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"Brang" is not unknown.
Changed line(s) 272 (click to see context) from:
* Neil Diamond: "Songs that she sang to me, songs that she ''brang'' to me". No, the verb "to bring" does ''not'' work that way...
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* Neil Diamond: "Songs that she sang to me, songs that she ''brang'' to me". No, the verb "to bring" does ''not'' work that way...Usually one would say "brought" instead.
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Changed line(s) 429 (click to see context) from:
* "My Egyptian Grammar" by Fiery Furnaces bizarrely mangles the grammar of the sentence "she let me in the car" for the sake of rhyme. However, the song is [[ThroughTheEyesOfMadness from the point of view of an increasingly delusional narrator]], so it can also be read as the character getting her word order mixed up because she's agitated or in a manic state:
to:
* "My Egyptian Grammar" by Fiery Furnaces bizarrely mangles the grammar of the sentence "she let me in into the car" for the sake of rhyme. However, the song is [[ThroughTheEyesOfMadness from the point of view of an increasingly delusional narrator]], so it can also be read as the character getting her word order mixed up because she's agitated or in a manic state:
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Changed line(s) 326 (click to see context) from:
* The chorus of Music/{{REM}}'s "Leaving New York" has the grammatically odd line "leaving was never my proud" (probably meaning "pride", but that wouldn't slant-rhyme with "around" and "down"). Like the Carrie Underwood example, it can be read as being in [[WebOriginal/LOLCats LOLCat]] speak.
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* Music/{{REM}}"
** Played for laughs in "Voice of Harold", which consists of Michael Stipe singing out the liner notes to a gospel album to the tune of [[Music/{{Reckoning}} "7 Chinese Bros."]] Many parts of the writing inevitably don't fit the meter of the song, resulting in him frequently having to either drag out, rush through, or add pauses in the middle of some of the words.
** The chorus ofMusic/{{REM}}'s [[Music/AroundTheSun "Leaving New York" York"]] has the grammatically odd line "leaving was never my proud" (probably meaning "pride", but that wouldn't slant-rhyme with "around" and "down"). Like the Carrie Underwood example, it can be read as being in [[WebOriginal/LOLCats LOLCat]] speak.
** Played for laughs in "Voice of Harold", which consists of Michael Stipe singing out the liner notes to a gospel album to the tune of [[Music/{{Reckoning}} "7 Chinese Bros."]] Many parts of the writing inevitably don't fit the meter of the song, resulting in him frequently having to either drag out, rush through, or add pauses in the middle of some of the words.
** The chorus of
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fixed typo. sorry about that
Changed line(s) 145 (click to see context) from:
** Furthermore, [[Music/TheFragile1999 "We're in This Together"]] and [[Music/TheFragile1999 "The Great Belo'w]] feature "down the path we have chose" and "the destiny I've chose". In both cases, "chosen" would be semantically correct, but also wouldn't scan.
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** Furthermore, [[Music/TheFragile1999 "We're in This Together"]] and [[Music/TheFragile1999 "The Great Belo'w]] Below"]] feature "down the path we have chose" and "the destiny I've chose". In both cases, "chosen" would be semantically correct, but also wouldn't scan.
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**Furthermore, [[Music/TheFragile1999 "We're in This Together"]] and [[Music/TheFragile1999 "The Great Belo'w]] feature "down the path we have chose" and "the destiny I've chose". In both cases, "chosen" would be semantically correct, but also wouldn't scan.
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Changed line(s) 4,5 (click to see context) from:
So you're listening to a new song, and really like it! Not only is the melody awesome, but the lyrics seem really deep and poignant. But is he talking about shoes there? You're not sure, so you go to the Internet, pull up a lyrics site, and look up to the words to the song.
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So you're listening to a new song, and really like it! Not only is the melody awesome, but the lyrics seem really deep and poignant. But is he the singer talking about shoes there? You're not sure, so you go to the Internet, pull up a lyrics site, and look up to the words to the song.
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Changed line(s) 426 (click to see context) from:
* "My Egyptian Grammar" by Fiery Furnaces bizarrely mangles the grammar of the sentence "she let me in the car" for the sake of rhyme. Though the song is [[ThroughTheEyesOfMadness from the point of view of an increasingly delusional narrator]], so it can also be read as the character getting her word order mixed up:
to:
* "My Egyptian Grammar" by Fiery Furnaces bizarrely mangles the grammar of the sentence "she let me in the car" for the sake of rhyme. Though However, the song is [[ThroughTheEyesOfMadness from the point of view of an increasingly delusional narrator]], so it can also be read as the character getting her word order mixed up: up because she's agitated or in a manic state:
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Changed line(s) 429 (click to see context) from:
She let me the '''car in'''
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Changed line(s) 303 (click to see context) from:
* Edwin [=McCain=]'s "I'll Be" has "I'll be your crying shoulder". It's not grammatically incorrect or anything, but it sounds a little odd because the usual expression is "a shoulder to cry on". The listener might end up with the mental image of [[AmbiguousSyntax a shoulder that's crying, rather than a shoulder being used to cry on]].
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* Edwin [=McCain=]'s "I'll Be" has "I'll be your crying shoulder". It's not grammatically incorrect or anything, but it sounds a little odd because the The usual expression is "a shoulder to cry on".on", but the line needed to end on a rhyme for "older". The listener might end up with the mental image of [[AmbiguousSyntax a shoulder that's crying, rather than a shoulder being used to cry on]].
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* "My Egyptian Grammar" by Fiery Furnaces bizarrely mangles the grammar of the sentence "she let me in the car" for the sake of rhyme. Though the song is [[ThroughTheEyesOfMadness from the point of view of an increasingly delusional narrator]], so it can also be read as the character getting her word order mixed up:
-->A white-haired half-Samoan girl from '''Darwin'''
-->Gave me a ride, it seems
She let me the '''car in'''
-->A white-haired half-Samoan girl from '''Darwin'''
-->Gave me a ride, it seems
She let me the '''car in'''
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Changed line(s) 66 (click to see context) from:
* "All I Want To Do" by Music/{{Sugarland}}. The word "do" is stretched quite egregiously over [[MelismaticVocals a very long melodic run]].
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* "All I Want To Do" by Music/{{Sugarland}}. The word "do" is stretched quite egregiously over [[MelismaticVocals a very long melodic run]].run.
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Changed line(s) 66 (click to see context) from:
* "All I Want To Do" by Music/{{Sugarland}}. The word "do" is stretched quite egregiously over [{MelismaticVocals a very long melodic run]].
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* "All I Want To Do" by Music/{{Sugarland}}. The word "do" is stretched quite egregiously over [{MelismaticVocals [[MelismaticVocals a very long melodic run]].
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Changed line(s) 66 (click to see context) from:
* "All I Want To Do" by Music/{{Sugarland}}. The word "do" is stretched quite egregiously over a very long melodic run.
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* "All I Want To Do" by Music/{{Sugarland}}. The word "do" is stretched quite egregiously over [{MelismaticVocals a very long melodic run.run]].
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* Music/{{Eminem}} has faced criticism on recent projects for lyrics based on HurricaneOfPuns wordplay in order to force rigid rhyme schemes, resulting in peculiar lyrics like "pressure increases like khakis". Eminem responded to the criticism by saying he just puts in lines he thinks of that make him laugh and doesn't care if critics like it.
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Changed line(s) 334 (click to see context) from:
-->"What's this on my mitten?" said the troll from down below[[note]]"Troll" in this case meaning a resident of Michigan's Lower Peninsula, as they are "under" the Mackinac Bridge which connects the two halves of the state[[/note]]
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-->"What's this on my mitten?" said the troll from down below[[note]]"Troll" in this case meaning a resident of Michigan's UsefulNotes/{{Michigan}}'s Lower Peninsula, as they are "under" the Mackinac Bridge Bridge, which connects the two halves of the state[[/note]]state's Lower Peninsula with its Upper Peninsula.[[/note]]
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Changed line(s) 251 (click to see context) from:
* The third verse of Music/AlanJackson's "Where I Come From" is a {{Painful Rhyme}}-riddled mess of a word salad. Good luck trying to figure out what he's even trying to say:
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* The third verse of Music/AlanJackson's "Where I Come From" is a {{Painful Rhyme}}-riddled PainfulRhyme-riddled mess of a word salad. Good luck trying to figure out what he's even trying to say:
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Changed line(s) 319 (click to see context) from:
* EdSheeran's "The A-Team" (a song about a woman addicted to drugs) has some seriously {{Painful Rhyme}}s because of this:
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* EdSheeran's Music/EdSheeran's "The A-Team" (a song about a woman addicted to drugs) has some seriously {{Painful Rhyme}}s because of this:
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Changed line(s) 423 (click to see context) from:
And her skin's the color mocha[[note]]"the color mocha" is necessary because "her skin's mocha" makes it sound like she's made of coffee, but it's still an inelegant construct for a song lyric[[/note]]
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And her skin's the color mocha[[note]]"the color mocha" is necessary because "her skin's mocha" makes it sound like she's made of coffee, (and there's no room for an "of"), but it's still an inelegant construct for a song lyric[[/note]]
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Mondegreen is no longer a trope; dewicking
Changed line(s) 4,5 (click to see context) from:
So you're listening to a new song, and really like it! Not only is the melody awesome, but the lyrics seem really deep and poignant. [[{{Mondegreen}} But is he talking about shoes there?]] You're not sure, so you go to the Internet, pull up a lyrics site, and look up to the words to the song.
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So you're listening to a new song, and really like it! Not only is the melody awesome, but the lyrics seem really deep and poignant. [[{{Mondegreen}} But is he talking about shoes there?]] there? You're not sure, so you go to the Internet, pull up a lyrics site, and look up to the words to the song.
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dewicking redirect
Changed line(s) 341 (click to see context) from:
That are quite [[ItIsPronouncedTropay unsing-able]]
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That are quite [[ItIsPronouncedTropay unsing-able]]unsing-able
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Changed line(s) 220 (click to see context) from:
-->And I ca-[[AccentUponTheWrongSyllable NOT]] text you with a drink in my hand, eh?
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-->And I ca-[[AccentUponTheWrongSyllable NOT]] text you with a drink in my hand, drin' kin-my-hand, eh?
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Changed line(s) 96 (click to see context) from:
** Parodied in [[https://www.youtube.com/watch?v=Mj6QqCH7g0Q this YouTube video]], titled "Bad Grammar".
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** Parodied in [[https://www.youtube.com/watch?v=Mj6QqCH7g0Q com/watch?v=n6RvmRPLvwA this YouTube video]], titled "Bad Grammar".
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Changed line(s) 402 (click to see context) from:
* After Barry [=McGuire=]'s ProtestSong "Eve of Destruction" became a #1 hit, an answer song called "The Dawn of Correction" by The Spokesmen was quickly recorded and released and became a Top 40 hit in its own right. The original had some notable Shoehorns ("My blood's so mad, feels like coagulatin' ") of its own, but "The Dawn of Correction", in trying to make a coherent comment on 1965 current events, while trying to have practically every line of its verse end with an "-ation" rhyme, came up with quite a few doozies:
to:
* After Barry [=McGuire=]'s ProtestSong "Eve of Destruction" became a #1 hit, an answer song called "The Dawn of Correction" by The Spokesmen was quickly recorded and released and became a Top 40 hit in its own right. The original had some notable Shoehorns ("My blood's so mad, feels like coagulatin' ") coagulatin'") of its own, but "The Dawn of Correction", in trying to make a coherent comment on 1965 current events, while trying to have practically every line of its verse end with an "-ation" rhyme, came up with quite a few doozies:
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Changed line(s) 409,410 (click to see context) from:
Don't forget the work of the United Nations.''
* Music/WeirdAlYankovic takes pride in these in his parody songs. Where the original song uses the same lyrics for every refrain (e.g. "[[Music/MichaelJackson beat it]] / beat it / noone wants to be defeated"), he puts effort into using a different rhyme word every time the refrain comes up (e.g. "get yourself an egg and beat it", "open up your mouth and feed it", "if it's getting cold, reheat it", and so forth). This includes finding half a dozen different rhymes for (the biggest ball of twine in) Minnesota...
* Music/WeirdAlYankovic takes pride in these in his parody songs. Where the original song uses the same lyrics for every refrain (e.g. "[[Music/MichaelJackson beat it]] / beat it / noone wants to be defeated"), he puts effort into using a different rhyme word every time the refrain comes up (e.g. "get yourself an egg and beat it", "open up your mouth and feed it", "if it's getting cold, reheat it", and so forth). This includes finding half a dozen different rhymes for (the biggest ball of twine in) Minnesota...
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Don't forget the work of the United Nations.UsefulNotes/UnitedNations.''
* Music/WeirdAlYankovic takes pride in these in his parody songs. Where the original song uses the same lyrics for every refrain (e.g. "[[Music/MichaelJackson beat it]] / beat it / noone wants to be defeated"), he puts effort into using a different rhyme word every time the refrain comes up (e.g. "get yourself an egg and beat it", "open up your mouth and feed it", "if it's getting cold, reheat it", and so forth). This includes finding half a dozen different rhymes for(the "the biggest ball of twine in) Minnesota...in Minnesota"...
* Music/WeirdAlYankovic takes pride in these in his parody songs. Where the original song uses the same lyrics for every refrain (e.g. "[[Music/MichaelJackson beat it]] / beat it / noone wants to be defeated"), he puts effort into using a different rhyme word every time the refrain comes up (e.g. "get yourself an egg and beat it", "open up your mouth and feed it", "if it's getting cold, reheat it", and so forth). This includes finding half a dozen different rhymes for
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How is that an example?
Deleted line(s) 76,80 (click to see context) :
* The Christian folk hymn "I Wonder As I Wander":
-->I wonder as I wander out under the sky
-->How Jesus the Savior did come for to die
-->For poor ornery creatures '''like you and like I'''
-->I wonder as I wander out under the sky
-->I wonder as I wander out under the sky
-->How Jesus the Savior did come for to die
-->For poor ornery creatures '''like you and like I'''
-->I wonder as I wander out under the sky
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-->-- '''Strong Bad's [[Recap/StrongBadEmailE133Bottom10 bottom 10]]''', ''WebAnimation/HomestarRunner''
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-->-- '''Strong Bad's '''[[WebAnimation/HomestarRunner Strong Bad]]'s [[TopTenList bottom 10]]''', ''WebAnimation/StrongBadEmail'' #133 [[Recap/StrongBadEmailE133Bottom10 bottom 10]]''', ''WebAnimation/HomestarRunner''
"bottom 10"]]
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Changed line(s) 429 (click to see context) from:
* Many sea shanties and work songs have sections of rhythmic nonsense intended to help the singers co-ordinate their actions, like hauling on ropes.
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* Many sea shanties and work songs have sections of rhythmic nonsense intended to help the singers co-ordinate their actions, like hauling on ropes. It doesn't have to mean anything, as long as it keeps you from falling out of sync.
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* Many sea shanties and work songs have sections of rhythmic nonsense intended to help the singers co-ordinate their actions, like hauling on ropes.
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(Note: I'm not familiar with Benjamin Gibbard but the description makes it sound like his lyrics are actually an inversion, not a subversion.)
Changed line(s) 45 (click to see context) from:
* Most songs written by Benjamin Gibbard subvert this trope. He writes long, grammatically correct(Or sometimes run-on) sentences that have to squeeze themselves awkwardly into the rhythms and often don't even rhyme.
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* Most songs written by Benjamin Gibbard subvert this trope. He writes long, grammatically correct(Or correct (or sometimes run-on) sentences that have to squeeze themselves awkwardly into the rhythms and often don't even rhyme.