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* ''VideoGame/{{Skyrim}}'': Sigrid and Dorthe, the wife and daughter of Alvor, the local blacksmith. Dorthe spends most of her time helping her father at the forge and dreams of becoming a smith herself when she grows up, much to Sigrid's chagrin, who keeps trying to push her into more "ladylike" interests like cooking, sewing, and gardening.
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* Caroline and Abigail from ''VideoGame/StardewValley''. Caroline is a {{housewife}} who is happily married to her husband Pierre. She tends a tea garden for a hobby. Abigail is an adventure-seeking tomboy suffering from SmallTownBoredom who wants to fight monsters in the local mine, and will quarrel with her parents in several of her friendship events.
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*''Literature/HonorHarrington'': Honor has shades of this with her mother Allison, Allison is a genetists, small, beautiful and from the planet Beowulf that has a very open attitude to sex. Honor is a naval officer, is 6 foot 2 and always felt plain and was content as one of the lads' after some unpleasant experiences at the Naval Academy. While not at each other's throats, Honor was always jealous of her mother's beauty and for her part her mother was perturbed by Honor's lack of sex life.
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* ''WesternAnimation/TheLionKing'': As a cub, Nala is the spunky tomboy to her feminine mother Sarafina. In the sequel ''WesternAnimation/TheLionKingIISimbasPride'', Nala is a regal and reserved queen, while her daughter Kiara is an adventurous TomboyPrincess.

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* ''WesternAnimation/TheLionKing'': ''WesternAnimation/{{The Lion King|1994}}'': As a cub, Nala is the spunky tomboy to her feminine mother Sarafina. In the sequel ''WesternAnimation/TheLionKingIISimbasPride'', Nala is a regal and reserved queen, while her daughter Kiara is an adventurous TomboyPrincess.



* ''Literature/{{Lensman}}'': In ''Children of the Lens'', Clarissa Kinnison is described as a womanly feminine lady who tried hard to make her daughters grow up as feminine women too - and failed. They would not play house, or play with dolls; instead they played with atomic engines, flitters, and speedsters, and they also enjoyed roughhousing with their big brother Kit.

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* ''Literature/{{Lensman}}'': In ''Children of the Lens'', Clarissa Kinnison is described as a womanly feminine lady who tried hard to make her daughters grow up as feminine women too - -- and failed. They would not play house, or play with dolls; instead they played with atomic engines, flitters, and speedsters, and they also enjoyed roughhousing with their big brother Kit.



* In ''WesternAnimation/{{Disenchantment}}'', Bean is a hard-drinking tomboy who favors breeches and tunics, whereas her biological mother Dagmar was a proper queen (at least that's how her father insists on remembering her, the truth is she was kind of ''both'' [[spoiler: and an evil sorcereress to boot]]. Her stepmother Oona is also fairly proper (with some odd quirks as a FunnyForeigner) but reveals a tomboyish streak when she takes over a pirate crew in the second season, but they never got close.

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* In ''WesternAnimation/{{Disenchantment}}'', Bean is a hard-drinking tomboy who favors breeches and tunics, whereas her biological mother Dagmar was a proper queen (at least that's how her father insists on remembering her, the truth is she was kind of ''both'' [[spoiler: and [[spoiler:and an evil sorcereress to boot]]. Her stepmother Oona is also fairly proper (with some odd quirks as a FunnyForeigner) but reveals a tomboyish streak when she takes over a pirate crew in the second season, but they never got close.



* ''WesternAnimation/StarVsTheForcesOfEvil:'' Star is more of a GirlyBruiser than a tomboy, but she still often clashes with her more "proper" mother, Queen Moon. Granted, [[LadyOfWar Moon is perfectly willing to fight if she has to]], but doesn't seek it out like Star, who got that trait from her father.

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* ''WesternAnimation/StarVsTheForcesOfEvil:'' ''WesternAnimation/StarVsTheForcesOfEvil'': Star is more of a GirlyBruiser than a tomboy, but she still often clashes with her more "proper" mother, Queen Moon. Granted, [[LadyOfWar Moon is perfectly willing to fight if she has to]], but doesn't seek it out like Star, who got that trait from her father.
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->'''Elinor:''' Merida, a princess does not place her weapons on the table.
->'''Merida:''' ''[moans]'' Mum! It's just my bow!

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->'''Elinor:''' Merida, a princess does not place her weapons on the table.
->'''Merida:'''
table.\\
'''Merida:'''
''[moans]'' Mum! It's just my bow!









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[[folder:VisualNovels]][[folder:Visual Novels]]
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* In ''WesternAnimation/{{Disenchantment}}'', Bean is a hard-drinking tomboy who favors breeches and tunics, whereas her biological mother Dagmar was a proper queen. Her stepmother Oona has a tomboyish streak, as seen when she takes over a pirate crew in the second season, but they never got close.

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* In ''WesternAnimation/{{Disenchantment}}'', Bean is a hard-drinking tomboy who favors breeches and tunics, whereas her biological mother Dagmar was a proper queen. queen (at least that's how her father insists on remembering her, the truth is she was kind of ''both'' [[spoiler: and an evil sorcereress to boot]]. Her stepmother Oona has is also fairly proper (with some odd quirks as a FunnyForeigner) but reveals a tomboyish streak, as seen streak when she takes over a pirate crew in the second season, but they never got close.
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* PlayedForDrama in ''Manga/{{Bokurano}}'', where boyish military {{Otaku}} Maki wonders if she's afraid of acting girly because she loathes her abusive, neglectful mother, who was feminine.

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* PlayedForDrama in the manga version of ''Manga/{{Bokurano}}'', where boyish military {{Otaku}} Maki wonders if she's afraid of acting girly because she loathes her abusive, neglectful biological mother, who was feminine.supposedly feminine. Maki doesn't actually have a very good idea of what kind of person her mother was, apart from the abuse, but admits that when she sees women who are "slaves to money and booze and men," she wonders if that was what her mother was like.
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This can be played several ways. The mother might be a very strict FantasyForbiddingMother who repeatedly brings up that she WantedAGenderConformingChild, or an OpenMindedParent who is accepting of her daughter from the get-go. She and her daughter may be distant because of their differences or very close despite them. Similarly, the daughter may stand her ground or experience TomboyAngst. The important thing is the generational contrast between the two female characters, because this trope is often used to show changing gender norms. The mother is usually the embodiment of AcceptableFeminineGoalsAndTraits, and her treatment of her tomboyish daughter's personality and hobbies is emblematic of the changing times -- society is increasingly accepting of women who take up traditionally 'masculine' pursuits, although old-fashioned characters may still be scandalized. For this reason, the daughter is usually the more sympathetic character, or at least [[RealWomenNeverWearDresses the one the audience is expected to root for]].

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This can be played several ways. The mother might be a very strict FantasyForbiddingMother who repeatedly brings up that she WantedAGenderConformingChild, or an OpenMindedParent who is accepting of her daughter from the get-go.get-go -- bonus points if she UsedToBeATomboy (or at least less girly) but settled into a more feminine role in adulthood. She and her daughter may be distant because of their differences or very close despite them. Similarly, the daughter may stand her ground or experience TomboyAngst. The important thing is the generational contrast between the two female characters, because this trope is often used to show changing gender norms. The mother is usually the embodiment of AcceptableFeminineGoalsAndTraits, and her treatment of her tomboyish daughter's personality and hobbies is emblematic of the changing times -- society is increasingly accepting of women who take up traditionally 'masculine' pursuits, although old-fashioned characters may still be scandalized. For this reason, the daughter is usually the more sympathetic character, or at least [[RealWomenNeverWearDresses the one the audience is expected to root for]].
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* ''WesternAnimation/TheLionKing'': As a cub, Nala is the spunky tomboy to her feminine mother Sarafina. In the sequel ''WesternAnimation/TheLionKingIISimbasPride'', Nala is a regal and reserved queen, while her daughter Kiara is an adventurous TomboyPrincess.
* ''WesternAnimation/TheLittleMermaidIIReturnToTheSea'': Ariel, who [[UsedToBeATomboy used to be]] a TomboyPrincess as a teenager, is here a proper queen who often gets worried about her rambunctious and tomboyish daughter Melody.

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* ''Literature/ASongOfIceAndFire'': Catelyn is a tried and true ProperLady, while her middle child and second daughter Arya is a wild and rambunctious tomboy. Although Catelyn's husband Ned indulged Arya's hobbies like sword fighting and horseback riding (in part because of her resemblance to his famously tomboyish deceased sister Lyanna), Catelyn expresses concern about Arya's future, was critical over her lack of feminine skills, and takes pride in the fact that Arya's feminine older sister Sansa was "a lady at three".

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* ''Literature/ASongOfIceAndFire'': Catelyn is a tried and true ProperLady, while her middle child and second daughter Arya is a wild and rambunctious tomboy. Although Catelyn's husband Ned indulged Arya's hobbies like sword fighting and horseback riding (in part because of her resemblance to his famously tomboyish deceased sister Lyanna), Catelyn expresses concern about Arya's future, was critical over her lack of feminine skills, and takes pride in the fact that Arya's feminine older sister Sansa was "a lady at three".three."
* {{Inverted}} in ''Literature/{{Remnants}}.'' One of the main characters is a teenager who goes by Miss Violet Blake (birth name: [[TomboyishName Austin]]). Violet was part of a clique called "Janes," because they prefer to dress and act in the style of Creator/JaneAusten characters. Her mother, in contrast, was a tough-as-nails businesswoman before the Rock hit, and the two often butt heads.



* In ''WesternAnimation/StarVsTheForcesOfEvil'' Star and Moon often butt heads when it comes to Star acting like a proper princess. However, technically Mewni doesn't necessarily expect femininity from their princesses and the queen is expected to protect the kingdom.

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* In ''WesternAnimation/StarVsTheForcesOfEvil'' ''WesternAnimation/StarVsTheForcesOfEvil:'' Star and Moon is more of a GirlyBruiser than a tomboy, but she still often butt heads when it comes clashes with her more "proper" mother, Queen Moon. Granted, [[LadyOfWar Moon is perfectly willing to Star acting like a proper princess. However, technically Mewni fight if she has to]], but doesn't necessarily expect femininity seek it out like Star, who got that trait from their princesses and the queen is expected to protect the kingdom.her father.

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* Inverted in ''Series/{{The Witcher|2019}}'' with the corset-hating warrior Queen Calanthe and her more PrincessClassic daughter Pavetta.

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* Inverted in ''Series/{{The Witcher|2019}}'' Witcher|2019}}'':
** Inverted
with the corset-hating warrior Queen Calanthe and her more PrincessClassic daughter Pavetta.Pavetta.
** Played straight with Pavetta and her daughter Cirilla; Ciri enjoys masquerading as a boy and playing knucklebones with commoners, takes to being on the run surprisingly well despite her sheltered background, and expressed frustration that Calanthe wasn't teaching her how to fight and rule.
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* ''Franchise/{{Pokemon}}'': In the Pokemon X and Y anime, Serena and her mother are an inversion, where Serena is the GirlyGirl and her mother is an athletic Rhyhorn racer who wants her daughter to be a racer too.

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* ''Franchise/{{Pokemon}}'': In the Pokemon ''Pokémon X and Y Y'' anime, Serena and her mother are an inversion, where Serena is the GirlyGirl and her mother is an athletic Rhyhorn racer who wants her daughter to be a racer too.

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* Inverted in ''Series/{{The Witcher|2019}}'' with the corset-hating warrior Queen Calanthe and her more PrincessClassic daughter Pavetta.



* In ''WesternAnimation/{{Disenchantment}}'', Bean is a hard-drinking tomboy who favors breeches and tunics, whereas her biological mother Dagmar was a proper queen.

to:

* In ''WesternAnimation/{{Disenchantment}}'', Bean is a hard-drinking tomboy who favors breeches and tunics, whereas her biological mother Dagmar was a proper queen. Her stepmother Oona has a tomboyish streak, as seen when she takes over a pirate crew in the second season, but they never got close.
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this has nothing to do with being feminine or this trope in general


* ''Series/StrangerThings'' implies this to be the dynamic between Max and her mother Susan, which is confirmed and expanded on in the tie-in novel ''Runaway Max''. Max (a TomboyishName for Maxine) is a tomboy who skateboards, drives, plays video games, and hangs out with a group of guys. Susan is dainty, frustrated with Max's tomboyishness, and is a UselessBystanderParent to her new husband's abuse of her new stepson.

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* ''Series/StrangerThings'' implies this to be the dynamic between Max and her mother Susan, which is confirmed and expanded on in the tie-in novel ''Runaway Max''. Max (a TomboyishName for Maxine) is a tomboy who skateboards, drives, plays video games, and hangs out with a group of guys. Susan is dainty, dainty and frustrated with Max's tomboyishness, and is a UselessBystanderParent to her new husband's abuse of her new stepson.tomboyishness.
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* In ''VisualNovel/UminekoWhenTheyCry'', Natsuhi and Jessica Ushiromiya have this dynamic. Natsuhi is refined and tries her hardest to be a YamatoNadeshiko (despite being [[HairTriggerTemper a bit too high-strung]] to play it straight), while Jessica is feisty and tomboyish.

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* In ''VisualNovel/UminekoWhenTheyCry'', Natsuhi and Jessica Ushiromiya have this dynamic. Natsuhi is refined and tries her hardest to be a YamatoNadeshiko (despite being [[HairTriggerTemper a bit too high-strung]] to play it straight), while Jessica is feisty and tomboyish. Natsuhi clearly WantedAGenderConformingChild, as she often wishes Jessica would be more ladylike.
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* In ''VisualNovel/UminekoWhenTheyCry'', Natsuhi and Jessica Ushiromiya have this dynamic. Natsuhi is refined and tries her hardest to be a YamatoNadeshiko (despite being [[HairTriggerTemper a bit too high-strung]] to play it straight]], while Jessica is feisty and tomboyish.

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* In ''VisualNovel/UminekoWhenTheyCry'', Natsuhi and Jessica Ushiromiya have this dynamic. Natsuhi is refined and tries her hardest to be a YamatoNadeshiko (despite being [[HairTriggerTemper a bit too high-strung]] to play it straight]], straight), while Jessica is feisty and tomboyish.
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[[folder:VisualNovels]]
* In ''VisualNovel/UminekoWhenTheyCry'', Natsuhi and Jessica Ushiromiya have this dynamic. Natsuhi is refined and tries her hardest to be a YamatoNadeshiko (despite being [[HairTriggerTemper a bit too high-strung]] to play it straight]], while Jessica is feisty and tomboyish.
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* In ''Disney/{{Mulan}}'', Fa Li is an accomplished {{Housewife}} and ProperLady. Her daughter Mulan is fairly feminine, but questions her destiny of ending up in an ArrangedMarriage, fails at all her attempts to be a ProperLady, and flourishes as a warrior when she runs away to join the army in her father's place. [[MostDefinitelyNotAVillain Note that Mulan's masculine behavior is atrocious.]]

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* In ''Disney/{{Mulan}}'', ''WesternAnimation/{{Mulan}}'', Fa Li is an accomplished {{Housewife}} and ProperLady. Her daughter Mulan is fairly feminine, but questions her destiny of ending up in an ArrangedMarriage, fails at all her attempts to be a ProperLady, and flourishes as a warrior when she runs away to join the army in her father's place. [[MostDefinitelyNotAVillain Note that Mulan's masculine behavior is atrocious.]]
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* ''ComicBook/WonderWoman1987'': Helena Sandsmark is the prim feminine young mother of the very brash and tomboyish [[ComicBook/WonderGirl Cassie]] Sandsmark.
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* ''Anime/TweenyWitches'': Arusu is an athletic, short-haired FieryRedhead who defies the norms of the witches without shame. She also dresses in a tank top and pants before a SignificantWardrobeShift as part of her GoingNative. Her mother, Yoko, is a {{Housewife}} with a MotherlySidePlait, though her similar clothes and ineptitude in cooking make her a downplayed example.
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* The ''Series/ColdCase'' Season 4 episode "Torn", the oldest unsolved case in the series, focuses on the death of a teenage socialite who falls in with the suffrage movement, much to the dismay of her conservative mother. The mother turns out to be her killer in the end, though it's AccidentalMurder.

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* The ''Series/ColdCase'' Season 4 episode "Torn", the oldest unsolved case in the series, focuses on the death of a teenage socialite who falls in with the suffrage movement, much to the dismay of her conservative mother. The [[spoiler:The mother turns out to be her killer in the end, though it's AccidentalMurder.]]
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* The ''Series/ColdCase'' Season 4 episode "Torn", the oldest unsolved case in the series, focuses on the death of a teenage socialite who falls in with the suffrage movement, much to the dismay of her conservative mother. The mother turns out to be her killer in the end, though it's AccidentalMurder.


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* ''WesternAnimation/DannyPhantom'': While Sam's individualism mindset puts her at odds with both her preppy parents, it's especially nasty between her and her mother Pamela, who's determined to stomp out Sam's goth personality and force her into pink dresses.
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* In ''Film/BendItLikeBeckham'', this is present in the contrast between tomboyish soccer up-and-comer Jess, and her traditional Indian mother. Jess family forbids her from playing soccer because they don't believe it's appropriate for a woman to do so. Also present to a lesser degree with the white Jess and her similarly ladylike mother.

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* In ''Film/BendItLikeBeckham'', this is present in the contrast between tomboyish soccer up-and-comer Jess, and her traditional Indian mother. Jess family forbids her from playing soccer because they don't believe it's appropriate for a woman to do so. Also present to a lesser degree with the white Jess Jules and her similarly ladylike mother.
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* ''Anime/[[Pokemon]]'': In the Pokemon X and Y anime, Serena and her mother are an inversion, where Serena is the GirlyGirl and her mother is an athletic Rhyhorn racer who wants her daughter to be a racer too.

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* ''Anime/[[Pokemon]]'': ''Franchise/{{Pokemon}}'': In the Pokemon X and Y anime, Serena and her mother are an inversion, where Serena is the GirlyGirl and her mother is an athletic Rhyhorn racer who wants her daughter to be a racer too.
Is there an issue? Send a MessageReason:
None


* ''Franchise/[[Pokemon]]'': In the Pokemon X and Y anime, Serena and her mother are an inversion, where Serena is the GirlyGirl and her mother is an athletic Rhyhorn racer who wants her daughter to be a racer too.

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* ''Franchise/[[Pokemon]]'': ''Anime/[[Pokemon]]'': In the Pokemon X and Y anime, Serena and her mother are an inversion, where Serena is the GirlyGirl and her mother is an athletic Rhyhorn racer who wants her daughter to be a racer too.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* ''Franchise/[[Pokemon]]'': In the Pokemon X and Y anime, Serena and her mother are an inversion, where Serena is the GirlyGirl and her mother is an athletic Rhyhorn racer who wants her daughter to be a racer too.
Is there an issue? Send a MessageReason:
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A specific variant of TomboyAndGirlyGirl applied to a mother/daughter pair. The mother generally ascribes to the feminine norms of the time (such as a ProperLady in period works or a {{Housewife}} from the 20th century onwards) while the daughter is a {{Tomboy}} who generally shirks away from girly things. The mother then disdains her daughter's lack of femininity and may take steps to induce a GirlinessUpgrade, often [[FemininityFailure with mixed results]]. More realistically, she might also worry about her daughter's future, especially in settings that are very strict about gender roles. Meanwhile, the daughter might be tomboyish in part because she is rebelling against her mother's aspirations for her, especially if she has a girly sister or cousin to whom [[WhyCouldntYouBeDifferent she is often negatively compared]]. In period works, the TomboyPrincess and SpiritedYoungLady may clash with more traditionally feminine older relatives.

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A This trope is a specific variant of TomboyAndGirlyGirl applied to a mother/daughter pair. The mother generally ascribes to the feminine norms of the time (such as a ProperLady in period works or a {{Housewife}} from the 20th century onwards) while the daughter is a {{Tomboy}} who generally shirks away from girly things. The mother then disdains her daughter's lack of femininity and may take steps to induce a GirlinessUpgrade, often [[FemininityFailure with mixed results]]. More realistically, she might also worry about her daughter's future, especially in settings that are very strict about gender roles. Meanwhile, the daughter might be tomboyish in part because she is rebelling against her mother's aspirations for her, especially if she has a girly sister or cousin to whom [[WhyCouldntYouBeDifferent she is often negatively compared]]. In period works, the TomboyPrincess and SpiritedYoungLady may clash with more traditionally feminine older relatives.



** In ''Anime/DigimonAdventure'', the tomboyish soccer player Sora doesn't get along with her mother, who is a YamatoNadeshiko who specializes in traditional flower arrangements. However, Sora does get a GirlinessUpgrade later in life.
** Rika of ''Anime/DigimonTamers'' is a rough and brash tomboy who rails against her supermodel fashionista mother. After they make peace, she is depicted as something as a TomboyWithAGirlyStreak, who secretly likes dressing up.

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** In ''Anime/DigimonAdventure'', the tomboyish soccer player Sora doesn't get along with her mother, who is a YamatoNadeshiko who specializes in traditional flower arrangements. However, Sora does get a experience GirlinessUpgrade later in life.
life, switching from soccer to tennis.
** Rika of ''Anime/DigimonTamers'' is a rough and brash tomboy who rails against her supermodel fashionista mother. After they make peace, she is depicted as something as like a TomboyWithAGirlyStreak, who secretly likes dressing up.



* ''WesternAnimation/{{Brave}}'': Queen Elinor is a very tradition-following mother who is bothered by her daughter Merida being more interested in archery and other physical activities than in marriage.
* In ''Disney/{{Mulan}}'', Fa Li is an accomplished {{Housewife}} and ProperLady. Her daughter Mulan is fairly feminine, but questions her destiny of ending up in an ArrangedMarriage, fails at all her attempts to be a ProperLady, and flourishes as a warrior when she runs away to join the army in her father's place.

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* ''WesternAnimation/{{Brave}}'': Queen Elinor is a very tradition-following mother who is bothered by her daughter Merida being more interested in archery and other physical activities than in marriage.
marriage (specifically [[TheHighQueen the political wrangling and administration involved]] in such marriages).
* In ''Disney/{{Mulan}}'', Fa Li is an accomplished {{Housewife}} and ProperLady. Her daughter Mulan is fairly feminine, but questions her destiny of ending up in an ArrangedMarriage, fails at all her attempts to be a ProperLady, and flourishes as a warrior when she runs away to join the army in her father's place. [[MostDefinitelyNotAVillain Note that Mulan's masculine behavior is atrocious.]]



* This is a major sticking point between Katarina and her mother in ''LightNovel/MyNextLifeAsAVillainessAllRoutesLeadToDoom''. Katarina's less than ladylike hobbies like farming and climbing trees and complete lack of proper decorum for the daughter of a duke (much less the fiancee of a prince) infuriate her mother to no end, leaving her as literally the only person in the story who can't be won over by [[BlitheSpirit her simpleminded charm or quirkiness]].

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* This is a major sticking point between Katarina and her mother in ''LightNovel/MyNextLifeAsAVillainessAllRoutesLeadToDoom''. Katarina's The original Katarina was spoiled but still well-behaved (when she wasn't acting the AlphaBitch) and active in her engagement to Prince Jerod but Monkey-Girl!Katarina is the opposite. Her less than ladylike hobbies like such as farming and climbing trees trees, and her complete lack of proper decorum for the daughter of a duke (much less the fiancee of a prince) infuriate her mother to no end, leaving her as literally the only person in the story who can't be won over by [[BlitheSpirit her simpleminded charm or quirkiness]].
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* In ''Disney/{{Mulan}}'', Fa Li is an accomplished {{Housewife}} and ProperLady. Her daughter Mulan is fairly feminine, but questions her destiny of ending up in an ArrangedMarriage, and flourishes as a warrior when she runs away to join the army in her father's place.

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* In ''Disney/{{Mulan}}'', Fa Li is an accomplished {{Housewife}} and ProperLady. Her daughter Mulan is fairly feminine, but questions her destiny of ending up in an ArrangedMarriage, fails at all her attempts to be a ProperLady, and flourishes as a warrior when she runs away to join the army in her father's place.
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Created from YKTTW

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->'''Elinor:''' Merida, a princess does not place her weapons on the table.
->'''Merida:''' ''[moans]'' Mum! It's just my bow!
-->-- ''WesternAnimation/{{Brave}}''

A specific variant of TomboyAndGirlyGirl applied to a mother/daughter pair. The mother generally ascribes to the feminine norms of the time (such as a ProperLady in period works or a {{Housewife}} from the 20th century onwards) while the daughter is a {{Tomboy}} who generally shirks away from girly things. The mother then disdains her daughter's lack of femininity and may take steps to induce a GirlinessUpgrade, often [[FemininityFailure with mixed results]]. More realistically, she might also worry about her daughter's future, especially in settings that are very strict about gender roles. Meanwhile, the daughter might be tomboyish in part because she is rebelling against her mother's aspirations for her, especially if she has a girly sister or cousin to whom [[WhyCouldntYouBeDifferent she is often negatively compared]]. In period works, the TomboyPrincess and SpiritedYoungLady may clash with more traditionally feminine older relatives.

This can be played several ways. The mother might be a very strict FantasyForbiddingMother who repeatedly brings up that she WantedAGenderConformingChild, or an OpenMindedParent who is accepting of her daughter from the get-go. She and her daughter may be distant because of their differences or very close despite them. Similarly, the daughter may stand her ground or experience TomboyAngst. The important thing is the generational contrast between the two female characters, because this trope is often used to show changing gender norms. The mother is usually the embodiment of AcceptableFeminineGoalsAndTraits, and her treatment of her tomboyish daughter's personality and hobbies is emblematic of the changing times -- society is increasingly accepting of women who take up traditionally 'masculine' pursuits, although old-fashioned characters may still be scandalized. For this reason, the daughter is usually the more sympathetic character, or at least [[RealWomenNeverWearDresses the one the audience is expected to root for]].

Subtrope of TomboyAndGirlyGirl. Compare JockDadNerdSon for a loose modern gender inversion. See also YouGoGirl and StayInTheKitchen for other plots about girls trying traditionally masculine activities. Related to WomenAreDelicate -- the mother may ascribe to this perception, but the daughter challenges it.
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!!Examples:
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[[folder:Anime & Manga]]
* PlayedForDrama in ''Manga/{{Bokurano}}'', where boyish military {{Otaku}} Maki wonders if she's afraid of acting girly because she loathes her abusive, neglectful mother, who was feminine.
* ''Franchise/{{Digimon}}'':
** In ''Anime/DigimonAdventure'', the tomboyish soccer player Sora doesn't get along with her mother, who is a YamatoNadeshiko who specializes in traditional flower arrangements. However, Sora does get a GirlinessUpgrade later in life.
** Rika of ''Anime/DigimonTamers'' is a rough and brash tomboy who rails against her supermodel fashionista mother. After they make peace, she is depicted as something as a TomboyWithAGirlyStreak, who secretly likes dressing up.
[[/folder]]

[[folder:Comic Books]]
* In ''ComicBook/AstroCity'', ButchLesbian superheroine Flying Fox's mother is a much more traditionally-feminine woman, albeit one who spent much of her career in politics.
* Subverted in ''ComicBook/{{Princeless}}''. Adrienne is straightforwardly a TomboyPrincess who rebelled against the path her parents set out for her as a PrincessClassic. Her mother the queen seemingly encouraged the feminine-princess path, but later [[spoiler:supports Adrienne and is heavily implied to be the Black Knight.]]
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[[folder:Fan Works]]
* In ''Fanfic/ChildOfTheStorm'', this is one of the many reasons that the Danvers family is so dysfunctional. Carol (the daughter) is a tomboy who is incredibly talented at sports (to the point she was once forced to be tested for steroids) and highly assertive. Her mother on the other hand is the typical housewife who puts up with her husband's abusive attitude with little complaint, without ever explaining to her daughter ''why'' she does it. As a result, Carol doesn't like her at all.
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[[folder:Films -- Animated]]
* ''WesternAnimation/{{Brave}}'': Queen Elinor is a very tradition-following mother who is bothered by her daughter Merida being more interested in archery and other physical activities than in marriage.
* In ''Disney/{{Mulan}}'', Fa Li is an accomplished {{Housewife}} and ProperLady. Her daughter Mulan is fairly feminine, but questions her destiny of ending up in an ArrangedMarriage, and flourishes as a warrior when she runs away to join the army in her father's place.
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[[folder:Films -- Live Action]]
* In ''Film/BendItLikeBeckham'', this is present in the contrast between tomboyish soccer up-and-comer Jess, and her traditional Indian mother. Jess family forbids her from playing soccer because they don't believe it's appropriate for a woman to do so. Also present to a lesser degree with the white Jess and her similarly ladylike mother.
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[[folder:Literature]]
* ''Literature/TheCountOfMonteCristo'': While not exactly a tomboy (she's into music, can convincingly pass for a man and is all but stated to be a ButchLesbian), Eugenie Danglars is much more outspoken than her mother Hermine (who's more of a BrainlessBeauty interested only in her own pleasures, though she's smart enough to participate in insider trading).
* In ''Literature/LittleWomen'', Jo is the most tomboyish of the sisters, being outspoken, rebellious, and thoroughly against romance and her sisters' more feminine goals and traits. In contrast her mother Marmee is a strong and humble ProperLady and {{Housewife}} who often imparts parental wisdom on her. Marmee once confesses to Jo that she once had a HotBlooded temper to rival Jo's but learned to control it; true to form, Jo matures into a more feminine SpiritedYoungLady.
* ''Literature/{{Lensman}}'': In ''Children of the Lens'', Clarissa Kinnison is described as a womanly feminine lady who tried hard to make her daughters grow up as feminine women too - and failed. They would not play house, or play with dolls; instead they played with atomic engines, flitters, and speedsters, and they also enjoyed roughhousing with their big brother Kit.
* This is a major sticking point between Katarina and her mother in ''LightNovel/MyNextLifeAsAVillainessAllRoutesLeadToDoom''. Katarina's less than ladylike hobbies like farming and climbing trees and complete lack of proper decorum for the daughter of a duke (much less the fiancee of a prince) infuriate her mother to no end, leaving her as literally the only person in the story who can't be won over by [[BlitheSpirit her simpleminded charm or quirkiness]].
* ''Literature/ASongOfIceAndFire'': Catelyn is a tried and true ProperLady, while her middle child and second daughter Arya is a wild and rambunctious tomboy. Although Catelyn's husband Ned indulged Arya's hobbies like sword fighting and horseback riding (in part because of her resemblance to his famously tomboyish deceased sister Lyanna), Catelyn expresses concern about Arya's future, was critical over her lack of feminine skills, and takes pride in the fact that Arya's feminine older sister Sansa was "a lady at three".
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[[folder:Live-Action TV]]
* ''Series/MadMen'': Bourgeois housewife Betty Draper once called her daughter Sally "daddy's little lesbian" over her love of handiwork.
* ''Series/StrangerThings'' implies this to be the dynamic between Max and her mother Susan, which is confirmed and expanded on in the tie-in novel ''Runaway Max''. Max (a TomboyishName for Maxine) is a tomboy who skateboards, drives, plays video games, and hangs out with a group of guys. Susan is dainty, frustrated with Max's tomboyishness, and is a UselessBystanderParent to her new husband's abuse of her new stepson.
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[[folder:Western Animation]]
* ''WesternAnimation/AmericanDad'': Francine is a bubbly housewife who wears a pink dress, while her daughter Hayley is a confrontational, rebellious TankTopTomboy who always wears jeans.
* ''WesternAnimation/{{Amphibia}}'': Felicia Sundew is a very feminine-looking barmaid with RapunzelHair. Her daughter Ivy is a tomboy who wears overalls and hat and enjoys roughhousing and other boyish activities.
* In ''WesternAnimation/{{Disenchantment}}'', Bean is a hard-drinking tomboy who favors breeches and tunics, whereas her biological mother Dagmar was a proper queen.
* Ashley Spinelli of ''WesternAnimation/{{Recess}}'' is a rough and sarcastic tomboy with a feminine mother who likes shopping, makeup, ballet, and other girly pursuits. It's mentioned that Flo Spinelli has tried a few times to get her daughter to follow in her footsteps.
* In ''WesternAnimation/StarVsTheForcesOfEvil'' Star and Moon often butt heads when it comes to Star acting like a proper princess. However, technically Mewni doesn't necessarily expect femininity from their princesses and the queen is expected to protect the kingdom.
* Downplayed in ''WesternAnimation/TwelveForever'' with Regina and her mother. Though her mother is not particularly feminine, she still seems to get annoyed that Reggie doesn't seem willing to wear nice dresses, and is confused as to why she doesn't want to embrace typical teen girl things.
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