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* In the ''WebAnimation/{{RWBY}}'' episode "Heroes and Monsters", Ruby Rose, despite being on the ropes, is still determined to be the hero, save the day, and stop Roman Torchwick and the other bad guys from wrecking Vale. Torchwick laughs that off and tells her that if she still wants to be the hero, then she should just roll over and die like every other Huntsman in history. He proceeds to tell her that this world has no room for her type of idealism, that it should die along with her and he'll keep doing what he does best - "lie, cheat, steal and survive!" [[spoiler:A split second later, a Griffin Grimm gives him the ultimate ShutUpHannibal by [[SwallowedWhole eating him]].]] Adam Taurus tells Blake Belladonna the same thing in the same episode: when she tells him that she wanted peace and equality for the Faunus races, Adam roars out that "What you want ''is impossible!''"

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* In the ''WebAnimation/{{RWBY}}'' episode "Heroes and Monsters", Ruby Rose, despite being on the ropes, is still determined to be the hero, save the day, and stop Roman Torchwick and the other bad guys from wrecking Vale. Torchwick laughs that off and tells her that if she still wants to be the hero, then she should just roll over and die like every the other Huntsman in history. Huntsman. He proceeds to tell also tells her that this world Remnant has no room for her type of idealism, that it should die along with her and he'll keep doing what he does best - "lie, cheat, steal and survive!" [[spoiler:A split second later, a Griffin Grimm gives him the ultimate ShutUpHannibal by [[SwallowedWhole eating him]].]] Adam Taurus tells Blake Belladonna the same thing in the same episode: when she tells him that she wanted peace and equality for the Faunus races, Adam roars out that says "What you want ''is impossible!''"

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* The Jam in "Burning Sky", though that was meant to be from the viewpoint of a character who'd embraced the capitalist system.

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* The Jam Music/TheJam in "Burning Sky", though that was meant to be from the viewpoint of a character who'd embraced the capitalist system.



* Music/{{Oasis}}' "Fade Away".
* Music/{{Supertramp}}'s "Dreamer".

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%% (ZCE) * Music/{{Oasis}}' "Fade Away".
* Music/PatricioReyYSusRedonditosDeRicota has "¡Estás frito, angelito!", from ''Último Bondi a Finisterre'', about the subject singing to a third party about how life is hard and how [[EverythingTryingToKillYou everything is out there for him]] if he doesn't abandon his excessive idealism.
%% (ZCE) *
Music/{{Supertramp}}'s "Dreamer".
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This is a Morality Trope, meaning No Real Life Examples, Please!



[[folder:Real Life]]
* In American politics, supporters of third-party candidates aren't congratulated for participating in the democratic system and standing up for what they believe in. Instead, supporters of third party candidates like Bob Barr, Ralph Nader, Cynthia [=McKinney=], Jill Stein, and Gary Johnson along with idealistic candidates in both the mainstream parties like Bernie Sanders, Dennis Kucinich, and UsefulNotes/RonPaul, are often demonized by Bipartisan centrists/moderates and Republican conservatives/right-wingers on their side of the aisle and belittled by the media, with the justification that "compromise is better than idealism."
** In return, the idealists would fire back that it is simply because the system is so broken and concerned with keeping the status quo that it stops anyone who is an honest person, an idealist, or simply not a SleazyPolitician from taking office.
** This being a classic real-world example of why the gap between idealism and cynicism is actually a literal gray area in which a lot depends on the outcome. A third-party movement that ''succeeds'' can be an improvement on either party, at least in theory, from the POV of the third-party voters. But if not enough people join in the net result is often to bring about victory for precisely the party that the third-party voters would consider the worse option. Republicans see the conservatives who voted for Perot as people who effectively elected Clinton, and Democrats often say that the green in 'green party' stands for [[FunWithAcronyms Getting Republicans Elected Every November]]. Hence, third parties these days tend to be in favor of things like ranked-choice voting[[note]]Which almost surprisingly now cities throughout the United States like San Francisco or Minneapolis and then-recently Maine (even against the odds of a fight to keep it in effect for months by the Maine Supreme Court ruling this as unconstitutional at state level) adopted the system within the last two decades to get rid of the spoiler effect, but the problem is it's taking a while due to the [[StrawmanNewsMedia news media]] still [[PropagandaMachine convincing people]] to vote Democrat or Republican by outright ''fear'' instead of ideological reasons to back them.[[/note]] or approval voting to try to break this effect.
** The mathematics work out this way because American elections work on the basis of a simple ''pure'' plurality.[[note]]Which is the 'First Past The Post' voting system, and becoming a notorious hot topic in countries that have had this system a ''very'' long time like the aforementioned United States and the United Kingdom where many are worried this has become too beneficial for center-right parties in recent decades.[[/note]] So if 3% of the voters vote for whom they perceive to be the best party while 48% vote for the second-best and 49% vote for the worst (again, labels are as perceived by the 3% and maybe part of the 48%), well, NiceJobBreakingItHero. The trick here is that altering the election system would require the cooperation of the party or parties in charge, and it's always in their best interest to keep third parties as shut out as possible.
** Another critique is not so much about idealism but simply skepticism about the HoldingOutForAHero mentality of third parties and other challengers, who largely equate the power of political change with Presidential elections rather than sustaining an effective grassroots movement in local, county, state and congressional elections to effectively build the connections and infrastructure needed to form a viable party. Ralph Nader was criticized by the likes of Chomsky and others for more or less contesting in 1999 and then sitting on the margins for four years and then once again planning a third-party bid in 2003-2004. Mostly, third-party candidates run a campaign of a [[HeroicWannabe "little guy" changing a system all by themselves]] without doing any of the groundwork needed to actually make that change happen. After all, the third party in American politics that achieved the most results (the Republican Party of the [=1850s=]) worked exactly that way. But even in terms of grassroots movements there's still a lot of opposition with well-connected candidates gaining favor among establishment instead of grassroots outsiders.
** More than one Green Party has been torn between those who want policies that completely minimize our carbon footprint and those who want a chance at actually getting power to implement the lightest of said policies. Usually, the extremists have to break off and form a pressure group.
* The fact that the SlidingScaleOfIdealismVersusCynicism on this wiki was once called the Sliding Scale of Idealism Vs '''''Realism''''' illustrates the sentiments for this trope, as well as the tendency to perceive {{Deconstruction}} as DarkerAndEdgier because they take existing tropes and genres and play them as realistically as possible, which can imply that ''life itself'' is inherently dark and edgy. Of course, it should be noted that a true [[{{Deconstruction}} deconstructionist]] and [[PostModernism post-modernist]] would question the very idea of something being "liberal" or "real", seeing even such labels or the notion of a particular idea having a particular narrative (i.e. name, meaning, structure) as a mode of fantasy regardless of how edgy said person or idea wants to be.
* More sentiments of this trope that have been found inside and outside of this wiki have been found in how people used to perceive DarkerAndEdgier as more "mature" while LighterAndSofter was less mature. On this wiki, people used to cite CerebusSyndrome and the progression towards DarkerAndEdgier as part of GrowingTheBeard while ReverseCerebusSyndrome and LighterAndSofter were often filed under SeasonalRot. And then there was the talk about how darker works were seen as more mature and more "adult" like and the flame wars ''they'' caused.
* In International Relations theory, the two biggest (though by no means only) schools of thought are usually referred to as Liberalism, which believes that [[TheAlliance countries can]] [[WeAREStrugglingTogether work together]] and that [[GoodFeelsGood co-operation either is or should be a priority for countries in almost all circumstances and is mutually beneficial for all concerned]], and Realism, which is a [[TheCynic rather more cynical take on things]] [[{{Realpolitik}} that suggests all countries are/should be]] [[ItsAllAboutMe out for themselves at all times]], are mutually hostile, and often are [[PretextForWar barely restrained from outright conflict]] at all times. Although realists were the ones who chose the label, so the choice was probably made with this trope in mind to suggest maturity and to downplay the 'silly' or 'naive' idealism of others. And in the middle, we have the Rationalist school, which accepts some elements of both theories.
* A political cartoon in 2008 accused John [=McCain=] of pandering to the right wing in his Republican Presidential nomination campaign with his much less moderate views than he had promoted in his 2000 campaign. When asked what happened to the "Straight-Talk Express" [=McCain=] of 2000, the cartoon version of him replied, "He lost."
* There's a saying in American politics: "A conservative at the age of twenty has no heart; a liberal at the age of forty has no brain." This was derived from a 19th-century remark by a French politician: "A monarchist at the age of 20 has no heart; a republican [small r, as in "believes in a republic"] at the age of 40 has no brain". Of course, these paint conservatism and monarchism as the more mature choices, and of course today monarchism is pretty much dead as an idea, which should tell you something about that sentiment. (In America, perhaps. In monarchies, such as Britain, it's still alive and thriving as an ideology.)
* A popular modern Russian saying goes "A pessimist is a well-informed optimist". Similarly, several famous people through history, including Creator/MarkTwain, have been quoted as saying a variation of: "There is no sadder sight than a young pessimist, except an old optimist".
* [[HateDumb A good portion of the backlash against the popularity of ]]''WesternAnimation/MyLittlePonyFriendshipIsMagic'' [[HateDumb among adult males comes from people who firmly believe this to be true.]]
[[/folder]]

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[[index]]
* SillyRabbitIdealismIsForKids/AnimeAndManga
* SillyRabbitIdealismIsForKids/ComicBooks
* SillyRabbitIdealismIsForKids/FanWorks
* SillyRabbitIdealismIsForKids/{{Literature}}
* SillyRabbitIdealismIsForKids/LiveActionTV
* SillyRabbitIdealismIsForKids/VideoGames
* SillyRabbitIdealismIsForKids/WesternAnimation
[[/index]]



[[folder:Anime & Manga]]
* This trope is inverted in ''Manga/BlackLagoon'' when [[CoolOldGuy Takenaka]], a [[TerroristsWithoutACause Terrorist Without A Cause]], attempts to interrogate [[TheHero Rock]] into giving up some info by [[NotSoDifferentRemark convincing him that they're aren't that different]]. Rock refuses and asks Takenaka why he keeps fighting for a cause he's already lost. Takenaka explains that he's long since lost any ideals about being able to do anything constructive with his actions, but "keeps preaching" because it's the only thing he finds meaning in doing.
** One can argue that the entire series is about this trope when it comes to Rock's character. He's had to face this trope many times.
* ''LightNovel/ACertainMagicalIndex'': Almost every character, even the people he saves, are often completely baffled that [[TheHero Touma Kamijou]] will help anyone who needs it and interfere with problems that have nothing to do with him ([[ChronicHeroSyndrome even if there's good chance he might get killed]]), not expecting any reward or fame, but just because he feels it is right and he believes anyone else in his situation would do the same. Several characters think Touma really has some kind of ulterior motive or is insane.
* This is Kyosuke Munakata's feelings towards Makoto Naegi in ''Anime/DanganRonpa3''. He feels that Makoto's methods of dealing with despair (rehabilitation) are too soft and that the only way to defeat despair is to eradicate it completely (i.e., murder anyone who might be remotely connected to despair).
* In ''Manga/FullmetalAlchemist'' both Miles and another Briggs soldier mention this, as when they were Ed's age they thought they could get through life [[TechnicalPacifist without killing anyone either]].
* ''Manga/GreatTeacherOnizuka'': Often a particularly jaded character (such as Urumi, Miyabi, Ms. Daimon...) will go in a rant about the rotting of the society, AdultsAreUseless or abusive/perverted creeps, kids are delinquents, you can trust nobody or they shall abuse you or take advantage of you. However they sooner or later are confronted with [[SillyRabbitCynicismIsForLosers the opposite trope]] and being told they are just blind cynics and that mindset is one of the roots of those troubles.
* The TokenMiniMoe in ''Anime/HeatGuyJ'' gets in [[ContemplateOurNavels an argument]] with a DefectiveDetective, when he tells her that money isn't everything. In her world, where she and [[HardDrinkingPartyGirl her mother]] barely have what they need to survive, money ''is'' everything, and she has become jaded. She tells him that believing in ideals like "money can't bring happiness" is all a fantasy.
* ''Anime/MazingerZ'': In a story arc of the GosakuOta manga alternate continuity [[TheDragon Baron Ashura]] manages to kidnap [[TheHero Kouji Kabuto]] and tries to talk Kouji into joining him. When Kouji refuses, Ashura goes into a WhatIsEvil rant, stating "justice" and "peace" are only meaningless, empty words invented by people because they are too cowardly and weak to accept the truth (MightMakesRight according to him) and protect themselves, and then he taunts Kouji, telling the only thing his idealism has got him is trouble and humiliation.
* ''Anime/{{Monster}}'': Johan seems to be trying to teach this to Tenma, and toward the end says "The only thing humans are equal in... is death."
* In ''Manga/OnePiece'', when the Sun Pirates helps a young human girl (whom they had grown to cherish) return to her village, Arlong is quick to ruin their mood by stating that Koala will grow up to hate fishmen like any other human. [[spoiler:While he was wrong about Koala to the point that she's a Revolutionary and substitute teacher of the Fishman style of martial arts]], he was right about the people of Koala's hometown, who repaid Fisher Tiger's kindness in returning the ex-slave child by reporting him to the Marines, who mortally wounded him, purely out of FantasticRacism.
** It's a trait of many villains in the series that they'll spout a line like this. Donquixote Doflamingo especially does it a lot, though it's subverted by the BigBad Blackbeard, who actually believes in dreams and idealism in his own, twisted way.
*** Which makes sense considering he has the Will of D.
* In ''Anime/PuellaMagiMadokaMagica'', Homura Akemi beautifully sums it up:
-->''"With kindness comes naïveté. Courage becomes foolhardiness. And dedication has no reward. If you can't accept any of that, you are not fit to be a MagicalGirl."''
** [[spoiler:And then it got [[DefiedTrope defied]] in the end:]]
--->[[spoiler:''"If someone says it's wrong to hope, [[SillyRabbitCynicismIsForLosers I will tell them that they're wrong every time.]] [[HopeSpringsEternal I could tell them that countless times."]]'']]
** [[spoiler: The fandom is still debating whether or not this is a cop-out or a valid point.]]
* Subverted in ''Manga/RurouniKenshin''. When the villains try to BreakTheCutie Kaoru by saying that martial arts are for killing, the titular protagonist agrees.. but also says that he prefers the idealism over the truth.
* Used in ''Manga/SayonaraZetsubouSensei'' the first time Itoshiki Nozomu teaches the class.
** To expand on it, Nozomu tells his class to write down their "Despairs for the future", essentially the students writing down their "Hopes for the future", what they are aiming at becoming, which Nozomu shoots down by saying "It's hopeless", and then giving them a [[BreakThemByTalking Breaking Lecture]] on their unrealistic goals... And then [[ThePollyanna Fuura Kafuka]] shoots HIM down simply by stating that no matter how unrealistic your goal is, as long as you do your best to achieve it "the possibility exists" that you'll succeed. [[note]] Trivial note: It's later revealed that Kafuka's "Hopes/Despairs for the future" was to become "God, A Time Traveler, A Pororocoian". [[MindScrew And that she was already dead when the story took place.]][[/note]]
* Used in ''Anime/TigerAndBunny'' to highlight the duality between Kotetsu and his partner Barnaby. Barnaby, a PunchClockHero who views superheroics as "just another job", finds Kotetsu's still-intact idealism and aspirations towards being TheCape to be childish and naive. The twist is that Kotetsu is at least ten years older than Barnaby, and seems to be holding on to the virtues of "the good old days" in an era where superheroes have become marketing mascots.
** As the series progresses and he starts to rub off on Barnaby, the focus of the trope shifts from the two of them to Kotetsu and [[NinetiesAntiHero Lunatic]], a VigilanteMan whose sense of justice involves [[KillItWithFire burning criminals alive]].
*** In his case, it turns out his mindset is based on [[spoiler: the knowledge of what the Stern Bild idea of 'justice' actually entails. For much of the series the [=HeroTV=] heroes are ignorant of the massive corruption and violence that lies behind the glitzy theatrics, giving another reason (if one were needed) why the others don't see where Lunatic's coming from. [[SequelHook Hopefully]] time will tell what the reactions of them and [=NEXTs=] in general will be to Maverick's setup being uncovered]].
* Partially due to his HeroicBSOD in Season 3, Jaden in ''Anime/YuGiOhGX'' developed a StopHavingFunGuys mentality towards Duel Monsters during his journey into adulthood between Seasons 3 and 4, effectively losing the optimism that he had for two and a half seasons. Oddly enough, before that he was big on 'It's a game, have fun!' Pretty big turnaround. [[spoiler: In the final episode Jaden duels Yugi and regains his passion for dueling.]]
* One of the central themes in ''{{Manga/Trigun}}'' and also the source of conflict between Vash and his brother, Knives. It's best exemplified in a scene from when they were children, and observing a butterfly caught in a spider's web - Knives opts to squish the spider, and Vash objects that he wanted to save ''both'', prompting Knives to respond with this trope.

to:

[[folder:Anime & Manga]]
[[folder:Films — Animated]]
* ''WesternAnimation/{{Megamind}}'': There is this discussion:
-->'''Roxanne''': Please don't do this! I know there's still good in you, Hal.\\
'''Hal''': You're so naive, Roxie. You see the good in everybody, even when it's not there. You're living in a fantasy. There is no Easter Bunny, there is no Tooth Fairy, and [[EskimosArentReal there is no Queen of England]]. This is the real world, and you need to ''wake up''!
* In ''WesternAnimation/MyLittlePonyTheMovie2017'', this is the point of [[TheDragon Tempest Shadow]]'s VillainSong [[https://www.youtube.com/watch?v=fktlkNNp8Mw Open Up Your Eyes]].
* In ''WesternAnimation/{{Zootopia}}'', Nick Wilde tells Judy (who is a literal rabbit) that he considers her worldview naïve and childish, and her dreams are going to be crushed by reality.
-->'''Nick Wilde''': Tell me if this story sounds familiar. Naïve little hick with good grades and big ideas decides "Hey look at me, I'm gonna move to Zootopia, where predators and prey live in harmony and sing Kumbaya!" Only to find, whoopsie: we don't all get along. And that dream of becoming a big city cop? Double whoopsie: she's a meter maid. And whoopsie number three-sy: no one cares about her or her dreams. And soon enough those dreams die, and our bunny sinks into an emotional and literal squalor, living in a box under a bridge, until finally she has no choice but to go back home, with that cute fuzzy-wuzzy little tail between her legs to become... You're from Bunnyburrow, is that what you said? So how about a carrot farmer? That sound about right?
* ''WesternAnimation/SpiesInDisguise'':
This trope is inverted in ''Manga/BlackLagoon'' when [[CoolOldGuy Takenaka]], a [[TerroristsWithoutACause Terrorist Without A Cause]], attempts to interrogate [[TheHero Rock]] into giving up some info by [[NotSoDifferentRemark convincing him that they're aren't that different]]. Rock refuses and asks Takenaka why he keeps fighting for a cause he's already lost. Takenaka explains that he's long since lost any ideals about being able to do anything constructive with his actions, but "keeps preaching" because it's the only thing he finds meaning in doing.
** One can argue that the entire series is about this trope when it comes to Rock's character. He's had to face this trope many times.
* ''LightNovel/ACertainMagicalIndex'': Almost every character, even the people he saves, are often completely baffled that [[TheHero Touma Kamijou]] will help anyone who needs it and interfere with problems that have nothing to do with him ([[ChronicHeroSyndrome even if there's good chance he might get killed]]), not expecting any reward or fame, but just because he feels it is right and he believes anyone else in his situation would do the same. Several characters think Touma really has some kind of ulterior motive or is insane.
* This is Kyosuke Munakata's feelings towards Makoto Naegi in ''Anime/DanganRonpa3''. He feels that Makoto's methods of dealing with despair (rehabilitation) are too soft and that the only way to defeat despair is to eradicate it completely (i.e., murder anyone who might be remotely connected to despair).
* In ''Manga/FullmetalAlchemist'' both Miles and another Briggs soldier mention this, as when they were Ed's age they thought they could get through life [[TechnicalPacifist without killing anyone either]].
* ''Manga/GreatTeacherOnizuka'': Often a particularly jaded character (such as Urumi, Miyabi, Ms. Daimon...) will go in a rant about the rotting of the society, AdultsAreUseless or abusive/perverted creeps, kids are delinquents, you can trust nobody or they shall abuse you or take advantage of you. However they sooner or later are confronted with [[SillyRabbitCynicismIsForLosers the opposite trope]] and being told they are just blind cynics and that mindset is
one of the roots of those troubles.
* The TokenMiniMoe
reasons, if not THE reason, Walter's considered a weirdo by nearly everyone in ''Anime/HeatGuyJ'' gets in [[ContemplateOurNavels an argument]] the agency, especially with a DefectiveDetective, when he tells her that money isn't everything. In her world, where she and [[HardDrinkingPartyGirl her mother]] barely have what they need to survive, money ''is'' everything, and she has become jaded. She their line of work. Lance straight up tells him that believing in ideals like "money can't bring happiness" is all a fantasy.
* ''Anime/MazingerZ'': In a story arc of the GosakuOta manga alternate continuity [[TheDragon Baron Ashura]] manages to kidnap [[TheHero Kouji Kabuto]] and tries to talk Kouji into joining him. When Kouji refuses, Ashura goes into a WhatIsEvil rant, stating "justice" and "peace" are only meaningless, empty words invented by people because they are too cowardly and weak to accept the truth (MightMakesRight according to him) and protect themselves, and then he taunts Kouji, telling the only thing his idealism has got him is trouble and humiliation.
* ''Anime/{{Monster}}'': Johan seems to be trying to teach this to Tenma, and toward the end says "The only thing humans are equal in... is death."
* In ''Manga/OnePiece'', when the Sun Pirates helps a young human girl (whom they had grown to cherish) return to her village, Arlong is quick to ruin their mood by stating
"evil doesn't care that Koala will grow up to hate fishmen like any other human. [[spoiler:While he was wrong about Koala to the point that she's a Revolutionary and substitute teacher of the Fishman style of martial arts]], he was right about the people of Koala's hometown, who repaid Fisher Tiger's kindness in returning the ex-slave child by reporting him to the Marines, who mortally wounded him, purely out of FantasticRacism.
** It's a trait of many villains in the series that they'll spout a line like this. Donquixote Doflamingo especially does it a lot, though it's subverted by the BigBad Blackbeard, who actually believes in dreams and idealism in his own, twisted way.
*** Which makes sense considering he has the Will of D.
* In ''Anime/PuellaMagiMadokaMagica'', Homura Akemi beautifully sums it up:
-->''"With kindness comes naïveté. Courage becomes foolhardiness. And dedication has no reward. If you can't accept any of that, you are not fit to be a MagicalGirl."''
** [[spoiler:And then it got [[DefiedTrope defied]] in the end:]]
--->[[spoiler:''"If someone says it's wrong to hope, [[SillyRabbitCynicismIsForLosers I will tell them that they're wrong every time.]] [[HopeSpringsEternal I could tell them that countless times."]]'']]
** [[spoiler: The fandom is still debating whether or not this is a cop-out or a valid point.]]
* Subverted in ''Manga/RurouniKenshin''. When the villains try to BreakTheCutie Kaoru by saying that martial arts are for killing, the titular protagonist agrees.. but also says that he prefers the idealism over the truth.
* Used in ''Manga/SayonaraZetsubouSensei'' the first time Itoshiki Nozomu teaches the class.
** To expand on it, Nozomu tells his class to write down their "Despairs for the future", essentially the students writing down their "Hopes for the future", what they are aiming at becoming, which Nozomu shoots down by saying "It's hopeless", and then giving them a [[BreakThemByTalking Breaking Lecture]] on their unrealistic goals... And then [[ThePollyanna Fuura Kafuka]] shoots HIM down simply by stating that no matter how unrealistic your goal is, as long as you do your best to achieve it "the possibility exists" that you'll succeed. [[note]] Trivial note: It's later revealed that Kafuka's "Hopes/Despairs for the future" was to become "God, A Time Traveler, A Pororocoian". [[MindScrew And that she was already dead when the story took place.]][[/note]]
* Used in ''Anime/TigerAndBunny'' to highlight the duality between Kotetsu and his partner Barnaby. Barnaby, a PunchClockHero who views superheroics as "just another job", finds Kotetsu's still-intact idealism and aspirations towards being TheCape to be childish and naive. The twist is that Kotetsu is at least ten years older than Barnaby, and seems to be holding on to the virtues of "the good old days" in an era where superheroes have become marketing mascots.
** As the series progresses
you're nice" and he starts to rub off on Barnaby, the focus of the trope shifts from the two of them to Kotetsu and [[NinetiesAntiHero Lunatic]], a VigilanteMan whose sense of justice involves [[KillItWithFire burning criminals alive]].
*** In his case, it turns out his mindset is based on [[spoiler: the knowledge of what the Stern Bild idea of 'justice' actually entails. For much of the series the [=HeroTV=] heroes are ignorant of the massive corruption and violence that lies behind the glitzy theatrics, giving another reason (if one were needed) why the others don't see where Lunatic's coming from. [[SequelHook Hopefully]] time will tell what the reactions of them and [=NEXTs=] in general will be to Maverick's setup being uncovered]].
* Partially due to his HeroicBSOD in Season 3, Jaden in ''Anime/YuGiOhGX'' developed a StopHavingFunGuys mentality towards Duel Monsters during his journey into adulthood between Seasons 3 and 4, effectively losing the optimism that he had for two and a half seasons. Oddly enough, before that he was big on 'It's a game, have fun!' Pretty big turnaround. [[spoiler: In the final episode Jaden duels Yugi and regains his passion for dueling.]]
* One of the central themes in ''{{Manga/Trigun}}'' and also the source of conflict between Vash and his brother, Knives. It's best exemplified in a scene from when they were children, and observing a butterfly caught in a spider's web - Knives opts to squish the spider, and Vash objects that he wanted to
"can't save ''both'', prompting Knives to respond the world with this trope.hugs".



[[folder:Comic Books]]
* Gemini Storm's Elizabeth Rose is very negative, to the point of berating her male companion when he yells at her for killing one of the monsters trying to kill them both.
* Speedball's evolution into Penance was this trope plus a dump truck full of {{Wangst}}. Never mind the armor standing for the victims of Stamford, there was the very, very painful flagellant behavior around the dumb citizens of Marvel (when it was CLEARLY Nitro who did it). That said, he also had amnesia at the time-- he knew that he used to be a hero and that he'd done something bad, he just didn't know who or what.
* This would be a big part of Sally Floyd's mentality in a nutshell during ComicBook/CivilWar. When she berates ComicBook/CaptainAmerica, she claims that modern America is not about idealistic beliefs but about mediocrity and pop culture and that Captain America with his idealism '''broke America''' (sic...although it's not saying a lot when Iron had done horrible things that would prove Cap's point).
* Franchise/{{Superman}}:
** Superman once battled the Elite (a pastiche of ComicBook/TheAuthority), a pack of super-[[AntiHero anti-heroes]] who routinely killed. It was the Elite's point-of-view that Superman's boy-scout kid-gloves morality was a weakness and that defeating evil required being just as bad. During their final face-off, Superman appeared to be going all-out, slaughtering his way through the Elite on live TV. But it was a fake-out -- he was merely knocking them out in creative ways, trying to illustrate how terrifying superpowered killers can be. Manchester Black, the leader of the Elite, maintained that Superman's idealism was nothing but a facade until his dying day. (When Black realized that Superman ''honestly and sincerely believed and lived up to his ideals'', [[EvilCannotComprehendGood it was more than Black could take]] and he committed suicide.)
** In fact, the very idea of idealism apparently screwed Black up so much that he eventually ''came back'' and tried to destroy the entire world to ultimately prove his point, in a large-scale prequel to the Joker's attempted demonstrations in ''The Dark Knight''. Except with more HumansAreBastards (and so are {{you|Bastard}}) thrown in. In Franchise/TheDCU, enough cynicism apparently leads to evil on an epic scale.
** In another example, Clark Kent once came across a police officer he was acquainted with both as Kent and Superman attempting to beat a confession out of Pete Ross, who was suspected of being a supervillain at the time. When Kent confronted her about it, the police officer dismissively told him to 'grow up'. Unfortunately for her, then ''Superman'' confronted her -- and snatched her badge from her with his superspeed, crushed it in his fist, and bluntly told her that she was a disgrace who didn't deserve to wear it. Not entirely surprisingly, having the Man of Steel deliver a WhatTheHellHero speech to her was enough to prompt something of a moral crisis for her.
** Overall lesson from all this -- telling Superman that cynicism and maturity are the same thing is ''a very bad idea''.
** In ''ComicBook/SupermanAtEarthsEnd'', Ben Boxer claims that Superman's ideals, such as [[ThouShaltNotKill not killing for any reason,]] have no place whatsoever in a [[CrapsackWorld devastated hellhole ruled by]] [[YouClonedHitler twin clones of Adolf Hitler.]]
---> "Foolish old man... your refusal to kill got you nowhere in 1999 -- Where do you think it will get you now, in a world ruled by death?!"
* Subverted in ''ComicBook/ElseworldsFinestSupergirlAndBatgirl''. ''Comicbook/{{Batgirl}}'' is a cynical jerkass who thinks the Justice Society are gods looking down on the little people and ''Comicbook/{{Supergirl}}'' is clueless when she tells that they and ''Comicbook/LexLuthor'' are her surrogate family. When [[spoiler:it's revealed that Luthor is a lying, murderous bastard]] it looks like Batgirl has been proved right, but then she talks Supergirl out of killing him because she's a hero and a symbol of Hope and shouldn't drop to his level.
* In one of Marvel Comic's ''ComicBook/{{Thunderbolts}}'' mini-series, Baron Zemo accidentally goes back in time and encounters many of his ancestors via time-jumps, one of whom is in young love with a lady that history says he's not destined to marry. Zemo tells them to their faces that they can dream because they are young and that the harshness of reality will eventually make them adults. Of course he was right all along. He knew he would marry another after all.
* ''ComicBook/{{Watchmen}}'':
** The Comedian's speech at the "Crime Busters" meeting.
** [[spoiler:Ozymandias too, as he tells Nite Owl to grow up and adapt in response to his idealistic views since his new world has no place for [[TheCape silly old-fashioned heroics]]]].
* In the ''ComicBook/DetectiveComicsRebirth'' storyline "The Victim Syndicate", [[spoiler:Stephanie Brown performs a (downplayed) FaceHeelTurn and attempts to blackmail Batman into getting every vigilante to retire, get help and live normal lives to prevent a group like them from existing and to stop another Tim Drake from dying]]. Batwing and Clayface call [[spoiler:her]] out by pointing out that doing something like that isn't as simple as just hanging up their costumes and being normal as they have problems beyond just wearing the costume and punching people.
[[/folder]]

[[folder:Fanfiction]]
* [[Anime/CodeGeass Suzaku]] in ''[[https://www.fanfiction.net/s/4972504/1/Code-Geass-A-Different-Code A Different Code]]'' is on the receiving end of this several times. First, Lelouch openly tells him he can't "change the system from the inside" when the people in charge don't want things changed. Then Jeremiah points out that Suzaku is ignoring all Britannia's faults blindly, whereas [[MyCountryRightOrWrong Jeremiah knows Britannia has faults but is loyal anyway]]. Lastly, Lloyd Asplund shuts down Suzaku's rant about the Black Knights merely being lucky the landslide at Narita didn't bury the town by pointing out that any weapon capable of stopping the VARIS rifle could have done so, thus they must have powered it down to save the town. Suzaku then gets indignant about the few house that were hit being "sacrificed" only for Lloyd to point out that life isn't a laboratory and there was likely some unforeseen factor that caused the landslide to go further than intended.
** V.V. [[StupidestThingIveEverHeard laughs himself silly]] at Suzaku's idea of changing the Britannia from within.
* [[Literature/HarryPotter Harry]] is far more cynical than the more idealist [[Franchise/StarWars Anakin]] in ''Fanfic/TheHavocSideOfTheForce''. Unlike most examples, however, he teaches Anakin to be more cynical because he honestly doesn't want the kid to learn the hard way like Harry did.
* In ''Fanfic/ISpokeAsAChild'', the [[OOCIsSeriousBusiness normally pleasant]] Frankie curses out Mac (a nine-year-old) and tells him that he's living in an idealistic bubble and needs to "grow the [[PrecisionFStrike fuck]] up". However, she apologizes for this a few hours later. Frankie only snapped at him because she's dealing with the aftermath of DateRape and has been traumatized by the ordeal.
* Kyril from ''Fanfic/TheNightUnfurls'' [[ZigZaggingTrope plays with this trope like a juggler does with their balls]]. He firmly believes that [[MightMakesRight victory triumphs honour in combat]], while calling out anyone who believes otherwise. Not surprising for a [[ShellShockedVeteran shell-shocked]], [[{{Mangst}} mangsting]] [[TheCynic cynic]] like him, but all the more shocking when he notably refrains from mocking PrincessClassic Prim for her idealism, together with his belief that HumansAreFlawed instead of HumansAreBastards. Then again, he ''is'' the same [[PlayerCharacter hunter]] who lied to Ludwig, the Holy Blade about the fate of his Church Hunters as a [[LetThemDieHappy final solace]].
-->'''Prim:''' I prayed for the comrades we lost on the road. I grieved but now that the Goddess has a plan to end the war, surely such sadness will cease? [[WideEyedIdealist I certainly do hope so]].\\
'''Kyril:''' [[MotivationalLie May it be so]].
* Happened to [[Franchise/MassEffect Garrus]] in ''[[http://archiveofourown.org/series/174092 Parable]]'' series. After the two years on Omega and then repeatedly sees how the world treats his wife Jane despite her sacrifices, by the end of the Reaper war, he has completely changed from the idealistic Turian at the beginning of the series to a jaded man that only looks out for his family and is perfectly fine with abandoning people in need if they affect his loved ones' well-being in any way. Case in point, in [[http://archiveofourown.org/works/3433757/chapters/7526057 Part 6, ''Recrudescence'']], he gets into a fight with Kaidan when the latter uses the Normandy's fund to save a pair of mother/daughter slaves while the former needs that money to make sure the ship runs smoothly for [[PapaWolf his]] [[HalfHumanHybrid twin babies]]' sake; when Kaidan askes where is the man that wanted justice for everyone, Garrus just flat-out replies that that man is dead and replaced with someone that know how the universe works.
* In the ''WesternAnimation/HowToTrainYourDragon'' fanfic ''Fanfic/AThingOfVikings'', [[EvilRegent Regent]] Einar Thambarskelfir corners Hiccup at one point and, in true [[EvilMentor evil mentor]] fashion, tells him that, no matter what people might otherwise claim, their motivations ultimately amount to nothing more than money, power, sex and revenge, and the sooner he realizes this, the better a lord he'll become. Later, he takes Tuffnut aside and is genuinely appalled at Tuffnut's apparent [[EvilVirtues lack of ambition]] and gives him a [[DareToBeBadass dare to be badass]] lecture.
[[/folder]]

[[folder:Films — Animated]]
* ''WesternAnimation/{{Megamind}}'': There is this discussion:
-->'''Roxanne''': Please don't do this! I know there's still good in you, Hal.\\
'''Hal''': You're so naive, Roxie. You see the good in everybody, even when it's not there. You're living in a fantasy. There is no Easter Bunny, there is no Tooth Fairy, and [[EskimosArentReal there is no Queen of England]]. This is the real world, and you need to ''wake up''!
* In ''WesternAnimation/MyLittlePonyTheMovie2017'', this is the point of [[TheDragon Tempest Shadow]]'s VillainSong [[https://www.youtube.com/watch?v=fktlkNNp8Mw Open Up Your Eyes]].
* In ''WesternAnimation/{{Zootopia}}'', Nick Wilde tells Judy (who is a literal rabbit) that he considers her worldview naïve and childish, and her dreams are going to be crushed by reality.
-->'''Nick Wilde''': Tell me if this story sounds familiar. Naïve little hick with good grades and big ideas decides "Hey look at me, I'm gonna move to Zootopia, where predators and prey live in harmony and sing Kumbaya!" Only to find, whoopsie: we don't all get along. And that dream of becoming a big city cop? Double whoopsie: she's a meter maid. And whoopsie number three-sy: no one cares about her or her dreams. And soon enough those dreams die, and our bunny sinks into an emotional and literal squalor, living in a box under a bridge, until finally she has no choice but to go back home, with that cute fuzzy-wuzzy little tail between her legs to become... You're from Bunnyburrow, is that what you said? So how about a carrot farmer? That sound about right?
* ''WesternAnimation/SpiesInDisguise'': This trope is one of the reasons, if not THE reason, Walter's considered a weirdo by nearly everyone in the agency, especially with their line of work. Lance straight up tells him that "evil doesn't care that you're nice" and he "can't save the world with hugs".
[[/folder]]



-->'''Jake:''' It can't be like this!
-->'''Alonzo:''' It is this way, man. I'm sorry I exposed you to it, but it is. It's ugly, but it's necessary.
-->'''Jake:''' I became a cop to put away drug dealers, the poisoners, the criminals, not to be one!
-->'''Alonzo:''' .... The sooner you can match what's in your head with what's going on in the real world, the better you're gonna feel. In this business, you gotta have a little dirt on you for anybody to trust you.

to:

-->'''Jake:''' It can't be like this!
-->'''Alonzo:'''
this!\\
'''Alonzo:'''
It is this way, man. I'm sorry I exposed you to it, but it is. It's ugly, but it's necessary.
-->'''Jake:'''
necessary.\\
'''Jake:'''
I became a cop to put away drug dealers, the poisoners, the criminals, not to be one!
-->'''Alonzo:''' ....
one!\\
'''Alonzo:''' ....
The sooner you can match what's in your head with what's going on in the real world, the better you're gonna feel. In this business, you gotta have a little dirt on you for anybody to trust you.



[[folder:Literature]]
* ''Literature/{{Animorphs}}.'' Jake's brother Tom (who is actually controlled by an alien Yeerk slug) sums the trope up when talking about morality in war:
-->''"Honor and courage aren't what matters, not in real war. What matters is whether you win. After you win, then you start talking about honor and courage. When you're in battle, you do what you have to do. Honor and courage and all that? Those are the words you say after you've killed all your enemies."''
** It's telling that by this point in this story, Jake's inner monologue is along the same lines.
*** [[spoiler: This is also what he tells himself when he sends his cousin Rachael on a suicide mission to kill Tom.]]
** Within the Animorphs themselves, Marco tells Cassie this a lot.
** In the BadFuture where Yeerks have conquered Andalites and humans, Cassie has become a KnightTemplar terrorist happily dynamiting skyscrapers full of people. She tells Jake that now she finally understands war.
* The Decembrist uprising of 1825 is described in such terms for all of Russian high society in ''Literature/TheDeathOfTheVazirMukhtar''; while "the people of the [eighteen] twenties" are generally idealistic if superfluous, impractical and hypocritical, the people who replace them at the forefront of high society after the failure of the Decembrist uprising are more pragmatic, materialistic and outwardly conformist (notably, both sides can be pretty cynical or the opposite regardless of this divide, just in different ways). And then there is the main character, Aleksandr Griboyedov, who is stuck awkwardly between the two groups and is very cynical and contemptuous towards both.
* ''Literature/TheFirstLaw'' series has this in spades.
* In James Stoddard's ''The High House'', Murmur rebukes Duskin for wanting to join in the defense of the house; his father would have, but that was idealism of youth, which he never outgrew.
* In Creator/GeneStrattonPorter's ''Literature/MichaelOHalloran'', when Douglas rejects an official position, he gets this.
-->''"It is painful to a man of experience to see you young fellows of such great promise come up and 'kick' yourself half to death 'against the pricks' of established business, parties, and customs, but half of you do it. In the end, all of you come limping in, poor, disheartened, defeated, and then swing to the other extreme, by being so willing for a change you'll take almost anything, and so the dirty jobs naturally fall to you."''
* ''Literature/ASongOfIceAndFire'' seems to run on this trope. It's particularly the focus of Sansa's character development, as she turns from an idealistic, romantic girl into a reserved, suspicious, cynical and untrusting woman.
** Inverted from the perspectives of Jaime and Tyrion. Both are cynical pragmatists that only find meaning in their lives when they reconnect with honorable agendas.
* ''Literature/TrappedOnDraconica'': [[spoiler: Kazebar]] gives a [[BreakThemByTalking Breaking Speech]] at the end about how idealism is foolish and everything is about power.
* Lux in ''LightNovel/UndefeatedBahamutChronicle'' is repeatedly told this by others. An excellent example is by his older and less-scrupulous half-brother Fugil. Lux and Fugil both took part in a rebellion to depose their tyrannical family, with the former defeating his opponents non-lethally and intending to spare them afterwards. Fugil killed the rest of the royal family (save for himself, Lux, and their younger sister Airi), the nobles, and the army then lectured Lux on how his approach would have gotten him stabbed in the back later on.
* Theo Bell has this exchange with [[spoiler:his old friend Angus]] in a ''TabletopGame/VampireTheMasquerade'' spinoff novel, [[spoiler:not long after finding out Angus was the one who'd been repeatedly trying to kill him]].
* Painfully {{Deconstructed}} in the fifth book of the ''Literature/WingsOfFire'' series, as it delves within the mind of Sunny, local WideEyedIdealist and TheCutie. It shows how Sunny's friends adopting this mindset, constantly dismissing Sunny's ideas on the basis of their idealistic nature, and treating her like a young child has left her with a very raw inferiority streak and a strong desire for acceptance. The fact that Sunny believes in the importance of action and is actually willing to make an effort to make the world a better place, and why this is important to her, is a huge part of her CharacterDevelopment. [[spoiler: She does become slightly more realistic, but as TheAntiNihilist and one who constantly strives for the better of the world.]]
* In ''Literature/WorldWarZ'', this is the viewpoint of many {{Jerk Ass}}es in such interviews as the one with former White House chief of staff Grover Carlson. Asked about the response of the White House to reports of the walking dead, Carlson claims it was above and beyond, and brags that Phalanx, a supposed anti-zombie drug, was pushed through the Food and Drug Administration. When the Narrator points out that Phalanx didn't work, Carlson explodes and launches into a tirade that what mattered was that a panic had been avoided, ultimately telling the interviewer to "grow up":
-->''"Can you imagine the damage it would have done to the administration's political capital? We're talking about an election year, and a damn hard, uphill fight. ... Oh, c'mon. Can you ever 'solve' poverty? Can you ever 'solve' crime? Can you ever 'solve' disease, unemployment, war, or any other societal herpes? Hell no. All you can ever hope for is to make them manageable enough to allow people to get on with their lives. That's not cynicism, that's maturity."''
** Given that this guy was personally responsible for a number of the dumbass decisions that led the world to ruin, he should feel lucky that his punishment is simply collecting manure for a biodiesel plant. Of course, ''his'' viewpoint is that his decisions kept society going long enough for the [[ShootTheDog Redekker Plan]] to be enacted, therefore making him one of the world's unsung saviors. The reader is [[ShrugOfGod left hanging as to this.]]
* In ''Literature/TheWitchlands'', after Aeduan tells Iseult that she can't possibly be one of the Cahr Awen, she mentally scolds herself for regressing back to her childhood years and believing that she could be anything more than a failed Threadwitch. Of course, Aeduan is lying to make himself feel better about his own choices, so the story doesn't really side with Iseult on this.

to:

[[folder:Literature]]
[[folder:Music]]
* ''Literature/{{Animorphs}}.'' Jake's brother Tom (who is actually controlled by an alien Yeerk slug) sums Music example, slightly inverted: In his song "My Back Pages", Music/BobDylan describes his angry-young-man cynicism of a few years earlier, and its gradual evolution into pragmatism, with the trope up when talking memorable (and confusing) chorus "I was so much older then / I'm younger than that now."
* Similarly, Music/BillyJoel in "Angry Young Man":
-->I believe I've passed the age\\
Of consciousness and righteous rage\\
I found that just surviving\\
Was a noble fight...
* Music/GreenDay has at least two songs directly dealing with or referencing this, "Emenius Sleepus" and "The Grouch". The former is
about morality in war:
-->''"Honor
a friend who underwent the process, the latter, the narrator.
* In I Fight Dragon's 'No One Likes Superman Anymore':
-->Cuz no one wants to know the man who stands for things we outgrow\\
He’s too noble
and courage aren't what matters, not in real war. What matters is whether you win. After you win, then you start talking about honor too blind\\
We’re all older now
and courage. When you're in battle, you do what you have we don’t need someone to do. Honor and courage and all that? Those are the words you say after you've killed all your enemies."''
** It's telling that by this point in this story, Jake's inner monologue is along the same lines.
*** [[spoiler: This is also what he tells himself when he sends his cousin Rachael on a suicide mission to kill Tom.]]
** Within the Animorphs themselves, Marco tells Cassie this a lot.
** In the BadFuture where Yeerks have conquered Andalites and humans, Cassie has become a KnightTemplar terrorist happily dynamiting skyscrapers full of people. She tells Jake that now she finally understands war.
care about\\
The innocence we left behind…
* The Decembrist uprising of 1825 is described Jam in such terms for all of Russian high society in ''Literature/TheDeathOfTheVazirMukhtar''; while "the people of the [eighteen] twenties" are generally idealistic if superfluous, impractical and hypocritical, the people who replace them at the forefront of high society after the failure of the Decembrist uprising are more pragmatic, materialistic and outwardly conformist (notably, both sides can be pretty cynical or the opposite regardless of this divide, just in different ways). And then there is the main character, Aleksandr Griboyedov, who is stuck awkwardly between the two groups and is very cynical and contemptuous towards both.
* ''Literature/TheFirstLaw'' series has this in spades.
* In James Stoddard's ''The High House'', Murmur rebukes Duskin for wanting to join in the defense of the house; his father would have, but
"Burning Sky", though that was idealism of youth, which he never outgrew.
* In Creator/GeneStrattonPorter's ''Literature/MichaelOHalloran'', when Douglas rejects an official position, he gets this.
-->''"It is painful
meant to a man of experience to see you young fellows of such great promise come up and 'kick' yourself half to death 'against the pricks' of established business, parties, and customs, but half of you do it. In the end, all of you come limping in, poor, disheartened, defeated, and then swing to the other extreme, by being so willing for a change you'll take almost anything, and so the dirty jobs naturally fall to you."''
* ''Literature/ASongOfIceAndFire'' seems to run on this trope. It's particularly the focus of Sansa's character development, as she turns
be from an idealistic, romantic girl into a reserved, suspicious, cynical and untrusting woman.
** Inverted from the perspectives of Jaime and Tyrion. Both are cynical pragmatists that only find meaning in their lives when they reconnect with honorable agendas.
* ''Literature/TrappedOnDraconica'': [[spoiler: Kazebar]] gives a [[BreakThemByTalking Breaking Speech]] at the end about how idealism is foolish and everything is about power.
* Lux in ''LightNovel/UndefeatedBahamutChronicle'' is repeatedly told this by others. An excellent example is by his older and less-scrupulous half-brother Fugil. Lux and Fugil both took part in a rebellion to depose their tyrannical family, with the former defeating his opponents non-lethally and intending to spare them afterwards. Fugil killed the rest of the royal family (save for himself, Lux, and their younger sister Airi), the nobles, and the army then lectured Lux on how his approach would have gotten him stabbed in the back later on.
* Theo Bell has this exchange with [[spoiler:his old friend Angus]] in a ''TabletopGame/VampireTheMasquerade'' spinoff novel, [[spoiler:not long after finding out Angus was the one who'd been repeatedly trying to kill him]].
* Painfully {{Deconstructed}} in the fifth book of the ''Literature/WingsOfFire'' series, as it delves within the mind of Sunny, local WideEyedIdealist and TheCutie. It shows how Sunny's friends adopting this mindset, constantly dismissing Sunny's ideas on the basis of their idealistic nature, and treating her like a young child has left her with a very raw inferiority streak and a strong desire for acceptance. The fact that Sunny believes in the importance of action and is actually willing to make an effort to make the world a better place, and why this is important to her, is a huge part of her CharacterDevelopment. [[spoiler: She does become slightly more realistic, but as TheAntiNihilist and one who constantly strives for the better of the world.]]
* In ''Literature/WorldWarZ'', this is
the viewpoint of many {{Jerk Ass}}es in such interviews as a character who'd embraced the one capitalist system.
* Both played straight and subverted
with former White House chief Music/AvrilLavigne. Her first album, made when she was just a teenager, was a poppy, punky teen fest, and "[=Sk8er=] Boi" became a hit song among preteens. Two years later and she abandoned the "immaturity" for wangst and cynicism. Three years after that, and she's a teenager again! But now, she's put out a soft rock/acoustic album, making this a ZigZaggingTrope.
* Happened with pseudo-anarchist folk/punk band Levellers. Their early albums were all 'times are tough but if we work together we can get past Thatcher and have a time
of staff Grover Carlson. Asked peace and joy and happiness'. Now, twenty or so years later their songs seem to mostly be about the response of the White House to reports of the walking dead, Carlson claims it was above and beyond, and brags that Phalanx, a supposed anti-zombie drug, was pushed through the Food and Drug Administration. When the Narrator points out that Phalanx didn't work, Carlson explodes and launches into a tirade that what mattered was that a panic had been avoided, ultimately telling the interviewer to "grow up":
-->''"Can you imagine the damage it would have done to the administration's political capital? We're talking about an election year, and a damn hard, uphill fight. ... Oh, c'mon. Can you ever 'solve' poverty? Can you ever 'solve' crime? Can you ever 'solve' disease, unemployment, war, or any other societal herpes? Hell no. All you can ever hope for is to make them manageable enough to allow people to get on with their lives. That's not cynicism, that's maturity."''
** Given that this guy was personally responsible for a number of the dumbass decisions that led
how the world to ruin, he should feel lucky that his punishment is simply collecting manure for a biodiesel plant. Of course, ''his'' viewpoint is that his decisions kept society going long enough for the [[ShootTheDog Redekker Plan]] to be enacted, therefore making him sucks and we're all screwed.
* Music/{{Oasis}}' "Fade Away".
* Music/{{Supertramp}}'s "Dreamer".
* "I May Not Awaken", arguably
one of the world's unsung saviors. Music/{{Enya}}'s [[TearJerker saddest songs]]. The reader is [[ShrugOfGod left hanging as narrator comes to this.]]
* In ''Literature/TheWitchlands'', after Aeduan tells Iseult that she can't possibly be one of the Cahr Awen, she mentally scolds herself for regressing back to her childhood years and believing that she could be anything more than a failed Threadwitch. Of course, Aeduan is lying to make himself feel better
this conclusion about his own choices, so halfway through, promptly throwing her over the story doesn't really side with Iseult on this.DespairEventHorizon.



[[folder:Live-Action TV]]
* A creepy scene in ''Series/{{Angel}}'''s "[[Recap/AngelS01E21BlindDate Blind Date]]". Recurring baddie Lindsey Macdonald, a flunky for the rapacious law firm Wolfram & Hart, starts to have doubts about his job. He gets lectured by Holland, an older attorney, who reminisces about harboring the same ennui that Lindsey is currently feeling. It's a very jovial yet deeply unsettling speech.
-->'''Lindsay''': Sometimes you...question things, but--\\
'''Holland''': ''(interrupting)'' Yeah, I did a lot of crazy things when [[UsedToBeASweetKid I was your age]]. Searching and all. Took me a while to realize how the world was put together and where I belonged in it. And actually the world isn't that complicated: It's designed for those who know how to use it.
* In ''Series/{{Castle}}'', Detective Kate Beckett has been jaded, cynical, and bitter ever since her mother was murdered when Kate was a teenager and the murder was never solved. Her CharacterDevelopment -- helped along by her increased tolerance of, friendship with, and feelings for immature and optimistic ManChild Richard Castle -- has largely been centred around reawakening her optimism and hope for the future; as evidence, simply compare [[WhenSheSmiles how much she smiles]] in any given episode of season one as opposed to any given episode of season five.
* ''Series/DoctorWho'': [[Recap/DoctorWhoS31E1TheEleventhHour Amy Pond]] met the Doctor when she was a kid and wanted to travel with him but circumstances delayed him until she'd grown up, where she justifies her (not entirely unjustified) skepticism of him and his claims with this trope. Being the Doctor, however, he has the perfect comeback:
-->'''Amy:''' I grew up.\\
'''The Doctor:''' Don't worry. I'll soon fix that.
* In ''Series/GameOfThrones'', this is basically the plot arc of [[spoiler:Sansa Stark]] in the first two seasons.
* Peter Petrelli on ''Series/{{Heroes}}'' has been on the receiving end of this from practically everyone he meets, including his own family. It doesn't stop him from continuing to do whatever he thinks is the right thing.
* Series/{{House}} is a firm believer of this, his personal mantra being "[[ArcWords Everybody lies]]".
* ''Series/LawAndOrder'' loves to rub the viewers' faces into the political version of this trope. Then there's Abbie Carmichael who is this trope personified.
* In the ''Series/MadamSecretary'' episode "The Detour", Chinese Foreign Minister Chen Ming [[ShutUpKirk shrugs off Secretary of State Liz McCord's speech]] about the good the US could do in Africa if China would quit undercutting them.
-->'''Liz:''' The United States is trying very hard to turn the page, and be a force for constructive engagement. Cleaner energy, economic diversification and greater transparency, educating and empowering women and girls.\\
'''Chen:''' Spare me your idealism. More importantly, spare Africa. I lived through the Cultural Revolution. My father was not so lucky. Idealism kills. Mutual interests save lives.
* In ''Series/{{Merlin|2008}}'', when the title character refuses to save Mordred's life because he's destined to kill Arthur, Gaius asks what happened to the young boy who first arrived in his chambers. Merlin replies, "He grew up. [[IDidWhatIHadToDo And learnt the meaning of duty]]."
* Miss Parker from ''Series/ThePretender'', complete with the obligatory "What happened to you?" "I grew up" conversation in the first episode. [[WideEyedIdealist Jared]] spends a reasonable amount of time throughout the series trying to [[SillyRabbitCynicismIsForLosers revert her, however.]]
* Ned in ''Series/PushingDaisies'' gives "I grew up" as the answer to why he no longer likes Halloween. He's lying, though.
* The ''Series/{{Scrubs}}'' episode "My Brother, Where Art Thou" is about this. After 3 of years of working at the hospital and due to Dr. Cox's influence, JD, who was originally introduced as a WideEyedIdealist, has become a lot more cynical. His brother Dan, who has come to visit, is shocked by this and doesn't like the change. He tells Dr. Cox that he knows JD will never look up to him, but that he does to Dr. Cox, so he should work at being a better {{mentor}}. Surprisingly, Dr. Cox accepts his point and resolves to take the role more seriously.
* In the ''Series/SixFeetUnder'' episode "The Liar And The Whore," Karla subtly suggests this with the following line: "People don't change. They just get older, that's all."
* Tess Mercer from ''Series/{{Smallville}}'' gives Oliver Queen the whole "I grew up" line. Although this can be described as SillyRabbitRomanceIsForKids. A bit of both; she also uses it as an explanation of how she went from [[GranolaGirl an environmentally crusading marine biologist]] to [[CorruptCorporateExecutive the head of Luthorcorp]].
* ''Series/StarTrekEnterprise'': When Captain Archer returned to Earth after the events of [[StoryArc Season]] [[MyGodWhatHaveIDone 3]], where he carried a team of {{Space Marine}}s, resorted to [[SpacePirates piracy]], [[WarIsHell killed unarmed aliens manning a listening post]], lost several crew members, and [[ArsonMurderAndJaywalking went back in time]], he has taken this attitude. The other members of Earth's Starfleet, who are bursting with Roddenberrian enthusiasm for space travel, are deeply concerned as he talks about the importance of better arming ships and warfighting over exploring. They are convinced he's simply cynical, but he can't help but think that being more cynical may have saved some of his crew. It ''does'' remind Starfleet that there are civilizations out there who want nothing more than to [[spoiler: blow Earth up]].
* When Sasha Monroe from ''Series/ThirdWatch'' points out Tyrone Davis Jr's shady police tactics and how it contributes to innocent black men going to jail, he put his hand up to her face and says "Don't preach to me." Interestingly enough, Ty refused to believe his father was corrupt, yet he's going down [[GenerationXerox the same slippery slope]].
* Sir Humphrey has managed to reduce this to a simple aphorism in ''Series/YesMinister'':
-->''"A cynic is a what an idealist calls a realist."''

to:

[[folder:Live-Action TV]]
[[folder:Tabletop Games]]
* A creepy scene in ''Series/{{Angel}}'''s "[[Recap/AngelS01E21BlindDate Blind Date]]". Recurring baddie Lindsey Macdonald, a flunky for ''TabletopGame/PrincessTheHopeful'': This is the rapacious law firm Wolfram & Hart, starts to have doubts about his job. He gets lectured by Holland, an older attorney, who reminisces about harboring attitude of the same ennui Radiant Courts towards the Court of Mirrors. While the Radiants ''are'' idealists, they do acknowledge that Lindsey is currently feeling. It's they live in a very jovial yet deeply unsettling speech.
-->'''Lindsay''': Sometimes you...question things, but--\\
'''Holland''': ''(interrupting)'' Yeah, I did a lot of crazy things when [[UsedToBeASweetKid I was your age]]. Searching
WorldHalfFull and all. Took me a while to realize how the world was put together and where I belonged in it. And actually the world isn't that complicated: It's designed they will need to EarnYourHappyEnding. Mirrors, on the other hand, teaches that there is no such thing as a no-win scenario, that hard choices only mean that you're not looking hard enough for those who know how to use it.
* In ''Series/{{Castle}}'', Detective Kate Beckett has been jaded, cynical, and bitter ever since her mother was murdered when Kate was a teenager and the murder was never solved. Her CharacterDevelopment -- helped along by her increased tolerance of, friendship with, and feelings for immature and optimistic ManChild Richard Castle -- has largely been centred around reawakening her optimism and hope for the future; as evidence, simply compare [[WhenSheSmiles how much she smiles]] in any given episode of season one as opposed to any given episode of season five.
* ''Series/DoctorWho'': [[Recap/DoctorWhoS31E1TheEleventhHour Amy Pond]] met the Doctor when she was a kid and wanted to travel with him but circumstances delayed him until she'd grown up, where she justifies her (not entirely unjustified) skepticism of him and his claims with this trope. Being the Doctor, however, he has
the perfect comeback:
-->'''Amy:''' I grew up.\\
'''The Doctor:''' Don't worry. I'll soon fix that.
* In ''Series/GameOfThrones'', this is basically the plot arc of [[spoiler:Sansa Stark]] in the first two seasons.
* Peter Petrelli on ''Series/{{Heroes}}'' has been on the receiving end of this from practically everyone he meets, including his own family. It doesn't stop him from continuing to do whatever he thinks is the right thing.
* Series/{{House}} is a firm believer of this, his personal mantra being "[[ArcWords Everybody lies]]".
* ''Series/LawAndOrder'' loves to rub the viewers' faces into the political version of this trope. Then there's Abbie Carmichael who is this trope personified.
* In the ''Series/MadamSecretary'' episode "The Detour", Chinese Foreign Minister Chen Ming [[ShutUpKirk shrugs off Secretary of State Liz McCord's speech]] about the good the US could do in Africa if China would quit undercutting them.
-->'''Liz:''' The United States is trying very hard to turn the page,
answer, and be a force for constructive engagement. Cleaner energy, economic diversification and greater transparency, educating and empowering women and girls.\\
'''Chen:''' Spare me your idealism. More importantly, spare Africa. I lived through the Cultural Revolution. My father was not so lucky. Idealism kills. Mutual interests save lives.
* In ''Series/{{Merlin|2008}}'', when the title character refuses to save Mordred's life because he's destined to kill Arthur, Gaius asks what happened to the young boy who first arrived in his chambers. Merlin replies, "He grew up. [[IDidWhatIHadToDo And learnt the meaning of duty]]."
* Miss Parker from ''Series/ThePretender'', complete with the obligatory "What happened to you?" "I grew up" conversation in the first episode. [[WideEyedIdealist Jared]] spends a reasonable amount of time throughout the series trying to [[SillyRabbitCynicismIsForLosers revert her, however.]]
* Ned in ''Series/PushingDaisies'' gives "I grew up" as the answer to why he no longer likes Halloween. He's lying, though.
* The ''Series/{{Scrubs}}'' episode "My Brother, Where Art Thou" is about this. After 3 of years of working at the hospital and due to Dr. Cox's influence, JD, who was originally introduced as a WideEyedIdealist, has become a lot more cynical. His brother Dan, who has come to visit, is shocked by this and doesn't like the change. He tells Dr. Cox
that he knows JD will never look up to him, but that he does to Dr. Cox, so he should work at being a better {{mentor}}. Surprisingly, Dr. Cox accepts his point and resolves to take the role more seriously.
* In the ''Series/SixFeetUnder'' episode "The Liar And The Whore," Karla subtly suggests this with the following line: "People don't change. They just get older, that's all."
* Tess Mercer from ''Series/{{Smallville}}'' gives Oliver Queen the whole "I grew up" line. Although this
Princess can be described as SillyRabbitRomanceIsForKids. A bit of both; she also uses it as an explanation of how she went from [[GranolaGirl an environmentally crusading marine biologist]] to [[CorruptCorporateExecutive the head of Luthorcorp]].
* ''Series/StarTrekEnterprise'': When Captain Archer returned to Earth after the events of [[StoryArc Season]] [[MyGodWhatHaveIDone 3]], where he carried a team of {{Space Marine}}s, resorted to [[SpacePirates piracy]], [[WarIsHell killed unarmed aliens manning a listening post]], lost several crew members, and [[ArsonMurderAndJaywalking went back in time]], he has taken this attitude. The other members of Earth's Starfleet, who are bursting with Roddenberrian enthusiasm for space travel, are deeply concerned as he talks about the importance of better arming ships and warfighting over exploring. They are convinced he's simply cynical, but he can't help but think that being more cynical may have saved some of his crew. It ''does'' remind Starfleet that there are civilizations out there who want nothing more than to [[spoiler: blow Earth up]].
* When Sasha Monroe from ''Series/ThirdWatch'' points out Tyrone Davis Jr's shady police tactics and how it contributes to innocent black men going to jail, he put his hand up to her face and says "Don't preach to me." Interestingly enough, Ty refused to believe his father was corrupt, yet he's going down [[GenerationXerox the same slippery slope]].
* Sir Humphrey has managed to reduce this to a simple aphorism in ''Series/YesMinister'':
-->''"A cynic is a what an idealist calls a realist."''
fix everything by herself.



[[folder:Music]]
* Music example, slightly inverted: In his song "My Back Pages", Music/BobDylan describes his angry-young-man cynicism of a few years earlier, and its gradual evolution into pragmatism, with the memorable (and confusing) chorus "I was so much older then / I'm younger than that now."
* Similarly, Music/BillyJoel in "Angry Young Man":
-->I believe I've passed the age\\
Of consciousness and righteous rage\\
I found that just surviving\\
Was a noble fight...
* Music/GreenDay has at least two songs directly dealing with or referencing this, "Emenius Sleepus" and "The Grouch". The former is about a friend who underwent the process, the latter, the narrator.
* In I Fight Dragon's 'No One Likes Superman Anymore':
-->Cuz no one wants to know the man who stands for things we outgrow\\
He’s too noble and too blind\\
We’re all older now and we don’t need someone to care about\\
The innocence we left behind…
* The Jam in "Burning Sky", though that was meant to be from the viewpoint of a character who'd embraced the capitalist system.
* Both played straight and subverted with Music/AvrilLavigne. Her first album, made when she was just a teenager, was a poppy, punky teen fest, and "[=Sk8er=] Boi" became a hit song among preteens. Two years later and she abandoned the "immaturity" for wangst and cynicism. Three years after that, and she's a teenager again! But now, she's put out a soft rock/acoustic album, making this a ZigZaggingTrope.
* Happened with pseudo-anarchist folk/punk band Levellers. Their early albums were all 'times are tough but if we work together we can get past Thatcher and have a time of peace and joy and happiness'. Now, twenty or so years later their songs seem to mostly be about how the world sucks and we're all screwed.
* Music/{{Oasis}}' "Fade Away".
* Music/{{Supertramp}}'s "Dreamer".
* "I May Not Awaken", arguably one of Music/{{Enya}}'s [[TearJerker saddest songs]]. The narrator comes to this conclusion about halfway through, promptly throwing her over the DespairEventHorizon.
[[/folder]]

[[folder:Tabletop Games]]
* ''TabletopGame/PrincessTheHopeful'': This is the attitude of the Radiant Courts towards the Court of Mirrors. While the Radiants ''are'' idealists, they do acknowledge that they live in a WorldHalfFull and that they will need to EarnYourHappyEnding. Mirrors, on the other hand, teaches that there is no such thing as a no-win scenario, that hard choices only mean that you're not looking hard enough for the perfect answer, and that the Princess can fix everything by herself.
[[/folder]]



[[folder:Video Games]]
* The Knights Templar in ''VideoGame/AssassinsCreed'' scoff at the Assassins' idea of peace through freedom since they believe peace through force is the only way to make sure said peace is everlasting.
* Subverted in ''VideoGame/BackyardSports'' with pretty much every character in there. They may have grown up, but, fortunately they're just as happy as they were when they were younger kids (maybe even more.)
* In ''VideoGame/DeusEx'', two semi-major supporting characters are idealistic teenage members of LaResistance helping you battle the AncientConspiracy. By ''VideoGame/DeusExInvisibleWar'', long after their first plans have failed, they have grown up and become the cold-blooded, manipulative dictators of Earth ''and'' the ''new'' leaders of the AncientConspiracy, claiming that they [[IDidWhatIHadToDo did what they had to do]] to preserve human society.
** Also worth noting is that Nicolette and Chad were really only fighting against Majestic-12, NOT TheIlluminati as a whole, so they didn't go on to join the same group they were originally fighting (and their expressed goals didn't change as much as their methods did). If you speak to Nicolette enough in the original game, it becomes obvious that she's not entirely innocent even then (and that she sees her alliance with Chad and Silhouette through very cynical eyes - considering their value as a tool of the Illuminati just like her mother did). Chad, however, may have started out more idealistic and does give an "I can't believe I was that naive" speech in the second game.
* In ''VideoGame/DevilSurvivor'', [[KnightInSourArmor Keisuke]] winds up playing reluctant mentor to [[GenkiGirl Midori]]; she refuses to listen to his warnings partly because he feels this way. Over time, he grows more desperate to convince her ''and'' more cynical, until [[spoiler: he [[FreakOut snaps]] and goes KnightTemplar. This doesn't help convince her that he's ''right'', mind you]].
* This exchange in ''VideoGame/DragonAgeOrigins''.
-->'''Protagonist''': What could the teyrn hope to gain by betraying the king?\\
'''Alistair''': The throne? He's the queen's father. Still, I can't see how he'll get away with murder.\\
'''Flemeth''': You speak as if he would be the first king to gain his throne that way. Grow up, boy.
* ''VisualNovel/FateStayNight'''s Archer is a very literal example. He is, literally, [[spoiler:the grown-up version of the WideEyedIdealist main character who followed his ideals and became a hero, gone extremely cynical over the fact that his path towards being a hero is littered with the corpses of those who had to die to keep that ideal]]. Ironically, in all the routes he ends up begrudgingly conceding that [[spoiler:[[SillyRabbitCynicismIsForLosers his past self's idealism isn't quite so bad]] and dies usually trusting that Shirou won't end up like him]].
* ''Franchise/FinalFantasy'':
** ''VideoGame/FinalFantasyVI'': when the heroes deliver their lines on what life is, and how love is so important to each of their lives, Kefka responds with "This is pathetic! You all sound like lines from a self-help booklet!" In fact, all his speeches near this scene convey the same message.
** Completely inverted in ''VideoGame/FinalFantasyVIII''. Squall starts off believing that his own cynical, antisocial viewpoints are the correct ones, but as the game progresses and Rinoa and the friends he makes help him both emotionally mature and deals with his mental trauma, he becomes more idealistic.
** This little exchange in ''VideoGame/DissidiaFinalFantasy'' between [[VideoGame/FinalFantasyVII Cloud]] and [[VideoGame/FinalFantasyIV Cecil]] in regards to [[VideoGame/FinalFantasyII Firion's]] dream of an ideal world.
--->'''Cecil''': Did Firion give you his answer?\\
'''Cloud''': Yeah. He says he has a dream...and that he'll keep fighting to make it come true.\\
'''Cecil''': Sounds like Firion, sure enough.\\
'''Cloud''': He told you?\\
'''Cecil''': Yes, although he was embarrassed at first. He said he wants to create a world where flowers grow in perpetual peace.\\
'''Cloud''': Sounds so...childlike.\\
'''Cecil''': Honest men have honest dreams.
* Cody Travers from ''VideoGame/FinalFight'' and later the ''Franchise/StreetFighter'' series. While it is not actually seen in the games, multiple games tell the story of his downfall, which occurs after the ending of the original ''Final Fight''. Cody and his friends go out to save his girlfriend from the ''BigBad'' in ''Final Fight''. On the way, [[BeatEmUp he beats up]] a corrupt cop named Edi, who later arrests the hero for assault and battery. Next, his girlfriend dumps him, and [[PutOnABus leaves the country to study abroad]]. Afterwards, he is let out of jail and tries to get revenge by fighting criminals outside. He gets arrested again, and [[DespairEventHorizon becomes addicted to fighting within prison]]. He then eventually breaks out and joins the Street Fighting cast in their tournament(s). He usually fights alongside his [[TheLancer best friend Guy]] (who also comes from the ''Final Fight'' series), who is always telling Cody that he is a good person. Cody, however, usually claims that he will never be the hero again, and often states that all he has left is fighting (which he often exclaims is pointless).
* In ''VideoGame/GodOfWarIII'', Kratos has such an exchange with [[WideEyedIdealist Pandora]], telling her hope is for fools. She responds with a plea that hope gives people strength. [[spoiler:Eventually, she proves to be right as Kratos is actually empowered by hope from PandorasBox.]]
* A variant of this trope appears in the final act of ''VideoGame/GrimFandango''
-->'''Hector''': Oh Manny, so cynical. What happened to you, Manny, that caused to lose your sense of hope, your love of life?\\
'''Manny''': I died.
* From ''VideoGame/JakXCombatRacing'':
-->'''Jak''': [[ThePowerOfFriendship I've found out who]] [[TrueCompanions my real friends are]].\\
'''G.T. Blitz''': [[EvilCannotComprehendGood Oh please, the BS meter is really pegging now!]]
* In ''VideoGame/LANoire'', veteran Vice Detective [[NobleBigotWithABadge Roy Earle]] says this to [[ByTheBookCop Cole Phelps]] when they discuss the crackdown (or lack thereof) on illegal narcotics in the city.
--> '''Roy''': Drugs are prohibited. Doesn't mean people don't want to take them. Limiting supply doesn't mean that we have limited demand.\\
'''Cole''': I understand that. I know that the average Joe needs to unwind a little, let his hair down at the end of the week. But morphine? Heroin?\\
'''Roy''': It's important to demonize hop, Phelps. Looks good in the papers. But when all's said and done, it's just another chemical like booze. A lot of people in high places think we are doing the city a favor by keeping the dope rolling into Central Avenue. Donelly certainly believes we need to keep them anesthetized.\\
'''Cole''': Better jobs and opportunities would go a lot further.\\
'''Roy''': Will you listen to yourself?
* [[http://www.zeldauniverse.net/articles/zelda-wii-needs-an-anti-hero/ This article]] claims that, since ''VideoGame/TheLegendOfZeldaTwilightPrincess'' went with a realistic art style, Nintendo ought to have made Link more "realistic", namely, by turning him into an antihero. The author's argument hinges in large part on his assertion that people were "[[FanDumb very disappointed]]" with ''Twilight Princess'' because the realistic art style supposedly ought to have been paired with a non-idealistic hero. The article became HilariousInHindsight because, a mere three days later, ''VideoGame/TheLegendOfZeldaSkywardSword'' was revealed with an art style that was decidedly less realistic than the one in ''Twilight Princess'', with a Link who is just as much of a normal hero as both the one in ''Twilight Princess'' and every other Link.
* In ''VideoGame/LiveALive'', the former hero Hash has this attitude; he despises people in general for forgetting him after he saved the day, and considers idealistic heroes [[spoiler:like Oersted]] to be stupid. He recants his position [[RedemptionEqualsDeath at the end]], though, and tells [[spoiler:Oersted]] to keep fighting so long as any one person believes in him. [[spoiler:But when the world curbstomps Oersted's idealism too, [[OmnicidalManiac Oersted decides to get revenge.]].]]
* Cyrus tells the hero/ine of ''VideoGame/PokemonDiamondAndPearl'' that things like friendship, compassion, and love are just illusions people use to block out [[StrawNihilist the horrible reality of their suffering]]. He then comments on the hero/ine [[StealthInsult drawing strength from their compassion]].
* In ''VideoGame/StarcraftII'' this comes up in the cinematic A Better Tomorrow, after the heroes have broken open a prison. [[TheHeart Matt Horner]] claims that the victory was breaking out all the political prisoners. They are fighting to expose Mengsk as a war criminal, build [[TitleDrop a better tomorrow]], and not act of vengeance. [[KnightInSourArmor Tosh]] calls this naive saying that tyranny is only ever succeeded by tyranny, and all you can do is fight against the current enemy. Raynor comments that the better future will come, but those fighting out of hate (like him and Tosh) will have no place in it.
* Keeper, the boss of the Imperial Agent class in ''VideoGame/StarWarsTheOldRepublic'' takes this attitude to Agents who make too many Light Side choices. Not so much that he disapproves in principle, but that he fears that idealism will cause the agent to burn out.
* BloodKnight [[ChaoticGood Arngrim]] from ''VideoGame/ValkyrieProfile'' creates a first impression by talking down his crippled brother Roland for [[{{NEET}} doing nothing by drawing art and dreaming]]. [[InsultBackFire Roland lashes back]], since he cannot understand why Arngrim takes pleasure in killing either.
* ''VideoGame/{{Overwatch}}'': Once, the organization was led by a certain soldier named Jack Morrison, who's pretty much an IdealHero, charismatic, compassionate, and also something of [[{{Face}} a babyface]], always believing in the best of people. Because of this idealism, he ended up oblivious of many darker things running beneath his organization, his friends' issues that cannot be solved with mere 'friendship and heroism is awesome', all causing people to lose faith at his organization and the goodness he radiated, and one of these friends, Gabriel Reyes, ended up launching a betrayal in their headquarter at Swiss that seemingly claimed both lives. Jack survived, but afterwards he realized that idealism got him nowhere in trying to bring peace. Now he wanders the world as a mercenary/vigilante who, while fighting the good fight, is extremely pragmatic, cynical, and borderline ruthless, nothing like the IdealHero he was in the past, now he's Soldier: 76.
* In ''VideoGame/{{Persona 5}}'', Sae Niijima is having dinner with her younger sister and ward Makoto when Makoto wonders whether [[DisappearedDad their father]] would have supported the Phantom Thieves of Hearts. Sae then launches into a tirade against Makoto, saying that she blames her father's sense of justice for him getting himself killed and leaving her to raise Makoto, whom she regards as a burden, and believes that Makoto only has the luxury of thinking about such things because she doesn't have to work for a living. Sae [[MyGodWhatHaveIDone immediately regrets saying this and tries to apologize]], but Makoto is reduced to tears.
* In ''VideoGame/BanGDreamGirlsBandParty'', Poppin'Party's band story involves them "fighting" against the realistically minded town officials who are scrapping the town's annual festival for budget reasons. They're told multiple times by the adults that they're just kids who don't understand how the world works.
* In the ''VideoGame/InjusticeGodsAmongUs'' franchise, not only does ComicBook/{{Superman}} and the rest of his Regime believe this thanks to ComicBook/TheJoker succeeding in creating [[CynicismCatalyst a perfect "one bad day"]] for him, but people who try to convince them otherwise [[BerserkButton tend to get brutalized]] [[MurderIsTheBestSolution at best]] in response.
* In ''VideoGame/TheLastOfUsPartII'' Abby gives Owen the standard "I Grew Up" line when he brought up looking for regrouping [[TheResistance Fireflies]].
* ''{{VideoGame/Cyberpunk 2077}}'': Subverted. Of the two protagonists, Johnny is the idealist, who has spent his entire life fighting against corporate heavy-handedness and for freedom for the common man. Johnny is also by far the more jaded and bitter, angry at the sheeple who support the status quo and at how little seems to change in spite of his best efforts. V, in contrast, is a cheerfully hedonistic materialist, who has little interest in anything beyond the next paycheck, job, or thrill, and whose general opinion on the CrapsackWorld they live in is "How can I make this work for me?".
[[/folder]]



[[folder:Western Animation]]
* Resident EmoTeen Zuko from ''WesternAnimation/AvatarTheLastAirbender'' believes that Aang's ideas about peace, pacifism, and forgiveness are childish. While [[RousseauWasRight he's proven wrong]] in the case of [[spoiler: Katara's need to avenge her mother]], and admits as much, the question of killing BigBad Ozai is more complicated; [[spoiler: Aang's ultimate non-lethal victory is only made possible by a discovery that some viewers consider a DeusExMachina, before which even Aang's idealistic friends and his previous incarnations argued that killing Ozai would be NecessarilyEvil]].
** The sequel comics also show that the world doesn't miraculously fix itself overnight after a hundred years of war and that even with a ReasonableAuthorityFigure on both sides of an issue, there is still room for trouble and moral complexity.
* ''WesternAnimation/BeastMachines'' had [[spoiler: Silverbolt]] from the previous series return halfway through. Much to Blackaraknia's dismay, however, he had turned rather sour after being [[spoiler: reprogrammed temporarily by Megatron]] and at first outright sneered at anyone who brought up his [[WideEyedIdealist past point of view]]
-->[[spoiler: '''Silverbolt:''']] "I was a fool then. I believed in things."
* Grandad from ''WesternAnimation/TheBoondocks'' shows heavy shades of this.
** Likewise Huey suffers a heavy case of cynicism towards society while Riley is too ignorant to care. In the comic strip, he had Cesar, who was similar to Huey but lacked his extremely jaded ideas. And [=MacGruder=] to make the comic even more cynical has Cesar moving away to deliver the final coup de grace.
* ''WesternAnimation/JusticeLeague'':
** When part of the Justice League is turned into children in the ''Unlimited'' episode "[[Recap/JusticeLeagueUnlimitedS1E3KidStuff Kid Stuff]]", most of them enjoy it. Green Lantern's having fun conjuring up things, Wonder Woman's having a girly crush on Batman, and Superman's being a bit goofy. Only Batman remains focused and serious, barely changed, and he's the one who eventually wins. When they return to normal, Wonder Woman comments that it was kind of fun being a kid again. Batman responds "I haven't been a kid since I was eight years old". That's an unfortunate bit of TruthInTelevision. People who lost a parent to death when they were children often describe it, as adults, as "My childhood ended then." This reaction seems to be most pronounced when the child was between about 7 and 12 when the parent dies.
** An earlier variation shows up when Lobo invites himself to replace Superman (who was presumed dead). The team wants no part of him since he clearly regards superheroics as simply an excuse to bust heads:
--->'''J'onn J'onzz:''' The Justice League is about more than physical power. It's about ideals, caring, helping....\\
'''Lobo:''' Buy me a ticket to Pukesville.
* ''WesternAnimation/{{Kaeloo}}'': Happens all too often with Mr. Cat and Kaeloo. Kaeloo's optimism is usually crushed when she gets a dose of the real world, with Mr. Cat telling her "IToldYouSo".
* ''WesternAnimation/TheLegendOfKorra'':
** Korra confronts this often. Her attempts to just solve problems because she's the Avatar run into local and national politics frequently, to the point where she's conned out of interfering in the Water Tribe Civil War until it's too late. When she tries to do a quid pro quo trade with the Earth Queen--she collects the Queen's unpaid taxes, the Queen turns over any [[spoiler: airbenders]] in her city--the queen lets Korra do all the work and then lies about there being any people to turn over, leaving Korra with nothing.
** Suyin's refusal to step up to lead [[spoiler: the Earth Kingdom after the Queen is assassinated in season 3 and it falls into chaos]] due to her fears about maybe becoming a dictator are brushed aside by Kuvira (and many fans) as her simply not being willing to do what had to be done because of her own wants, similar to Aang above. [[spoiler: Unlike Aang, she gets burned badly for it.]]
** Likewise, the leaders of the other nations for assuming Kuvira would be honorable enough to work for years reuniting a kingdom (and building a cult of personality) just to hand it over to the prince who'd been living in luxury and exile the entire time.
** Even season 3 BigBad ''Zaheer'' gets hit with this. He thought [[spoiler: killing the Earth Queen]] would lead to more freedom for their subjects. Instead, it led to an even more iron-fisted tyrant than the one who came before.
** An elderly Toph even views such ideals of making the world a better place as naive. However, the moment she sees her family sacrifice themselves and fight Kuvira no matter how suicidal it was, such an act restored her faith in others' heroism.
* In ''WesternAnimation/RobotChicken'', Literature/TheLorax is taught by "that marketing whore" the Moolah that profit is more important than trying to impart an educational message. Literature/TheCatInTheHat, Literature/{{Horton|HearsAWho}} and the Sneetches all express similar sentiments.
-->'''The Sneetches''': We tried to teach tolerance and where did that get us? So fuck it, [[StoppedCaring we'd rather make mountains of lettuce!]]
[[/folder]]

Changed: 25

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In RealLife, this attitude is often fuelled by {{Disneyfication}}: many works which fall on the idealistic end of the [[SlidingScaleOfIdealismVersusCynicism idealism vs cynicism scale]] tend to have simplistic plots [[LighterAndSofter which are light in tone]] and devoid of particularly dark subject matter. Consequently, said works tend to be marketed at children and more general audiences, on account of there being little mature content to justify a restricted rating. Conversely, cynical media with more controversial plots often feature grim and uncomfortable subject matter which is solely intended for mature or adult audiences (or to attract controversy from MoralGuardians). Thus, there can be a tendency, especially among more cynical people, to associate idealism with childish or simplistic thinking--something to outgrow, rather than an actual, legitimate, motivating philosophy that adults can also make use of.[[note]] It's generally conceded that people need at least ''some'' form of idealism (or, more cynically, ''self-deception'' which can pass for it) in order to have any goals or motivations at all; even if the goal in question is the pursuit of wealth or even mere survival. A person who completely lacks any goals or ideals would live an extremely short life of total apathy, ending in starvation.[[/note]] This conditioned bias is a major reason why many people believe TrueArtIsAngsty.

to:

In RealLife, this attitude is often fuelled by {{Disneyfication}}: many works which fall on the idealistic end of the [[SlidingScaleOfIdealismVersusCynicism idealism vs cynicism scale]] tend to have simplistic plots [[LighterAndSofter which are light in tone]] and [[WhiteAndGreyMorality devoid of particularly dark subject matter.matter]]. Consequently, said works tend to be marketed at children and more general audiences, on account of there being little mature content to justify a restricted rating. Conversely, cynical media with more controversial plots often feature grim and uncomfortable subject matter which is solely intended for mature or adult audiences (or to attract controversy from MoralGuardians). Thus, there can be a tendency, especially among more cynical people, to associate idealism with childish or simplistic thinking--something to outgrow, rather than an actual, legitimate, motivating philosophy that adults can also make use of.[[note]] It's generally conceded that people need at least ''some'' form of idealism (or, more cynically, ''self-deception'' which can pass for it) in order to have any goals or motivations at all; even if the goal in question is the pursuit of wealth or even mere survival. A person who completely lacks any goals or ideals would live an extremely short life of total apathy, ending in starvation.[[/note]] This conditioned bias is a major reason why many people believe TrueArtIsAngsty.
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Considering that many shows and media that are on the idealistic end of the SlidingScaleOfIdealismVersusCynicism or are just plain LighterAndSofter with simplistic plots are primarily targeted towards children, while cynical media with more controversial plots are often targeted to adults or attract controversy from MoralGuardians, there can often be a tendency, especially among more cynical people, to associate idealism with childish or simplistic thinking, something to outgrow, rather than an actual, legitimate, motivating[[note]] Although it's generally conceded that people need at least some form of idealism (or, more cynically, some self-deception that can pass for it) / goal in mind to have any motivation at all, even if the ideal / goal in question is just the pursuit of some more money or plain survival. Someone completely lacking in any ideals would live an extremely short life of total apathy, ending in starvation.[[/note]] philosophy that adults can also make use of. This conditioned bias is a major reason why many people believe TrueArtIsAngsty.

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Considering that In RealLife, this attitude is often fuelled by {{Disneyfication}}: many shows and media that are works which fall on the idealistic end of the SlidingScaleOfIdealismVersusCynicism or are just plain LighterAndSofter with [[SlidingScaleOfIdealismVersusCynicism idealism vs cynicism scale]] tend to have simplistic plots [[LighterAndSofter which are primarily targeted towards children, while light in tone]] and devoid of particularly dark subject matter. Consequently, said works tend to be marketed at children and more general audiences, on account of there being little mature content to justify a restricted rating. Conversely, cynical media with more controversial plots are often targeted feature grim and uncomfortable subject matter which is solely intended for mature or adult audiences (or to adults or attract controversy from MoralGuardians, MoralGuardians). Thus, there can often be a tendency, especially among more cynical people, to associate idealism with childish or simplistic thinking, something thinking--something to outgrow, rather than an actual, legitimate, motivating[[note]] Although it's motivating philosophy that adults can also make use of.[[note]] It's generally conceded that people need at least some ''some'' form of idealism (or, more cynically, some self-deception that ''self-deception'' which can pass for it) / goal in mind order to have any motivation goals or motivations at all, all; even if the ideal / goal in question is just the pursuit of some more money wealth or plain even mere survival. Someone A person who completely lacking in lacks any goals or ideals would live an extremely short life of total apathy, ending in starvation.[[/note]] philosophy that adults can also make use of. This conditioned bias is a major reason why many people believe TrueArtIsAngsty.
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** Another critique is not so much about idealism but simply skepticism about the HoldingOutForAHero mentality of third parties and other challengers, who largely equate the power of political change with Presidential elections rather than sustaining an effective grass-roots in local, county, state, and congressional elections to effectively build a party. Ralph Nader was criticized by the likes of Chomsky and others for more or less contesting in 1999 and then sitting on the margins for four years and then once again planning a third-party bid in 2003-2004. Mostly, third-party candidates run a campaign of a [[HeroicWannabe "little guy" changing a system all by themselves]] without doing any of the groundwork needed to actually make that change happen. After all, the third party in American politics that achieved the most results (the Republican Party of the [=1850s=], which is now NonIndicativeName the Grand Old Party) worked exactly that way. But even in terms of grassroots movements there's still a lot of opposition. For instance a progressive candidate in a democratic primary will usually have far less support from the democratic establishment. While the moderate rival get's most of the support. So a lot of grassroots candidates are often dissuaded from running for office as well.

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** Another critique is not so much about idealism but simply skepticism about the HoldingOutForAHero mentality of third parties and other challengers, who largely equate the power of political change with Presidential elections rather than sustaining an effective grass-roots grassroots movement in local, county, state, state and congressional elections to effectively build the connections and infrastructure needed to form a viable party. Ralph Nader was criticized by the likes of Chomsky and others for more or less contesting in 1999 and then sitting on the margins for four years and then once again planning a third-party bid in 2003-2004. Mostly, third-party candidates run a campaign of a [[HeroicWannabe "little guy" changing a system all by themselves]] without doing any of the groundwork needed to actually make that change happen. After all, the third party in American politics that achieved the most results (the Republican Party of the [=1850s=], which is now NonIndicativeName the Grand Old Party) [=1850s=]) worked exactly that way. But even in terms of grassroots movements there's still a lot of opposition. For instance a progressive candidate in a democratic primary will usually have far less support from the democratic establishment. While the moderate rival get's most of the support. So a lot opposition with well-connected candidates gaining favor among establishment instead of grassroots candidates are often dissuaded from running for office as well.outsiders.
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* In ''Film/AngelsWithDirtyFaces'', the gangster Rocky dismisses [[GoodShepherd Father Connolly]]'s high-minded ideals as silly and asserts that the easiest way to get through life is to have a racket or a gun. Because of his cynicism, Rocky doesn't take Connolly's threats to go to the press about his crime seriously, which turns out to be his undoing.
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* Kyril from ''Fanfic/TheNightUnfurls'' [[ZigZaggingTrope plays with this trope like a juggler does with their balls]]. He firmly believes that [[MightMakesRight victory triumphs honour in combat]], while calling out anyone who believes otherwise. Not surprising for a [[ShellShockedVeteran shell-shocked]], [[{{Mangst}} mangsting]] [[TheCynic cynic]] like him, but all the more shocking when he notably refrains from mocking PrincessClassic Prim for her idealism, together with his belief that HumansAreFlawed instead of HumansAreBastards. Then again, he ''is'' the same [[PlayerCharacter hunter]] who lied to Ludwig, the Holy Blade about the fate of his Church Hunters as a [[LetThemDieHappy final solace]].
-->'''Prim:''' I prayed for the comrades we lost on the road. I grieved but now that the Goddess has a plan to end the war, surely such sadness will cease? [[WideEyedIdealist I certainly do hope so]].\\
'''Kyril:''' [[MotivationalLie May it be so]].
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** V.V. [[StupidestThingIveEverHeard laughs himself silly]] at Suzaku's idea of changing the Britannia from with.

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** V.V. [[StupidestThingIveEverHeard laughs himself silly]] at Suzaku's idea of changing the Britannia from with.within.
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* Cody Travers from ''VideoGame/FinalFight'' and later the ''VideoGame/StreetFighter'' series. While it is not actually seen in the games, multiple games tell the story of his downfall, which occurs after the ending of the original ''Final Fight''. Cody and his friends go out to save his girlfriend from the ''BigBad'' in ''Final Fight''. On the way, [[BeatEmUp he beats up]] a corrupt cop named Edi, who later arrests the hero for assault and battery. Next, his girlfriend dumps him, and [[PutOnABus leaves the country to study abroad]]. Afterwards, he is let out of jail and tries to get revenge by fighting criminals outside. He gets arrested again, and [[DespairEventHorizon becomes addicted to fighting within prison]]. He then eventually breaks out and joins the Street Fighting cast in their tournament(s). He usually fights alongside his [[TheLancer best friend Guy]] (who also comes from the ''Final Fight'' series), who is always telling Cody that he is a good person. Cody, however, usually claims that he will never be the hero again, and often states that all he has left is fighting (which he often exclaims is pointless).

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* Cody Travers from ''VideoGame/FinalFight'' and later the ''VideoGame/StreetFighter'' ''Franchise/StreetFighter'' series. While it is not actually seen in the games, multiple games tell the story of his downfall, which occurs after the ending of the original ''Final Fight''. Cody and his friends go out to save his girlfriend from the ''BigBad'' in ''Final Fight''. On the way, [[BeatEmUp he beats up]] a corrupt cop named Edi, who later arrests the hero for assault and battery. Next, his girlfriend dumps him, and [[PutOnABus leaves the country to study abroad]]. Afterwards, he is let out of jail and tries to get revenge by fighting criminals outside. He gets arrested again, and [[DespairEventHorizon becomes addicted to fighting within prison]]. He then eventually breaks out and joins the Street Fighting cast in their tournament(s). He usually fights alongside his [[TheLancer best friend Guy]] (who also comes from the ''Final Fight'' series), who is always telling Cody that he is a good person. Cody, however, usually claims that he will never be the hero again, and often states that all he has left is fighting (which he often exclaims is pointless).

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use the dub name unless you're specifically talking about the japanese version, also Repair Dont Respond


* Partially due to his HeroicBSOD in Season 3, Judai in ''Anime/YuGiOhGX'' developed a StopHavingFunGuys mentality towards Duel Monsters during his journey into adulthood between Seasons 3 and 4, effectively losing the optimism that he had for two and a half seasons.
** Oddly enough, before that he was big on 'It's a game, have fun!' Pretty big turnaround.
** [[spoiler: In the final episode Judai duels Yugi and regains his passion for dueling.]]
*** [[spoiler: Technically, he was supposed to have regained it during the pair duel that season, but then the writers said "screw it" and had him re-learn that exact same lesson for the finale.]]

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* Partially due to his HeroicBSOD in Season 3, Judai Jaden in ''Anime/YuGiOhGX'' developed a StopHavingFunGuys mentality towards Duel Monsters during his journey into adulthood between Seasons 3 and 4, effectively losing the optimism that he had for two and a half seasons.
**
seasons. Oddly enough, before that he was big on 'It's a game, have fun!' Pretty big turnaround.
**
turnaround. [[spoiler: In the final episode Judai Jaden duels Yugi and regains his passion for dueling.]]
*** [[spoiler: Technically, he was supposed to have regained it during the pair duel that season, but then the writers said "screw it" and had him re-learn that exact same lesson for the finale.
]]
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It should be noted that a secondary reason is the association in working-class culture between adulthood and the abandonment of lofty goals. The general idea is that you get a job and stop daydreaming, and eventually come to peace with the idea that you probably won't be famous or single-handedly reshape the world, and is as much a survival mechanism as it is [[TallPoppySyndrome crab-bucket reflex]].

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It should be noted that a secondary reason is the association in working-class culture between adulthood and the abandonment of lofty goals. The general idea is that you get a job and stop daydreaming, and eventually come to peace with the idea that you probably most likely won't be rich and famous or single-handedly reshape the world, and is as much a survival mechanism as it is [[TallPoppySyndrome crab-bucket reflex]].
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** Another critique is not so much about idealism but simply skepticism about the HoldingOutForAHero mentality of third parties and other challengers, who largely equate the power of political change with Presidential elections rather than sustaining an effective grass-roots in local, county, state, and congressional elections to effectively build a party. Ralph Nader was criticized by the likes of Chomsky and others for more or less contesting in 1999 and then sitting on the margins for four years and then once again planning a third-party bid in 2003-2004. Mostly, third-party candidates run a campaign of a [[HeroicWannabe "little guy" changing a system all by themselves]] without doing any of the groundwork needed to actually make that change happen. After all, the third party in American politics that achieved the most results (the Republican Party of the [=1850s=], which is now NonIndicativeName the Grand Old Party) worked exactly that way.

to:

** Another critique is not so much about idealism but simply skepticism about the HoldingOutForAHero mentality of third parties and other challengers, who largely equate the power of political change with Presidential elections rather than sustaining an effective grass-roots in local, county, state, and congressional elections to effectively build a party. Ralph Nader was criticized by the likes of Chomsky and others for more or less contesting in 1999 and then sitting on the margins for four years and then once again planning a third-party bid in 2003-2004. Mostly, third-party candidates run a campaign of a [[HeroicWannabe "little guy" changing a system all by themselves]] without doing any of the groundwork needed to actually make that change happen. After all, the third party in American politics that achieved the most results (the Republican Party of the [=1850s=], which is now NonIndicativeName the Grand Old Party) worked exactly that way. But even in terms of grassroots movements there's still a lot of opposition. For instance a progressive candidate in a democratic primary will usually have far less support from the democratic establishment. While the moderate rival get's most of the support. So a lot of grassroots candidates are often dissuaded from running for office as well.
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* ''Webcomic/GirlGenius'': [[http://www.girlgeniusonline.com/comic.php?date=20101122 Remember when we had that youthful zeal?]]



* In ''Webcomic/{{Sinfest}}'', [[http://www.sinfest.net/archive_page.php?comicID=1576 Silly fundie, God is for kids!]]
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* ''Extreme Justice'': In this Lou Diamond Phillips film, a lot of the PowersThatBe appear to be this way when dealing with KnightTemplar cops. Mostly due to the fact they think the ends justify the means, and the lower level powers that be are largely useless due to being in fear of losing their jobs and pensions. And Lou Diamond Phillips' character is mostly seen as naive by his co-workers because he's trying to expose the corruption that people seem to passively-aggressively support.

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* ''Extreme Justice'': ''Film/ExtremeJustice'': In this Lou Diamond Phillips Creator/LouDiamondPhillips film, a lot of the PowersThatBe appear to be this way when dealing with KnightTemplar cops. Mostly due to the fact they think the ends justify the means, and the lower level powers that be are largely useless due to being in fear of losing their jobs and pensions. And Lou Diamond Phillips' character is mostly seen as naive by his co-workers because he's trying to expose the corruption that people seem to passively-aggressively support.
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%% Please see thread to discuss a new image.

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%% Please see start a new thread if you'd like to discuss a new image.
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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/rsz_5dd42b9718177.png]]

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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/rsz_5dd42b9718177.png]]
%% Image removed per Image Pickin' thread: https://tvtropes.org/pmwiki/posts.php?discussion=1627769366021580800
%% Please see thread to discuss a new image.
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* This trope is inverted in ''Manga/BlackLagoon'' when [[CoolOldGuy Takenaka]], a [[TerroristsWithoutACause Terrorist Without A Cause]], attempts to interrogate [[TheHero Rock]] into giving up some info by convincing him that they're NotSoDifferent. Rock refuses and asks Takenaka why he keeps fighting for a cause he's already lost. Takenaka explains that he's long since lost any ideals about being able to do anything constructive with his actions, but "keeps preaching" because it's the only thing he finds meaning in doing.

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* This trope is inverted in ''Manga/BlackLagoon'' when [[CoolOldGuy Takenaka]], a [[TerroristsWithoutACause Terrorist Without A Cause]], attempts to interrogate [[TheHero Rock]] into giving up some info by [[NotSoDifferentRemark convincing him that they're NotSoDifferent.aren't that different]]. Rock refuses and asks Takenaka why he keeps fighting for a cause he's already lost. Takenaka explains that he's long since lost any ideals about being able to do anything constructive with his actions, but "keeps preaching" because it's the only thing he finds meaning in doing.
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* Speedball's evolution into Penance. This trope plus a dump truck full of {{Wangst}}. Never mind the armor standed for the victims of Stamford...but there was the very, very painful flagglent behavior around the dumb citizens of Marvel(when it was CLEARLY Nitro who did it). But he also had amnesia at the time. He knew that he used to be a hero and that he'd done something bad, he just didn't know who or what.

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* Speedball's evolution into Penance. This Penance was this trope plus a dump truck full of {{Wangst}}. Never mind the armor standed standing for the victims of Stamford...but Stamford, there was the very, very painful flagglent flagellant behavior around the dumb citizens of Marvel(when Marvel (when it was CLEARLY Nitro who did it). But That said, he also had amnesia at the time. He time-- he knew that he used to be a hero and that he'd done something bad, he just didn't know who or what.
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Considering that many shows and media that are on the idealistic end of the SlidingScaleOfIdealismVersusCynicism or are just plain LighterAndSofter with simplistic plots are primarily targeted towards children, while cynical media with more controversial plots are often targeted to adults or attract controversy from MoralGuardians, there can often be a tendency, especially among more cynical people, to associate idealism with childish or simplistic thinking, something to outgrow, rather than an actual, legitimate, motivating[[note]] Although it's generally conceded that people need at least some form of idealism (or, more cynically, some self-deception that can pass for it) / goal in mind to have any motivation at all, even if the ideal / goal in question is just the pursuit of some more money or plain survival. Someone completely lacking in any ideals would live an extremely short life of total apathy, ending in starvation.[[/note]] philosophy that adults can also make use of. This conditioned bias is a major reason for why many people believe TrueArtIsAngsty.

It should be noted that a secondary reason is the association in working class culture between adulthood and the abandonment of lofty goals. The general idea is that you get a job and stop daydreaming, and eventually come to peace with the idea that you probably won't be famous or single-handedly reshape the world, and is as much a survival mechanism as it is [[TallPoppySyndrome crab-bucket reflex]].

to:

Considering that many shows and media that are on the idealistic end of the SlidingScaleOfIdealismVersusCynicism or are just plain LighterAndSofter with simplistic plots are primarily targeted towards children, while cynical media with more controversial plots are often targeted to adults or attract controversy from MoralGuardians, there can often be a tendency, especially among more cynical people, to associate idealism with childish or simplistic thinking, something to outgrow, rather than an actual, legitimate, motivating[[note]] Although it's generally conceded that people need at least some form of idealism (or, more cynically, some self-deception that can pass for it) / goal in mind to have any motivation at all, even if the ideal / goal in question is just the pursuit of some more money or plain survival. Someone completely lacking in any ideals would live an extremely short life of total apathy, ending in starvation.[[/note]] philosophy that adults can also make use of. This conditioned bias is a major reason for why many people believe TrueArtIsAngsty.

It should be noted that a secondary reason is the association in working class working-class culture between adulthood and the abandonment of lofty goals. The general idea is that you get a job and stop daydreaming, and eventually come to peace with the idea that you probably won't be famous or single-handedly reshape the world, and is as much a survival mechanism as it is [[TallPoppySyndrome crab-bucket reflex]].



It's not all one-way, however; the idealist may fire a few shots back in return. The cynic may be dismissed as a 'sell-out' who gave up on doing the right thing for their own selfish gain [[StrawVulcan under the false pretense of logic and realism]]. For instance certain characters just aren't willing to jeopardize their careers, and livelihoods just to change the status quo (this could be TruthInTelevision depending on how romantic one is and who you happen to be looking at). Or maybe he'll even be called a 'coward' and a weakling who gave up the good fight because he found it too hard and instead resigned themselves to {{wangst}}ing about bad things.

Compare and contrast KnightInSourArmor, who still hold ideals, just not as idealists; a converted holder of Silly Rabbit, Idealism Is For Kids! views may turn into this, keeping to the appearance of cynicism while reluctantly pursuing idealistic goals. Also contrast SillyRabbitCynicismIsForLosers, for when excessive cynicism and pessimism turns out to be just as blinding as too much idealism or optimism (or when idealists call out cynics on their attitude, as above).

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It's not all one-way, however; the idealist may fire a few shots back in return. The cynic may be dismissed as a 'sell-out' who gave up on doing the right thing for their own selfish gain [[StrawVulcan under the false pretense of logic and realism]]. For instance instance, certain characters just aren't willing to jeopardize their careers, and livelihoods just to change the status quo (this could be TruthInTelevision depending on how romantic one is and who you happen to be looking at). Or maybe he'll even be called a 'coward' and a weakling who gave up the good fight because he found it too hard and instead resigned themselves to {{wangst}}ing about bad things.

Compare and contrast KnightInSourArmor, who still hold holds ideals, just not as idealists; a converted holder of Silly Rabbit, Idealism Is For Kids! views may turn into this, keeping to the appearance of cynicism while reluctantly pursuing idealistic goals. Also contrast SillyRabbitCynicismIsForLosers, for when excessive cynicism and pessimism turns out to be just as blinding as too much idealism or optimism (or when idealists call out cynics on their attitude, as above).



* This trope is inverted in ''Manga/BlackLagoon'' when [[CoolOldGuy Takenaka]], a [[TerroristsWithoutACause Terrorist Without A Cause]], attempts to interrogate [[TheHero Rock]] into giving up some info by convincing him that they're NotSoDifferent. Rock refuses, and asks Takenaka why he keeps fighting for a cause he's already lost. Takenaka explains that he's long since lost any ideals about being able to do anything constructive with his actions, but "keeps preaching" because it's the only thing he finds meaning in doing.
** One can argue that then entire series is about this trope when it comes to Rock's character. He's had to face this trope many times.

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* This trope is inverted in ''Manga/BlackLagoon'' when [[CoolOldGuy Takenaka]], a [[TerroristsWithoutACause Terrorist Without A Cause]], attempts to interrogate [[TheHero Rock]] into giving up some info by convincing him that they're NotSoDifferent. Rock refuses, refuses and asks Takenaka why he keeps fighting for a cause he's already lost. Takenaka explains that he's long since lost any ideals about being able to do anything constructive with his actions, but "keeps preaching" because it's the only thing he finds meaning in doing.
** One can argue that then the entire series is about this trope when it comes to Rock's character. He's had to face this trope many times.



* This is Kyosuke Munakata's feelings towards Makoto Naegi in ''Anime/DanganRonpa3''. He feels that Makoto's methods of dealing with despair (rehabilitation) are too soft, and that the only way to defeat despair is to eradicate it completely (i.e., murder anyone who might be remotely connected to despair).

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* This is Kyosuke Munakata's feelings towards Makoto Naegi in ''Anime/DanganRonpa3''. He feels that Makoto's methods of dealing with despair (rehabilitation) are too soft, soft and that the only way to defeat despair is to eradicate it completely (i.e., murder anyone who might be remotely connected to despair).



* ''Manga/GreatTeacherOnizuka'': Often a particularly jaded character (such like Urumi, Miyabi, Ms. Daimon...) will go in a rant about the rotting of the society, AdultsAreUseless or abusive/perverted creeps, kids are delinquents, you can trust nobody or they shall abuse you or take advantage of you. However they sooner or later are confronted with [[SillyRabbitCynicismIsForLosers the opposite trope]] and being told they are just blind cynics and that mindset is one of the roots of those troubles.

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* ''Manga/GreatTeacherOnizuka'': Often a particularly jaded character (such like as Urumi, Miyabi, Ms. Daimon...) will go in a rant about the rotting of the society, AdultsAreUseless or abusive/perverted creeps, kids are delinquents, you can trust nobody or they shall abuse you or take advantage of you. However they sooner or later are confronted with [[SillyRabbitCynicismIsForLosers the opposite trope]] and being told they are just blind cynics and that mindset is one of the roots of those troubles.



* ''Anime/MazingerZ'': In a story arc of the GosakuOta manga alternate continuity [[TheDragon Baron Ashura]] manages to kidnap [[TheHero Kouji Kabuto]] and tries to talk Kouji into joining him. When Kouji refuses, Ashura goes in a WhatIsEvil rant, stating "justice" and "peace" are only meaningless, empty words invented by people because they are too cowardly and weak to accept the truth (MightMakesRight according him) and protect themselves, and then he taunts Kouji, telling the only thing his idealism has got him is trouble and humiliation.

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* ''Anime/MazingerZ'': In a story arc of the GosakuOta manga alternate continuity [[TheDragon Baron Ashura]] manages to kidnap [[TheHero Kouji Kabuto]] and tries to talk Kouji into joining him. When Kouji refuses, Ashura goes in into a WhatIsEvil rant, stating "justice" and "peace" are only meaningless, empty words invented by people because they are too cowardly and weak to accept the truth (MightMakesRight according to him) and protect themselves, and then he taunts Kouji, telling the only thing his idealism has got him is trouble and humiliation.



** [[spoiler: The fandom is still debating whether or not this is a cop out or a valid point.]]

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** [[spoiler: The fandom is still debating whether or not this is a cop out cop-out or a valid point.]]



** Oddly enough, before that he was big on 'It's a game, have fun!' Pretty big turn around.

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** Oddly enough, before that he was big on 'It's a game, have fun!' Pretty big turn around.turnaround.



* This would be a big part of Sally Floyd's mentality in a nutshell during ComicBook/CivilWar. When she berates ComicBook/CaptainAmerica, she claims that modern America is not about idealistic beliefs but about mediocrity and pop culture, and that Captain America with his idealism '''broke America''' (sic...although it's not saying a lot when Iron had done horrible things that would prove Cap's point).

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* This would be a big part of Sally Floyd's mentality in a nutshell during ComicBook/CivilWar. When she berates ComicBook/CaptainAmerica, she claims that modern America is not about idealistic beliefs but about mediocrity and pop culture, culture and that Captain America with his idealism '''broke America''' (sic...although it's not saying a lot when Iron had done horrible things that would prove Cap's point).



** Superman once battled the Elite (a pastiche of ComicBook/TheAuthority), a pack of super-[[AntiHero anti-heroes]] who routinely killed. It was the Elite's point-of-view that Superman's boy-scout kid-gloves morality was a weakness, and that defeating evil required being just as bad. During their final face-off, Superman appeared to be going all-out, slaughtering his way through the Elite on live TV. But it was a fake-out -- he was merely knocking them out in creative ways, trying to illustrate how terrifying superpowered killers can be. Manchester Black, the leader of the Elite, maintained that Superman's idealism was nothing but a facade until his dying day. (When Black realized that Superman ''honestly and sincerely believed and lived up to his ideals'', [[EvilCannotComprehendGood it was more than Black could take]] and he committed suicide.)

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** Superman once battled the Elite (a pastiche of ComicBook/TheAuthority), a pack of super-[[AntiHero anti-heroes]] who routinely killed. It was the Elite's point-of-view that Superman's boy-scout kid-gloves morality was a weakness, weakness and that defeating evil required being just as bad. During their final face-off, Superman appeared to be going all-out, slaughtering his way through the Elite on live TV. But it was a fake-out -- he was merely knocking them out in creative ways, trying to illustrate how terrifying superpowered killers can be. Manchester Black, the leader of the Elite, maintained that Superman's idealism was nothing but a facade until his dying day. (When Black realized that Superman ''honestly and sincerely believed and lived up to his ideals'', [[EvilCannotComprehendGood it was more than Black could take]] and he committed suicide.)



* In one of Marvel Comic's ''ComicBook/{{Thunderbolts}}'' mini-series, Baron Zemo accidentally goes back in time and encounters many of his ancestors via time-jumps, one of whom is in young love with a lady that history says he's not destined to marry. Zemo tells them to their faces that they can dream because they are young, and that the harshness of reality will eventually make them adults. Of course he was right all along. He knew he would marry another after all.

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* In one of Marvel Comic's ''ComicBook/{{Thunderbolts}}'' mini-series, Baron Zemo accidentally goes back in time and encounters many of his ancestors via time-jumps, one of whom is in young love with a lady that history says he's not destined to marry. Zemo tells them to their faces that they can dream because they are young, young and that the harshness of reality will eventually make them adults. Of course he was right all along. He knew he would marry another after all.



** [[spoiler:Ozymandias too, as he tells Nite Owl to grow up and adapt in response to his idealistic views, since his new world has no place for [[TheCape silly old-fashioned heroics]]]].

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** [[spoiler:Ozymandias too, as he tells Nite Owl to grow up and adapt in response to his idealistic views, views since his new world has no place for [[TheCape silly old-fashioned heroics]]]].



* [[Literature/HarryPotter Harry]] is far more cynical than the more idealist [[Franchise/StarWars Anakin]] in ''Fanfic/TheHavocSideOfTheForce''. Unlike most examples however, he teaches Anakin to be more cynical because he honestly doesn't want the kid to learn the hard way like Harry did.
* In ''Fanfic/ISpokeAsAChild'', the [[OOCIsSeriousBusiness normally pleasant]] Frankie curses out Mac (a nine year old) and tells him that he's living in an idealistic bubble and needs to "grow the [[PrecisionFStrike fuck]] up". However, she apologizes for this a few hours later. Frankie only snapped at him because she's dealing with the aftermath of DateRape and has been traumatized by the ordeal.
* Happened to [[Franchise/MassEffect Garrus]] in ''[[http://archiveofourown.org/series/174092 Parable]]'' series. After the two years on Omega and then repeatedly sees how the world treats his wife Jane despite her sacrifices, by the end of the Reaper war, he has completely changed from the idealistic Turian at the beginning of the series to a jaded man that only looks out for his family and is perfectly fine with abandoning people in need if they affect his loved ones' well-being in anyway. Case in point, in [[http://archiveofourown.org/works/3433757/chapters/7526057 Part 6, ''Recrudescence'']], he gets into a fight with Kaidan when the latter uses the Normandy's fund to save a pair of mother/daughter slaves while the former needs that money to make sure the ship run smoothly for [[PapaWolf his]] [[HalfHumanHybrid twin babies]]' sake; when Kaidan askes where is the man that wanted justice for everyone, Garrus just flat-out replies that that man is dead and replaced with someone that know how the universe works.

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* [[Literature/HarryPotter Harry]] is far more cynical than the more idealist [[Franchise/StarWars Anakin]] in ''Fanfic/TheHavocSideOfTheForce''. Unlike most examples examples, however, he teaches Anakin to be more cynical because he honestly doesn't want the kid to learn the hard way like Harry did.
* In ''Fanfic/ISpokeAsAChild'', the [[OOCIsSeriousBusiness normally pleasant]] Frankie curses out Mac (a nine year old) nine-year-old) and tells him that he's living in an idealistic bubble and needs to "grow the [[PrecisionFStrike fuck]] up". However, she apologizes for this a few hours later. Frankie only snapped at him because she's dealing with the aftermath of DateRape and has been traumatized by the ordeal.
* Happened to [[Franchise/MassEffect Garrus]] in ''[[http://archiveofourown.org/series/174092 Parable]]'' series. After the two years on Omega and then repeatedly sees how the world treats his wife Jane despite her sacrifices, by the end of the Reaper war, he has completely changed from the idealistic Turian at the beginning of the series to a jaded man that only looks out for his family and is perfectly fine with abandoning people in need if they affect his loved ones' well-being in anyway.any way. Case in point, in [[http://archiveofourown.org/works/3433757/chapters/7526057 Part 6, ''Recrudescence'']], he gets into a fight with Kaidan when the latter uses the Normandy's fund to save a pair of mother/daughter slaves while the former needs that money to make sure the ship run runs smoothly for [[PapaWolf his]] [[HalfHumanHybrid twin babies]]' sake; when Kaidan askes where is the man that wanted justice for everyone, Garrus just flat-out replies that that man is dead and replaced with someone that know how the universe works.



-->'''Nick Wilde''': Tell me if this story sounds familiar. Naïve little hick with good grades and big ideas decides "Hey look at me, I'm gonna move to Zootopia, where predators and prey live in harmony and sing Kumbaya!" Only to find, whoopsie: we don't all get along. And that dream of becoming a big city cop? Double whoopsie; she's a meter maid. And whoopsie number three-sy: no one cares about her or her dreams. And soon enough those dreams die, and our bunny sinks into an emotional and literal squalor, living in a box under a bridge, until finally she has no choice but to go back home, with that cute fuzzy-wuzzy little tail between her legs to become... You're from Bunnyburrow, is that what you said? So how about a carrot farmer? That sound about right?

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-->'''Nick Wilde''': Tell me if this story sounds familiar. Naïve little hick with good grades and big ideas decides "Hey look at me, I'm gonna move to Zootopia, where predators and prey live in harmony and sing Kumbaya!" Only to find, whoopsie: we don't all get along. And that dream of becoming a big city cop? Double whoopsie; whoopsie: she's a meter maid. And whoopsie number three-sy: no one cares about her or her dreams. And soon enough those dreams die, and our bunny sinks into an emotional and literal squalor, living in a box under a bridge, until finally she has no choice but to go back home, with that cute fuzzy-wuzzy little tail between her legs to become... You're from Bunnyburrow, is that what you said? So how about a carrot farmer? That sound about right?



* ''Film/{{Dragonheart}}'': The hero starts off as this, a cold hearted mercenary who was soured by trying to instruct a king in the old code, the code of honour of the kingdom, who grew up heartless anyway. He later becomes something of a KnightInSourArmor.

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* ''Film/{{Dragonheart}}'': The hero starts off as this, a cold hearted cold-hearted mercenary who was soured by trying to instruct a king in the old code, the code of honour of the kingdom, who grew up heartless anyway. He later becomes something of a KnightInSourArmor.



* ''Extreme Justice'': In this Lou Diamond Phillips film, a lot of the PowersThatBe appear to be this way when dealing with KnightTemplar cops. Mostly due to the fact they think the ends justify the means, and the lower level powers that be are largely useless due to being in fear of losing their jobs and pensions. And Lou Diamond Phillips' character is mostly seen as naive by his co-workers because he's trying to expose the corruption that people seem to passively aggressively support.

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* ''Extreme Justice'': In this Lou Diamond Phillips film, a lot of the PowersThatBe appear to be this way when dealing with KnightTemplar cops. Mostly due to the fact they think the ends justify the means, and the lower level powers that be are largely useless due to being in fear of losing their jobs and pensions. And Lou Diamond Phillips' character is mostly seen as naive by his co-workers because he's trying to expose the corruption that people seem to passively aggressively passively-aggressively support.



--> You cant handle the truth! Son we live in a world that has walls, and those have to be guarded by men with guns. Whose gonna do it you? You, Lieutenant Weinberg? I have a greater responsibility than you can possibly fathom! You weep for Santiago, and you curse the Marines. You have that luxury, you have the luxury of not knowing what I know, that Santiago's death, while tragic, probably saved lives. And my existence, while grotesque and incomprehensible to you, saves lives. You don't want the truth because deep down in places you talk about parties; you want me on that wall, you need me on that wall! We use words like honor, code, loyalty, We use these words as the backbone of a life spent defending something, you use them as a punch line. I have neither the time or the inclination to explain myself to a man who rises and sleep under the blanket of the very freedom that I provide, and then questions the manner in which I provide it. I'd rather you just say "thank you," and go on your way. Otherwise, I suggest you pick up a weapon and stand a post. Either way, I don't give a damn what you think you are entitled to!

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--> You cant can't handle the truth! Son Son, we live in a world that has walls, and those have to be guarded by men with guns. Whose Who's gonna do it it, you? You, Lieutenant Weinberg? I have a greater responsibility than you can possibly fathom! You weep for Santiago, and you curse the Marines. You have that luxury, you have the luxury of not knowing what I know, that Santiago's death, while tragic, probably saved lives. And my existence, while grotesque and incomprehensible to you, saves lives. You don't want the truth because deep down in places you talk about parties; you want me on that wall, you need me on that wall! We use words like honor, code, loyalty, We use these words as the backbone of a life spent defending something, you use them as a punch line. I have neither the time or the inclination to explain myself to a man who rises and sleep under the blanket of the very freedom that I provide, provide and then questions the manner in which I provide it. I'd rather you just say "thank you," and go on your way. Otherwise, I suggest you pick up a weapon and stand a post. Either way, I don't give a damn what you think you are entitled to!



-->'''Fifi:''' They say people don't believe in heroes anymore. Well damn them! You and me, Max, we're gonna give them back their heroes!\\

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-->'''Fifi:''' They say people don't believe in heroes anymore. Well Well, damn them! You and me, Max, we're gonna give them back their heroes!\\



** The charismatic drug lord Nino Brown gave such a speech to the old military veteran, after the veteran tries to reason with Nino that he's destroying his own community and hurting his own people selling drugs. Nino's response:

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** The charismatic drug lord Nino Brown gave such a speech to the old military veteran, veteran after the veteran tries to reason with Nino that he's destroying his own community and hurting his own people selling drugs. Nino's response:






-->''"It is painful to a man of experience to see you young fellows of such great promise come up and 'kick' yourself half to death 'against the pricks' of established business, parties, and customs, but half of you do it. In the end all of you come limping in, poor, disheartened, defeated, and then swing to the other extreme, by being so willing for a change you'll take almost anything, and so the dirty jobs naturally fall to you."''

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-->''"It is painful to a man of experience to see you young fellows of such great promise come up and 'kick' yourself half to death 'against the pricks' of established business, parties, and customs, but half of you do it. In the end end, all of you come limping in, poor, disheartened, defeated, and then swing to the other extreme, by being so willing for a change you'll take almost anything, and so the dirty jobs naturally fall to you."''



* Lux in ''LightNovel/UndefeatedBahamutChronicle'' is repeatedly told this by others. An excellent example is by his older and less-scrupulous half-brother Fugil. Lux and Fugil both took part in a rebellion to depose their tyrannical family, with the former defeating his opponents non-lethally and intending to spare them afterwards. Fugil killed the rest of the royal family (save for himself, Lux and their younger sister Airi), the nobles and the army, then lectured Lux on how his approach would have gotten him stabbed in the back later on.

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* Lux in ''LightNovel/UndefeatedBahamutChronicle'' is repeatedly told this by others. An excellent example is by his older and less-scrupulous half-brother Fugil. Lux and Fugil both took part in a rebellion to depose their tyrannical family, with the former defeating his opponents non-lethally and intending to spare them afterwards. Fugil killed the rest of the royal family (save for himself, Lux Lux, and their younger sister Airi), the nobles nobles, and the army, army then lectured Lux on how his approach would have gotten him stabbed in the back later on.



* A creepy scene in ''Series/{{Angel}}'''s "[[Recap/AngelS01E21BlindDate Blind Date]]". Recurring baddie Lindsey Macdonald, a flunky for the rapacious law firm Wolfram & Hart, starts to have doubts about his job. He gets lectured at by Holland, an older attorney, who reminisces about harboring the same ennui that Lindsey is currently feeling. It's a very jovial yet deeply unsettling speech.

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* A creepy scene in ''Series/{{Angel}}'''s "[[Recap/AngelS01E21BlindDate Blind Date]]". Recurring baddie Lindsey Macdonald, a flunky for the rapacious law firm Wolfram & Hart, starts to have doubts about his job. He gets lectured at by Holland, an older attorney, who reminisces about harboring the same ennui that Lindsey is currently feeling. It's a very jovial yet deeply unsettling speech.



* In ''Series/{{Castle}}'', Detective Kate Beckett has been jaded, cynical and bitter ever since her mother was murdered when Kate was a teenager and the murder was never solved. Her CharacterDevelopment -- helped along by her increased tolerance of, friendship with and feelings for immature and optimistic ManChild Richard Castle -- has largely been centred around reawakening her optimism and hope for the future; as evidence, simply compare [[WhenSheSmiles how much she smiles]] in any given episode of season one as opposed to any given episode of season five.

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* In ''Series/{{Castle}}'', Detective Kate Beckett has been jaded, cynical cynical, and bitter ever since her mother was murdered when Kate was a teenager and the murder was never solved. Her CharacterDevelopment -- helped along by her increased tolerance of, friendship with with, and feelings for immature and optimistic ManChild Richard Castle -- has largely been centred around reawakening her optimism and hope for the future; as evidence, simply compare [[WhenSheSmiles how much she smiles]] in any given episode of season one as opposed to any given episode of season five.



* Peter Petrelli on ''Series/{{Heroes}}'' has been on the receiving end of this from practically everyone he meets, including his own family. It doesn't stop him from continuing doing whatever he thinks is the right thing.

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* Peter Petrelli on ''Series/{{Heroes}}'' has been on the receiving end of this from practically everyone he meets, including his own family. It doesn't stop him from continuing doing to do whatever he thinks is the right thing.



* ''Series/LawAndOrder'' loves to rub the viewers' face into the political version of this trope. Then there's Abbie Carmichael who is this trope personified.

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* ''Series/LawAndOrder'' loves to rub the viewers' face faces into the political version of this trope. Then there's Abbie Carmichael who is this trope personified.



* ''Series/StarTrekEnterprise'': When Captain Archer returned to Earth after the events of [[StoryArc Season]] [[MyGodWhatHaveIDone 3]], where he carried a team of {{Space Marine}}s, resorted to [[SpacePirates piracy]], [[WarIsHell killed unarmed aliens manning a listening post]], lost several crew members, and [[ArsonMurderAndJaywalking went back in time]], he has taken this attitude. The other members of Earth's Starfleet, who are bursting with Roddenberrian enthusiasm for space travel, are deeply concerned as he talks about the importance of better arming ships and warfighting over exploring. They are convinced he's simply cynical, but he can't help but think that being more cynical may have saved some of his crew. It ''does'' remind Starfleet that there are civilizations out there who wants nothing more than to [[spoiler: blow Earth up]].

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* ''Series/StarTrekEnterprise'': When Captain Archer returned to Earth after the events of [[StoryArc Season]] [[MyGodWhatHaveIDone 3]], where he carried a team of {{Space Marine}}s, resorted to [[SpacePirates piracy]], [[WarIsHell killed unarmed aliens manning a listening post]], lost several crew members, and [[ArsonMurderAndJaywalking went back in time]], he has taken this attitude. The other members of Earth's Starfleet, who are bursting with Roddenberrian enthusiasm for space travel, are deeply concerned as he talks about the importance of better arming ships and warfighting over exploring. They are convinced he's simply cynical, but he can't help but think that being more cynical may have saved some of his crew. It ''does'' remind Starfleet that there are civilizations out there who wants want nothing more than to [[spoiler: blow Earth up]].



* Both played straight and subverted with Music/AvrilLavigne. Her first album, made when she was just a teenager, was a poppy, punky teen fest, and "[=Sk8er=] Boi" became a hit song among preteens. Two years later and she abandoned the "immaturity" for wagnst and cynicism. Three years after that, and she's a teenager again! But now, she's put out a soft rock/acoustic album, making this a ZigZaggingTrope.

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* Both played straight and subverted with Music/AvrilLavigne. Her first album, made when she was just a teenager, was a poppy, punky teen fest, and "[=Sk8er=] Boi" became a hit song among preteens. Two years later and she abandoned the "immaturity" for wagnst wangst and cynicism. Three years after that, and she's a teenager again! But now, she's put out a soft rock/acoustic album, making this a ZigZaggingTrope.



* ''TabletopGame/PrincessTheHopeful'': This is the attitude of the Radiant Courts towards the Court of Mirrors. While the Radiants ''are'' idealists, they do acknowledge that they live in a WorldHalfFull, and that they will need to EarnYourHappyEnding. Mirrors, on the other hand, teaches that there is no such thing as a no-win scenario, that hard choices only mean that you're not looking hard enough for the perfect answer, and that the Princess can fix everything by herself.

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* ''TabletopGame/PrincessTheHopeful'': This is the attitude of the Radiant Courts towards the Court of Mirrors. While the Radiants ''are'' idealists, they do acknowledge that they live in a WorldHalfFull, WorldHalfFull and that they will need to EarnYourHappyEnding. Mirrors, on the other hand, teaches that there is no such thing as a no-win scenario, that hard choices only mean that you're not looking hard enough for the perfect answer, and that the Princess can fix everything by herself.



* ''Theatre/CyranoDeBergerac'': At Act II Scene VII, De Guiche offers us a more sophisticated examples than most, when he counsels Cyrano to study Literature/DonQuixote’s chapter of the windmills... [[ForeShadowing implying that Cyrano too will be betrayed by his own idealism]].

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* ''Theatre/CyranoDeBergerac'': At In Act II Scene VII, De Guiche offers us a more sophisticated examples example than most, when he counsels Cyrano to study Literature/DonQuixote’s chapter of the windmills... [[ForeShadowing implying that Cyrano too will be betrayed by his own idealism]].



** Also worth noting is that Nicolette and Chad were really only fighting against Majestic-12, NOT TheIlluminati as a whole, so they didn't go on to join the same group they were originally fighting (and their expressed goals didn't change as much as their methods did). If you speak to Nicolette enough in the original game, it becomes obvious that she's not entirely innocent even then (and that she sees her alliance with Chad and Silhouette through very cynical eyes - considering their value as a tool of the Illuminati just like her mother did). Chad, however, may have started out more idealistic, and does give a "I can't believe I was that naive" speech in the second game.

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** Also worth noting is that Nicolette and Chad were really only fighting against Majestic-12, NOT TheIlluminati as a whole, so they didn't go on to join the same group they were originally fighting (and their expressed goals didn't change as much as their methods did). If you speak to Nicolette enough in the original game, it becomes obvious that she's not entirely innocent even then (and that she sees her alliance with Chad and Silhouette through very cynical eyes - considering their value as a tool of the Illuminati just like her mother did). Chad, however, may have started out more idealistic, idealistic and does give a an "I can't believe I was that naive" speech in the second game.



* Cody Travers from ''VideoGame/FinalFight'' and later the ''VideoGame/StreetFighter'' series. While it is not actually seen in the games, multiple games tell the story of his downfall, which occurs after the ending of the original ''Final Fight''. Cody and his friends go out to save his girlfriend from the ''BigBad'' in ''Final Fight''. On the way, [[BeatEmUp he beats up]] a corrupt cop named Edi, who later arrests the hero for assault in battery. Next, his girlfriend dumps him, and [[PutOnABus leaves the country to study abroad]]. Afterwards, he is let out of jail and tries to get revenge by fighting criminals outside. He gets arrested again, and [[DespairEventHorizon becomes addicted to fighting within prison]]. He then eventually breaks out, and joins the Street Fighting cast in their tournament(s). He usually fights alongside his [[TheLancer best friend Guy]] (who also comes from the ''Final Fight'' series), who is always telling Cody that he is a good person. Cody, however, usually claims that he will never be the hero again, and often states that all he has left is fighting (which he often exclaims is pointless).

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* Cody Travers from ''VideoGame/FinalFight'' and later the ''VideoGame/StreetFighter'' series. While it is not actually seen in the games, multiple games tell the story of his downfall, which occurs after the ending of the original ''Final Fight''. Cody and his friends go out to save his girlfriend from the ''BigBad'' in ''Final Fight''. On the way, [[BeatEmUp he beats up]] a corrupt cop named Edi, who later arrests the hero for assault in and battery. Next, his girlfriend dumps him, and [[PutOnABus leaves the country to study abroad]]. Afterwards, he is let out of jail and tries to get revenge by fighting criminals outside. He gets arrested again, and [[DespairEventHorizon becomes addicted to fighting within prison]]. He then eventually breaks out, out and joins the Street Fighting cast in their tournament(s). He usually fights alongside his [[TheLancer best friend Guy]] (who also comes from the ''Final Fight'' series), who is always telling Cody that he is a good person. Cody, however, usually claims that he will never be the hero again, and often states that all he has left is fighting (which he often exclaims is pointless).



* In ''VideoGame/LANoire'', veteran Vice Detective [[NobleBigotWithABadge Roy Earle]] says this to [[ByTheBookCop Cole Phelps]] when they discuss the crack down (or lack thereof) on illegal narcotics in the city.

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* In ''VideoGame/LANoire'', veteran Vice Detective [[NobleBigotWithABadge Roy Earle]] says this to [[ByTheBookCop Cole Phelps]] when they discuss the crack down crackdown (or lack thereof) on illegal narcotics in the city.



* In ''VideoGame/StarcraftII'' this comes up in the cinematic A Better Tomorrow, after the heroes have broken open a prison. [[TheHeart Matt Horner]] claims that the victory was breaking out all the political prisoners. They are fighting to expose Mengsk as a war criminal, build [[TitleDrop a better tomorrow]], and not act of vengeance. [[KnightInSourArmor Tosh]] calls this naive saying that tyranny is only ever succeed by tyranny, and all you can do is fight against the current enemy. Raynor comments that the better future will come, but those fighting out of hate (like him and Tosh) will have no place in it.
* Keeper, the boss of the Imperial Agent class in ''VideoGame/StarWarsTheOldRepublic'' takes this attitude to Agents who make too many Light Side choices. Not so much that he disapproves in principle, but that he fears that idealism will cause the agent to burn-out.

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* In ''VideoGame/StarcraftII'' this comes up in the cinematic A Better Tomorrow, after the heroes have broken open a prison. [[TheHeart Matt Horner]] claims that the victory was breaking out all the political prisoners. They are fighting to expose Mengsk as a war criminal, build [[TitleDrop a better tomorrow]], and not act of vengeance. [[KnightInSourArmor Tosh]] calls this naive saying that tyranny is only ever succeed succeeded by tyranny, and all you can do is fight against the current enemy. Raynor comments that the better future will come, but those fighting out of hate (like him and Tosh) will have no place in it.
* Keeper, the boss of the Imperial Agent class in ''VideoGame/StarWarsTheOldRepublic'' takes this attitude to Agents who make too many Light Side choices. Not so much that he disapproves in principle, but that he fears that idealism will cause the agent to burn-out.burn out.



* ''VideoGame/{{Overwatch}}'': Once, the organization was led by a certain soldier named Jack Morrison, who's pretty much an IdealHero, charismatic, compassionate and also something of [[{{Face}} a babyface]], always believing in the best of people. Because of this idealism, he ended up oblivious of many darker things running beneath his organization, his friends' issues that cannot be solved with mere 'friendship and heroism is awesome', all causing people to lose faith at his organization and the goodness he radiated, and one of these friends, Gabriel Reyes, ended up launching a betrayal in their headquarter at Swiss that seemingly claimed both lives. Jack survived, but afterwards he realized that idealism got him nowhere in trying to bring peace. Now he wanders the world as a mercenary/vigilante who, while fighting the good fight, is extremely pragmatic, cynical and borderline ruthless, nothing like the IdealHero he was in the past, now he's Soldier: 76.

to:

* ''VideoGame/{{Overwatch}}'': Once, the organization was led by a certain soldier named Jack Morrison, who's pretty much an IdealHero, charismatic, compassionate compassionate, and also something of [[{{Face}} a babyface]], always believing in the best of people. Because of this idealism, he ended up oblivious of many darker things running beneath his organization, his friends' issues that cannot be solved with mere 'friendship and heroism is awesome', all causing people to lose faith at his organization and the goodness he radiated, and one of these friends, Gabriel Reyes, ended up launching a betrayal in their headquarter at Swiss that seemingly claimed both lives. Jack survived, but afterwards he realized that idealism got him nowhere in trying to bring peace. Now he wanders the world as a mercenary/vigilante who, while fighting the good fight, is extremely pragmatic, cynical cynical, and borderline ruthless, nothing like the IdealHero he was in the past, now he's Soldier: 76.



* In ''VideoGame/BanGDreamGirlsBandParty'', Poppin'Party's band story involves them "fighting" against the realistically minded town officials who are scrapping the town's annual festival for budget reasons. They're told multiple times by the adults that that they're just kids who don't understand how the world works.

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* In ''VideoGame/BanGDreamGirlsBandParty'', Poppin'Party's band story involves them "fighting" against the realistically minded town officials who are scrapping the town's annual festival for budget reasons. They're told multiple times by the adults that that they're just kids who don't understand how the world works.



* ''{{VideoGame/Cyberpunk 2077}}'': Subverted. Of the two protagonists, Johnny is the idealist, who has spent his entire life fighting against corporate heavy-handedness and for freedom for the common man. Johnny is also by far the more jaded and bitter, angry at the sheeple who support the status quo and at how little seems to change in spite of his best efforts. V, in contrast, is a cheerfully hedonistic materialist, who has little interest in anything beyond the next paycheck, job or thrill, and whose general opinion on the CrapsackWorld they live in is "How can I make this work for me?".

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* ''{{VideoGame/Cyberpunk 2077}}'': Subverted. Of the two protagonists, Johnny is the idealist, who has spent his entire life fighting against corporate heavy-handedness and for freedom for the common man. Johnny is also by far the more jaded and bitter, angry at the sheeple who support the status quo and at how little seems to change in spite of his best efforts. V, in contrast, is a cheerfully hedonistic materialist, who has little interest in anything beyond the next paycheck, job job, or thrill, and whose general opinion on the CrapsackWorld they live in is "How can I make this work for me?".



* In ''Webcomic/TheOrderOfTheStick'' [[http://www.giantitp.com/comics/oots0761.html #761]], Elan thinks his father is invoking this on him, and says he's often heard it but it hasn't stopped him.

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* In ''Webcomic/TheOrderOfTheStick'' [[http://www.giantitp.com/comics/oots0761.html #761]], Elan thinks his father is invoking this on him, him and says he's often heard it but it hasn't stopped him.



* ''WebVideo/AtopTheFourthWall'' frequently [[DamnedByAFoolsPraise spoofs this attitude]] with the character of [[TotallyRadical 90s Kid]] (later [=90s=] Dude), a [[NoIndoorVoice loud]], [[{{Keet}} obnoxious]] teenage slacker who prefers [[UsefulNotes/TheDarkAgeOfComicbooks blood, guns, and grittiness]] to actual plot or characterization, considering hope and joy to be "kid's stuff". Lewis (and Linkara) express disdain over series who take this line of thought such as ''ComicBook/MarshalLaw'' and ''ComicBook/TheBoys'' as the creators are known to actively hate superheroes and openly fuel their "deconstructions" as either naive idiots or complete monsters.

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* ''WebVideo/AtopTheFourthWall'' frequently [[DamnedByAFoolsPraise spoofs this attitude]] with the character of [[TotallyRadical 90s Kid]] (later [=90s=] Dude), a [[NoIndoorVoice loud]], [[{{Keet}} obnoxious]] teenage slacker who prefers [[UsefulNotes/TheDarkAgeOfComicbooks blood, guns, and grittiness]] to actual plot or characterization, considering hope and joy to be "kid's stuff". Lewis (and Linkara) express disdain over series who that take this line of thought such as ''ComicBook/MarshalLaw'' and ''ComicBook/TheBoys'' as the creators are known to actively hate superheroes and openly fuel their "deconstructions" as either naive idiots or complete monsters.



* In the ''WebAnimation/{{RWBY}}'' episode "Heroes and Monsters", Ruby Rose, despite being on the ropes, is still determined to be the hero, save the day and stop Roman Torchwick and the other bad guys from wrecking Vale. Torchwick laughs that off and tells her that if she still wants to be the hero, then she should just roll over and die like every other Huntsman in history. He proceeds to tell her that this world has no room for her type of idealism, that it should die along with her and he'll keep doing what he does best - "lie, cheat, steal and survive!" [[spoiler:A split second later, a Griffin Grimm gives him the ultimate ShutUpHannibal by [[SwallowedWhole eating him]].]] Adam Taurus tells Blake Belladonna the same thing in the same episode: when she tells him that she wanted peace and equality for the Faunus races, Adam roars out that "What you want ''is impossible!''"

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* In the ''WebAnimation/{{RWBY}}'' episode "Heroes and Monsters", Ruby Rose, despite being on the ropes, is still determined to be the hero, save the day day, and stop Roman Torchwick and the other bad guys from wrecking Vale. Torchwick laughs that off and tells her that if she still wants to be the hero, then she should just roll over and die like every other Huntsman in history. He proceeds to tell her that this world has no room for her type of idealism, that it should die along with her and he'll keep doing what he does best - "lie, cheat, steal and survive!" [[spoiler:A split second later, a Griffin Grimm gives him the ultimate ShutUpHannibal by [[SwallowedWhole eating him]].]] Adam Taurus tells Blake Belladonna the same thing in the same episode: when she tells him that she wanted peace and equality for the Faunus races, Adam roars out that "What you want ''is impossible!''"



* Resident EmoTeen Zuko from ''WesternAnimation/AvatarTheLastAirbender'' believes that Aang's ideas about peace, pacifism and forgiveness are childish. While [[RousseauWasRight he's proven wrong]] in the case of [[spoiler: Katara's need to avenge her mother]], and admits as much, the question of killing BigBad Ozai is more complicated; [[spoiler: Aang's ultimate non-lethal victory is only made possible by a discovery that some viewers consider a DeusExMachina, before which even Aang's idealistic friends and his previous incarnations argued that killing Ozai would be NecessarilyEvil]].
** The sequel comics also show that the world doesn't miraculously fix itself overnight after a hundred years of war, and that even with a ReasonableAuthorityFigure on both sides of an issue, there is still room for trouble and moral complexity.
* ''WesternAnimation/BeastMachines'' had [[spoiler: Silverbolt]] from the previous series return half way through. Much to Blackaraknia's dismay, however, he had turned rather sour after being [[spoiler: reprogrammed temporarily by Megatron]] and at first outright sneered at anyone who brought up his [[WideEyedIdealist past point of view]]

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* Resident EmoTeen Zuko from ''WesternAnimation/AvatarTheLastAirbender'' believes that Aang's ideas about peace, pacifism pacifism, and forgiveness are childish. While [[RousseauWasRight he's proven wrong]] in the case of [[spoiler: Katara's need to avenge her mother]], and admits as much, the question of killing BigBad Ozai is more complicated; [[spoiler: Aang's ultimate non-lethal victory is only made possible by a discovery that some viewers consider a DeusExMachina, before which even Aang's idealistic friends and his previous incarnations argued that killing Ozai would be NecessarilyEvil]].
** The sequel comics also show that the world doesn't miraculously fix itself overnight after a hundred years of war, war and that even with a ReasonableAuthorityFigure on both sides of an issue, there is still room for trouble and moral complexity.
* ''WesternAnimation/BeastMachines'' had [[spoiler: Silverbolt]] from the previous series return half way halfway through. Much to Blackaraknia's dismay, however, he had turned rather sour after being [[spoiler: reprogrammed temporarily by Megatron]] and at first outright sneered at anyone who brought up his [[WideEyedIdealist past point of view]]



** An earlier variation shows up when Lobo invites himself to replace Superman (who was presumed dead). The team wants no part of him, since he clearly regards superheroics as simply an excuse to bust heads:

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** An earlier variation shows up when Lobo invites himself to replace Superman (who was presumed dead). The team wants no part of him, him since he clearly regards superheroics as simply an excuse to bust heads:



** Even season 3 BigBad ''Zaheer'' gets hit with this. He thought [[spoiler: killing the Earth Queen]] would lead to more freedom for their subjects. Instead it lead to an even more iron-fisted tyrant than the one who came before.

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** Even season 3 BigBad ''Zaheer'' gets hit with this. He thought [[spoiler: killing the Earth Queen]] would lead to more freedom for their subjects. Instead Instead, it lead led to an even more iron-fisted tyrant than the one who came before.



* In American politics, supporters of third-party candidates aren't congratulated for participating in the democratic system and standing up for what they believe in. Instead, supporters of third party candidates like Bob Barr, Ralph Nader, Cynthia [=McKinney=], Jill Stein and Gary Johnson along with idealistic candidates in both the mainstream parties like Bernie Sanders, Dennis Kucinich and UsefulNotes/RonPaul, are often demonized by Bipartisan centrists/moderates and Republican conservatives/right-wingers on their side of the aisle and belittled by the media, with the justification that "compromise is better than idealism."
** In return, the idealists would fire back that it is simply because the system is so broken and concerned with keeping the status quo that it stops anyone who is an honest person, an idealist or simply not a SleazyPolitician from taking office.

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* In American politics, supporters of third-party candidates aren't congratulated for participating in the democratic system and standing up for what they believe in. Instead, supporters of third party candidates like Bob Barr, Ralph Nader, Cynthia [=McKinney=], Jill Stein Stein, and Gary Johnson along with idealistic candidates in both the mainstream parties like Bernie Sanders, Dennis Kucinich Kucinich, and UsefulNotes/RonPaul, are often demonized by Bipartisan centrists/moderates and Republican conservatives/right-wingers on their side of the aisle and belittled by the media, with the justification that "compromise is better than idealism."
** In return, the idealists would fire back that it is simply because the system is so broken and concerned with keeping the status quo that it stops anyone who is an honest person, an idealist idealist, or simply not a SleazyPolitician from taking office.



** The mathematics work out this way because American elections work on the basis of a simple ''pure'' plurality.[[note]]Which is the 'First Past The Post' voting system, and becoming a notorious hot topic in countries that have had this system a ''very'' long time like the aforementioned United States and the United Kingdom where many are worried this has become too beneficial for center-right parties in recent decades.[[/note]] So if 3% of the voters vote for whom they perceive to be the best party while 48% vote for the second-best and 49% vote for the worst (again, labels are as perceived by the 3% and maybe part of the 48%), well, NiceJobBreakingItHero. The trick here is that altering the election system would require the cooperation of the party or parties in charge, and it's always in their best interest to keep third-parties as shut out as possible.
** Another critique is not so much about idealism but simply skepticism about the HoldingOutForAHero mentality of third parties and other challengers, who largely equate the power of political change with Presidential elections rather than sustaining an effective grass-roots in local, county, state and congressional elections to effectively build a party. Ralph Nader was criticized by the likes of Chomsky and others for more or less contesting in 1999 and then sitting on the margins for four years and then once again planning a third-party bid in 2003-2004. Mostly, third-party candidates run a campaign of a [[HeroicWannabe "little guy" changing a system all by themselves]] without doing any of the groundwork needed to actually make that change happen. After all, the third party in American politics that achieved the most results (the Republican Party of the [=1850s=], which is now NonIndicativeName the Grand Old Party) worked exactly that way.

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** The mathematics work out this way because American elections work on the basis of a simple ''pure'' plurality.[[note]]Which is the 'First Past The Post' voting system, and becoming a notorious hot topic in countries that have had this system a ''very'' long time like the aforementioned United States and the United Kingdom where many are worried this has become too beneficial for center-right parties in recent decades.[[/note]] So if 3% of the voters vote for whom they perceive to be the best party while 48% vote for the second-best and 49% vote for the worst (again, labels are as perceived by the 3% and maybe part of the 48%), well, NiceJobBreakingItHero. The trick here is that altering the election system would require the cooperation of the party or parties in charge, and it's always in their best interest to keep third-parties third parties as shut out as possible.
** Another critique is not so much about idealism but simply skepticism about the HoldingOutForAHero mentality of third parties and other challengers, who largely equate the power of political change with Presidential elections rather than sustaining an effective grass-roots in local, county, state state, and congressional elections to effectively build a party. Ralph Nader was criticized by the likes of Chomsky and others for more or less contesting in 1999 and then sitting on the margins for four years and then once again planning a third-party bid in 2003-2004. Mostly, third-party candidates run a campaign of a [[HeroicWannabe "little guy" changing a system all by themselves]] without doing any of the groundwork needed to actually make that change happen. After all, the third party in American politics that achieved the most results (the Republican Party of the [=1850s=], which is now NonIndicativeName the Grand Old Party) worked exactly that way.



* A political cartoon in 2008 accused John [=McCain=] of pandering to the right wing in his Republican Presidential nomination campaign with his much less moderate views than he had promoted in his 2000 campaign. When asked what happened to the "Straight-Talk Express" [=McCain=] of 2000, the cartoon version of him replied "He lost."
* There's a saying in American politics: "A conservative at the age of twenty has no heart; a liberal at the age of forty has no brain." This was derived from a 19th-century remark by a French politician: "A monarchist at the age of 20 has no heart; a republican [small r, as in "believes in a republic"] at the age of 40 has no brain". Of course, these paint conservatism and monarchism as the more mature choices and of course today monarchism is pretty much dead as an idea, which should tell you something about that sentiment. (In America, perhaps. In monarchies, such as Britain, it's still alive and thriving as an ideology.)

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* A political cartoon in 2008 accused John [=McCain=] of pandering to the right wing in his Republican Presidential nomination campaign with his much less moderate views than he had promoted in his 2000 campaign. When asked what happened to the "Straight-Talk Express" [=McCain=] of 2000, the cartoon version of him replied replied, "He lost."
* There's a saying in American politics: "A conservative at the age of twenty has no heart; a liberal at the age of forty has no brain." This was derived from a 19th-century remark by a French politician: "A monarchist at the age of 20 has no heart; a republican [small r, as in "believes in a republic"] at the age of 40 has no brain". Of course, these paint conservatism and monarchism as the more mature choices choices, and of course today monarchism is pretty much dead as an idea, which should tell you something about that sentiment. (In America, perhaps. In monarchies, such as Britain, it's still alive and thriving as an ideology.)
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* Speedball's evolution into Penance. This trope plus a dump truck full of {{Wangst}}. He had amnesia at the time. He knew that he used to be a hero and that he'd done something bad, he just didn't know who or what.

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* Speedball's evolution into Penance. This trope plus a dump truck full of {{Wangst}}. He Never mind the armor standed for the victims of Stamford...but there was the very, very painful flagglent behavior around the dumb citizens of Marvel(when it was CLEARLY Nitro who did it). But he also had amnesia at the time. He knew that he used to be a hero and that he'd done something bad, he just didn't know who or what.
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* This would be a big part of Sally Floyd's mentality in a nutshell during ComicBook/CivilWar. When she berates ComicBook/CaptainAmerica, she claims that modern America is not about idealistic beliefs but about mediocrity and pop culture, and that Captain America with his idealism '''broke America''' (sic).

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* This would be a big part of Sally Floyd's mentality in a nutshell during ComicBook/CivilWar. When she berates ComicBook/CaptainAmerica, she claims that modern America is not about idealistic beliefs but about mediocrity and pop culture, and that Captain America with his idealism '''broke America''' (sic).(sic...although it's not saying a lot when Iron had done horrible things that would prove Cap's point).
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* On the ''LetsPlay/DreamSMP'', in a flashback sequence to the L'Manberg election arc, it is revealed that Wilbur, who had already been turned into a [[CynicismCatalyst jaded ex-idealist by trauma]] by that point, was the one who advised Quackity, then an idealistic NaiveNewcomer, that violence was the key to power and security on the server. After an extensive TraumaCongaLine and reaching his DespairEventHorizon, Quackity embraces the mentality and proceeds to use this tactic on other characters to [[ManipulativeBastard convince them]] to join his new country, Las Nevadas... with copious amounts of IHatePastMe PsychologicalProjection implicated in the manipulation.

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* On the ''LetsPlay/DreamSMP'', in a flashback sequence to the L'Manberg election arc, it is revealed that Wilbur, [[spoiler:Wilbur, who had already been turned into a [[CynicismCatalyst jaded ex-idealist by trauma]] by that point, was the one who advised Quackity, then an idealistic NaiveNewcomer, that violence was the key to power and security on the server. After an extensive TraumaCongaLine and reaching his DespairEventHorizon, Quackity embraces the mentality and proceeds to use this tactic on other characters to [[ManipulativeBastard convince them]] to join his new country, Las Nevadas... with copious amounts of IHatePastMe PsychologicalProjection implicated in the manipulation.]]
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* On the ''LetsPlay/DreamSMP'', in a flashback sequence to the L'Manberg election arc, it is revealed that Wilbur was the one who advised Quackity, then an idealistic NaiveNewcomer, that violence was the key to power and security on the server. After an extensive TraumaCongaLine and reaching his DespairEventHorizon, Quackity embraces the mentality and proceeds to use this tactic on other characters to [[ManipulativeBastard convince them]] to join his new country, Las Nevadas... with copious amounts of IHatePastMe PsychologicalProjection implicated in the manipulation.

to:

* On the ''LetsPlay/DreamSMP'', in a flashback sequence to the L'Manberg election arc, it is revealed that Wilbur Wilbur, who had already been turned into a [[CynicismCatalyst jaded ex-idealist by trauma]] by that point, was the one who advised Quackity, then an idealistic NaiveNewcomer, that violence was the key to power and security on the server. After an extensive TraumaCongaLine and reaching his DespairEventHorizon, Quackity embraces the mentality and proceeds to use this tactic on other characters to [[ManipulativeBastard convince them]] to join his new country, Las Nevadas... with copious amounts of IHatePastMe PsychologicalProjection implicated in the manipulation.

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* ''WebVideo/AtopTheFourthWall'' frequently [[DamnedByAFoolsPraise spoofs this attitude]] with the character of [[TotallyRadical 90s Kid]] (later [=90s=] Dude), a [[NoIndoorVoice loud]], [[{{Keet}} obnoxious]] teenage slacker who prefers [[UsefulNotes/TheDarkAgeOfComicbooks blood, guns, and grittiness]] to actual plot or characterization, considering hope and joy to be "kid's stuff". Lewis (and Linkara) express disdain over series who take this line of thought such as ''ComicBook/MarshallLaw'' and ''ComicBook/TheBoys'' as the creators are known to actively hate superheroes and openly fuel their "deconstructions" as either naive idiots or complete monsters.

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* ''WebVideo/AtopTheFourthWall'' frequently [[DamnedByAFoolsPraise spoofs this attitude]] with the character of [[TotallyRadical 90s Kid]] (later [=90s=] Dude), a [[NoIndoorVoice loud]], [[{{Keet}} obnoxious]] teenage slacker who prefers [[UsefulNotes/TheDarkAgeOfComicbooks blood, guns, and grittiness]] to actual plot or characterization, considering hope and joy to be "kid's stuff". Lewis (and Linkara) express disdain over series who take this line of thought such as ''ComicBook/MarshallLaw'' ''ComicBook/MarshalLaw'' and ''ComicBook/TheBoys'' as the creators are known to actively hate superheroes and openly fuel their "deconstructions" as either naive idiots or complete monsters.monsters.
* [[https://www.currentaffairs.org/2017/10/sci-fi-fantasy-and-the-status-quo This article]] from [=CurrentAffairs.org=] criticizes a perceived lack of aspirational idealism in current speculative fiction. It notes in particular Creator/JKRowling's remarks on [[WhereAreTheyNowEpilogue the post-series lives]] of the ''Franchise/HarryPotter'' characters, noting in particular that the childhood social radicalism of Hermione--especially regarding the wizarding world's enslavement of house-elves and otherwise treating intelligent magical nonhuman beings as second-class citizens--dissipates into a government job.
-->"Rowling has claimed that after the story ends, Hermione continues to fight for the rights of the downtrodden as an employee of the “Department for the Regulation and Control of Magical Creatures”. (Apparently she doesn't fight very hard, or she would have done something about the department's name.)"
* On the ''LetsPlay/DreamSMP'', in a flashback sequence to the L'Manberg election arc, it is revealed that Wilbur was the one who advised Quackity, then an idealistic NaiveNewcomer, that violence was the key to power and security on the server. After an extensive TraumaCongaLine and reaching his DespairEventHorizon, Quackity embraces the mentality and proceeds to use this tactic on other characters to [[ManipulativeBastard convince them]] to join his new country, Las Nevadas... with copious amounts of IHatePastMe PsychologicalProjection implicated in the manipulation.



* [[https://www.currentaffairs.org/2017/10/sci-fi-fantasy-and-the-status-quo This article]] from CurrentAffairs.org criticizes a perceived lack of aspirational idealism in current speculative fiction. It notes in particular Creator/JKRowling's remarks on [[WhereAreTheyNowEpilogue the post-series lives]] of the ''Franchise/HarryPotter'' characters, noting in particular that the childhood social radicalism of Hermione--especially regarding the wizarding world's enslavement of house-elves and otherwise treating intelligent magical nonhuman beings as second-class citizens--dissipates into a government job.
-->"Rowling has claimed that after the story ends, Hermione continues to fight for the rights of the downtrodden as an employee of the “Department for the Regulation and Control of Magical Creatures”. (Apparently she doesn’t fight very hard, or she would have done something about the department’s name.)"
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* ''WesternAnimation/SpiesInDisguise'': This trope is one of the reasons, if not THE reason, Walter's considered a weirdo by nearly everyone in the agency, especially with their line of work. Lance straight up tells him that "evil doesn't care that you're nice" and he "can't save the world with hugs".
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* ''WebVideo/AtopTheFourthWall'' frequently [[DamnedByAFoolsPraise spoofs this attitude]] with the character of [[TotallyRadical 90s Kid]], a [[NoIndoorVoice loud]], [[{{Keet}} obnoxious]] teenage slacker who prefers [[UsefulNotes/TheDarkAgeOfComicbooks blood, guns, and grittiness]] to actual plot or characterization, considering hope and joy to be "kid's stuff".

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* ''WebVideo/AtopTheFourthWall'' frequently [[DamnedByAFoolsPraise spoofs this attitude]] with the character of [[TotallyRadical 90s Kid]], Kid]] (later [=90s=] Dude), a [[NoIndoorVoice loud]], [[{{Keet}} obnoxious]] teenage slacker who prefers [[UsefulNotes/TheDarkAgeOfComicbooks blood, guns, and grittiness]] to actual plot or characterization, considering hope and joy to be "kid's stuff".stuff". Lewis (and Linkara) express disdain over series who take this line of thought such as ''ComicBook/MarshallLaw'' and ''ComicBook/TheBoys'' as the creators are known to actively hate superheroes and openly fuel their "deconstructions" as either naive idiots or complete monsters.
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None


* [[Literature/HarryPotter Harry]] is far more cynical than the more idealist [[Franchise/StarWars Anakin]] in ''[[https://www.fanfiction.net/s/8501689/1/The-Havoc-side-of-the-Force The Havoc Side of the Force]]''. Unlike most examples however, he teaches Anakin to be more cynical because he honestly doesn't want the kid to learn the hard way like Harry did.

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* [[Literature/HarryPotter Harry]] is far more cynical than the more idealist [[Franchise/StarWars Anakin]] in ''[[https://www.fanfiction.net/s/8501689/1/The-Havoc-side-of-the-Force The Havoc Side of the Force]]''.''Fanfic/TheHavocSideOfTheForce''. Unlike most examples however, he teaches Anakin to be more cynical because he honestly doesn't want the kid to learn the hard way like Harry did.

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