Is there an issue? Send a MessageReason:
None
Changed line(s) 13,14 (click to see context) from:
''Loveless'', while only a modest commercial success, was so critically adored that every other shoegaze work (most notably Music/{{Slowdive}}'s ''Souvlaki'') was [[ToughActToFollow compared to]] it, ensuring the genre's death. With shoegazing's GenreRelaunch in the [[TurnOfTheMillennium late '00s]]-[[TheNewTens '10s]], comparisons are ''still'' thrown around, no matter how heavy (Music/APlaceToBuryStrangers) or light (DIIV) your sound is. Needless to say, ''Loveless'' has since gone down as one of the most influential albums of all time. Funnily enough, Shields expected the album to be [[ItWillNeverCatchOn savaged by all reviewers]]; instead, the exact opposite happened.
to:
''Loveless'', while only a modest commercial success, was so critically adored that every other shoegaze work (most notably Music/{{Slowdive}}'s ''Souvlaki'') was [[ToughActToFollow compared to]] it, to it]], ensuring the genre's death. With shoegazing's GenreRelaunch in the [[TurnOfTheMillennium late '00s]]-[[TheNewTens '10s]], comparisons are ''still'' thrown around, no matter how heavy (Music/APlaceToBuryStrangers) or light (DIIV) your sound is. Needless to say, ''Loveless'' has since gone down as one of the most influential albums of all time. Funnily enough, Shields expected the album to be [[ItWillNeverCatchOn savaged by all reviewers]]; instead, the exact opposite happened.
Is there an issue? Send a MessageReason:
None
Changed line(s) 15 (click to see context) from:
Not to be confused with the [[Manga/{{Loveless}} manga]] of the same name. Or the ShowWithinAShow in the universe of ''VideoGame/FinalFantasyVII'', which is [[TitledAfterTheSong named for the album]].
to:
Not to be confused with the [[Manga/{{Loveless}} manga]] of the same name. Or the ShowWithinAShow in the universe of ''VideoGame/FinalFantasyVII'', which is [[TitledAfterTheSong named for the album]]. Or the [[Literature/{{Loveless}} novel]]. [[OverlyLongGag Or the]] [[EmoMusic emo band]].
Is there an issue? Send a MessageReason:
None
Changed line(s) 7,8 (click to see context) from:
''Loveless'' is the second studio album by Irish {{shoegazing}} band Music/MyBloodyValentine, released in 1991. It is considered both the greatest work and [[GenreKiller unfortunate killer]] of the shoegazing genre as a whole.
to:
''Loveless'' is the second studio album by Irish {{shoegazing}} band Music/MyBloodyValentine, released in 1991.1991 through Creator/CreationRecords (in conjunction with Creator/SireRecords & Creator/WarnerBrosRecords in the US). It is considered both the greatest work and [[GenreKiller unfortunate killer]] of the shoegazing genre as a whole.
Is there an issue? Send a MessageReason:
None
Changed line(s) 2,3 (click to see context) from:
[[caption-width-right:350:Pictured: what the album (and by extension, [[{{Shoegazing}} the genre]]) sounds like]]
to:
[[caption-width-right:350:Pictured: what the album (and by extension, [[{{Shoegazing}} the genre]]) sounds like]]
like.]]
Changed line(s) 13,14 (click to see context) from:
''Loveless'', while only a modest commercial success, was so critically adored that every other shoegaze work (most notably Music/{{Slowdive}}'s ''Souvlaki'') was [[ToughActToFollow compared to]] ''Loveless'', ensuring the genre's death. With shoegazing's GenreRelaunch in the [[TurnOfTheMillennium late '00s]]-[[TheNewTens '10s]], comparisons are ''still'' thrown around, no matter how heavy (Music/APlaceToBuryStrangers) or light (DIIV) your sound is. Needless to say, ''Loveless'' has since gone down as one of the most influential albums of all time. Funnily enough, Shields expected the album to be [[ItWillNeverCatchOn savaged by all reviewers]]; instead, the exact opposite happened.
to:
''Loveless'', while only a modest commercial success, was so critically adored that every other shoegaze work (most notably Music/{{Slowdive}}'s ''Souvlaki'') was [[ToughActToFollow compared to]] ''Loveless'', it, ensuring the genre's death. With shoegazing's GenreRelaunch in the [[TurnOfTheMillennium late '00s]]-[[TheNewTens '10s]], comparisons are ''still'' thrown around, no matter how heavy (Music/APlaceToBuryStrangers) or light (DIIV) your sound is. Needless to say, ''Loveless'' has since gone down as one of the most influential albums of all time. Funnily enough, Shields expected the album to be [[ItWillNeverCatchOn savaged by all reviewers]]; instead, the exact opposite happened.
