everything out of order, and had to be remixed from memory.
to:
''Loveless'' is the 1991 album by Irish ShoeGazing band Music/MyBloodyValentine, considered both the [[MagnumOpus greatest work]] and [[GenreKiller unfortunate killer]] of the genre as a whole. [[IAmTheBand Essentially crafted single-handedly by Kevin Shields]], the album took ''two years'' to record and used 16 engineers throughout, even if all they did was provide tea. Recording for the album supposedly costed £250,000 and nearly bankrupted the album's record label, Creation Studios.Creator/CreationStudios. Further issues were compounded when drummer Colm Ó Ciosóg fell physically ill and was unable to drum properly for all but two of the tracks; "Only Shallow" and "Touched", the latter of which was Ó Ciosóg's composition. Shields worked around this by using samples. The vocals were also recorded in a fairly complex manner, and frustration with them resulted in Shields layering different takes onto each other and eventually just subduing them all together. To this day, the official lyrics still haven't been released; vocals were considered instrumentation, and Shields has a notable aversion to bad lyrics. [[FromBadToWorse Then the computer that held the masters]] threw everything out of order, and had to be remixed from memory.
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''Loveless'', while only a modest commercial success, was so critically adored that every other shoegaze work (most notably Music/{{Slowdive}}'s ''Souvlaki'') was [[ToughActToFollow compared to ''Loveless'']], ensuring the genre's death. Funnily enough, Shields expected the album to be [[ItWillNeverCatchOn savaged by all reviewers]]; instead the exact opposite happened. With shoegazing's GenreRelaunch in the [[TurnOfTheMillennium late '00s]]-[[TheNewTens '10s]], comparisons are ''still'' thrown around, no matter how heavy (Music/APlaceToBuryStrangers) or light (DIIV) your sound is. Needless to say, ''Loveless'' has since gone down as one of the most influential albums of all time.
to:
''Loveless'', while only a modest commercial success, was so critically adored that every other shoegaze work (most notably Music/{{Slowdive}}'s ''Souvlaki'') was [[ToughActToFollow compared to ''Loveless'']], ]] ''Loveless'', ensuring the genre's death. Funnily enough, Shields expected the album to be [[ItWillNeverCatchOn savaged by all reviewers]]; instead the exact opposite happened. With shoegazing's GenreRelaunch in the [[TurnOfTheMillennium late '00s]]-[[TheNewTens '10s]], comparisons are ''still'' thrown around, no matter how heavy (Music/APlaceToBuryStrangers) or light (DIIV) your sound is. Needless to say, ''Loveless'' has since gone down as one of the most influential albums of all time.
Is there an issue? Send a MessageReason:
None
Changed line(s) 9 (click to see context) from:
''Loveless'', while only a modest commercial success, was so critically adored that every other shoegaze work (most notably Music/{{Slowdive}}'s ''Souvlaki'') were [[ToughActToFollow compared to ''Loveless'']], ensuring its death. Funnily enough, Shields expected the album to be [[ItWillNeverCatchOn savaged by all reviewers]]; instead the exact opposite happened. With shoegazing's GenreRelaunch in the [[TurnOfTheMillennium late '00s]]-[[TheNewTens '10s]], comparisons are ''still'' thrown around, no matter how heavy (Music/APlaceToBuryStrangers) or light (DIIV) your sound is. Needless to say, ''Loveless'' has since gone down as one of the most influential albums of all time.
to:
''Loveless'', while only a modest commercial success, was so critically adored that every other shoegaze work (most notably Music/{{Slowdive}}'s ''Souvlaki'') were was [[ToughActToFollow compared to ''Loveless'']], ensuring its the genre's death. Funnily enough, Shields expected the album to be [[ItWillNeverCatchOn savaged by all reviewers]]; instead the exact opposite happened. With shoegazing's GenreRelaunch in the [[TurnOfTheMillennium late '00s]]-[[TheNewTens '10s]], comparisons are ''still'' thrown around, no matter how heavy (Music/APlaceToBuryStrangers) or light (DIIV) your sound is. Needless to say, ''Loveless'' has since gone down as one of the most influential albums of all time.
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Added DiffLines:
[[quoteright:350:http://static.tvtropes.org/pmwiki/pub/images/loveless.jpg]]
[[caption-width-right:350:Pictured: the album's (and by extension, [[ShoeGazing the genre's]]) sound]]
->''"It's rare in guitar-based music that somebody does something new. At the time, everybody was like, "How the fuck are they doing this?"''
-->-'''[[Music/SmashingPumpkins Billy Corgan]]'''
''Loveless'' is the 1991 album by Irish ShoeGazing band Music/MyBloodyValentine, considered both the [[MagnumOpus greatest work]] and [[GenreKiller unfortunate killer]] of the genre as a whole. [[IAmTheBand Essentially crafted single-handedly by Kevin Shields]], the album took ''two years'' to record and used 16 engineers throughout, even if all they did was provide tea. Recording for the album supposedly costed £250,000 and nearly bankrupted the album's record label, Creation Studios. Further issues were compounded when drummer Colm Ó Ciosóg fell physically ill and was unable to drum properly for all but two of the tracks; "Only Shallow" and "Touched", the latter of which was Ó Ciosóg's composition. Shields worked around this by using samples. The vocals were also recorded in a fairly complex manner, and frustration with them resulted in Shields layering different takes onto each other and eventually just subduing them all together. To this day, the official lyrics still haven't been released; vocals were considered instrumentation, and Shields has a notable aversion to bad lyrics. [[FromBadToWorse Then the computer that held the masters]] threw everything out of order, and had to be remixed from memory.
''Loveless'', while only a modest commercial success, was so critically adored that every other shoegaze work (most notably Music/{{Slowdive}}'s ''Souvlaki'') were [[ToughActToFollow compared to ''Loveless'']], ensuring its death. Funnily enough, Shields expected the album to be [[ItWillNeverCatchOn savaged by all reviewers]]; instead the exact opposite happened. With shoegazing's GenreRelaunch in the [[TurnOfTheMillennium late '00s]]-[[TheNewTens '10s]], comparisons are ''still'' thrown around, no matter how heavy (Music/APlaceToBuryStrangers) or light (DIIV) your sound is. Needless to say, ''Loveless'' has since gone down as one of the most influential albums of all time.
----
!!Tracklist
# "Only Shallow" (4:18)
# "Loomer" (2:38)
# "Touched" (0:57)
# "To Here Knows When" (5:31)
# "When You Sleep" (4:12)
# "I Only Said" (5:34)
# "Come In Alone" (3:59)
# "Sometimes" (5:19)
# "Blown A Wish" (3:37)
# "What You Want" (5:33)
# "Soon" (7:01)
----
!!Principal members
* Kevin Shields - Guitar, vocals, sampler (and everything else, though uncredited)
* Bilinda Butcher - Guitar, vocals (Only handled vocals; Shield handled guitar)
* Colm Ó Ciosóg - Drums, sampler
* Debbie Googe - Bass ([[{{Garfunkel}} Didn't actually play]])
----
!!Feel like tropes grew stronger:
* EpicRocking: "Soon"
* FadingIntoTheNextSong
* {{Garfunkel}}: For the duration of ''Loveless''' recording, Colm and Debbie. Kevin even said that "I'm basically the only musician on the album except for 'Touched' [Colm's song]".
* IAmTheBand: Kevin Shields, with some contribution from Colm and Bilinda. Debbie didn't even play at all.
* IndecipherableLyrics: Kevin and Bilinda don't enunciate that much to begin with, and the vocals are generally fairly low in the mix because they feel the vocals should be just another instrument. Added to the fact that the band never releases official lyrics, this means that interpretations of the lyrics often vary widely.
* IntercourseWithYou: "To Here Knows When" is hardly subtle with (barely intelligible) lyrics such as "Move on top, because that way you touch her, too." The song itself sounds like druggy sex.
* LoudnessWar: Gloriously averted. ''Loveless'' is mastered at 1991 loudness (or slightly below it) but has an excellent mastering and thus doesn't clip or cause any trouble. The mastering is so good that it can sound radically different depending on which stereo (speakers, headphones etc.) you play it on. A 2-CD reissue (two different remasters) of ''Loveless'' was released on May 7, 2012, and lo, although the two remasters are both louder than the original, it's not at the cost of dynamics. The first disc is a new master sourced from the digital tape that served as the source of the original CD issue and the second is sourced from the original 1/2 inch analogue tapes. Time and a good pair of headphones will be needed to discern the differences between the two (other than the fact that the digital remaster is slightly louder), but Kevin Shields did an excellent job of describing the separate processes in an [[http://pitchfork.com/features/interviews/8809-kevin-shields/ interview with Pitchfork]]. (He also denounces the loudness war in the same interview, meaning that none of this should be terribly surprising).
* LyricalDissonance: So many examples, but just for one, "Once in love/I'll be the death of you" sneaks into the otherwise ethereal "Blown a Wish". To be fair, this is an album of unintelligibles we're talking about, so you really need to know what you're listening for or you need to have listened to it many times to catch it. [[http://totallydublin.ie/music/music-features/butchers-block/ Bilinda says]] that the extreme unfun of recording ''Loveless'' and her personal issues influenced the lyrics for the album, and that she has trouble listening to it due to how it reflects their mental state at the time.
* MinimalisticCoverArt: Kevin's guitar, slathered with effects. Much like the music.
* OvershadowedByAwesome: Debbie. As far as the general recollection goes she didn't play on ''Loveless'' despite being credited (Kevin also took over Bilinda's guitar parts, but she didn't mind because she didn't think she was very good and wanted recording to go faster). Also, not the lead vocalist. Colm too, who's also saddled with an unpronounceable name and didn't contribute that much to ''Loveless'' either because of personal and physical issues.
* PerformanceVideo: "Only Shallow", parts of "Soon"
* PerishingAltRockVoice: Not helped by their refusal to print lyrics, as they consider vocals to be an instrument.
* {{Sampling}}: Used on ''Loveless'' for beats due to Colm's personal and physical issues (along with his homelessness) interfering with recording. Shields himself admitted that only two of the songs have live drums ("Only Shallow" and "Touched") while for the rest they sampled whatever Colm played and looped it. He mentioned that he believes the listener probably wouldn't be able to tell the difference, except for the more obviously dancier work like "Soon". He added that sampling was also heavily employed to manipulate guitar feedback and vocals into sounding like different instruments.
* SerialEscalation: The recording process. Ungodly amounts of money, 19 studios, 16 engineers, bizarre behaviour, by the end they needed a week to master it instead of the customary day, and the cherry on the cake - during mastering, the computer they used threw the entire album out of order and Kevin had to put the tracks back together from memory.
* SeriousBusiness: NME's famously hyperbolic review:
-->"''However decadent one might find the idea of elevating other human beings to deities, My Bloody Valentine, failings and all, deserve more than your respect.''"
* ShoeGazing: Considered the greatest album
* SillyLoveSongs: Just delivered at an ear-shattering volume with heavy doses of droney psychedelia.
* SomethingCompletelyDifferent: After an album's worth of shoegazing, "Soon" ends ''Loveless'' by tossing a funky Madchester beat under the band's signature guitar walls. "Touched" is also markedly different from the rest of the album.
* SopranoAndGravel: Averted vocally, as Butcher and Shields have similar voices. Instrumentally, however, the interplay between the breathy vocals and fuzzed-out guitars arguably creates this effect, particularly on a song like "Sometimes".
[[caption-width-right:350:Pictured: the album's (and by extension, [[ShoeGazing the genre's]]) sound]]
->''"It's rare in guitar-based music that somebody does something new. At the time, everybody was like, "How the fuck are they doing this?"''
-->-'''[[Music/SmashingPumpkins Billy Corgan]]'''
''Loveless'' is the 1991 album by Irish ShoeGazing band Music/MyBloodyValentine, considered both the [[MagnumOpus greatest work]] and [[GenreKiller unfortunate killer]] of the genre as a whole. [[IAmTheBand Essentially crafted single-handedly by Kevin Shields]], the album took ''two years'' to record and used 16 engineers throughout, even if all they did was provide tea. Recording for the album supposedly costed £250,000 and nearly bankrupted the album's record label, Creation Studios. Further issues were compounded when drummer Colm Ó Ciosóg fell physically ill and was unable to drum properly for all but two of the tracks; "Only Shallow" and "Touched", the latter of which was Ó Ciosóg's composition. Shields worked around this by using samples. The vocals were also recorded in a fairly complex manner, and frustration with them resulted in Shields layering different takes onto each other and eventually just subduing them all together. To this day, the official lyrics still haven't been released; vocals were considered instrumentation, and Shields has a notable aversion to bad lyrics. [[FromBadToWorse Then the computer that held the masters]] threw everything out of order, and had to be remixed from memory.
''Loveless'', while only a modest commercial success, was so critically adored that every other shoegaze work (most notably Music/{{Slowdive}}'s ''Souvlaki'') were [[ToughActToFollow compared to ''Loveless'']], ensuring its death. Funnily enough, Shields expected the album to be [[ItWillNeverCatchOn savaged by all reviewers]]; instead the exact opposite happened. With shoegazing's GenreRelaunch in the [[TurnOfTheMillennium late '00s]]-[[TheNewTens '10s]], comparisons are ''still'' thrown around, no matter how heavy (Music/APlaceToBuryStrangers) or light (DIIV) your sound is. Needless to say, ''Loveless'' has since gone down as one of the most influential albums of all time.
----
!!Tracklist
# "Only Shallow" (4:18)
# "Loomer" (2:38)
# "Touched" (0:57)
# "To Here Knows When" (5:31)
# "When You Sleep" (4:12)
# "I Only Said" (5:34)
# "Come In Alone" (3:59)
# "Sometimes" (5:19)
# "Blown A Wish" (3:37)
# "What You Want" (5:33)
# "Soon" (7:01)
----
!!Principal members
* Kevin Shields - Guitar, vocals, sampler (and everything else, though uncredited)
* Bilinda Butcher - Guitar, vocals (Only handled vocals; Shield handled guitar)
* Colm Ó Ciosóg - Drums, sampler
* Debbie Googe - Bass ([[{{Garfunkel}} Didn't actually play]])
----
!!Feel like tropes grew stronger:
* EpicRocking: "Soon"
* FadingIntoTheNextSong
* {{Garfunkel}}: For the duration of ''Loveless''' recording, Colm and Debbie. Kevin even said that "I'm basically the only musician on the album except for 'Touched' [Colm's song]".
* IAmTheBand: Kevin Shields, with some contribution from Colm and Bilinda. Debbie didn't even play at all.
* IndecipherableLyrics: Kevin and Bilinda don't enunciate that much to begin with, and the vocals are generally fairly low in the mix because they feel the vocals should be just another instrument. Added to the fact that the band never releases official lyrics, this means that interpretations of the lyrics often vary widely.
* IntercourseWithYou: "To Here Knows When" is hardly subtle with (barely intelligible) lyrics such as "Move on top, because that way you touch her, too." The song itself sounds like druggy sex.
* LoudnessWar: Gloriously averted. ''Loveless'' is mastered at 1991 loudness (or slightly below it) but has an excellent mastering and thus doesn't clip or cause any trouble. The mastering is so good that it can sound radically different depending on which stereo (speakers, headphones etc.) you play it on. A 2-CD reissue (two different remasters) of ''Loveless'' was released on May 7, 2012, and lo, although the two remasters are both louder than the original, it's not at the cost of dynamics. The first disc is a new master sourced from the digital tape that served as the source of the original CD issue and the second is sourced from the original 1/2 inch analogue tapes. Time and a good pair of headphones will be needed to discern the differences between the two (other than the fact that the digital remaster is slightly louder), but Kevin Shields did an excellent job of describing the separate processes in an [[http://pitchfork.com/features/interviews/8809-kevin-shields/ interview with Pitchfork]]. (He also denounces the loudness war in the same interview, meaning that none of this should be terribly surprising).
* LyricalDissonance: So many examples, but just for one, "Once in love/I'll be the death of you" sneaks into the otherwise ethereal "Blown a Wish". To be fair, this is an album of unintelligibles we're talking about, so you really need to know what you're listening for or you need to have listened to it many times to catch it. [[http://totallydublin.ie/music/music-features/butchers-block/ Bilinda says]] that the extreme unfun of recording ''Loveless'' and her personal issues influenced the lyrics for the album, and that she has trouble listening to it due to how it reflects their mental state at the time.
* MinimalisticCoverArt: Kevin's guitar, slathered with effects. Much like the music.
* OvershadowedByAwesome: Debbie. As far as the general recollection goes she didn't play on ''Loveless'' despite being credited (Kevin also took over Bilinda's guitar parts, but she didn't mind because she didn't think she was very good and wanted recording to go faster). Also, not the lead vocalist. Colm too, who's also saddled with an unpronounceable name and didn't contribute that much to ''Loveless'' either because of personal and physical issues.
* PerformanceVideo: "Only Shallow", parts of "Soon"
* PerishingAltRockVoice: Not helped by their refusal to print lyrics, as they consider vocals to be an instrument.
* {{Sampling}}: Used on ''Loveless'' for beats due to Colm's personal and physical issues (along with his homelessness) interfering with recording. Shields himself admitted that only two of the songs have live drums ("Only Shallow" and "Touched") while for the rest they sampled whatever Colm played and looped it. He mentioned that he believes the listener probably wouldn't be able to tell the difference, except for the more obviously dancier work like "Soon". He added that sampling was also heavily employed to manipulate guitar feedback and vocals into sounding like different instruments.
* SerialEscalation: The recording process. Ungodly amounts of money, 19 studios, 16 engineers, bizarre behaviour, by the end they needed a week to master it instead of the customary day, and the cherry on the cake - during mastering, the computer they used threw the entire album out of order and Kevin had to put the tracks back together from memory.
* SeriousBusiness: NME's famously hyperbolic review:
-->"''However decadent one might find the idea of elevating other human beings to deities, My Bloody Valentine, failings and all, deserve more than your respect.''"
* ShoeGazing: Considered the greatest album
* SillyLoveSongs: Just delivered at an ear-shattering volume with heavy doses of droney psychedelia.
* SomethingCompletelyDifferent: After an album's worth of shoegazing, "Soon" ends ''Loveless'' by tossing a funky Madchester beat under the band's signature guitar walls. "Touched" is also markedly different from the rest of the album.
* SopranoAndGravel: Averted vocally, as Butcher and Shields have similar voices. Instrumentally, however, the interplay between the breathy vocals and fuzzed-out guitars arguably creates this effect, particularly on a song like "Sometimes".
