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* HappinessInSlavery: Lampshaded. When Cedric offers Wamba his freedom Wamba asks that it be [[HeroicSacrifice bestowed upon Gurth]], joking that it is more pleasant to be a slave because no one asks slaves to go to war.
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**They are sure not presented as sweet, kind, and pleasant ages though.
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* NobleBigot: Cedric, who is enraged against the bigotry of Normans, sometimes has trouble not being [[MoralMyopia bigoted against Jews]]. As one of the major themes of the book is bigotry, such things are not surprising.
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* HistoricalHeroUpgrade: Somewhat played with, as is the HistoricalVillainUpgrade. [[spoiler: Near the end of the plot Eleanor of Aquitane confronts both her sons and lambasts not only John, but Richard as well. If anything she's more annoyed with the latter, since he's spent all but three or four months of his reign in the Holy Lands and has near bankrupted England to pay for his war, leaving John to do the unpleasant but necessary task of raising the money and, oh yeah, keep the country running. As she says, 'John may be a miserable little runt, but at least he's ''been'' here!']]

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* HistoricalHeroUpgrade: Somewhat played with, as is the HistoricalVillainUpgrade. [[spoiler: Near the end of the plot Eleanor of Aquitane confronts both her sons sons]] and lambasts not only John, but Richard as well. If anything she's more annoyed with the latter, since he's spent all but three or four months of his reign in the Holy Lands and has near bankrupted England to pay for his war, war - leaving John to do the unpleasant but necessary task of raising the money and, oh yeah, keep the country running. As she says, 'John may be a miserable little runt, but at least he's ''been'' here!']]here!'
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* TheTourney: Central to the plot.
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Removing wick to Did Not Do The Research per rename at TRS.


* DidNotDoTheResearch: Numerous examples, of which perhaps the most extreme is the warping of the real Saxon name "Cerdic" into the previously non-existent "Cedric". Though making Ulrica, and Englishwoman of the 12th century invoke "Zernebock" (''i.e.'', [[SlavicMythology Chernabog]]) is a pretty [[EpicFail epic]] [[DidNotDoTheResearch Research Failure]], too.
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* BigDamnHeroes: Robin and the outlaws arrive at Templestowe in order to ensure Rebecca and Ivanhoe's safety.


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* DeathsHourglass: The countdown to noon on the day of Rebecca's execution.


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** Gurth


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** In fact, all the villians get at least one PetTheDog moment save for Lucas de Beaumanoir, who is even ''worse'' than in the novel.
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* {{Xenafication}}: One gets the sense that the ''attempt'' was made to do this with Rowena before someone came to their senses. She is portrayed as much more fiesty and spirited than her book counterpart, and at one point she wields a sword in her own defence - only for the need to use it to never truly arise.
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* ItWasHisSled: Today's readers aren't going to be fooled for a second when the mysterious ForestRanger gives his name as "Locksley". However, Scott's readers would have been kept in the dark considering Scott was the author to first link Robin Hood's name with the word "Locksley." He uses it as Robin's pseudonym, but in practically every adaptation since, Locksley (or "Loxley", which was a real village) is used as Robin's birthplace.


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* KilledByTheAdaptation: De Bracy doesn't make it to France.
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* ChildhoodSweethearts: Ivanhoe and Rowena.

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* ChildhoodSweethearts: ChildhoodFriendRomance: Ivanhoe and Rowena.
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* ChildhoodSweethearts: Ivanhoe and Rowena.

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* DarkFeminineAndLightFeminine: Virginal Rowena (light) and desirable Rebecca (dark).


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* LightFeminineAndDarkFeminine: Virginal Rowena (light) and desirable Rebecca (dark).
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* DarkFeminineAndLightFeminine: Virginal Rowena (light) and desirable Rebecca (dark).


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* CanonForeigner: An extremely strange case: Little John. Yes, he's a famous member of Robin Hood's band of merry men, but he's not in the novel (he's mentioned once, but only in the capacity of Robin telling the others that he's somewhere else entirely). Yet in this particular adaptation he's given a large part to play.

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* ClearMyName: Ivanhoe's task.
* ChessMotifs: Prince John and his retainer share exposition over a game of chess.



* ClearMyName
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* TomboyAndGirlyGirl: Rebecca and Rowena are universally and rather incorrectly treated this way among Rebecca/Ivanhoe shippers, including Thackeray -- with [[WhatMeasureIsANonBadass all the venom the trope brings]] to "Girly Girl" Rowena. In Scott's novel, while Rebecca is unquestionably the most awesome by a landslide, Rowena actually resembles [[Disney/{{Aladdin}} Princess Jasmine]] more than some {{Ingenue}} PrincessClassic, and not to mention Rebecca isn't mentioned to be overly tomboyish either.
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* LawfulNeutral: The [[PunchClockVillain Templar Guards]]. Rebecca is actually grateful to be in prison because as Bois Guilbert admits, the guards will take her away to be burned alive when the order comes, but until then will protect her [[JustFollowingOrders because it is their job in either case]]. She hasn't that assurance with Bois Guilbert.
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* AdaptationDistillation: A number of the various adaptations have successfully reinterpreted the original in the terms of their own eras. The 1952 version was extremely popular in an age which demanded spectacle. The 1982 version attempted a sort of ''[[TheAdventuresOfRobinHood Adventures of Ivanhoe]]'' approach, and featured some striking performances. The 1997 A&E/BBC version went for a DarkerAndEdgier, de-romanticized interpretation that captured more of the sense of suspense and tragedy in the novel than other versions. As is the way with most great works, each age will get the kind of ''Ivanhoe'' that best suits it.

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* AdaptationDistillation: A number of the various adaptations have successfully reinterpreted the original in the terms of their own eras. The 1952 version was extremely popular in an age which demanded spectacle. The 1982 version attempted a sort of ''[[TheAdventuresOfRobinHood ''[[Film/TheAdventuresOfRobinHood Adventures of Ivanhoe]]'' approach, and featured some striking performances. The 1997 A&E/BBC version went for a DarkerAndEdgier, de-romanticized interpretation that captured more of the sense of suspense and tragedy in the novel than other versions. As is the way with most great works, each age will get the kind of ''Ivanhoe'' that best suits it.
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* HeyItsThatGuy: Ivanhoe is [[BridesheadRevisited Lord Sebastian Flyte]] and [[Film/TheScarletPimpernel1982 Sir Percy Blakeney]]; Rebecca is [[RomeoAndJuliet Juliet]]; Bois-Guilbert is [[JurassicPark Alan Grant]]; Front-de-Bœuf is [[Film/TheLordOfTheRings Gimli]]; and The Black Knight is either [[StarWars General Veers]] or [[Film/TheLastCrusade Walter Donovan]].

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* HeyItsThatGuy: Ivanhoe is [[BridesheadRevisited Lord Sebastian Flyte]] and [[Film/TheScarletPimpernel1982 Sir Percy Blakeney]]; Rebecca is [[RomeoAndJuliet Juliet]]; Bois-Guilbert is [[JurassicPark [[Film/JurassicPark Alan Grant]]; Front-de-Bœuf is [[Film/TheLordOfTheRings Gimli]]; and The Black Knight is either [[StarWars General Veers]] or [[Film/TheLastCrusade Walter Donovan]].
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Change namespace.


'''''Ivanhoe: A Romance''''' is an 1819 [[HistoricalFiction historical novel]] by Sir Creator/WalterScott, set in the reign of King RichardTheLionHeart and largely concerning the long-smouldering antagonism between the [[PeopleOfHairColor Normans and Saxons]] in the centuries after the Norman Conquest -- an antagonism which, at that date, is highly [[AnachronismStew anachronistic]] (one might call it a sort of [[HollywoodHistory Hollywood History]]) and largely the product of Scott's teeming imagination. In the face of severe criticism by his own contemporaries on this and other historical inaccuracies, Scott himself admitted, "It is extremely probable that I may have confused the manners of two or three centuries," but [[MST3KMantra comforted himself]] that "errors of this kind will escape [[ViewersAreMorons the general class of readers]]." And indeed, despite the author's [[AuthorTract Whig history]] limitations and prejudices (which are [[WriterOnBoard evident]]), ''Ivanhoe'' is a stirring and colourful tale, with plenty of action, lovable heroes and heroines and hissable villains, and a real feeling for the genuine -- if ''extremely [[{{Flanderization}} exaggerated]]'' -- romance of TheHighMiddleAges.

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'''''Ivanhoe: A Romance''''' is an 1819 [[HistoricalFiction historical novel]] by Sir Creator/WalterScott, set in the reign of King RichardTheLionHeart and largely concerning the long-smouldering antagonism between the [[PeopleOfHairColor Normans and Saxons]] in the centuries after the Norman Conquest -- an antagonism which, at that date, is highly [[AnachronismStew anachronistic]] (one might call it a sort of [[HollywoodHistory Hollywood History]]) HollywoodHistory) and largely the product of Scott's teeming imagination. In the face of severe criticism by his own contemporaries on this and other historical inaccuracies, Scott himself admitted, "It is extremely probable that I may have confused the manners of two or three centuries," but [[MST3KMantra comforted himself]] that "errors of this kind will escape [[ViewersAreMorons the general class of readers]]." And indeed, despite the author's [[AuthorTract Whig history]] limitations and prejudices (which are [[WriterOnBoard evident]]), ''Ivanhoe'' is a stirring and colourful tale, with plenty of action, lovable heroes and heroines and hissable villains, and a real feeling for the genuine -- if ''extremely [[{{Flanderization}} exaggerated]]'' -- romance of TheHighMiddleAges.



Scott's novel has had a number of adaptations.

* A stage version was prepared as early as 1828.
* In 1850, [[VanityFair William Makepeace Thackeray]] produced the [[AffectionateParody parodic]] FanSequel, ''[[http://www.hicom.net/~oedipus/books/randr.html Rebecca and Rowena: A Romance Upon Romance]]'', in which [[TakeThatScrappy Athelstane]] and [[DieForOurShip Rowena]] die and Wilfred [[FanPreferredCouple marries]] a [[ValuesDissonance converted]] Rebecca.

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Scott's novel has had a number of adaptations.

adaptations.

* A stage version was prepared as early as 1828.
1828.
* In 1850, [[VanityFair William Makepeace Thackeray]] produced the [[AffectionateParody parodic]] FanSequel, ''[[http://www.hicom.net/~oedipus/books/randr.html Rebecca and Rowena: A Romance Upon Romance]]'', in which [[TakeThatScrappy Athelstane]] and [[DieForOurShip Rowena]] die and Wilfred [[FanPreferredCouple marries]] a [[ValuesDissonance converted]] Rebecca.
Rebecca.



* Two appeared in 1913:
** ''Ivanhoe'' was a US production, directed by Herbert Brenon, and starring King Baggot as Ivanhoe, Leah Baird as Rebecca, Herbert Brenon as Isaac, Evelyn Hope as Rowena, and Wallace Widdicombe as Bois-Guilbert;
** ''Rebecca the Jewess'' was directed by Leedham Bantock and featured Lauderdale Maitland, Ethel Bracewell, Hubert Carter, Nancy Bevington, and Harry Lonsdale in the same rôles, respectively. (Oddly, both were filmed in the same locations at Chepstow Castle in Wales.)
* In 1952, MetroGoldwynMayer produced what is probably the best remembered film version, ''Ivanhoe'', directed by Richard Thorpe, and starring Robert Taylor as Wilfred, ElizabethTaylor as Rebecca, Felix Aylmer as Isaac, Joan Fontaine as Rowena, George Sanders as Bois-Guilbert, [[BonnieScotland Finlay Currie]] as Cedric. This version was nominated for three [[AcademyAward Academy Awards]], for Best Picture, Best Colour Cinematography, and Best Score for [[MiklosRozsa Miklós Rózsa]]; it stressed the spectacular and [[{{Swashbuckler}} swashbuckling]] elements.

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* Two appeared in 1913:
1913:
** ''Ivanhoe'' was a US production, directed by Herbert Brenon, and starring King Baggot as Ivanhoe, Leah Baird as Rebecca, Herbert Brenon as Isaac, Evelyn Hope as Rowena, and Wallace Widdicombe as Bois-Guilbert;
Bois-Guilbert;
** ''Rebecca the Jewess'' was directed by Leedham Bantock and featured Lauderdale Maitland, Ethel Bracewell, Hubert Carter, Nancy Bevington, and Harry Lonsdale in the same rôles, respectively. (Oddly, both were filmed in the same locations at Chepstow Castle in Wales.)
)
* In 1952, MetroGoldwynMayer produced what is probably the best remembered film version, ''Ivanhoe'', directed by Richard Thorpe, and starring Robert Taylor as Wilfred, ElizabethTaylor as Rebecca, Felix Aylmer as Isaac, Joan Fontaine as Rowena, George Sanders as Bois-Guilbert, [[BonnieScotland Finlay Currie]] as Cedric. This version was nominated for three [[AcademyAward Academy Awards]], for Best Picture, Best Colour Cinematography, and Best Score for [[MiklosRozsa Miklós Rózsa]]; it stressed the spectacular and [[{{Swashbuckler}} swashbuckling]] elements.



There have also been quite a number of LiveActionTelevision adaptations of the novel:

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There have also been quite a number of LiveActionTelevision adaptations of the novel: novel:



* A 1995 television series starring Kristen Holden-Ried, ''Ivanhoe, the King's Knight''

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* A 1995 television series starring Kristen Holden-Ried, ''Ivanhoe, the King's Knight'' Knight''



* CourtlyLove: Played straight by Wilfred and Rowena (and [[spoiler:Rebecca for Wilfred]]; subverted by Athelstane and de Bracy for Rowena; beaten all to hell and back by Bois-Guilbert for Rebecca

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* CourtlyLove: Played straight by Wilfred and Rowena (and [[spoiler:Rebecca for Wilfred]]; subverted by Athelstane and de Bracy for Rowena; beaten all to hell and back by Bois-Guilbert for Rebecca Rebecca



* [[ItsAllAboutMe It's All About Me]]: Brian de Bois-Guilbert, who is too blind even to be aware of it.

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* [[ItsAllAboutMe It's All About Me]]: ItsAllAboutMe: Brian de Bois-Guilbert, who is too blind even to be aware of it.



* RetCon: Sir Walter invented a role for RobinHood against Prince John in RichardTheLionHeart's absence to plug some holes in his plot.

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* RetCon: Sir Walter invented a role for RobinHood against Prince John in RichardTheLionHeart's absence to plug some holes in his plot.



* UnfortunateNames: De Bigot, Prince John's seneschal, mentioned in a throwaway line. Very nearly a MelBrooks character.

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* UnfortunateNames: De Bigot, Prince John's seneschal, mentioned in a throwaway line. Very nearly a MelBrooks Creator/MelBrooks character.



* UselessProtagonist:: Wilfred Not quite useless, but useless for most of the book.

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* UselessProtagonist:: Wilfred Not quite useless, but useless for most of the book.
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:: Scott states outright that Waldemar is the assassin's son.
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YMMV sinkhole


* BlackAndWhiteMorality: [[YourMileageMayVary YMMV]]. Certainly most of the Goodies are ''very '' good, and most of the Baddies ''very'' bad, but it does not prevent them from being memorable characters. One is inclined to say that, rather than being Black and White, they are all rendered in primary colours.

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* BlackAndWhiteMorality: [[YourMileageMayVary YMMV]]. Certainly most of the Goodies are ''very '' good, and most of the Baddies ''very'' bad, but it does not prevent them from being memorable characters. One is inclined to say that, rather than being Black and White, they are all rendered in primary colours.

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* RoaringRampageOfRevenge / RoaringRampageOfRescue : The storming of Front de Boefs castle. [[KickTheSonOfABitch Probably quite a few readers were pleased with that one.

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* RoaringRampageOfRevenge / RoaringRampageOfRescue : The storming of Front de Boefs castle. [[KickTheSonOfABitch Probably quite a few readers were pleased pleased]] with that one.one.
-->''In that war-cry is the downfall of thy house. The blood-cemented fabric of Front-de-Boeuf's power totters to the foundation, and before the foes he most despised! The Saxon, Reginald! The scorned Saxon assails thy walls! Why liest here, when the Saxon assails thy place of strength?''
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* RoaringRampageOfRevenge/RoaringRampageOfRescue : The storming of Front de Boefs castle. [[KickTheSonOfABitch Probably quite a few readers were pleased with that one.

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* RoaringRampageOfRevenge/RoaringRampageOfRescue RoaringRampageOfRevenge / RoaringRampageOfRescue : The storming of Front de Boefs castle. [[KickTheSonOfABitch Probably quite a few readers were pleased with that one.
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* RoaringRampageOfRevenge/RoaringRampageOfRescue : The storming of Front de Boefs castle. [[KickTheSonOfABitch Probably quite a few readers were pleased with that one.

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Please Dont Natter, Conversation In The Main Page, Example Indentation In Trope Lists, Repair Dont Respond. - It\'s not only the invoking of a pagan deity but a *Slavic* deity that is implausible.


* DidNotDoTheResearch: Numerous examples, of which perhaps the most extreme is the warping of the real Saxon name "Cerdic" into the previously non-existent "Cedric."
** Though making the English of the 12th century invoke "Zernebock" (''i.e.'', [[Disney/{{Fantasia}} Chernabog]]) is a pretty [[EpicFail epic]] [[DidNotDoTheResearch Research Failure]], too.
*** That was only Ulrica and she pretty much said that she had become pagan in despair.

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* DidNotDoTheResearch: Numerous examples, of which perhaps the most extreme is the warping of the real Saxon name "Cerdic" into the previously non-existent "Cedric."
**
"Cedric". Though making the English Ulrica, and Englishwoman of the 12th century invoke "Zernebock" (''i.e.'', [[Disney/{{Fantasia}} [[SlavicMythology Chernabog]]) is a pretty [[EpicFail epic]] [[DidNotDoTheResearch Research Failure]], too.
*** That was only Ulrica and she pretty much said that she had become pagan in despair.
too.



* TheDulcineaEffect: Ivanhoe champions Rebecca, who is not his LoveInterest.
** Well, [[IOweYouMyLife he owed her his life]].

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* TheDulcineaEffect: Ivanhoe champions Rebecca, who is not his LoveInterest.
** Well,
LoveInterest. Of course, he [[IOweYouMyLife he owed her his life]].
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'''''Ivanhoe: A Romance''''' is an 1819 [[HistoricalFiction historical novel]] by Sir WalterScott, set in the reign of King RichardTheLionHeart and largely concerning the long-smouldering antagonism between the [[PeopleOfHairColor Normans and Saxons]] in the centuries after the Norman Conquest -- an antagonism which, at that date, is highly [[AnachronismStew anachronistic]] (one might call it a sort of [[HollywoodHistory Hollywood History]]) and largely the product of Scott's teeming imagination. In the face of severe criticism by his own contemporaries on this and other historical inaccuracies, Scott himself admitted, "It is extremely probable that I may have confused the manners of two or three centuries," but [[MST3KMantra comforted himself]] that "errors of this kind will escape [[ViewersAreMorons the general class of readers]]." And indeed, despite the author's [[AuthorTract Whig history]] limitations and prejudices (which are [[WriterOnBoard evident]]), ''Ivanhoe'' is a stirring and colourful tale, with plenty of action, lovable heroes and heroines and hissable villains, and a real feeling for the genuine -- if ''extremely [[{{Flanderization}} exaggerated]]'' -- romance of TheHighMiddleAges.

to:

'''''Ivanhoe: A Romance''''' is an 1819 [[HistoricalFiction historical novel]] by Sir WalterScott, Creator/WalterScott, set in the reign of King RichardTheLionHeart and largely concerning the long-smouldering antagonism between the [[PeopleOfHairColor Normans and Saxons]] in the centuries after the Norman Conquest -- an antagonism which, at that date, is highly [[AnachronismStew anachronistic]] (one might call it a sort of [[HollywoodHistory Hollywood History]]) and largely the product of Scott's teeming imagination. In the face of severe criticism by his own contemporaries on this and other historical inaccuracies, Scott himself admitted, "It is extremely probable that I may have confused the manners of two or three centuries," but [[MST3KMantra comforted himself]] that "errors of this kind will escape [[ViewersAreMorons the general class of readers]]." And indeed, despite the author's [[AuthorTract Whig history]] limitations and prejudices (which are [[WriterOnBoard evident]]), ''Ivanhoe'' is a stirring and colourful tale, with plenty of action, lovable heroes and heroines and hissable villains, and a real feeling for the genuine -- if ''extremely [[{{Flanderization}} exaggerated]]'' -- romance of TheHighMiddleAges.
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**Well, [[IOweYouMyLife he owed her his life]].
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***That was only Ulrica and she pretty much said that she had become pagan in despair.

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Moved the synopsis to the subpage.


[[folder:Synopsis]]
[[TheCrusades The Third Crusade]] has just ended, and the combatants are returning home. The cruel and lascivious [[TheKnightsTemplar Templar]], Brian de Bois-Guilbert and his [[CorruptChurch worldly companion]], Prior Aylmer, despite their misdirection by the swineherd Gurth and his companion, [[TheJester the jester]] [[ObfuscatingInsanity Wamba]], are guided by a mysterious Palmer to the home of Cedric the Saxon, a noble who wishes to re-establish the ancient English kingdom by marrying his ward Rowena to the last descendant of Saxon royalty, Athelstane of Coningsburgh. Also sheltering at Cedric’s house is the Jewish moneylender, Isaac of York. In the course of dinner, it is revealed that Cedric has disowned his son, Wilfred of Ivanhoe, for attaching himself to the Norman king [[RichardTheLionHeart Richard Cœur-de-Lion]] and for daring to woo Rowena (who returns his love); it is further revealed that Bois-Guilbert is Ivanhoe’s [[ArchNemesis mortal enemy]], who defies him to mortal combat at an upcoming tournament. That night the Palmer forces helps Isaac to escape from the Templar (who had planned to kidnap him and send him to his ally, the ferocious and greedy [[TheBrute Front-de-Bœuf]]); in gratitude, Isaac supplies him with a horse and armour. The Palmer somehow[[hottip:* : even dim readers will already have figured out that the Palmer ''is'' Ivanhoe]] convinces Gurth to serve as his squire for the upcoming tournament.

At the tournament, the evil Prince John and his followers are plotting to seize the throne, but are unnerved to learn that King Richard has escaped captivity. Meanwhile, the tournament is dominated by two unknown knights, the "Disinherited Knight" and the [[BlackKnight Black Sluggard]], who defeat Bois-Guilbert and his companions, and by a Saxon [[TheArcher archer]] called ''[[RobinHood Locksley]]." The Disinherited Knight, who chooses Rowena to be the tournament's Queen, is revealed to be Ivanhoe when he faints from his wounds; he then disappears. In fact, he has been carried off by Isaac and his beautiful and noble daughter, Rebecca. Unfortunately, Cedric, Rowena, Athelstane, Isaac, Rebecca, and Wilfred are all captured by Bois-Guilbert's ally Maurice de Bracy and taken to Front-de-Bœuf's castle. There, Front-de-Bœuf demands ransoms, de Bracy tries to [[AbhorrentAdmirer woo]] Rowena, and Bois-Guilbert threatens to [[AttemptedRape ravish]] Rebecca, who is tending Wilfred. Meanwhile, Gurth, Wamba, Locksley, and the Black Sluggard rally an army of outlaws to assail the castle. Wamba manages to trick his way into the castle, disguised as a friar, where he switches places with Cedric. Cedric, on his way out, manages to [[AxCrazy stir up]] the crone Urfried -- formerly the Saxon princess Ulrica -- to vengeance against Front-de-Bœuf (who has, incidentally, been struck down by the BlackKnight). She sets fire to the castle. In the confusion of its fall, Rowena, Wilfred, and Isaac are rescued, but Athelstane is struck down and Rebecca carried off by the Templar, who takes her to one of his [[TheKnightsTemplar order]]'s houses. There she is discovered by the [[KnightTemplar fanatical Grand Master]], Lucas de Beaumanoir, who concludes that she has [[BurnTheWitch bewitched]] Bois-Guilbert. She demands a TrialByCombat, and sends for Ivanhoe to come fight for her.

Meanwhile, the BlackKnight, who has been attacked by Prince John's men, is saved by Locksley and his outlaws; it is [[TheReveal revealed]] that the BlackKnight is really [[RichardTheLionHeart King Richard]] and that [[TheArcher Locksley]] and his band are really [[RobinHood Robin Hood and his Merrie Men]]. Richard hastens to Athelstane’s funeral to reconcile Cedric and his son ... when it is suddenly revealed that Athelstane is alive (!!!) and now refuses to stand between Wilfred and Rowena. However, Wilfred has disappeared (again), to arrive just in the nick of time to fight for Rebecca, though he has not yet recovered from his wound. Fate, however, intervenes; though Wilfred does not actually touch him, Bois-Guilbert falls over, dead, killed by his own turbulent emotions. Rebecca is declared innocent; Richard shows up to punish the guilty; Wilfred and Rowena are to marry and Rebecca and Isaac decide to emigrate to Spain, where Rebecca will devote herself to an eternal maidenhood; Normans and Saxons are united under one English king, and all ends happily... [[ItGotWorse For Now]].
[[/folder]]



There have been several [[TheFilmOfTheBook Film Adaptations]].

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There have been several [[TheFilmOfTheBook Film Adaptations]].
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[[quoteright:257:http://static.tvtropes.org/pmwiki/pub/images/Ivanhoe_8441.jpg]]
[[caption-width-right:257:Ivanhoe and the BlackKnight -- Costumes for the 1828 Stage Adaptation]]

'''''Ivanhoe: A Romance''''' is an 1819 [[HistoricalFiction historical novel]] by Sir WalterScott, set in the reign of King RichardTheLionHeart and largely concerning the long-smouldering antagonism between the [[PeopleOfHairColor Normans and Saxons]] in the centuries after the Norman Conquest -- an antagonism which, at that date, is highly [[AnachronismStew anachronistic]] (one might call it a sort of [[HollywoodHistory Hollywood History]]) and largely the product of Scott's teeming imagination. In the face of severe criticism by his own contemporaries on this and other historical inaccuracies, Scott himself admitted, "It is extremely probable that I may have confused the manners of two or three centuries," but [[MST3KMantra comforted himself]] that "errors of this kind will escape [[ViewersAreMorons the general class of readers]]." And indeed, despite the author's [[AuthorTract Whig history]] limitations and prejudices (which are [[WriterOnBoard evident]]), ''Ivanhoe'' is a stirring and colourful tale, with plenty of action, lovable heroes and heroines and hissable villains, and a real feeling for the genuine -- if ''extremely [[{{Flanderization}} exaggerated]]'' -- romance of TheHighMiddleAges.

The novel was originally something of a [[MoneyDearBoy Pot-boiler]]. Scott's popularity as a poet was waning in the face of the more exotic verses of Lord Byron, and his over-gentrified lifestyle and a life-threatening bout of illness had left his pocketbook in an equally sickly condition. His [[BonnieScotland Scottish]] novels were popular enough, but of limited appeal; Scott felt, moreover, the need for a fresher source of inspiration -- so he turned to History and TheMiddleAges, the object of his lifelong and devoted -- if not always pedantically accurate -- study. The novel won immediate, long-lasting, and deserved popularity, restored Scott's fortunes, and helped to launch the entire HistoricalFiction genre.

[[foldercontrol]]

[[folder:Synopsis]]
[[TheCrusades The Third Crusade]] has just ended, and the combatants are returning home. The cruel and lascivious [[TheKnightsTemplar Templar]], Brian de Bois-Guilbert and his [[CorruptChurch worldly companion]], Prior Aylmer, despite their misdirection by the swineherd Gurth and his companion, [[TheJester the jester]] [[ObfuscatingInsanity Wamba]], are guided by a mysterious Palmer to the home of Cedric the Saxon, a noble who wishes to re-establish the ancient English kingdom by marrying his ward Rowena to the last descendant of Saxon royalty, Athelstane of Coningsburgh. Also sheltering at Cedric’s house is the Jewish moneylender, Isaac of York. In the course of dinner, it is revealed that Cedric has disowned his son, Wilfred of Ivanhoe, for attaching himself to the Norman king [[RichardTheLionHeart Richard Cœur-de-Lion]] and for daring to woo Rowena (who returns his love); it is further revealed that Bois-Guilbert is Ivanhoe’s [[ArchNemesis mortal enemy]], who defies him to mortal combat at an upcoming tournament. That night the Palmer forces helps Isaac to escape from the Templar (who had planned to kidnap him and send him to his ally, the ferocious and greedy [[TheBrute Front-de-Bœuf]]); in gratitude, Isaac supplies him with a horse and armour. The Palmer somehow[[hottip:* : even dim readers will already have figured out that the Palmer ''is'' Ivanhoe]] convinces Gurth to serve as his squire for the upcoming tournament.

At the tournament, the evil Prince John and his followers are plotting to seize the throne, but are unnerved to learn that King Richard has escaped captivity. Meanwhile, the tournament is dominated by two unknown knights, the "Disinherited Knight" and the [[BlackKnight Black Sluggard]], who defeat Bois-Guilbert and his companions, and by a Saxon [[TheArcher archer]] called ''[[RobinHood Locksley]]." The Disinherited Knight, who chooses Rowena to be the tournament's Queen, is revealed to be Ivanhoe when he faints from his wounds; he then disappears. In fact, he has been carried off by Isaac and his beautiful and noble daughter, Rebecca. Unfortunately, Cedric, Rowena, Athelstane, Isaac, Rebecca, and Wilfred are all captured by Bois-Guilbert's ally Maurice de Bracy and taken to Front-de-Bœuf's castle. There, Front-de-Bœuf demands ransoms, de Bracy tries to [[AbhorrentAdmirer woo]] Rowena, and Bois-Guilbert threatens to [[AttemptedRape ravish]] Rebecca, who is tending Wilfred. Meanwhile, Gurth, Wamba, Locksley, and the Black Sluggard rally an army of outlaws to assail the castle. Wamba manages to trick his way into the castle, disguised as a friar, where he switches places with Cedric. Cedric, on his way out, manages to [[AxCrazy stir up]] the crone Urfried -- formerly the Saxon princess Ulrica -- to vengeance against Front-de-Bœuf (who has, incidentally, been struck down by the BlackKnight). She sets fire to the castle. In the confusion of its fall, Rowena, Wilfred, and Isaac are rescued, but Athelstane is struck down and Rebecca carried off by the Templar, who takes her to one of his [[TheKnightsTemplar order]]'s houses. There she is discovered by the [[KnightTemplar fanatical Grand Master]], Lucas de Beaumanoir, who concludes that she has [[BurnTheWitch bewitched]] Bois-Guilbert. She demands a TrialByCombat, and sends for Ivanhoe to come fight for her.

Meanwhile, the BlackKnight, who has been attacked by Prince John's men, is saved by Locksley and his outlaws; it is [[TheReveal revealed]] that the BlackKnight is really [[RichardTheLionHeart King Richard]] and that [[TheArcher Locksley]] and his band are really [[RobinHood Robin Hood and his Merrie Men]]. Richard hastens to Athelstane’s funeral to reconcile Cedric and his son ... when it is suddenly revealed that Athelstane is alive (!!!) and now refuses to stand between Wilfred and Rowena. However, Wilfred has disappeared (again), to arrive just in the nick of time to fight for Rebecca, though he has not yet recovered from his wound. Fate, however, intervenes; though Wilfred does not actually touch him, Bois-Guilbert falls over, dead, killed by his own turbulent emotions. Rebecca is declared innocent; Richard shows up to punish the guilty; Wilfred and Rowena are to marry and Rebecca and Isaac decide to emigrate to Spain, where Rebecca will devote herself to an eternal maidenhood; Normans and Saxons are united under one English king, and all ends happily... [[ItGotWorse For Now]].
[[/folder]]

[[folder:Adaptations]]
Scott's novel has had a number of adaptations.

* A stage version was prepared as early as 1828.
* In 1850, [[VanityFair William Makepeace Thackeray]] produced the [[AffectionateParody parodic]] FanSequel, ''[[http://www.hicom.net/~oedipus/books/randr.html Rebecca and Rowena: A Romance Upon Romance]]'', in which [[TakeThatScrappy Athelstane]] and [[DieForOurShip Rowena]] die and Wilfred [[FanPreferredCouple marries]] a [[ValuesDissonance converted]] Rebecca.

There have been several [[TheFilmOfTheBook Film Adaptations]].
* Two appeared in 1913:
** ''Ivanhoe'' was a US production, directed by Herbert Brenon, and starring King Baggot as Ivanhoe, Leah Baird as Rebecca, Herbert Brenon as Isaac, Evelyn Hope as Rowena, and Wallace Widdicombe as Bois-Guilbert;
** ''Rebecca the Jewess'' was directed by Leedham Bantock and featured Lauderdale Maitland, Ethel Bracewell, Hubert Carter, Nancy Bevington, and Harry Lonsdale in the same rôles, respectively. (Oddly, both were filmed in the same locations at Chepstow Castle in Wales.)
* In 1952, MetroGoldwynMayer produced what is probably the best remembered film version, ''Ivanhoe'', directed by Richard Thorpe, and starring Robert Taylor as Wilfred, ElizabethTaylor as Rebecca, Felix Aylmer as Isaac, Joan Fontaine as Rowena, George Sanders as Bois-Guilbert, [[BonnieScotland Finlay Currie]] as Cedric. This version was nominated for three [[AcademyAward Academy Awards]], for Best Picture, Best Colour Cinematography, and Best Score for [[MiklosRozsa Miklós Rózsa]]; it stressed the spectacular and [[{{Swashbuckler}} swashbuckling]] elements.
* A Russian adaptation in 1983, ''The Ballad of the Valiant Knight Ivanhoe'' (''Баллада о доблестном рыцаре Айвенго, Ballada o Dovlestnom Ryzare "Ayvenho"'') appeared, directed by Sergey Tarasov, starring Peteris Gaudins as Ivanhoe and featuring songs by VladimirVysotsky.

There have also been quite a number of LiveActionTelevision adaptations of the novel:
* A 1958 television series with Roger Moore as Ivanhoe.
* A 1970 miniseries starring Eric Flynn.
* A very well regarded adaptation in 1982 with AnthonyAndrews as Ivanhoe, Olivia Hussey as Rebecca, James Mason as Isaac, Lysette Anthony as Rowena, and Sam Neill as Bois-Guilbert.
* A 1986 Australian AnimatedAdaptation by Burbank Films, ''Young Ivanhoe''.
* A 1995 television series starring Kristen Holden-Ried, ''Ivanhoe, the King's Knight''
* A 1997 AnimatedAdaptation by {{CINAR}} and France Animation.
* Another 1997 production, a mini-series produced by A&E and the BBC, starring Steven Waddington, with Susan Lynch as Rebecca, Victoria Smurfit as Rowena, ChristopherLee as Beaumanoir, and Ciarán Hinds as Bois-Guilbert.
* ''Darkest Knight'', a 2000 Channel 5 adaptation starring Ben Pullen as Ivanhoe and Charlotte Comer as Rebecca.

Interestingly, there have been several operatic versions: Gioachino Rossini's ''Ivanhoé'' (a pastiche which did not impress Scott, who attended a performance), Thomas Sari's ''Ivanhoé'', Bartolomeo Pisani's ''Rebecca'', A. Castagnier's ''Rébecca'', Otto Nicolai's ''Il Templario'', and Heinrich Marschner's ''Der Templer und die Jüdin''. The best known, however, is probably [[GilbertAndSullivan Sir Arthur Seymour Sullivan]]'s rather [[SeriousBusiness turgidly solemn]] 1891 adaptation, which impressed [[QueenVicky Queen Victoria]] and ran for over 150 performances.
[[/folder]]
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!!Tropes employed by this novel (and its various adaptations) include:

[[folder: The Book]]
* AbhorrentAdmirer: Athelstane and de Bracy for Rowena; Bois-Guilbert for Rebecca; Prince John for Alicia Fitzurse.
* AdaptationDistillation: A number of the various adaptations have successfully reinterpreted the original in the terms of their own eras. The 1952 version was extremely popular in an age which demanded spectacle. The 1982 version attempted a sort of ''[[TheAdventuresOfRobinHood Adventures of Ivanhoe]]'' approach, and featured some striking performances. The 1997 A&E/BBC version went for a DarkerAndEdgier, de-romanticized interpretation that captured more of the sense of suspense and tragedy in the novel than other versions. As is the way with most great works, each age will get the kind of ''Ivanhoe'' that best suits it.
* AllLoveIsUnrequited: Guilbert loves Rebecca who loves Ivanhoe who loves Rowena.
* AltumVidetur: The churchmen in this novel are ''very'' prone to lapsing into gratuitous Latin. Even ''Rebecca'' does it at one point.
* AnachronismStew: As Scott himself admitted. ''See above.''
* {{Anticlimax}}: In the trial by combat to determine the fate of Rebecca, Brian de Bois-Guilbert, the invincible [[TheKnightsTemplar Templar]], is facing Wilfred of Ivanhoe, who is still recovering from his wounds -- but when they actually joust, Bois-Guilbert simply [[spoiler: keels over dead]], "a victim of his own contending passions," and Wilfred is left standing there, looking awkward.
* {{Arrowgram}}
* AttemptedRape: Bois-Guilbert is foiled in this by Rebecca's threatening to throw herself off the tower ''See'' DrivenToSuicide'', below.''
* BadassPreacher: Friar Tuck
* BeingGoodSucks: One reason Rebecca doesn't really enjoy herself in the novel.
* BerserkButton: For Gurth, Cedric attacking his dog Fangs.
* BettyAndVeronica
* BigDamnHeroes: The Black Knight for Ivanhoe, Ivanhoe for Rebecca.
* BlackAndWhiteMorality: [[YourMileageMayVary YMMV]]. Certainly most of the Goodies are ''very '' good, and most of the Baddies ''very'' bad, but it does not prevent them from being memorable characters. One is inclined to say that, rather than being Black and White, they are all rendered in primary colours.
* BlackKnight: "''Le Noir Faineant''" (aka The Black Sluggard)
* BloodKnight: Front-de-Bœuf
* BoisterousBruiser: Perhaps the most outstanding examples are Friar Tuck and [[RichardTheLionHeart Cœur-de-Lion]] himself.
* BurnTheWitch: Rebecca's fate if her champion loses the TrialByCombat.
* TheCareTaker: Rebecca the [[FlorenceNightingaleEffect beautiful]] [[CultureClash Jewish]] maiden cares for [[KnightInShiningArmor Sir Wilfred]] of Ivanhoe after he is wounded in the tournament at Ashby-de-la-Zouche.
* CharacterTitle
* ColdBloodedTorture: As when Front-de-Bœuf threatens to roast Isaac alive on a grill.
* ChristianityIsCatholic: The setting dictates this, though Sir Walter throws in a number of [[WriterOnBoard hints]] that "it ain't necessarily so."
* CorruptChurch: Sir Walter, being a conventional if not convicted Presbyterian, invented quite a few corrupt churchmen as [[TakeThat Take Thats]] against the Roman Catholic Church: the worldly Prior Aylmer, the proud, cruel, and lustful Bois-Guilbert, the ignorant and violent "hedge-priest" Friar Tuck, the unscrupulous Malvoisin, the fanatical Beaumanoir, the greedy and treacherous Abbot Wolfram who betrays Athelstane. Indeed, there is not a single completely ''decent'' cleric in the whole novel.
* CourtlyLove: Played straight by Wilfred and Rowena (and [[spoiler:Rebecca for Wilfred]]; subverted by Athelstane and de Bracy for Rowena; beaten all to hell and back by Bois-Guilbert for Rebecca
* TheCrusades: Where many of the main characters are returning from -- specifically, the Third Crusade.
* DarkIsNotEvil: ''See'' the BlackKnight'', above.''
* DidNotDoTheResearch: Numerous examples, of which perhaps the most extreme is the warping of the real Saxon name "Cerdic" into the previously non-existent "Cedric."
** Though making the English of the 12th century invoke "Zernebock" (''i.e.'', [[Disney/{{Fantasia}} Chernabog]]) is a pretty [[EpicFail epic]] [[DidNotDoTheResearch Research Failure]], too.
* TheDogBitesBack: Ulrica
* DrivenToSuicide: What Rebecca will be if Bois-Guilbert tries to seize her in the tower of Torquilstone.
* TheDulcineaEffect: Ivanhoe champions Rebecca, who is not his LoveInterest.
* TheDungAges: Averted in Scott's original novel, though some adaptations have depicted at least parts of the setting this way.
* EstrogenBrigade: In-universe. In the first volume, the narrator spends a lot of time repeatedly pointing out how much the ladies enjoy tournaments and matches between knights even more enthusiastically than many men.
* EvilChancellor: Waldemar [[NamesToRunAwayFromReallyFast Fitzurse]] -- not personally depraved, but certainly ruthlessly ambitious -- and a heck of a lot smarter than nearly all the other baddies.
* TheEvilPrince: Prince John, whose taking of this rôle in the RobinHood legend was [[TropeCodifier cemented]] by Scott.
* FanSequel: W. M. Thackeray's ''Rebecca and Rowena.''
* FateWorseThanDeath: Rape, emphasized by Ulrica and Rebecca.
* FeudalOverlord:
** What Cedric is to Gurth and Wamba.
** Baron Front de Boeuf
* FlorenceNightingaleEffect: How Rebecca falls for Wilfred
* [[GratuitousFrench Gratuitous Norman French]]: ''Mort de ma vie!'' The Normans here are always bursting out with Gallic oaths and phrases -- in fact, the novel practically opens with a long discussion between [[ThoseTwoGuys Gurth and Wamba]] of the intermingling of French words with English and the subtle distinctions of meaning between them both.
* {{Foil}}: Rowena and Rebecca, as Scott shows by paralleling their reactions to their would-be-rapists.
* GreedyJew: Isaac of York in Ivanhoe is somewhere between an example and a subversion.
* TheHighMiddleAges: To be exact, the year 1194 A. D. (''But see'' TheMiddleAges'' below.'')
* HistoricalFiction: One of the [[TropeCodifier Trope Codifiers]].
* HistoricalDomainCharacter: Prince John and [[RichardTHeLionHeart Richard Cœur-de-Lion]]
* HistoricalHeroUpgrade: [[RichardTheLionHeart Richard I]] -- though Scott's depiction is not uniformly a positive one; his Richard is proud, reckless, a bit sensual, rather violent, and perhaps on the whole not an entirely inaccurate depiction of the [[WarriorPrince warrior king]]. Still, he does seem to leave out the king’s extreme arrogance, deviousness, intolerance, morbidity, and occasional bouts of almost insane fury. (The theory, by the way, that Richard was a [[HoYay homosexual]] -- which would doubtless have [[NoYay scandalized]] the strait-laced Puritan Scott -- was not seriously advanced until after his time.)
* HistoryMarchesOn: The view popularised by Sir Walter, of plucky "English" commoners still resisting their "Norman" overlords a century or two after the Conquest was questioned even in Scott's own time, and almost wholly abandoned by serious historians within the same century.
* HollywoodCostuming: Scott's descriptions of clothing and armour are wildly at variance with our knowledge of 12th century costume.
* HollywoodHistory: At times nearing CriticalResearchFailure.
* [[HonorBeforeReason Honour Before Reason]]: Wilfred tries to explain this concept to Rebecca, who still insists on Reason before Honour.
* ICanStillFight: What the wounded Wilfred asserts for Rebecca's trial by combat.
* IGaveMyWord: As Bois-Guilbert tells Rebecca: “Many a law, many a commandment have I broken, but my sworn word, never.”
* [[ItsAllAboutMe It's All About Me]]: Brian de Bois-Guilbert, who is too blind even to be aware of it.
* TheJester: Wamba
* KickTheDog: Gurth doesn't care how badly you treat ''him'', but throw a javelin at ''his dog'', and he's lost all respect for you.
* KingIncognito: RichardTheLionHeart is disguised as ''[[spoiler:the BlackKnight ]]''.
* KnightInShiningArmour: In effect, if not in fact.
* TheKnightsHospitallers: The Hospitaller, Ralph de Vipont, is a much less formidable figure than any of the other challengers at Ashby-de-la-Zouche.
* TheKnightsTemplar: Most importantly Brian de Bois-Guilbert, but also Albert de Malvoisin, Grand Master Lucas de Beaumanoir, ''et al''.
* KnightTemplar: Averted, oddly enough, by most of the actual [[TheKnightsTemplar Templars]] in the story, but played ''absolutely straight'' by Lucas de Beaumanoir, who is a KnightTemplar in both senses of the term — indeed, the Grand Master of the Order.
* LiteraryAgentHypothesis: Scott originally published the novel under the pseudonym Laurence Templeton, in which guise he claimed he was merely transcribing and editing an actual medieval document, the "Wardour Manuscript" [[hottip:* : a pun on "Wardour Street" in London, which was known for its shops that sold antique furniture of dubious provenance]] -- though the author’s actual identity seems to have been an open secret.
* LoveDodecahedron: Rowena for Wilfred; Athelstane for Rowena, Maurice de Bracy for Rowena, Wilfred for Rowena; Rebecca for Wilfred; Bois-Guilbert for Rebecca.
* {{Lust}}: Exemplified by a number of the baddies, perhaps most egregiously by Brian de Bois-Guilbert.
* MatzoFever: Rebecca
* MedievalMorons: Averted for the most part; though some play is made of the credulity of the crowd during Rebecca's trial, it is made clear that the accusing witnesses found by Malvoisin are acting more out of greed, envy, and political corruption rather than out superstition. (Beaumanoir, though a [[KnightTemplar fanatic]], is not exactly a moron.)
* TheMiddleAges: Scott's Early Romantic, "Look-to-the-Knight-of-the-Fetterlock-Fair-Rebecca" conception of the 12th century [[UsefulNotes/{{Britain}} England]] veers at times ''very'' close to the ThemeParkVersion of the mediæval period.
* NamesToRunAwayFromReallyFast: A lot of these. The Templar Preceptor Albert de Malvoisin ("bad neighbour").and his brother Philip; Reginald Front-de-Boeuf ("Or 'Beef-head'" as Richard Armour put it, in ''The Classics Reclassified''). Waldemar Fitzurse's last name means "Son of the [[EverythingsWorseWithBears Bear]]" -- which was also the surname of the ringleader of St. Thomas Becket's [[RhetoricalRequestBlunder assassins]].
* NeverMyFault: Bois-Guilbert, refusing to realize that Rebecca is in danger of being sentenced to burn mainly because ''he kidnapped her''.
* NobodyCallsMeChicken: How Wilfred goads Bois-Guilbert into dueling him in the third volume.
* NowLetMeCarryYou: Rebecca nurses Wilfred back to health. Later he comes to save her from being burned as a witch.
* ObfuscatingInsanity: Wamba
* ObliviouslyEvil: Bois-Guilbert so thoroughly buries himself under the tropes of NeverMyFault and PlayingTheVictimCard that he honestly doesn't seem to understand that what he does to Rebecca makes him a villain, not her KnightInShiningArmor.
* EeriePaleSkinnedBrunette: Rebecca of York is described as having "Bright eyes, black locks, and a skin like paper, ere the priest stains it with his [[PurpleProse black unguent]]."
* PeopleOfHairColor: Although Scott’s assertion of a lingering racial animosity between Normans and Saxons was not ''absolutely'' without basis (there was in Henry II's time a Saxon noble called "William with the Beard" who refused to shave as a protest against the Conquest), there can be absolutely no doubt that such feelings were highly eccentric, uncommon, and of no practical social or political importance by the reign of [[RichardTheLionHeart Richard I]].
* PerverseSexualLust: William Makepeace Thackeray was in love with Rebecca.
-->"... ever since I grew to love Rebecca, that sweetest creature of the poet's fancy, and longed to see her righted."\\
-- '''Excerpt''' from ''Rebecca and Rowena''
* PinballProtagonist: One of Scott's calling cards is the passive protagonist, who often spends most of the novel being carted around by the ActionHero. Ivanhoe is one of the best-known examples, and famously spends a battle sequence flat on his back in a tower, unable to see anything that's going on.
* PlayingTheVictimCard: After Rebecca has been sentenced to death, Bois-Guilbert sees ''himself'' as the injured party because the girl still refuses to love him. Sure, it's his fault she's in this mess in the first place, but he would save her if she would just agree to reward him.
* PrinceCharmingWannabe: Bois-Guilbert just can't seem to wrap his head around the fact that "[[ScarpiaUltimatum Marry me, and I'll save your life; refuse, and I'll let you die]]" is something ''villains'', not ''heroes'', do.
* PublicDomainCharacter: RobinHood. Scott was not the first, by any means, but he is probably the most influential author in linking the outlaw's legend with RichardTheLionHeart and Prince John; more original with Scott was the linking of the legend with a supposed racial animosity between the [[PeopleOfHairColor Normans and the Saxons]]. Scott also popularised the name "Locksley" as associated with the outlaw.
* PurpleProse: As an example, Ulrica’s parting TakeThat to Front-de-Bœuf:
-->''Farewell, Front-de-Bœuf! May Mista, Skogula, and Zernebock, gods of the ancient Saxons -- fiends as the priests now call them – supply the place of comforters at your dying bed, which Ulrica now relinquishes! But know, if it will give thee comfort to know it, that Ulrica is bound to the same dark coast with thyself, the companion of thy punishment as the companion of thy guilt. And now, parricide, farewell for ever! May each stone of this vaulted roof find a tongue to echo that title into thine ear!''
* PoisonousFriend: Malvoisin to Bois-Guilbert.
* RapeIsASpecialKindOfEvil
* RealityIsUnrealistic: The almost impossibly noble Rebecca is said to be the only character based directly one of Scott's contemporaries -- a friend of Scott's friend Washington Irving -- a Jewish lady from Philadelphia, Pennsylvania, named Rebecca Gratz.
* TheReasonYouSuckSpeech: Rebecca constantly tries to acquaint Brian de Bois-Guilbert with [[ObliviouslyEvil how wrong he is]] about his [[ScarpiaUltimatum actions]] and [[ItsAllAboutMe motivations]] regarding [[PlayingTheVictimCard his treatment of her]], to no success.
* RetCon: Sir Walter invented a role for RobinHood against Prince John in RichardTheLionHeart's absence to plug some holes in his plot.
* RightfulKingReturns: "Take heed to yourself, for the Devil is unchained!"
* RhymesOnADime: The novel includes a number of poems and "songs" recited or sung by the characters.
* RichardTheLionheart: A major character.
* RoyalBrat: Prince John, who is constantly referred to as petty and spoiled, is an unusual adult version of this trope.
* ScarpiaUltimatum: Two:
** Maurice de Bracy to Rowena: "Marry me, or I'll kill your guardian and your boyfriend." (This is over in the same chapter it appears in.)
** Brian de Bois-Guilbert to Rebecca: "Marry me, or at least have sex with me, or I'll let them kill you." (This lasts until [[spoiler: Bois-Guilbert's death]].)
* [[ScrewThisImOuttaHere Screw This -- I'm Outta Here]]: Maurice de Bracy's reaction to [[spoiler:King Richard's return]].
* SecondaryCharacterTitle: Wilfred of Ivanhoe is physically present only for about 25% of the book and unconscious or incapacitated for half of that.
* ServileSnarker: Wamba -- it's probably in his job description as a jester.
* SexSlave: Ulrica
* ShownTheirWork: Scott appended notes to later editions, justifying some of the historical assertions he made, or at least showing what historical incidents had suggested them.
* SpoiledBrat: Rowena
* StarCrossedLovers: Wilfred and Rebecca
* StormingTheCastle: Torquilstone
* {{Swashbuckler}}: More in its adaptations than in Scott's original novel.
* SupportingProtagonist: The book may be named after Wilfred, but the true protagonist of the book is Rebecca.
* ThoseTwoGuys: Gurth, a swineherd, and Wamba, a jester, whose conversation opens the novel.
* TokenGoodTeammate: [[RichardTheLionHeart King Richard]] is like this to [[RobinHood Locksley]]'s men.
* TrialByCombat: The climax of the novel Sir Wilfred of Ivanhoe fights on behalf of Rebecca, the daughter of Isaac of York, who has been accused of sorcery.
* UnfortunateNames: De Bigot, Prince John's seneschal, mentioned in a throwaway line. Very nearly a MelBrooks character.
* UnrequitedLove: Quite a lot. ''See'' LoveDodecahedron, ''above.''
* UselessProtagonist:: Wilfred Not quite useless, but useless for most of the book.
* [[WarriorPrince Warrior King]]: [[RichardTheLionHeart Cœur-de-Lion]]
* [[WellExcuseMePrincess Well, Excuse Me, Princess]]: Rowena, especially when she tells off de Bracy.
* WoobieDestroyerOfWorlds: Ulrica
* YouCanBarelyStand: Wilfred of Ivanhoe meets Sir Brian de Bois-Guilbert as challenger in a trial by combat despite barely having recovered of his wounds from the tournament.
* YouGotSpunk: Brian de Bois-Guilbert's opinion of Rebecca's attempted suicide to escape him.
[[/folder]]

[[folder: Tropes Present in the 1952 Movie]]

* AdaptationDistillation: Condenses the plot while retaining the basics of everyone's characterization, and avoids the UselessProtagonist problem by making Ivanhoe and Rowena more [[VillainsActHeroesReact active.]]
* AllLoveIsUnrequited: Ivanhoe does not, as in some versions, return Rebecca's affection.
* BeardOfEvil: Prince John has a villainous weedy beard. And De Bracy has a nasty little moustache.
* BettyAndVeronica
* BigDamnHeroes: [[spoiler: Richard shows up at the very end to do this.]]
* CombatPragmatist: Ivanhoe has no compunctions about sneaking up behind people and stabbing them in the back, or hiding in dark corners and popping out to stab them in the back.
* TheEvilPrince
* DeathByAdaptation: Wamba is promoted to Gurth's role, and is killed at Torquilstone.
* DullSurprise: Robert Taylor's performance edges into this at (a few) points.
* EpicFlail: Bois-Guilbert's weapon in the climatic duel.
* FaceDeathWithDignity: Bois-Guilbert dies calmly telling Rebecca he loved her and wishing her well.
* FightingForSurvival
** FriendInTheBlackMarket: Isaac providing Ivanhoe with armor and ransom money for King Richard.
** TheCavalry: Locksley's men
* ChildhoodMarriagePromise
* CombatCommentator: the knights briefly do this during the joust.
* GoodWeaponEvilWeapon: Played with. During the final duel, Bois-Guilbert uses a mace and chain--a nicely evil weapon--but Ivanhoe uses an axe. This is to drive home that he's not Rebecca's KnightInShiningArmor.
* {{Flynning}}: Oh, yes. At several points you can see one combatant just holding his sword up while the other hits it repeatedly.
* HeroSecretService: especially evident in the message-arrow scene.
* HistoricalHeroUpgrade: Also present in this adaptation, although it's played with differently. Ivanhoe staunchly supports Richard, because he's Richard's friend; almost all the other characters point out that there's very little to choose between Richard and John. Ivanhoe builds support for Richard by promising a civil rights movement.
* KangarooCourt: One of the witnesses against Rebecca starts crying and admits that she was forced to testify.
* {{Leitmotif}}: The swaggering, menacing Norman theme.
* OhCrap: Prince John when Richard shows up.
* ScarsAreForever: As a result of the childhood blood oath, Rowena and Wilfred have matching small scars on their hands.
[[/folder]]

[[folder:Tropes Present in the 1982 TV Adaptation]]
* HeyItsThatGuy: Ivanhoe is [[BridesheadRevisited Lord Sebastian Flyte]] and [[Film/TheScarletPimpernel1982 Sir Percy Blakeney]]; Rebecca is [[RomeoAndJuliet Juliet]]; Bois-Guilbert is [[JurassicPark Alan Grant]]; Front-de-Bœuf is [[Film/TheLordOfTheRings Gimli]]; and The Black Knight is either [[StarWars General Veers]] or [[Film/TheLastCrusade Walter Donovan]].
[[/folder]]

[[folder: Tropes Present in the 1997 Miniseries]]

* AdaptationExpansion: The longer running time gives more space for characters to be fleshed out.
* AnimalMotifs: Prince John is identified with a falcon.
* AlmightyMom: [[spoiler: Eleanor of Acquitaine.]]
* BastardUnderstudy
* BlondGuysAreEvil: Inverted: almost all of the good guys are blond; the Normans universally have dark hair.
* TheBrute: Front-de-Boeuf
* DarkerAndEdgier
* DeathSeeker
* DeadpanSnarker: John.
* DefeatMeansFriendship: Little John to Gurth after a quarterstave duel.
* ColdBloodedTorture
* ClearMyName
* CrouchingMoronHiddenBadass: Wamba
* EyeScream: What happens to Bois-Guilbert at the trial by combat. [[{{Squick}} And then he turns his head so we can get a good look at the empty socket.]]
* ExpositoryHairstyleChange: Lampshaded. Gurth asks why Ivanhoe is so shaggy.
* GoodScarsEvilScars: Bois-Guilbert has a villainous scar on his cheek.
* HaveYouToldAnyoneElse
* HeyItsThatGuy: [[{{Rome}} Julius Caesar]] is Bois-Guilbert and ChristopherLee is... Christopher Lee.
* HistoricalHeroUpgrade: Somewhat played with, as is the HistoricalVillainUpgrade. [[spoiler: Near the end of the plot Eleanor of Aquitane confronts both her sons and lambasts not only John, but Richard as well. If anything she's more annoyed with the latter, since he's spent all but three or four months of his reign in the Holy Lands and has near bankrupted England to pay for his war, leaving John to do the unpleasant but necessary task of raising the money and, oh yeah, keep the country running. As she says, 'John may be a miserable little runt, but at least he's ''been'' here!']]
* IWantMyBelovedToBeHappy: Rebecca.
* ImportantHaircut
* ItsPersonal
* KickTheDog
* WellDoneSonGuy
* MeaningfulEcho: When Bois-Guilbert is about to rape Rebecca, she tells him that "Reason is a gift of God to civilized men; it has no place here." He repeats this to Beaumanoir during the trial.
* MyGodWhatHaveIDone
* PetTheDog: Little John defending Rebecca from a random lech at the tournament; and later, helping Gurth carry the injured Fangs.
* SanityBall: John, Fitzurse, and Bois-Guilbert juggle it.
* SlouchOfVillainy: John during the trial.
* StealthInsult
* TheResenter: John is very aware that few people like him.
[[/folder]]
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