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Misuse. The trope is about pre-existing songs being reused as advertising singles, not albums reusing music from earlier releases.
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* RepurposedPopSong: Several soundbites appeared earlier on ''Music/LumpyGravy'', but are often heard in full unedited versions. The instrumental "Amnerika" was heard before as background music during "That Evil Prince" and "The White Boy Troubles" on ''Music/ThingFish'' (1984).
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Changed line(s) 6,7 (click to see context) from:
''Civilization Phaze III'' is the 36th and final album by Music/FrankZappa, posthumously released on Halloween 1994. Much like ''Music/LumpyGravy'' (1968), to which ''Civilization'' is a sequel, the album switches back and forth between instrumental music and dialogues between people. The storyline, like that of ''Lumpy Gravy'', follows a group of people living inside a piano talking about the outside world. The dialogue was mostly recorded during the same sessions as the ''Lumpy Gravy'' dialogue (some additional dialogue was recorded in 1991) and even contains some of the same portions. The main musical difference between the albums are that the music here is (mostly) performed on Synclavier here and [[EpicRocking tends to be longer]] than the musical intermezzos on "Lumpy Gravy".
to:
''Civilization Phaze III'' is the 36th 63rd and final album by Music/FrankZappa, posthumously released on Halloween 1994. Much like ''Music/LumpyGravy'' (1968), to which ''Civilization'' is a sequel, the album switches back and forth between instrumental music and dialogues between people. The storyline, like that of ''Lumpy Gravy'', follows a group of people living inside a piano talking about the outside world. The dialogue was mostly recorded during the same sessions as the ''Lumpy Gravy'' dialogue (some additional dialogue was recorded in 1991) and even contains some of the same portions. The main musical difference between the albums are that the music here is (mostly) performed on Synclavier here and [[EpicRocking tends to be longer]] than the musical intermezzos on "Lumpy Gravy".
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Cut page.
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# "This Ain't Creator/{{CNN}}" (3:20)
to:
# "This Ain't Creator/{{CNN}}" CNN" (3:20)
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Overly Long Title has been disambiguated
Deleted line(s) 116 (click to see context) :
* OverlyLongTitle: "N-Lite: Negative Light/Venice Submerged/New World Order/The Lifestyle You Deserve/Creationism/He Is Risen" .
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Dewicking.
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* ExcitedShowTitle: "Dark Water!" and "You're Just Insultin' Me, Aren't You!"
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cut trope
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* NeoClassicalPunkZydecoRockabilly: During "Dio fa" Tuvan throat singing can be heard.
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None
Changed line(s) 59,60 (click to see context) from:
* "Spider" Barbour, "All-Night John", Jim "Motorhead" Sherwood, Roy Estrada, Louis "the Turkey" Cuneo, Monica, Gilly Townley, two anonymous girls, Moon Unit and Dweezil Zappa, Creator/MichaelRapaport, Ali N. Askin, Catherine Milliken, Walt Fowler, Todd Yvega, Michael Svoboda, Michael Gross, William Forman, Uwe Dierksen, Stefan Dohr, Daryl Smith, Franck Ollu and Hermann Kretzschmar, Artis the Spoon Man, Kaigal-ool Khovalyg [[note]] These latter two aren't credited in the liner notes [[/note]]: voices.
to:
* "Spider" Barbour, "All-Night John", Jim "Motorhead" Sherwood, Roy Estrada, Louis "the Turkey" Cuneo, Monica, Gilly Townley, two anonymous girls, Moon Unit and Dweezil Zappa, Creator/MichaelRapaport, Ali N. Askin, Catherine Milliken, Walt Fowler, Todd Yvega, Michael Svoboda, Michael Gross, Creator/MichaelGross, William Forman, Uwe Dierksen, Stefan Dohr, Daryl Smith, Franck Ollu and Hermann Kretzschmar, Artis the Spoon Man, Kaigal-ool Khovalyg [[note]] These latter two aren't credited in the liner notes [[/note]]: voices.
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* GodIsNotGood: "Dio fa" is Italian for "God is a liar".
to:
* GodIsNotGood: GodIsEvil: "Dio fa" is Italian for "God is a liar".
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Changed line(s) 32 (click to see context) from:
!!!Acd Two
to:
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* ProductPlacement: "A Very Nice Body" and "Religious Superstitions" mention a Steinway piano. During the latter track a "Baldwin" and "Wurlitzer" are mentioned too. "This Ain't CNN" mentions CNN and ''Creator/{{MTV}} Raps''.
to:
* ProductPlacement: "A Very Nice Body" and "Religious Superstitions" mention a Steinway piano. During the latter track a "Baldwin" and "Wurlitzer" are mentioned too. "This Ain't CNN" mentions CNN (as the tile implies) and ''Creator/{{MTV}} Raps''.
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Changed line(s) 166 (click to see context) from:
* TwoPartTrilogy: A strange variant. It's the final part of a trilogy, with the first two parts being ''Music/WereOnlyInItForTheMoney'' and ''Music/LumpyGravy''. However, those two were released more than twenty-five years before ''Civilization'' was, and they are also, combined, barely over half the running time of ''Civilization''.
to:
* TwoPartTrilogy: A strange variant. It's the final part of a trilogy, trilogy (hence the "Phaze III" part of the title), with the first two parts being ''Music/WereOnlyInItForTheMoney'' and ''Music/LumpyGravy''. However, those two were released more than twenty-five years before ''Civilization'' was, and they are also, combined, barely over half the running time of ''Civilization''.
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Changed line(s) 6,9 (click to see context) from:
''Civilization Phaze III'' the 36th and final album by Music/FrankZappa, posthumously released in 1994. Much like ''Music/LumpyGravy'' (1968), to which ''Civilization'' is a sequel, the album switches back and forth between instrumental music and dialogues between people. The storyline, like that of ''Lumpy Gravy'', follows a group of people living inside a piano talking about the outside world. The dialogue was mostly recorded during the same sessions as the ''Lumpy Gravy'' dialogue (some additional dialogue was recorded in 1991) and even contains some of the same portions. The main musical difference between the albums are that the music here is (mostly) performed on Synclavier here and [[EpicRocking tends to be longer]] than the musical intermezzos on "Lumpy Gravy".
Sadly, Zappa passed away before the album's completion, having spent the final years of his life putting it together. It was released ten months after his death, solely as a mail order album. It is seen as one of his best works and a crowning achievement in his entire career.
Sadly, Zappa passed away before the album's completion, having spent the final years of his life putting it together. It was released ten months after his death, solely as a mail order album. It is seen as one of his best works and a crowning achievement in his entire career.
to:
''Civilization Phaze III'' is the 36th and final album by Music/FrankZappa, posthumously released in on Halloween 1994. Much like ''Music/LumpyGravy'' (1968), to which ''Civilization'' is a sequel, the album switches back and forth between instrumental music and dialogues between people. The storyline, like that of ''Lumpy Gravy'', follows a group of people living inside a piano talking about the outside world. The dialogue was mostly recorded during the same sessions as the ''Lumpy Gravy'' dialogue (some additional dialogue was recorded in 1991) and even contains some of the same portions. The main musical difference between the albums are that the music here is (mostly) performed on Synclavier here and [[EpicRocking tends to be longer]] than the musical intermezzos on "Lumpy Gravy".
Sadly, Zappa passed away before the album's completion, having spent the final years of his life putting it together. It was released ten months after his death, solely as a mail order album. It is seen as one of his bestworks and works, a crowning achievement in his entire career.
career, and a perfect GrandFinale for one of the most influential and prolific avant-garde musicians of the 20th century.
Sadly, Zappa passed away before the album's completion, having spent the final years of his life putting it together. It was released ten months after his death, solely as a mail order album. It is seen as one of his best
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None
Changed line(s) 6,9 (click to see context) from:
''Civilization Phaze III'' is a 1994 album by Music/FrankZappa, the 36th in his catalogue and the album he worked on during the final years of his life. Much like ''Music/LumpyGravy'' (1968), to which ''Civilization'' is a sequel, the album switches back and forth between instrumental music and dialogues between people. The storyline, like that of ''Lumpy Gravy'', follows a group of people living inside a piano talking about the outside world. The dialogue was mostly recorded during the same sessions as the ''Lumpy Gravy'' dialogue (some additional dialogue was recorded in 1991) and even contains some of the same portions. The main musical difference between the albums are that the music here is (mostly) performed on Synclavier here and [[EpicRocking tends to be longer]] than the musical intermezzos on "Lumpy Gravy".
Sadly, Zappa passed away before the album's completion. It was released ten months after his death, solely as a mail order album. It is seen as one of his best works and a crowning achievement in his entire career.
Sadly, Zappa passed away before the album's completion. It was released ten months after his death, solely as a mail order album. It is seen as one of his best works and a crowning achievement in his entire career.
to:
''Civilization Phaze III'' is a 1994 the 36th and final album by Music/FrankZappa, the 36th posthumously released in his catalogue and the album he worked on during the final years of his life.1994. Much like ''Music/LumpyGravy'' (1968), to which ''Civilization'' is a sequel, the album switches back and forth between instrumental music and dialogues between people. The storyline, like that of ''Lumpy Gravy'', follows a group of people living inside a piano talking about the outside world. The dialogue was mostly recorded during the same sessions as the ''Lumpy Gravy'' dialogue (some additional dialogue was recorded in 1991) and even contains some of the same portions. The main musical difference between the albums are that the music here is (mostly) performed on Synclavier here and [[EpicRocking tends to be longer]] than the musical intermezzos on "Lumpy Gravy".
Sadly, Zappa passed away before the album'scompletion.completion, having spent the final years of his life putting it together. It was released ten months after his death, solely as a mail order album. It is seen as one of his best works and a crowning achievement in his entire career.
Sadly, Zappa passed away before the album's
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!!!Disc One
to:
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!!!Disc Two
to:
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Sadly Zappa passed away before the album's completion. It was released ten months after his death, solely as a mail order album. It is seen as one of his best works and a crowning achievement in his entire career.
'''Personnel'''
* Music/FrankZappa: composer, conductor, producer, editor, voice in recording booth.
* The Ensemble Modern: orchestra
* "Spider" Barbour, "All-Night John", Jim "Motorhead" Sherwood, Roy Estrada, Louis "the Turkey" Cuneo, Monica, Gilly Townley, two anonymous girls, Moon Unit and Dweezil Zappa, Creator/MichaelRapaport, Ali N. Askin, Catherine Milliken, Walt Fowler, Todd Yvega, Michael Svoboda, Michael Gross, William Forman, Uwe Dierksen, Stefan Dohr, Daryl Smith, Franck Ollu and Hermann Kretzschmar, Artis the Spoon Man, Kaigal-ool Khovalyg [[note]] These latter two aren't credited in the liner notes [[/note]]: voices.
'''Tracklist'''
[[AC:Disc One]]
'''Personnel'''
* Music/FrankZappa: composer, conductor, producer, editor, voice in recording booth.
* The Ensemble Modern: orchestra
* "Spider" Barbour, "All-Night John", Jim "Motorhead" Sherwood, Roy Estrada, Louis "the Turkey" Cuneo, Monica, Gilly Townley, two anonymous girls, Moon Unit and Dweezil Zappa, Creator/MichaelRapaport, Ali N. Askin, Catherine Milliken, Walt Fowler, Todd Yvega, Michael Svoboda, Michael Gross, William Forman, Uwe Dierksen, Stefan Dohr, Daryl Smith, Franck Ollu and Hermann Kretzschmar, Artis the Spoon Man, Kaigal-ool Khovalyg [[note]] These latter two aren't credited in the liner notes [[/note]]: voices.
'''Tracklist'''
[[AC:Disc One]]
to:
* Music/FrankZappa: composer, conductor, producer, editor, voice in recording booth.
* The Ensemble Modern: orchestra
* "Spider" Barbour, "All-Night John", Jim "Motorhead" Sherwood, Roy Estrada, Louis "the Turkey" Cuneo, Monica, Gilly Townley, two anonymous girls, Moon Unit and Dweezil Zappa, Creator/MichaelRapaport, Ali N. Askin, Catherine Milliken, Walt Fowler, Todd Yvega, Michael Svoboda, Michael Gross, William Forman, Uwe Dierksen, Stefan Dohr, Daryl Smith, Franck Ollu and Hermann Kretzschmar, Artis the Spoon Man, Kaigal-ool Khovalyg [[note]] These latter two aren't credited in the liner notes [[/note]]: voices.
'''Tracklist'''
[[AC:Disc One]]
!!!Disc One
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[[AC:Disc Two]]
to:
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to:
!!Personnel:
* Music/FrankZappa: composer, conductor, producer, editor, voice in recording booth.
* The Ensemble Modern: orchestra
* "Spider" Barbour, "All-Night John", Jim "Motorhead" Sherwood, Roy Estrada, Louis "the Turkey" Cuneo, Monica, Gilly Townley, two anonymous girls, Moon Unit and Dweezil Zappa, Creator/MichaelRapaport, Ali N. Askin, Catherine Milliken, Walt Fowler, Todd Yvega, Michael Svoboda, Michael Gross, William Forman, Uwe Dierksen, Stefan Dohr, Daryl Smith, Franck Ollu and Hermann Kretzschmar, Artis the Spoon Man, Kaigal-ool Khovalyg [[note]] These latter two aren't credited in the liner notes [[/note]]: voices.
* Music/FrankZappa: composer, conductor, producer, editor, voice in recording booth.
* The Ensemble Modern: orchestra
* "Spider" Barbour, "All-Night John", Jim "Motorhead" Sherwood, Roy Estrada, Louis "the Turkey" Cuneo, Monica, Gilly Townley, two anonymous girls, Moon Unit and Dweezil Zappa, Creator/MichaelRapaport, Ali N. Askin, Catherine Milliken, Walt Fowler, Todd Yvega, Michael Svoboda, Michael Gross, William Forman, Uwe Dierksen, Stefan Dohr, Daryl Smith, Franck Ollu and Hermann Kretzschmar, Artis the Spoon Man, Kaigal-ool Khovalyg [[note]] These latter two aren't credited in the liner notes [[/note]]: voices.
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None
Changed line(s) 172 (click to see context) from:
* WhereTheWhiteWomenAt: One of the subplots on disc two implies that Moon Unit's boyfriend, played by actor Creator/MichaelRapaport, is African-American; Rapaport's character speaks in African-American Vernacular English, and some of the dialogue implies they're dealing with tensions caused by being in an interracial relationship. Oddly, this is a racial variant of CrossDressingVoices, because Rapaport is actually of Russian, Polish, Italian, and Jewish descent.
to:
* WhereTheWhiteWomenAt: WhereDaWhiteWomenAt: One of the subplots on disc two implies that Moon Unit's boyfriend, played by actor Creator/MichaelRapaport, is African-American; Rapaport's character speaks in African-American Vernacular English, and some of the dialogue implies they're dealing with tensions caused by being in an interracial relationship. Oddly, this is a racial variant of CrossDressingVoices, because Rapaport is actually of Russian, Polish, Italian, and Jewish descent.
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Changed line(s) 6,7 (click to see context) from:
''Civilization Phaze III'' is a 1994 album by Music/FrankZappa, the 36th in his catalogue and the album he worked on during the final years of his life. Much like ''Music/LumpyGravy'' (1968), to which ''Civilization'' is a sequel, the album switches back and forth between instrumental music and dialogues between people. The storyline, like that of ''Lumpy Gravy'', follows a group of people living inside a piano talking about the outside world. The dialogue was mostly recorded during the same sessions as the ''Lumpy Gravy'' dialogue (some additional dialogue was recorded in 1991) and even contains some of the same portions. The main musical difference between the albums is that the music here is (mostly) performed on Synclavier here and [[EpicRocking tends to be longer]] than the musical intermezzos on "Lumpy Gravy".
to:
''Civilization Phaze III'' is a 1994 album by Music/FrankZappa, the 36th in his catalogue and the album he worked on during the final years of his life. Much like ''Music/LumpyGravy'' (1968), to which ''Civilization'' is a sequel, the album switches back and forth between instrumental music and dialogues between people. The storyline, like that of ''Lumpy Gravy'', follows a group of people living inside a piano talking about the outside world. The dialogue was mostly recorded during the same sessions as the ''Lumpy Gravy'' dialogue (some additional dialogue was recorded in 1991) and even contains some of the same portions. The main musical difference between the albums is are that the music here is (mostly) performed on Synclavier here and [[EpicRocking tends to be longer]] than the musical intermezzos on "Lumpy Gravy".
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* AlliterativeTitle: "'''A'''ttack! '''A'''ttack!" '''A'''ttack!"
to:
* AlliterativeTitle: "'''A'''ttack! '''A'''ttack!" '''A'''ttack! '''A'''ttack!"
Changed line(s) 76 (click to see context) from:
** "A Pig With Wings" and "How the Pigs' Music Works" are a call back to "Very Distraughtening" and "Just One More Time" on ''Music/LumpyGravy''.
to:
** "A Pig With with Wings" and "How the Pigs' Music Works" are a call back to "Very Distraughtening" and "Just One More Time" on ''Music/LumpyGravy''.
Changed line(s) 91 (click to see context) from:
* DownerEnding: "Waffenspiel", the last track on the album, consists mostly of sound effects (rain, a barking dog, gunfire). It's generally considered to reflect Zappa's awareness of his own imminent mortality, and the final dialogue (found in "That Would Be the End of That") seems to reflect his final thoughts on the process of artistic creation. Zappa's widow Gail reports that he said of his work on the album, "I've done everything that I can."
to:
* DownerEnding: "Waffenspiel", the last track on the album, consists mostly of sound effects (rain, a barking dog, gunfire).gunfire; note that rain can be heard through most of "Beat the Reaper" as well). It's generally considered to reflect Zappa's awareness of his own imminent mortality, and the final dialogue (found in "That Would Be the End of That") seems to reflect his final thoughts on the process of artistic creation. Zappa's widow Gail reports that he said of his work on the album, "I've done everything that I can."
* GainaxEnding: As seen under DownerEnding, the album closes with four minutes of sound effects.
Changed line(s) 100 (click to see context) from:
* GrowingWings: "A Pig With Wings"
to:
* GrowingWings: "A Pig With with Wings"
* TitleDrop: Many of the track titles (though by no means all of them) are taken from the dialogue snippets on the album.
Changed line(s) 153 (click to see context) from:
* TrueArtIsIncomprehensible: {{Discussed|Trope}} InUniverse. "That Would Be the End of That" serves as Zappa's final thoughts on the process of artistic creation and concludes that if creators understood what they were doing, they'd get bored with it; it's the excitement of the unknown that lends vitality to art.
to:
* TrueArtIsIncomprehensible: {{Discussed|Trope}} InUniverse. "That Would Be the End of That" serves as Zappa's final thoughts on the process of artistic creation and concludes that if creators understood what they were doing, they'd get bored with it; it's the excitement of the unknown that is what lends vitality to art.
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None
Changed line(s) 153,165 (click to see context) from:
* TrueArtIsIncomprehensible: DiscussedTrope InUniverse. "That Would Be the End of That" serves as Zappa's final thoughts on the process of artistic creation and concludes that if creators understood what they were doing, they'd get bored with it; it's the excitement of the unknown that lends vitality to art.
-->Spider: We can get our strength up by making some music.
-->John: That's right.
-->Monica: Yeah... yeah.
-->John: But the thing is, you know what?
-->Spider: What?
-->John: We don't even understand our own music.
-->Spider: It doesn't, does it matter whether we understand it? At least it'll give us... strength.
-->John: I know, but maybe we could get into it more if we understood it.
-->Spider: We'd get more strength from it if we understood it?
-->John: Yeah.
-->Spider: No, I don't think so, because - see, I think, I think our strength comes from our uncertainty. If we understood it, we'd be bored with it, and then we couldn't gather any strength from it.
-->John: Like if we knew about our music, one of us might talk, and then that would be the end of that.
-->Spider: We can get our strength up by making some music.
-->John: That's right.
-->Monica: Yeah... yeah.
-->John: But the thing is, you know what?
-->Spider: What?
-->John: We don't even understand our own music.
-->Spider: It doesn't, does it matter whether we understand it? At least it'll give us... strength.
-->John: I know, but maybe we could get into it more if we understood it.
-->Spider: We'd get more strength from it if we understood it?
-->John: Yeah.
-->Spider: No, I don't think so, because - see, I think, I think our strength comes from our uncertainty. If we understood it, we'd be bored with it, and then we couldn't gather any strength from it.
-->John: Like if we knew about our music, one of us might talk, and then that would be the end of that.
to:
* TrueArtIsIncomprehensible: DiscussedTrope {{Discussed|Trope}} InUniverse. "That Would Be the End of That" serves as Zappa's final thoughts on the process of artistic creation and concludes that if creators understood what they were doing, they'd get bored with it; it's the excitement of the unknown that lends vitality to art.
-->Spider: We --> '''Spider''': ''We can get our strength up by making some music.
-->John: That's right.
-->Monica: Yeah... yeah.
-->John: Butmusic.''
--> '''John''': ''That's right.''
--> '''Monica''': ''Yeah... yeah.''
--> '''John''': ''But the thing is, you knowwhat?
-->Spider: What?
-->John: Wewhat?''
--> '''Spider''': ''What?''
--> '''John''': ''We don't even understand our ownmusic.
-->Spider: Itmusic.''
--> '''Spider''': ''It doesn't, does it matter whether we understand it? At least it'll give us...strength.
-->John: Istrength.''
--> '''John''': ''I know, but maybe we could get into it more if we understoodit.
-->Spider: We'dit.''
--> '''Spider''': ''We'd get more strength from it if we understoodit?
-->John: Yeah.
-->Spider: No,it?''
--> '''John''': ''Yeah.''
--> '''Spider''': ''No, I don't think so, because - see, I think, I think our strength comes from our uncertainty. If we understood it, we'd be bored with it, and then we couldn't gather any strength fromit.
-->John: Likeit.''
--> '''John''': ''Like, if we knew about our music, one of us might talk, and then that would be the end of that.''
-->John: That's right.
-->Monica: Yeah... yeah.
-->John: But
--> '''John''': ''That's right.''
--> '''Monica''': ''Yeah... yeah.''
--> '''John''': ''But the thing is, you know
-->Spider: What?
-->John: We
--> '''Spider''': ''What?''
--> '''John''': ''We don't even understand our own
-->Spider: It
--> '''Spider''': ''It doesn't, does it matter whether we understand it? At least it'll give us...
-->John: I
--> '''John''': ''I know, but maybe we could get into it more if we understood
-->Spider: We'd
--> '''Spider''': ''We'd get more strength from it if we understood
-->John: Yeah.
-->Spider: No,
--> '''John''': ''Yeah.''
--> '''Spider''': ''No, I don't think so, because - see, I think, I think our strength comes from our uncertainty. If we understood it, we'd be bored with it, and then we couldn't gather any strength from
-->John: Like
--> '''John''': ''Like, if we knew about our music, one of us might talk, and then that would be the end of that.''
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None
Changed line(s) 90 (click to see context) from:
* DistinctDoubleAlbum: Contrary to ''Lumpy Gravy'', this album is a double album.
to:
* DistinctDoubleAlbum: Contrary to Unlike ''Lumpy Gravy'', this album is a double album.album. There aren't actually that many stylistic differences between the two discs, but the second disc has dialogue segments recorded in 1991, which don't appear on the first disc (both discs also include dialogue segments from 1967).
Added DiffLines:
* WhereTheWhiteWomenAt: One of the subplots on disc two implies that Moon Unit's boyfriend, played by actor Creator/MichaelRapaport, is African-American; Rapaport's character speaks in African-American Vernacular English, and some of the dialogue implies they're dealing with tensions caused by being in an interracial relationship. Oddly, this is a racial variant of CrossDressingVoices, because Rapaport is actually of Russian, Polish, Italian, and Jewish descent.
Is there an issue? Send a MessageReason:
None
Changed line(s) 153 (click to see context) from:
* TrueArtIsIncomprehensible: DiscussedTrope. "That Would Be the End of That" serves as Zappa's final thoughts on the process of artistic creation and concludes that if creators understood what they were doing, they'd get bored with it; it's the excitement of the unknown that lends vitality to art.
to:
* TrueArtIsIncomprehensible: DiscussedTrope.DiscussedTrope InUniverse. "That Would Be the End of That" serves as Zappa's final thoughts on the process of artistic creation and concludes that if creators understood what they were doing, they'd get bored with it; it's the excitement of the unknown that lends vitality to art.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* TrueArtIsIncomprehensible: DiscussedTrope. "That Would Be the End of That" serves as Zappa's final thoughts on the process of artistic creation and concludes that if creators understood what they were doing, they'd get bored with it; it's the excitement of the unknown that lends vitality to art.
-->Spider: We can get our strength up by making some music.
-->John: That's right.
-->Monica: Yeah... yeah.
-->John: But the thing is, you know what?
-->Spider: What?
-->John: We don't even understand our own music.
-->Spider: It doesn't, does it matter whether we understand it? At least it'll give us... strength.
-->John: I know, but maybe we could get into it more if we understood it.
-->Spider: We'd get more strength from it if we understood it?
-->John: Yeah.
-->Spider: No, I don't think so, because - see, I think, I think our strength comes from our uncertainty. If we understood it, we'd be bored with it, and then we couldn't gather any strength from it.
-->John: Like if we knew about our music, one of us might talk, and then that would be the end of that.
-->Spider: We can get our strength up by making some music.
-->John: That's right.
-->Monica: Yeah... yeah.
-->John: But the thing is, you know what?
-->Spider: What?
-->John: We don't even understand our own music.
-->Spider: It doesn't, does it matter whether we understand it? At least it'll give us... strength.
-->John: I know, but maybe we could get into it more if we understood it.
-->Spider: We'd get more strength from it if we understood it?
-->John: Yeah.
-->Spider: No, I don't think so, because - see, I think, I think our strength comes from our uncertainty. If we understood it, we'd be bored with it, and then we couldn't gather any strength from it.
-->John: Like if we knew about our music, one of us might talk, and then that would be the end of that.
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None
Changed line(s) 91 (click to see context) from:
* DownerEnding: "Waffenspiel", the last track on the album, consists mostly of sound effects (rain, a barking dog, gunfire). It's generally considered to reflect Zappa's awareness of his own imminent mortality, and the final dialogue (found in "That Would Be the End of That") seems to reflect his final thoughts on the process of artistic creation. After Zappa finished the album, he is reported as having said, "I've done everything that I can."
to:
* DownerEnding: "Waffenspiel", the last track on the album, consists mostly of sound effects (rain, a barking dog, gunfire). It's generally considered to reflect Zappa's awareness of his own imminent mortality, and the final dialogue (found in "That Would Be the End of That") seems to reflect his final thoughts on the process of artistic creation. After Zappa finished Zappa's widow Gail reports that he said of his work on the album, he is reported as having said, "I've done everything that I can."
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* DistinctDoubleAlbum: Contrary to ''Lumpy Gravy'' this album is a double album.
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* DistinctDoubleAlbum: Contrary to ''Lumpy Gravy'' Gravy'', this album is a double album.album.
* DownerEnding: "Waffenspiel", the last track on the album, consists mostly of sound effects (rain, a barking dog, gunfire). It's generally considered to reflect Zappa's awareness of his own imminent mortality, and the final dialogue (found in "That Would Be the End of That") seems to reflect his final thoughts on the process of artistic creation. After Zappa finished the album, he is reported as having said, "I've done everything that I can."
* DownerEnding: "Waffenspiel", the last track on the album, consists mostly of sound effects (rain, a barking dog, gunfire). It's generally considered to reflect Zappa's awareness of his own imminent mortality, and the final dialogue (found in "That Would Be the End of That") seems to reflect his final thoughts on the process of artistic creation. After Zappa finished the album, he is reported as having said, "I've done everything that I can."
* FadingIntoTheNextSong: Almost the entire album is gapless, connected either with musical cues or dialogue snippets. The only major gap between songs is for the transition between CD 1 and CD 2.
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* GratuitousDutch: Heard during "This Ain't CNN", both a line in Flemish dialect, "Ik kan geen woord verstaan", and Dutch, "Die spreekt toch geen normale taal."
* GratuitousForeignLanguage: During "This Ain't CNN", "This Is All Wrong" and "You're Just Insultin' Me, Aren't You!" and "Cold Light Generation" we hear, apart from occasional English, French, Dutch, German and Italian also occasional Turkish.
* GratuitousForeignLanguage: During "This Ain't CNN", "This Is All Wrong" and "You're Just Insultin' Me, Aren't You!" and "Cold Light Generation" we hear, apart from occasional English, French, Dutch, German and Italian also occasional Turkish.
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* GratuitousItalian: "Dio fa", a profanity curse used in Piedmont, Italy. Some Italian can also be heard during "This Ain't CNN".
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* GratuitousItalian: "Dio fa", a profanity curse used in Piedmont, Italy.Italy (it translates roughly to "God is a liar"). Some Italian can also be heard during "This Ain't CNN".
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* TwoPartTrilogy: A strange variant. It's the final part of a trilogy, with the first two parts being ''Music/WereOnlyInItForTheMoney'' and ''Music/LumpyGravy''. However, those two were released more than twenty-five years before ''Civilization'' was, and they are also, combined, barely over half the running time of ''Civilization''.
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-> ''Listening to it, it feels like Frank was trying to cram as many musical ideas as possible, one after the other, into this piece. It's very thick and dense and overpowering as a listening experience. Even if you think you know Music/FrankZappa's music, I don't think anybody could be sufficiently prepared for the powerhouse that this thing represents. This music should finally get Zappa taken truly seriously as a composer.''
-> Creator/MattGroening.
-> Creator/MattGroening.
to:
-> ''Listening ''"Listening to it, it feels like Frank was trying to cram as many musical ideas as possible, one after the other, into this piece. It's very thick and dense and overpowering as a listening experience. Even if you think you know Music/FrankZappa's music, I don't think anybody could be sufficiently prepared for the powerhouse that this thing represents. This music should finally get Zappa taken truly seriously as a composer.''
-> Creator/MattGroening.
"''
-->-- '''Creator/MattGroening'''
-> Creator/MattGroening.
-->-- '''Creator/MattGroening'''
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We don't have an article named Big Daddy Kane.
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** "This Ain't CNN" namedrops Music/{{NWA}}, ''Yo MTV Raps'', Music/PublicEnemy, Music/WolfgangAmadeusMozart, the "Mondschein Sonate" by Music/LudwigVanBeethoven, Music/BrandNubian and Music/BigDaddyKane.
to:
** "This Ain't CNN" namedrops Music/{{NWA}}, ''Yo MTV Raps'', Music/PublicEnemy, Music/WolfgangAmadeusMozart, the "Mondschein Sonate" by Music/LudwigVanBeethoven, Music/BrandNubian and Music/BigDaddyKane. ''Big Daddy Kane''.
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* TimeMarchesOn: Some of the dialogue during "This Ain't CNN" and "This Is All Wrong" mentions stuff that was prevalent during the early 1990s, but nowadays sounds very dated, like pay phones, ''Film/JungleFever'', Music/{{NWA}}, ''Series/YoMTVRaps'', Music/PublicEnemy, Music/BrandNubian and Music/BigDaddyKane.
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* TimeMarchesOn: Some of the dialogue during "This Ain't CNN" and "This Is All Wrong" mentions stuff that was prevalent during the early 1990s, but nowadays sounds very dated, like pay phones, ''Film/JungleFever'', Music/{{NWA}}, ''Series/YoMTVRaps'', Music/PublicEnemy, Music/BrandNubian and Music/BigDaddyKane. ''Big Daddy Kane''.
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'''Civilization Phaze III''' is a 1994 album by Music/FrankZappa, the 36th in his catalogue and the album he worked on during the final years of his life. Much like ''Music/LumpyGravy'' (1968), to which ''Civilization'' is a sequel, the album switches back and forth between instrumental music and dialogues between people. The storyline, like that of ''Lumpy Gravy'', follows a group of people living inside a piano talking about the outside world. The dialogue was mostly recorded during the same sessions as the ''Lumpy Gravy'' dialogue (some additional dialogue was recorded in 1991) and even contains some of the same portions. The main musical difference between the albums is that the music here is (mostly) performed on Synclavier here and [[EpicRocking tends to be longer]] than the musical intermezzos on "Lumpy Gravy".
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Sadly Zappa passed away before the album's completion. It was released ten months after his death, solely as a mail order album. It is seen as one of his best works and a crowning MagnumOpus to his entire career.
to:
Sadly Zappa passed away before the album's completion. It was released ten months after his death, solely as a mail order album. It is seen as one of his best works and a crowning MagnumOpus to achievement in his entire career.
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* GrandFinale: Was consciously crafted as this to Zappa's entire career. It's generally considered that Zappa's awareness of his impending mortality was a major influence on the album.
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# "You're Just Insultin' Me, Aren't You?" (2:13)
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# "You're Just Insultin' Me, Aren't You?" You!" (2:13)
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* BilingualBonus: "This Ain't CNN", "This Is All Wrong" and "You're Just Insultin' Me, Aren't You?"
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* BilingualBonus: "This Ain't CNN", "This Is All Wrong" and "You're Just Insultin' Me, Aren't You?"You!"
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** The album uses some dialogue quotes from ''Music/LumpyGravy''. Pigs and ponies are mentioned during "A Very Nice Body", "Dark Water!", "I Wish Motorhead Would Come Back", "This Is All Wrong", "Pigs and Ponies", "This Ain't CNN", "The Pigs' Music", "You're Just Insultin' Me Aren't You?".
to:
** The album uses some dialogue quotes from ''Music/LumpyGravy''. Pigs and ponies are mentioned during "A Very Nice Body", "Dark Water!", "I Wish Motorhead Would Come Back", "This Is All Wrong", "Pigs and Ponies", "This Ain't CNN", "The Pigs' Music", "You're Just Insultin' Me Aren't You?".You!".
* ExcitedShowTitle: "Dark Water!" and "You're Just Insultin' Me, Aren't You!"
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* GratuitousForeignLanguage: During "This Ain't CNN", "This Is All Wrong" and "You're Just Insultin' Me, Aren't You" and "Cold Light Generation" we hear, apart from occasional English, French, Dutch, German and Italian also occasional Turkish.
to:
* GratuitousForeignLanguage: During "This Ain't CNN", "This Is All Wrong" and "You're Just Insultin' Me, Aren't You" You!" and "Cold Light Generation" we hear, apart from occasional English, French, Dutch, German and Italian also occasional Turkish.
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* QuestioningTitle: "Have You Heard Their Band?", "Why Not?" and "You're Just Insultin' Me, Aren't You?"
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* QuestioningTitle: "Have You Heard Their Band?", "Why Not?" Not?", and "You're Just Insultin' Me, Aren't You?"You!" (though the latter is also a subversion since it replaces the expected question mark with an exclamation mark instead).
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'''Civilization Phaze III''' is a 1994 album by Music/FrankZappa, the 36th in his catalogue and the album he worked on during the final years of his life. Much like ''Music/LumpyGravy'' (1968) the album switches back and forth between instrumental music and dialogues between people. The storyline also follows a group of people living inside a piano talking about the outside world. The main difference is that the music is performed on Synclavier here and [[EpicRocking tends to be longer]] than the musical intermezzo's on "Lumpy Gravy".
to:
'''Civilization Phaze III''' is a 1994 album by Music/FrankZappa, the 36th in his catalogue and the album he worked on during the final years of his life. Much like ''Music/LumpyGravy'' (1968) (1968), to which ''Civilization'' is a sequel, the album switches back and forth between instrumental music and dialogues between people. The storyline also storyline, like that of ''Lumpy Gravy'', follows a group of people living inside a piano talking about the outside world. The dialogue was mostly recorded during the same sessions as the ''Lumpy Gravy'' dialogue (some additional dialogue was recorded in 1991) and even contains some of the same portions. The main musical difference between the albums is that the music here is (mostly) performed on Synclavier here and [[EpicRocking tends to be longer]] than the musical intermezzo's intermezzos on "Lumpy Gravy".
Gravy".
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# "Put A Motor In Yourself" (5:13)
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# "Put A a Motor In in Yourself" (5:13)
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# "How The Pigs' Music Works" (1:49)
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# "How The the Pigs' Music Works" (1:49)
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# "Get A Life" (2:20)
# "A Kayak (On Snow)" (0:28)
# "A Kayak (On Snow)" (0:28)
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# "Get A a Life" (2:20)
# "A Kayak(On (on Snow)" (0:28)
# "A Kayak
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# "I Was In A Drum" (3:38)
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# "I Was In A in a Drum" (3:38)
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# "I Had A Dream About That" (0:27)
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# "I Had A a Dream About That" (0:27)
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# "Put A Little Motor In 'Em" (0:50)
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# "Put A a Little Motor In in 'Em" (0:50)
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# "Dio Fa" (8:18)
# "That Would Be The End Of That" (0:35)
# "That Would Be The End Of That" (0:35)
to:
# "Dio Fa" fa" (8:18)
# "That Would Be The EndOf of That" (0:35)
# "That Would Be The End
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* BilingualBonus: "This Ain't CNN", "This Is All Wrong" and "You're Just Insultin' Me, Aren't You"
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* BilingualBonus: "This Ain't CNN", "This Is All Wrong" and "You're Just Insultin' Me, Aren't You"You?"
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** The album uses some dialogue quotes from ''Music/LumpyGravy''. Pigs and ponies are mentioned during "A Very Nice Body", "Dark Water!", "I Wish Motorhead Would Come Back", "This Is All Wrong", "Pigs And Ponies", "This Ain't CNN", "The Pigs' Music", "You're Just Insultin' Me Aren't You?".
** Motors are mentioned during "This Is Phaze III", "I Wish Motorhead Would Come Back" and "Put A Little Motor In 'Em"
** "A Pig With Wings" and "How The Pigs' Music Works" are a call back to "Very Distraughtening" and "Just One More Time" on ''Music/LumpyGravy''.
** Motors are mentioned during "This Is Phaze III", "I Wish Motorhead Would Come Back" and "Put A Little Motor In 'Em"
** "A Pig With Wings" and "How The Pigs' Music Works" are a call back to "Very Distraughtening" and "Just One More Time" on ''Music/LumpyGravy''.
to:
** The album uses some dialogue quotes from ''Music/LumpyGravy''. Pigs and ponies are mentioned during "A Very Nice Body", "Dark Water!", "I Wish Motorhead Would Come Back", "This Is All Wrong", "Pigs And and Ponies", "This Ain't CNN", "The Pigs' Music", "You're Just Insultin' Me Aren't You?".
** Motors are mentioned during "This Is Phaze III", "I Wish Motorhead Would Come Back" and "PutA a Little Motor In in 'Em"
** "A Pig With Wings" and "HowThe the Pigs' Music Works" are a call back to "Very Distraughtening" and "Just One More Time" on ''Music/LumpyGravy''.
** Motors are mentioned during "This Is Phaze III", "I Wish Motorhead Would Come Back" and "Put
** "A Pig With Wings" and "How
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** "Flowing Inside-Out" mentions the phrase "so that it envelops the bathtub", which was mentioned earlier during "Kangaroos" and "Envelops The Bathtub" on ''Music/LumpyGravy''.
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** "Flowing Inside-Out" mentions the phrase "so that it envelops the bathtub", which was mentioned earlier during "Kangaroos" and "Envelops The the Bathtub" on ''Music/LumpyGravy''.
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* DeathSong: "Beat The Reaper" and "Waffenspiel" are the closing tracks and seem to address Zappa's own death prognosis.
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* DeathSong: "Beat The the Reaper" and "Waffenspiel" are the closing tracks and seem to address Zappa's own death prognosis.
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* EpicRocking: The 18:01 "N-Lite" and 15:23 "Beat The Reaper".
* GodIsNotGood: "Dio Fa" is Italian for "God is a liar".
* GodIsNotGood: "Dio Fa" is Italian for "God is a liar".
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* EpicRocking: The 18:01 "N-Lite" "N-Lite", the 8:08 "Dio fa", and the 15:23 "Beat The the Reaper".
* GodIsNotGood: "DioFa" fa" is Italian for "God is a liar".
* GodIsNotGood: "Dio
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* GratuitousItalian: "Dio Fa", a profanity curse used in Piedmont, Italy. Some Italian can also be heard during "This Ain't CNN".
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* GratuitousItalian: "Dio Fa", fa", a profanity curse used in Piedmont, Italy. Some Italian can also be heard during "This Ain't CNN".
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* MyCountryTisOfTheeThatISting: In "How The Pigs' Music Works" Zappa provides a TakeThat towards the traditional morning flag salute in American schools.
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* MinisculeRocking: Several tracks are under thirty seconds in length. Also a subversion, though, as they're more interludes between pieces of music than actual songs.
* MyCountryTisOfTheeThatISting: In "HowThe the Pigs' Music Works" Zappa provides a TakeThat towards the traditional morning flag salute in American schools.
* MyCountryTisOfTheeThatISting: In "How
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* NeoClassicalPunkZydecoRockabilly: During "Dio Fa" Tuvan throat singing can be heard.
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* NeoClassicalPunkZydecoRockabilly: During "Dio Fa" fa" Tuvan throat singing can be heard.
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** "Reagan At Bitburg" is a reference to UsefulNotes/RonaldReagan's controversial 1985 visit to Bitburg, Germany, where he lay down a laurel wreath on the graves of fallen SS soldiers.
** "Beat The Reaper" and "Waffenspiel" echo Zappa being at death's door when this album was composed and recorded.
** "Beat The Reaper" and "Waffenspiel" echo Zappa being at death's door when this album was composed and recorded.
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** "Reagan At at Bitburg" is a reference to UsefulNotes/RonaldReagan's controversial 1985 visit to Bitburg, Germany, where he lay down a laurel wreath on the graves of fallen SS soldiers.
** "BeatThe the Reaper" and "Waffenspiel" echo Zappa being at death's door when this album was composed and recorded.
** "Beat
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** Zappa revealed during an interview that he quoted "In The Navy" by Music/VillagePeople during "N-Lite":
--> ''It was put together out of two unrelated sequences. There's a group of notes in front of this one sequence that just happens to sound like "In the Navy", from that The Music/VillagePeople song. You don't realise it until it's gone by, and then- that's "In The Navy"! So that's the "N" and the "Lite" part is this sequence that was basically a bunch of very fast and short synthesizer pockets that had the computer title, "Thousand Points of Light'' [[note]] Quoted from Neil Slaven's "Electric Don Quixote: The Story of Frank Zappa", Omnibus Press, 1995, page 325. [[/note]]
--> ''It was put together out of two unrelated sequences. There's a group of notes in front of this one sequence that just happens to sound like "In the Navy", from that The Music/VillagePeople song. You don't realise it until it's gone by, and then- that's "In The Navy"! So that's the "N" and the "Lite" part is this sequence that was basically a bunch of very fast and short synthesizer pockets that had the computer title, "Thousand Points of Light'' [[note]] Quoted from Neil Slaven's "Electric Don Quixote: The Story of Frank Zappa", Omnibus Press, 1995, page 325. [[/note]]
to:
** Zappa revealed during an interview that he quoted "In The the Navy" by Music/VillagePeople during "N-Lite":
--> ''It was put together out of two unrelated sequences. There's a group of notes in front of this one sequence that just happens to sound like "In the Navy", from that The Music/VillagePeople song. You don't realise it until it's gone by, and then- that's "InThe the Navy"! So that's the "N" and the "Lite" part is this sequence that was basically a bunch of very fast and short synthesizer pockets that had the computer title, "Thousand Points of Light'' [[note]] Quoted from Neil Slaven's "Electric Don Quixote: The Story of Frank Zappa", Omnibus Press, 1995, page 325. [[/note]]
--> ''It was put together out of two unrelated sequences. There's a group of notes in front of this one sequence that just happens to sound like "In the Navy", from that The Music/VillagePeople song. You don't realise it until it's gone by, and then- that's "In
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* StockSoundEffects: "Beat The Reaper" and "Waffenspiel" use sound effects of pouring rain, a barking dog, gun shots and a plane flying over, a car starting up and whistling birds, sounds which become more prominent after the music ends.
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* StockSoundEffects: "Beat The the Reaper" and "Waffenspiel" use sound effects of pouring rain, a barking dog, gun shots and a plane flying over, a car starting up and whistling birds, sounds which become more prominent after the music ends.
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* SynthPop: All music was composed on Synclavier.
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* SynthPop: All music was composed on Synclavier. It's debatable whether this qualifies as pop, though.
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[[quoteright:350:http://static.tvtropes.org/pmwiki/pub/images/0ba71adb1723a442ebc5b557698080ff.jpg]]
-> ''Listening to it, it feels like Frank was trying to cram as many musical ideas as possible, one after the other, into this piece. It's very thick and dense and overpowering as a listening experience. Even if you think you know Music/FrankZappa's music, I don't think anybody could be sufficiently prepared for the powerhouse that this thing represents. This music should finally get Zappa taken truly seriously as a composer.''
-> Creator/MattGroening.
'''Civilization Phaze III''' is a 1994 album by Music/FrankZappa, the 36th in his catalogue and the album he worked on during the final years of his life. Much like ''Music/LumpyGravy'' (1968) the album switches back and forth between instrumental music and dialogues between people. The storyline also follows a group of people living inside a piano talking about the outside world. The main difference is that the music is performed on Synclavier here and [[EpicRocking tends to be longer]] than the musical intermezzo's on "Lumpy Gravy".
Sadly Zappa passed away before the album's completion. It was released ten months after his death, solely as a mail order album. It is seen as one of his best works and a crowning MagnumOpus to his entire career.
'''Personnel'''
* Music/FrankZappa: composer, conductor, producer, editor, voice in recording booth.
* The Ensemble Modern: orchestra
* "Spider" Barbour, "All-Night John", Jim "Motorhead" Sherwood, Roy Estrada, Louis "the Turkey" Cuneo, Monica, Gilly Townley, two anonymous girls, Moon Unit and Dweezil Zappa, Creator/MichaelRapaport, Ali N. Askin, Catherine Milliken, Walt Fowler, Todd Yvega, Michael Svoboda, Michael Gross, William Forman, Uwe Dierksen, Stefan Dohr, Daryl Smith, Franck Ollu and Hermann Kretzschmar, Artis the Spoon Man, Kaigal-ool Khovalyg [[note]] These latter two aren't credited in the liner notes [[/note]]: voices.
'''Tracklist'''
[[AC:Disc One]]
# "This Is Phaze III" (0:47)
# "Put A Motor In Yourself" (5:13)
# "Oh-Umm" (0:50)
# "They Made Me Eat It" (1:48)
# "Reagan at Bitburg" (5:39)
# "A Very Nice Body" (1:00)
# "Navanax" (1:40)
# "How The Pigs' Music Works" (1:49)
# "Xmas Values" (5:31)
# "Dark Water!" (0:23)
# "Amnerika" (3:03)
# "Have You Heard Their Band?" (0:38)
# "Religious Superstition" (0:43)
# "Saliva Can Only Take So Much" (0:27)
# "Buffalo Voice" (5:12)
# "Someplace Else Right Now" (0:32)
# "Get A Life" (2:20)
# "A Kayak (On Snow)" (0:28)
# "N-Lite: Negative Light/Venice Submerged/New World Order/The Lifestyle You Deserve/Creationism/He Is Risen" (18:00)
[[AC:Disc Two]]
# "I Wish Motorhead Would Come Back" (0:14)
# "Secular Humanism" (2:41)
# "Attack! Attack! Attack!" (1:24)
# "I Was In A Drum" (3:38)
# "A Different Octave" (0:57)
# "This Ain't Creator/{{CNN}}" (3:20)
# "The Pigs' Music" (1:17)
# "A Pig With Wings" (2:52)
# "This Is All Wrong" (1:42)
# "Hot & Putrid" (0:29)
# "Flowing Inside-Out" (0:46)
# "I Had A Dream About That" (0:27)
# "Gross Man" (2:54)
# "A Tunnel Into Muck" (0:21)
# "Why Not?" (2:18)
# "Put A Little Motor In 'Em" (0:50)
# "You're Just Insultin' Me, Aren't You?" (2:13)
# "Cold Light Generation" (0:44)
# "Dio Fa" (8:18)
# "That Would Be The End Of That" (0:35)
# "Beat the Reaper" (15:23)
# "Waffenspiel" (4:05)
!! ''Beat The Troper''
* AlbumTitleDrop: The first line on the album is:
--> ''This is Phaze III''
* AlliterativeTitle: "'''A'''ttack! '''A'''ttack!" '''A'''ttack!"
* AnimalMotifs: Pigs, ponies and kangaroos play an important part on this record. "Navanax" is a reference to navanax, a genus of sea slugs.
* AnnoyingLaugh: Louie the Turkey's obnoxious laughter.
* BilingualBonus: "This Ain't CNN", "This Is All Wrong" and "You're Just Insultin' Me, Aren't You"
* BogeyMan: Mentioned during "Attack! Attack! Attack!"
* BookEnds: Zappa's solo debut ''Music/LumpyGravy'' was instrumental music intercut with dialogues recorded underneath a piano. This album continues the same concept.
* BrokenRecord: During "Someplace Else Right Now" the line "Where would you like to be?" is repeated five times in a row.
* CallBack and ContinuityNod:
** The album uses some dialogue quotes from ''Music/LumpyGravy''. Pigs and ponies are mentioned during "A Very Nice Body", "Dark Water!", "I Wish Motorhead Would Come Back", "This Is All Wrong", "Pigs And Ponies", "This Ain't CNN", "The Pigs' Music", "You're Just Insultin' Me Aren't You?".
** Motors are mentioned during "This Is Phaze III", "I Wish Motorhead Would Come Back" and "Put A Little Motor In 'Em"
** "A Pig With Wings" and "How The Pigs' Music Works" are a call back to "Very Distraughtening" and "Just One More Time" on ''Music/LumpyGravy''.
** "This Is All Wrong" mentions leather and plastic, two conceptual continuity items in Zappa's work.
--> '''FZ''': ''The pigs run the city, the ponies run the TV station and you wanted to apply for a job?''
--> '''Spider''': ''Some of them wear these jackets that are made out of polished animal skins. It's called leather.''
--> '''John''': ''Leather?''
--> '''Monica''': ''Oh, and their tight black pants.''
--> '''Spider''': ''It's sort of like plastic, only it's made out of animals.''
--> '''Larry''': ''It's sad, ain't it?''
--> '''Monica''': ''Yeah.''
--> '''Larry''': ''Um, you can't win 'em all.''
** "Flowing Inside-Out" mentions the phrase "so that it envelops the bathtub", which was mentioned earlier during "Kangaroos" and "Envelops The Bathtub" on ''Music/LumpyGravy''.
* ClassicalMusic: The music is closer to 20th century classical music.
* ConceptAlbum: People are underneath a piano where they talk about the menace of the outside world.
* DeathSong: "Beat The Reaper" and "Waffenspiel" are the closing tracks and seem to address Zappa's own death prognosis.
* DistinctDoubleAlbum: Contrary to ''Lumpy Gravy'' this album is a double album.
* EpicRocking: The 18:01 "N-Lite" and 15:23 "Beat The Reaper".
* GodIsNotGood: "Dio Fa" is Italian for "God is a liar".
* GratuitousDutch: Heard during "This Ain't CNN", both a line in Flemish dialect, "Ik kan geen woord verstaan", and Dutch, "Die spreekt toch geen normale taal."
* GratuitousForeignLanguage: During "This Ain't CNN", "This Is All Wrong" and "You're Just Insultin' Me, Aren't You" and "Cold Light Generation" we hear, apart from occasional English, French, Dutch, German and Italian also occasional Turkish.
* GratuitousGerman: Heard during "This Ain't CNN" and "This Is All Wrong". The track "Waffenspiel" is German for "gun play".
* GratuitousItalian: "Dio Fa", a profanity curse used in Piedmont, Italy. Some Italian can also be heard during "This Ain't CNN".
* GrowingWings: "A Pig With Wings"
* TheHyena: Louie the Turkey finds everything hilarious!
* {{Improv}}: The majority of the dialogue is improvised.
* {{Instrumentals}}: All music is instrumental.
* {{Lampshading}}: "Have You Ever Heard Their Band?"
--> '''Zappa''' (from the recording booth): ''The smoke stands still.''
--> '''John''': ''There's some kind of thing that's giving us all these revelations.''
--> '''Spider''': ''Yeah, well that's the ...''
--> '''John''': ''It's ... It's ... It's this funny voice ... and he keeps telling us all these things and I ... it ... I just thought that before we just thought of these things ... ya know, like just off the wall and out of our heads.''
--> '''Spider''': ''No, that's religious superstition.''
* MyCountryTisOfTheeThatISting: In "How The Pigs' Music Works" Zappa provides a TakeThat towards the traditional morning flag salute in American schools.
--> ''That's the basis of all their nationalism. If they can't salute the smoke every morning when they get up.''
* NeoClassicalPunkZydecoRockabilly: During "Dio Fa" Tuvan throat singing can be heard.
* NewSoundAlbum: It's a full blazed Synclavier album with surreal dialogue intercutting. The listener can't help being aware of a certain melancholy while Zappa recorded this album, knowing that he would soon die. This gives it a more predominantly serious atmosphere not heard on Zappa's other albums.
* OneDialogueTwoConversations: Several conversations are so surreal that people sometimes seem to be talking about the same topic, but one line later appear to be going on about something totally unrelated.
* OneManSong: "Gross Man".
* OneWordTitle: "Oh-Umm", "Navanax" and "Amnerika".
* OutgrownSuchSillySuperstitions: The instrumental track "Religious Superstition".
* OverlyLongTitle: "N-Lite: Negative Light/Venice Submerged/New World Order/The Lifestyle You Deserve/Creationism/He Is Risen" .
* QuestioningTitle: "Have You Heard Their Band?", "Why Not?" and "You're Just Insultin' Me, Aren't You?"
* ProductPlacement: "A Very Nice Body" and "Religious Superstitions" mention a Steinway piano. During the latter track a "Baldwin" and "Wurlitzer" are mentioned too. "This Ain't CNN" mentions CNN and ''Creator/{{MTV}} Raps''.
* RealLifeWritesThePlot:
** "Reagan At Bitburg" is a reference to UsefulNotes/RonaldReagan's controversial 1985 visit to Bitburg, Germany, where he lay down a laurel wreath on the graves of fallen SS soldiers.
** "Beat The Reaper" and "Waffenspiel" echo Zappa being at death's door when this album was composed and recorded.
* RecordProducer: Music/FrankZappa.
* RepurposedPopSong: Several soundbites appeared earlier on ''Music/LumpyGravy'', but are often heard in full unedited versions. The instrumental "Amnerika" was heard before as background music during "That Evil Prince" and "The White Boy Troubles" on ''Music/ThingFish'' (1984).
* ShoutOut:
** Zappa revealed during an interview that he quoted "In The Navy" by Music/VillagePeople during "N-Lite":
--> ''It was put together out of two unrelated sequences. There's a group of notes in front of this one sequence that just happens to sound like "In the Navy", from that The Music/VillagePeople song. You don't realise it until it's gone by, and then- that's "In The Navy"! So that's the "N" and the "Lite" part is this sequence that was basically a bunch of very fast and short synthesizer pockets that had the computer title, "Thousand Points of Light'' [[note]] Quoted from Neil Slaven's "Electric Don Quixote: The Story of Frank Zappa", Omnibus Press, 1995, page 325. [[/note]]
** The song ''Merry-Go-Round'' at the start of "This Is Phaze III" was the SignatureSong of Wild Man Fischer, whose debut album ''An Evening With Wild Man Fischer'' (1968) was produced by Zappa.
** "This Ain't CNN" namedrops Music/{{NWA}}, ''Yo MTV Raps'', Music/PublicEnemy, Music/WolfgangAmadeusMozart, the "Mondschein Sonate" by Music/LudwigVanBeethoven, Music/BrandNubian and Music/BigDaddyKane.
** "This Is All Wrong" references ''Film/JungleFever'' by Creator/SpikeLee, ''Film/TheBlueLagoon'' and ''Series/IDreamOfJeannie''.
* SignatureLaugh: Louie the Turkey's signature laugh is heard on this album.
* SingerNameDrop: "I Wish Motorhead Would Come Back".
* SpecialGuest: Actor and director Creator/MichaelRapaport can be heard during several tracks.
* SpellMyNameWithAnS: "Amnerika", is spelled with a "n" in the middle.
* SpiritualSuccessor: To ''Music/LumpyGravy''.
* SpokenWordInMusic: Instrumental music is intercut with dialogues between people.
* StepUpToTheMicrophone: Dweezil and Moon Unit Zappa.
* StockSoundEffects: "Beat The Reaper" and "Waffenspiel" use sound effects of pouring rain, a barking dog, gun shots and a plane flying over, a car starting up and whistling birds, sounds which become more prominent after the music ends.
* STDImmunity: "Attack! Attack! Attack!" mentions pubic lice ("crabs").
--> '''Roy''': ''That's why they have a lot of crabs ''
--> '''Louis''': ''Yes, and um...''
--> '''Roy''' ''... A set of crabs?!''
--> '''Louis''': ''Crabs are really dangerous, and they r-r-rich as fires and every once in a while you walk in the streets and when I . . . when I heard of these from, from talk from my, from my home here, my piano!''
* SynthPop: All music was composed on Synclavier.
* TimeMarchesOn: Some of the dialogue during "This Ain't CNN" and "This Is All Wrong" mentions stuff that was prevalent during the early 1990s, but nowadays sounds very dated, like pay phones, ''Film/JungleFever'', Music/{{NWA}}, ''Series/YoMTVRaps'', Music/PublicEnemy, Music/BrandNubian and Music/BigDaddyKane.
* ToiletHumor: "Oh-Umm"
--> '''Louis''': ''My mother said to me "You're a bad boy, Louis the Turkey. You'd better, you'd you you you'd better go on 'E' and stay on 'E' and you'll never see the world ... you're a bad boy 'cause you you went to the bathroom on the floor!" you know?''
--> '''Motorhead''': ''Did they make you clean it up?''
--> '''Louis''': ''No, they made me eat it.''
--> '''Roy''': ''Ooh.''
* UnusuallyUninterestingSight: "I Wish Motorhead Would Come Back"
--> '''Louie''': ''Ah, I wish Motorhead would come back. Oh wow, Motorhead... Motorhead... where are you, Motorhead?''
--> '''Roy''': ''He's probably getting eaten by one of those ponies.''
----
-> ''Listening to it, it feels like Frank was trying to cram as many musical ideas as possible, one after the other, into this piece. It's very thick and dense and overpowering as a listening experience. Even if you think you know Music/FrankZappa's music, I don't think anybody could be sufficiently prepared for the powerhouse that this thing represents. This music should finally get Zappa taken truly seriously as a composer.''
-> Creator/MattGroening.
'''Civilization Phaze III''' is a 1994 album by Music/FrankZappa, the 36th in his catalogue and the album he worked on during the final years of his life. Much like ''Music/LumpyGravy'' (1968) the album switches back and forth between instrumental music and dialogues between people. The storyline also follows a group of people living inside a piano talking about the outside world. The main difference is that the music is performed on Synclavier here and [[EpicRocking tends to be longer]] than the musical intermezzo's on "Lumpy Gravy".
Sadly Zappa passed away before the album's completion. It was released ten months after his death, solely as a mail order album. It is seen as one of his best works and a crowning MagnumOpus to his entire career.
'''Personnel'''
* Music/FrankZappa: composer, conductor, producer, editor, voice in recording booth.
* The Ensemble Modern: orchestra
* "Spider" Barbour, "All-Night John", Jim "Motorhead" Sherwood, Roy Estrada, Louis "the Turkey" Cuneo, Monica, Gilly Townley, two anonymous girls, Moon Unit and Dweezil Zappa, Creator/MichaelRapaport, Ali N. Askin, Catherine Milliken, Walt Fowler, Todd Yvega, Michael Svoboda, Michael Gross, William Forman, Uwe Dierksen, Stefan Dohr, Daryl Smith, Franck Ollu and Hermann Kretzschmar, Artis the Spoon Man, Kaigal-ool Khovalyg [[note]] These latter two aren't credited in the liner notes [[/note]]: voices.
'''Tracklist'''
[[AC:Disc One]]
# "This Is Phaze III" (0:47)
# "Put A Motor In Yourself" (5:13)
# "Oh-Umm" (0:50)
# "They Made Me Eat It" (1:48)
# "Reagan at Bitburg" (5:39)
# "A Very Nice Body" (1:00)
# "Navanax" (1:40)
# "How The Pigs' Music Works" (1:49)
# "Xmas Values" (5:31)
# "Dark Water!" (0:23)
# "Amnerika" (3:03)
# "Have You Heard Their Band?" (0:38)
# "Religious Superstition" (0:43)
# "Saliva Can Only Take So Much" (0:27)
# "Buffalo Voice" (5:12)
# "Someplace Else Right Now" (0:32)
# "Get A Life" (2:20)
# "A Kayak (On Snow)" (0:28)
# "N-Lite: Negative Light/Venice Submerged/New World Order/The Lifestyle You Deserve/Creationism/He Is Risen" (18:00)
[[AC:Disc Two]]
# "I Wish Motorhead Would Come Back" (0:14)
# "Secular Humanism" (2:41)
# "Attack! Attack! Attack!" (1:24)
# "I Was In A Drum" (3:38)
# "A Different Octave" (0:57)
# "This Ain't Creator/{{CNN}}" (3:20)
# "The Pigs' Music" (1:17)
# "A Pig With Wings" (2:52)
# "This Is All Wrong" (1:42)
# "Hot & Putrid" (0:29)
# "Flowing Inside-Out" (0:46)
# "I Had A Dream About That" (0:27)
# "Gross Man" (2:54)
# "A Tunnel Into Muck" (0:21)
# "Why Not?" (2:18)
# "Put A Little Motor In 'Em" (0:50)
# "You're Just Insultin' Me, Aren't You?" (2:13)
# "Cold Light Generation" (0:44)
# "Dio Fa" (8:18)
# "That Would Be The End Of That" (0:35)
# "Beat the Reaper" (15:23)
# "Waffenspiel" (4:05)
!! ''Beat The Troper''
* AlbumTitleDrop: The first line on the album is:
--> ''This is Phaze III''
* AlliterativeTitle: "'''A'''ttack! '''A'''ttack!" '''A'''ttack!"
* AnimalMotifs: Pigs, ponies and kangaroos play an important part on this record. "Navanax" is a reference to navanax, a genus of sea slugs.
* AnnoyingLaugh: Louie the Turkey's obnoxious laughter.
* BilingualBonus: "This Ain't CNN", "This Is All Wrong" and "You're Just Insultin' Me, Aren't You"
* BogeyMan: Mentioned during "Attack! Attack! Attack!"
* BookEnds: Zappa's solo debut ''Music/LumpyGravy'' was instrumental music intercut with dialogues recorded underneath a piano. This album continues the same concept.
* BrokenRecord: During "Someplace Else Right Now" the line "Where would you like to be?" is repeated five times in a row.
* CallBack and ContinuityNod:
** The album uses some dialogue quotes from ''Music/LumpyGravy''. Pigs and ponies are mentioned during "A Very Nice Body", "Dark Water!", "I Wish Motorhead Would Come Back", "This Is All Wrong", "Pigs And Ponies", "This Ain't CNN", "The Pigs' Music", "You're Just Insultin' Me Aren't You?".
** Motors are mentioned during "This Is Phaze III", "I Wish Motorhead Would Come Back" and "Put A Little Motor In 'Em"
** "A Pig With Wings" and "How The Pigs' Music Works" are a call back to "Very Distraughtening" and "Just One More Time" on ''Music/LumpyGravy''.
** "This Is All Wrong" mentions leather and plastic, two conceptual continuity items in Zappa's work.
--> '''FZ''': ''The pigs run the city, the ponies run the TV station and you wanted to apply for a job?''
--> '''Spider''': ''Some of them wear these jackets that are made out of polished animal skins. It's called leather.''
--> '''John''': ''Leather?''
--> '''Monica''': ''Oh, and their tight black pants.''
--> '''Spider''': ''It's sort of like plastic, only it's made out of animals.''
--> '''Larry''': ''It's sad, ain't it?''
--> '''Monica''': ''Yeah.''
--> '''Larry''': ''Um, you can't win 'em all.''
** "Flowing Inside-Out" mentions the phrase "so that it envelops the bathtub", which was mentioned earlier during "Kangaroos" and "Envelops The Bathtub" on ''Music/LumpyGravy''.
* ClassicalMusic: The music is closer to 20th century classical music.
* ConceptAlbum: People are underneath a piano where they talk about the menace of the outside world.
* DeathSong: "Beat The Reaper" and "Waffenspiel" are the closing tracks and seem to address Zappa's own death prognosis.
* DistinctDoubleAlbum: Contrary to ''Lumpy Gravy'' this album is a double album.
* EpicRocking: The 18:01 "N-Lite" and 15:23 "Beat The Reaper".
* GodIsNotGood: "Dio Fa" is Italian for "God is a liar".
* GratuitousDutch: Heard during "This Ain't CNN", both a line in Flemish dialect, "Ik kan geen woord verstaan", and Dutch, "Die spreekt toch geen normale taal."
* GratuitousForeignLanguage: During "This Ain't CNN", "This Is All Wrong" and "You're Just Insultin' Me, Aren't You" and "Cold Light Generation" we hear, apart from occasional English, French, Dutch, German and Italian also occasional Turkish.
* GratuitousGerman: Heard during "This Ain't CNN" and "This Is All Wrong". The track "Waffenspiel" is German for "gun play".
* GratuitousItalian: "Dio Fa", a profanity curse used in Piedmont, Italy. Some Italian can also be heard during "This Ain't CNN".
* GrowingWings: "A Pig With Wings"
* TheHyena: Louie the Turkey finds everything hilarious!
* {{Improv}}: The majority of the dialogue is improvised.
* {{Instrumentals}}: All music is instrumental.
* {{Lampshading}}: "Have You Ever Heard Their Band?"
--> '''Zappa''' (from the recording booth): ''The smoke stands still.''
--> '''John''': ''There's some kind of thing that's giving us all these revelations.''
--> '''Spider''': ''Yeah, well that's the ...''
--> '''John''': ''It's ... It's ... It's this funny voice ... and he keeps telling us all these things and I ... it ... I just thought that before we just thought of these things ... ya know, like just off the wall and out of our heads.''
--> '''Spider''': ''No, that's religious superstition.''
* MyCountryTisOfTheeThatISting: In "How The Pigs' Music Works" Zappa provides a TakeThat towards the traditional morning flag salute in American schools.
--> ''That's the basis of all their nationalism. If they can't salute the smoke every morning when they get up.''
* NeoClassicalPunkZydecoRockabilly: During "Dio Fa" Tuvan throat singing can be heard.
* NewSoundAlbum: It's a full blazed Synclavier album with surreal dialogue intercutting. The listener can't help being aware of a certain melancholy while Zappa recorded this album, knowing that he would soon die. This gives it a more predominantly serious atmosphere not heard on Zappa's other albums.
* OneDialogueTwoConversations: Several conversations are so surreal that people sometimes seem to be talking about the same topic, but one line later appear to be going on about something totally unrelated.
* OneManSong: "Gross Man".
* OneWordTitle: "Oh-Umm", "Navanax" and "Amnerika".
* OutgrownSuchSillySuperstitions: The instrumental track "Religious Superstition".
* OverlyLongTitle: "N-Lite: Negative Light/Venice Submerged/New World Order/The Lifestyle You Deserve/Creationism/He Is Risen" .
* QuestioningTitle: "Have You Heard Their Band?", "Why Not?" and "You're Just Insultin' Me, Aren't You?"
* ProductPlacement: "A Very Nice Body" and "Religious Superstitions" mention a Steinway piano. During the latter track a "Baldwin" and "Wurlitzer" are mentioned too. "This Ain't CNN" mentions CNN and ''Creator/{{MTV}} Raps''.
* RealLifeWritesThePlot:
** "Reagan At Bitburg" is a reference to UsefulNotes/RonaldReagan's controversial 1985 visit to Bitburg, Germany, where he lay down a laurel wreath on the graves of fallen SS soldiers.
** "Beat The Reaper" and "Waffenspiel" echo Zappa being at death's door when this album was composed and recorded.
* RecordProducer: Music/FrankZappa.
* RepurposedPopSong: Several soundbites appeared earlier on ''Music/LumpyGravy'', but are often heard in full unedited versions. The instrumental "Amnerika" was heard before as background music during "That Evil Prince" and "The White Boy Troubles" on ''Music/ThingFish'' (1984).
* ShoutOut:
** Zappa revealed during an interview that he quoted "In The Navy" by Music/VillagePeople during "N-Lite":
--> ''It was put together out of two unrelated sequences. There's a group of notes in front of this one sequence that just happens to sound like "In the Navy", from that The Music/VillagePeople song. You don't realise it until it's gone by, and then- that's "In The Navy"! So that's the "N" and the "Lite" part is this sequence that was basically a bunch of very fast and short synthesizer pockets that had the computer title, "Thousand Points of Light'' [[note]] Quoted from Neil Slaven's "Electric Don Quixote: The Story of Frank Zappa", Omnibus Press, 1995, page 325. [[/note]]
** The song ''Merry-Go-Round'' at the start of "This Is Phaze III" was the SignatureSong of Wild Man Fischer, whose debut album ''An Evening With Wild Man Fischer'' (1968) was produced by Zappa.
** "This Ain't CNN" namedrops Music/{{NWA}}, ''Yo MTV Raps'', Music/PublicEnemy, Music/WolfgangAmadeusMozart, the "Mondschein Sonate" by Music/LudwigVanBeethoven, Music/BrandNubian and Music/BigDaddyKane.
** "This Is All Wrong" references ''Film/JungleFever'' by Creator/SpikeLee, ''Film/TheBlueLagoon'' and ''Series/IDreamOfJeannie''.
* SignatureLaugh: Louie the Turkey's signature laugh is heard on this album.
* SingerNameDrop: "I Wish Motorhead Would Come Back".
* SpecialGuest: Actor and director Creator/MichaelRapaport can be heard during several tracks.
* SpellMyNameWithAnS: "Amnerika", is spelled with a "n" in the middle.
* SpiritualSuccessor: To ''Music/LumpyGravy''.
* SpokenWordInMusic: Instrumental music is intercut with dialogues between people.
* StepUpToTheMicrophone: Dweezil and Moon Unit Zappa.
* StockSoundEffects: "Beat The Reaper" and "Waffenspiel" use sound effects of pouring rain, a barking dog, gun shots and a plane flying over, a car starting up and whistling birds, sounds which become more prominent after the music ends.
* STDImmunity: "Attack! Attack! Attack!" mentions pubic lice ("crabs").
--> '''Roy''': ''That's why they have a lot of crabs ''
--> '''Louis''': ''Yes, and um...''
--> '''Roy''' ''... A set of crabs?!''
--> '''Louis''': ''Crabs are really dangerous, and they r-r-rich as fires and every once in a while you walk in the streets and when I . . . when I heard of these from, from talk from my, from my home here, my piano!''
* SynthPop: All music was composed on Synclavier.
* TimeMarchesOn: Some of the dialogue during "This Ain't CNN" and "This Is All Wrong" mentions stuff that was prevalent during the early 1990s, but nowadays sounds very dated, like pay phones, ''Film/JungleFever'', Music/{{NWA}}, ''Series/YoMTVRaps'', Music/PublicEnemy, Music/BrandNubian and Music/BigDaddyKane.
* ToiletHumor: "Oh-Umm"
--> '''Louis''': ''My mother said to me "You're a bad boy, Louis the Turkey. You'd better, you'd you you you'd better go on 'E' and stay on 'E' and you'll never see the world ... you're a bad boy 'cause you you went to the bathroom on the floor!" you know?''
--> '''Motorhead''': ''Did they make you clean it up?''
--> '''Louis''': ''No, they made me eat it.''
--> '''Roy''': ''Ooh.''
* UnusuallyUninterestingSight: "I Wish Motorhead Would Come Back"
--> '''Louie''': ''Ah, I wish Motorhead would come back. Oh wow, Motorhead... Motorhead... where are you, Motorhead?''
--> '''Roy''': ''He's probably getting eaten by one of those ponies.''
----