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* FalseFlagOperation: In Fall of Hyperion, [[spoiler:the [=TechnoCore=] attacks dozens of Web worlds with fake Ouster Swarms in a ploy to convince the Hegemony that the Ousters are genocidal monsters who can't be stopped by conventional means. This fake invasion makes the Hegemony's leaders desperate enough to consider using a hideously destructive superweapon against the real Ousters, which is exactly what the Core wants.]]
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** "The River Lethe's Taste is Bitter" is a slow-paced, sombre family tragedy about a man's attempt to reconnect with God as he's forced to watch his beloved daughter slowly dying from an incurable illness. The narration focuses more on the emotional resonances and philosophical ramifications of the sci-fi conceit on day-to-day life, [[InTheStyle reminiscent of]] Creator/UrsulaKLeGuin.
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** "The River Lethe's Taste is Bitter" is a slow-paced, sombre family tragedy about a man's attempt to reconnect with God as he's forced to watch his beloved daughter slowly dying from an incurable illness. The narration focuses more on the emotional resonances and philosophical ramifications of the sci-fi conceit on day-to-day life, [[InTheStyle [[InTheStyleOf reminiscent of]] Creator/UrsulaKLeGuin.
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** "The War Lovers" is a military sci-fi story, complete with detailed descriptions of brilliant combat tactics, cool futuristic weapon technology and exploding spaceships, told in flashback format in the no-nonsense, dispassionate tone that can be expected from a veteran soldier.
** "Hyperion Cantos" is a meta-rich tragicomedy about the pains of a poet struggling to produce meaningful art in a cynical future, written in a humorous, anecdotal, rambling singsong as can be expected from an experienced storyteller.
** "The River Lethe's Taste is Bitter" is a slow-paced, sombre family tragedy about a man's attempt to reconnect with God as he's forced to watch his beloved daughter slowly dying from an incurable illness. The narration, befitting an old scholar, focuses more on the emotional resonances and philosophical ramifications of the little details of day-to-day life as it sweeps over decades gone.
** "The Long Good-Bye" is a cyberpunk-noir detective story, down to opening with the detective describing in the first person what a normal day it was as they were sitting in their office drinking whisky when a handsome stranger walked in with an unusual request.
** "Hyperion Cantos" is a meta-rich tragicomedy about the pains of a poet struggling to produce meaningful art in a cynical future, written in a humorous, anecdotal, rambling singsong as can be expected from an experienced storyteller.
** "The River Lethe's Taste is Bitter" is a slow-paced, sombre family tragedy about a man's attempt to reconnect with God as he's forced to watch his beloved daughter slowly dying from an incurable illness. The narration, befitting an old scholar, focuses more on the emotional resonances and philosophical ramifications of the little details of day-to-day life as it sweeps over decades gone.
** "The Long Good-Bye" is a cyberpunk-noir detective story, down to opening with the detective describing in the first person what a normal day it was as they were sitting in their office drinking whisky when a handsome stranger walked in with an unusual request.
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** "The War Lovers" is a [[MilitaryScienceFiction military sci-fi story, story]] reminiscent of ''Literature/StarshipTroopers'' and ''Literature/TheForeverWar'', complete with detailed descriptions of brilliant combat tactics, cool futuristic weapon technology and exploding spaceships, told in flashback format in the no-nonsense, dispassionate tone that can be expected from a veteran soldier.
** "Hyperion Cantos" is a meta-rich tragicomedy about the pains of a poet struggling to produce meaningful art in a cynical future, written in a humorous, anecdotal, rambling singsong as can be expected from an experienced storyteller. It feels a bit like NewWaveScienceFiction.
** "The River Lethe's Taste is Bitter" is a slow-paced, sombre family tragedy about a man's attempt to reconnect with God as he's forced to watch his beloved daughter slowly dying from an incurable illness. Thenarration, befitting an old scholar, narration focuses more on the emotional resonances and philosophical ramifications of the little details of sci-fi conceit on day-to-day life as it sweeps over decades gone.
life, [[InTheStyle reminiscent of]] Creator/UrsulaKLeGuin.
** "The Long Good-Bye" is a [[{{Cyberpunk}} cyberpunk-noir detectivestory, story]], down to opening with the detective describing in the first person what a normal day it was as they were sitting in their office drinking whisky when a handsome stranger walked in with an unusual request.
** "Hyperion Cantos" is a meta-rich tragicomedy about the pains of a poet struggling to produce meaningful art in a cynical future, written in a humorous, anecdotal, rambling singsong as can be expected from an experienced storyteller. It feels a bit like NewWaveScienceFiction.
** "The River Lethe's Taste is Bitter" is a slow-paced, sombre family tragedy about a man's attempt to reconnect with God as he's forced to watch his beloved daughter slowly dying from an incurable illness. The
** "The Long Good-Bye" is a [[{{Cyberpunk}} cyberpunk-noir detective
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* DeathOfAChild: An entire maternity ward filled with babies gets blown up by Pax troops in The Rise Of Endymion.
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* InfantImmortality: Averted. An entire maternity ward filled with babies gets blown up by Pax troops in The Rise Of Endymion.
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Typo
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* FalloutShelterFail: In the second book, the leader of one religion builds a shelter for himself deep inside a mountain to live in comfort until the end of the world his church expects. He gets a massive Oh, Crap! moment when the end of the world doesn't come... but the collapse of the PortalNetwork does. To explain, the portals were the only way to get in air out of the shelter... or to let air ''in.''
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* FalloutShelterFail: In the second book, the leader of one religion builds a shelter for himself deep inside a mountain to live in comfort until the end of the world his church expects. He gets a massive Oh, Crap! moment when the end of the world doesn't come... but the collapse of the PortalNetwork does. To explain, the portals were the only way to get in air or out of the shelter... or to let air ''in.''
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* TornApartByTheMob: Meina Gladstone dies this way after giving the order to destroy the interstellar PortalNetwork, and the civilization with it.
* UnreliableIllustrator: The Shrike is depicted on the covers of all four books, but has only two arms on the covers of the first three. ''The Rise of Endymion'' portrays it with its full set of four arms.
* TheWhitesOfTheirEyes: Averted and Lampshaded. Spacebattles in the series take places at ranges of millions of kilometers, and it's noted that modern infantry would find the ranges that most fictional starships engage at to be claustrophobic
* UnreliableIllustrator: The Shrike is depicted on the covers of all four books, but has only two arms on the covers of the first three. ''The Rise of Endymion'' portrays it with its full set of four arms.
* TheWhitesOfTheirEyes: Averted and Lampshaded. Spacebattles in the series take places at ranges of millions of kilometers, and it's noted that modern infantry would find the ranges that most fictional starships engage at to be claustrophobic
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* UnreliableIllustrator: The Shrike is depicted on the covers of all four books, but has only two arms on the covers of the first three. ''The Rise of Endymion'' portrays it with its full set of four arms.
* TheWhitesOfTheirEyes: Averted and Lampshaded. Spacebattles in the series take places at ranges of millions of kilometers, and it's noted that modern infantry would find the ranges that most fictional starships engage at to be claustrophobic
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* TornApartByTheMob: Meina Gladstone dies this way after giving the order to destroy the interstellar PortalNetwork, and the civilization with it.
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* UnreliableIllustrator: The Shrike is depicted on the covers of all four books, but has only two arms on the covers of the first three. ''The Rise of Endymion'' portrays it with its full set of four arms.
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* TheWhitesOfTheirEyes: Averted and Lampshaded. Spacebattles in the series take places at ranges of millions of kilometers, and it's noted that modern infantry would find the ranges that most fictional starships engage at to be claustrophobic
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* TornApartByTheMob: Meina Gladstone dies this way after giving the order to destroy the interstellar PortalNetwork, and the civilization with it.
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* WorldOfCardboardSpeech: Raul gets one before his final showdown with Nemes.
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* AIIsACrapshoot: The [=TechnoCore=] is composed of artifical intelligences who seceded from human control several centuries ago and peacefully coexist with humanity. This looks like a subversion until we learn the inner politics of the core, with the [=AIs=] falling into three political factions. Of the three, one wants to continue peaceful coexistence with humanity, one wants to wipe humanity out, and the third wants to keep humanity around--at least until it finishes its goal of creating the ultimate intelligence, of which humanity ''could'' be a useful component. This stalemate of "spare," "kill," and "don't kill right now," is what leads to the Core's nominally symbiotic relationship with the Hegemony. This trope is played ''much'' straighter in ''The Fall of Hyperion.''
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* AIIsACrapshoot: The [=TechnoCore=] is composed of artifical intelligences who seceded from human control several centuries ago and peacefully coexist with humanity. This looks like a subversion until we learn the inner politics of the core, with the [=AIs=] falling into three political factions. Of the three, one wants to continue peaceful coexistence with humanity, one wants to wipe humanity out, and the third wants to keep humanity around--at least until it finishes its goal of creating the ultimate intelligence, Ultimate Intelligence, of which humanity ''could'' be a useful component.component, and then they can let the Ultimate Intelligence decide what to do with humanity.. This stalemate of "spare," "kill," and "don't kill right now," is what leads to the Core's nominally symbiotic relationship with the Hegemony. This trope is played ''much'' straighter in ''The Fall of Hyperion.''
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Frickin' Laser Beams entry amended in accordance with this Trope Repair Shop Thread.
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* SwissArmyGun: The multipurpose FORCE assault rifle. A [[FrickinLaserBeams laser-shooting]] [[SecondaryFire flechette-grenade-launching]] DisintegratorRay [[NinjaPirateZombieRobot particle cannon]] [[MoreDakka fully-automatic]] [[{{Troperiffic}} sniper rifle]]. It noted that the only thing it was ''not'' designed to do is cook the troops food...but with its energy output set to its lowest setting, it could probably do that too.
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* SwissArmyGun: The multipurpose FORCE assault rifle. A [[FrickinLaserBeams [[EnergyWeapon laser-shooting]] [[SecondaryFire flechette-grenade-launching]] DisintegratorRay [[NinjaPirateZombieRobot particle cannon]] [[MoreDakka fully-automatic]] [[{{Troperiffic}} sniper rifle]]. It noted that the only thing it was ''not'' designed to do is cook the troops food...but with its energy output set to its lowest setting, it could probably do that too.
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Overall, the series is inspired by the unfinished epic poem ''Hyperion'' by Creator/JohnKeats. The first book is modeled after ''Literature/TheCanterburyTales'', especially in how each pilgrim has an opportunity to tell their own individual story.
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Overall, the series is inspired by the unfinished epic poem ''Hyperion'' by Creator/JohnKeats. The first book is modeled after ''Literature/TheCanterburyTales'', especially in how each pilgrim of the pilgrims has an opportunity to tell their own an individual story.
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* EarthThatWas: Earth was destroyed by an errant experiment involving micro-black holes. [[spoiler:It gets better: it's revealed that the Lions and Tigers and Bears moved it to the Magellanic Cloud before the [=TechnoCore=] could destroy it. They also give it back]]
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* EarthThatWas: Earth was destroyed by an errant experiment involving micro-black holes. [[spoiler:It gets better: it's revealed that the Lions and Tigers and Bears moved it to the Magellanic Cloud before the [=TechnoCore=] could destroy it. They also give it back]]back.]]
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[[caption-width-right:339: He just needs a hug]]
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[[caption-width-right:339: He just needs Anyone want a hug]]
hug?]]
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* FalloutShelterFail: In the second book, the leader of one religion builds a shelter for himself deep inside a mountain to live in comfort until the end of the world his church expects. He gets a massive Oh, Crap! moment when the end of the world doesn't come... but the collapse of the PortalNetwork does. To explain, the portals were the only way to get in air out of the shelter... or to let air ''in.''
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* GaspOfLife: When Paul Duré writes about the ResurrectiveImmortality of the Bikura, he describes the first breath of a reborn tribe member as "a rasp like water being poured into a leather pouch".
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* MultipleNarrativeModes: Depends on who is telling their story. For example, Kassad's story is told in third-person, and immediately after that, Silenus' is entirely in first-person.
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* DeaderThanDead: The Bikuras are burned to ashes and their camp is bombed with nuclear warhead so the Cruciform can't bring them back.
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* TheButcher: Colonel Kassad. The "backhanded compliment" version, at least to some.
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* TheButcher: Colonel Kassad. The "backhanded compliment" version, at least to some. The colonel is an adherent of the strict rules of engagement the Hegemony gives but also a BloodKnight who will use ruthless tactics if the enemy breaks the rules first, which leads to innovative and horrifying victories.
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%%* FateWorseThanDeath:%%Zero-context examples.
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%%** The Tree of Pain is also this.
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%%** Father Dure regards the fate of those infected by the Cruciform parasite the same way.
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%%* MultiArmedAndDangerous: The Shrike.
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%%* NayTheist: Sol
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%%* SpaceCossacks: The Ousters.
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Corrected use of "Pax" to match the book. It's not an acronym.
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* InfantImmortality: Averted. An entire maternity ward filled with babies gets blown up by PAX troops in The Rise Of Endymion.
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* InfantImmortality: Averted. An entire maternity ward filled with babies gets blown up by PAX Pax troops in The Rise Of Endymion.
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** Individual PAX Swiss Guard troopers can easily defeat thousands of regular PAX troopers (each of whom carries enough firepower to level mountains).
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** Individual PAX Pax Swiss Guard troopers can easily defeat thousands of regular PAX Pax troopers (each of whom carries enough firepower to level mountains).
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** Could be because all explicitly noted firepower yields were for Ouster and [[spoiler:[=TechnoCore=] masquerading as Ouster]] ships, which are generally inferior to Hegemony/PAX ships and fight using Zerg Rush tactics.
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** Could be because all explicitly noted firepower yields were for Ouster and [[spoiler:[=TechnoCore=] masquerading as Ouster]] ships, which are generally inferior to Hegemony/PAX Hegemony/Pax ships and fight using Zerg Rush tactics.
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* SpaceIsNoisy: Colonel Fedmahn Kassad spends an extended scene fighting Ousters in the vacuum of a derelict ship using a sonic gun.
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* SpaceIsNoisy: Colonel Fedmahn Kassad spends an extended scene fighting Ousters in the vacuum of a derelict ship using a sonic gun. ([[WhenAllYouHaveIsAHammer It was his only weapon]], he was in a heavily damaged space suit, and the ship wasn't ''totally'' in vacuum.)
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* GambitPileup: Pretty much what caused [[spoiler:the Ouster invasion. The Core provokes Bressia to attack the Ouster Swarm secretly, so the Swarm's massive retaliation looks like unprovoked barbaric aggression to the Hegemony. Said [[DisproportionateRetribution massive retaliation]] is actually not the Ousters, but instead the Core making sure the Web is freaked out about how genocidal and tough the Ousters are. Meanwhile the Core plants more fake Swarms around the Web so they can manufacture an invasion on demand. When Gladstone brings Hyperion into the Web, the real Ousters invade there to keep the Core from taking the Time Tombs. The Core sends their fake invasion against the Web and hands the Hegemony the deathwand device, urging them to point it at the real Ousters.]]
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* GambitPileup: Pretty much what caused [[spoiler:the Ouster invasion. The Core provokes Bressia to attack the Ouster Swarm secretly, so the Swarm's massive retaliation looks like unprovoked barbaric aggression to the Hegemony. Said [[DisproportionateRetribution massive retaliation]] is actually not the Ousters, but instead the Core making sure the Web is freaked out about how genocidal and tough the Ousters are. Meanwhile the Core plants more fake Swarms around the Web so they can manufacture an invasion on demand. When Gladstone brings Hyperion into the Web, the real Ousters invade there to keep the Core from taking the Time Tombs. The Core sends their fake invasion against the Web and hands the Hegemony the deathwand device, bomb, urging them to point it at the real Ousters.]]
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* DeathRay: The oft-mentioned Deathwand. Point it at something and turn it on and it dies. Cause of death, "They died."
* SeriesContinuityError: [[spoiler:Father Dure's cruciform is removed by the Shrike at the end of the second book after it shows him the Labyrinth filled with corpses, leaving only Lenar Hoyt's. In the third book, both of them still exist, and when one dies the other revives.]]
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* WeWillUseWikiWordsInTheFuture: Where to begin? The "[=TechnoCore=]", the "[=WorldWeb=]", and the "[=AllThing=]" are all staples of the series. Some examples are particularly egregious, such as the enigmatic "[=TangleWebs=]" and the somewhat redundant "[=DeathBomb=]". As a rule of thumb, if a device or technology is not named after a person, this is how it's referred to.
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* WeWillUseWikiWordsInTheFuture: Where to begin? The "[=TechnoCore=]", the "[=WorldWeb=]", and the "[=AllThing=]" are all staples of the series. Some examples are particularly egregious, such as the enigmatic "[=TangleWebs=]" and the somewhat redundant "[=DeathBomb=]"."[=DeathBomb=]" (To be fair, that last was an area-of-effect modification of a single-target weapon, the [[DeathRay deathwand]]). As a rule of thumb, if a device or technology is not named after a person, this is how it's referred to.
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moving to YMMV tab
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* GeniusBonus: Martin Silenus spent some time with his body remade to look like a Satyr. Silenus was the name of a Satyr who was a companion of Dionysus.
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* GeniusBonus: Martin Silenus spent some time with his body remade to look like a Satyr. Silenus was the name of a Satyr who was a companion of Dionysus.
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* GenreRoulette: Within the FramingDevice of a science-fiction epic, each of the stories is written in a different style and belongs to a completely different genre:
** "The Man who Cried God" is written as a diary and is an exploratory mystery in the style of 19th century adventure books, complete with a remote jungle tribe whose exotic customs the protagonist tries to figure out, and a horror twist in the end.
** "The War Lovers" is a military sci-fi story, complete with detailed descriptions of brilliant combat tactics, cool futuristic weapon technology and exploding spaceships, told in flashback format in the no-nonsense, dispassionate tone that can be expected from a veteran soldier.
** "Hyperion Cantos" is a meta-rich tragicomedy about the pains of a poet struggling to produce meaningful art in a cynical future, written in a humorous, anecdotal, rambling singsong as can be expected from an experienced storyteller.
** "The River Lethe's Taste is Bitter" is a slow-paced, sombre family tragedy about a man's attempt to reconnect with God as he's forced to watch his beloved daughter slowly dying from an incurable illness. The narration, befitting an old scholar, focuses more on the emotional resonances and philosophical ramifications of the little details of day-to-day life as it sweeps over decades gone.
** "The Long Good-Bye" is a cyberpunk-noir detective story, down to opening with the detective describing in the first person what a normal day it was as they were sitting in their office drinking whisky when a handsome stranger walked in with an unusual request.
** "Remembering Siri" is a love story between a poor kid from the big, wide galaxy and naive noble girl from a beautiful, backwards planet. It's the most narratively complex of the tales, being told in a non-chronological fashion, shifting back and forth between time periods and narrators and ultimately revealing that the teller wasn't even whom the reader assumed they were - [[spoiler: befitting a story told by a triple agent.]]
** "The Man who Cried God" is written as a diary and is an exploratory mystery in the style of 19th century adventure books, complete with a remote jungle tribe whose exotic customs the protagonist tries to figure out, and a horror twist in the end.
** "The War Lovers" is a military sci-fi story, complete with detailed descriptions of brilliant combat tactics, cool futuristic weapon technology and exploding spaceships, told in flashback format in the no-nonsense, dispassionate tone that can be expected from a veteran soldier.
** "Hyperion Cantos" is a meta-rich tragicomedy about the pains of a poet struggling to produce meaningful art in a cynical future, written in a humorous, anecdotal, rambling singsong as can be expected from an experienced storyteller.
** "The River Lethe's Taste is Bitter" is a slow-paced, sombre family tragedy about a man's attempt to reconnect with God as he's forced to watch his beloved daughter slowly dying from an incurable illness. The narration, befitting an old scholar, focuses more on the emotional resonances and philosophical ramifications of the little details of day-to-day life as it sweeps over decades gone.
** "The Long Good-Bye" is a cyberpunk-noir detective story, down to opening with the detective describing in the first person what a normal day it was as they were sitting in their office drinking whisky when a handsome stranger walked in with an unusual request.
** "Remembering Siri" is a love story between a poor kid from the big, wide galaxy and naive noble girl from a beautiful, backwards planet. It's the most narratively complex of the tales, being told in a non-chronological fashion, shifting back and forth between time periods and narrators and ultimately revealing that the teller wasn't even whom the reader assumed they were - [[spoiler: befitting a story told by a triple agent.]]
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* HollywoodTactics: An intentional example. Hegemony ground wars before the Ouster invasion were fought with organized battles on open fields as it was considered more honorable and less harmful to civilians. While they wise up pretty quickly, their ground forces are initially devastated by the much more competent Ouster troops.
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* HollywoodTactics: An intentional example. Hegemony ground wars before the Ouster invasion were fought with organized battles on open fields as it was considered more honorable and less harmful to civilians. While they wise up pretty quickly, their ground forces are initially devastated by the much more competent Ouster troops. It's explained during Kassad's tale that the public opinion of the military was so bad only the word could lead to riots and lynching which lead to those tactics being installed under the new Bushido. Even Kassad taking out a terrorist without any hostages killed or his counter-attack on Bressia are viewed in-universe as controversial solely because of how brutal he was.
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* PsychicGLimpseOfDeath: The climax of ''The Rise of Endymion'' is Aenea broadcasting her torture and death to the whole of humanity (well, except for the tormentors themselves).
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* PsychicGLimpseOfDeath: PsychicGlimpseOfDeath: The climax of ''The Rise of Endymion'' is Aenea broadcasting her torture and death to the whole of humanity (well, except for the tormentors themselves).
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** The ''Consul's Tale'' is a sci-fi ''RomeoAndJuliet''.
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** The ''Consul's Tale'' is a sci-fi ''RomeoAndJuliet''.''Theatre/RomeoAndJuliet''.
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* AgriWorld: Renaissance Minor is an agricultural world that provides food to the CityPlanet Renaissance Vector.
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* TheAlternet: The dataspheres and the megasphere are successors to the internet. One character even comments that "the Internet" was the name of the first crude datasphere on Old Earth.
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* TheAlternet: The dataspheres and the megasphere are successors to the internet.Internet. One character even comments that "the Internet" was the name of the first crude datasphere on Old Earth.
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* AIIsACrapdhoot: The [=TechnoCore=] is composed of artifical intelligences who seceded from human control several centuries ago and peacefully coexist with humanity. This looks like a subversion until we learn the inner politics of the core, with the [=AIs=] falling into three political factions. Of the three, one wants to continue peaceful coexistence with humanity, one wants to wipe humanity out, and the third wants to keep humanity around--at least until it finishes its goal of creating the ultimate intelligence, of which humanity ''could'' be a useful component. This stalemate of "spare," "kill," and "don't kill right now," is what leads to the Core's nominally symbiotic relationship with the Hegemony. This trope is played ''much'' straighter in ''The Fall of Hyperion.''
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* AIIsACrapdhoot: AIIsACrapshoot: The [=TechnoCore=] is composed of artifical intelligences who seceded from human control several centuries ago and peacefully coexist with humanity. This looks like a subversion until we learn the inner politics of the core, with the [=AIs=] falling into three political factions. Of the three, one wants to continue peaceful coexistence with humanity, one wants to wipe humanity out, and the third wants to keep humanity around--at least until it finishes its goal of creating the ultimate intelligence, of which humanity ''could'' be a useful component. This stalemate of "spare," "kill," and "don't kill right now," is what leads to the Core's nominally symbiotic relationship with the Hegemony. This trope is played ''much'' straighter in ''The Fall of Hyperion.''
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Eight hundred years into the future, humanity has fled the Earth's accidental destruction at the hands of an [[FreakLabAccident artificial black hole]] and has established the [=WorldWeb=], a society of many planets connected through the [[PortalNetwork Farcaster network]]. With the help of its allies in the [=TechnoCore=] (a group of AIs), mankind lives in peace... until the mysterious "Ousters", a splinter race of humanity adapted to living in deep space, attacks.
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Eight hundred years into the future, humanity has fled the Earth's accidental destruction at the hands of an [[FreakLabAccident artificial black hole]] and has established the [=WorldWeb=], a society of many planets connected through the [[PortalNetwork Farcaster network]]. With the help of its allies in the [=TechnoCore=] (a group of AIs), mankind lives in peace... until the mysterious "Ousters", a splinter race of humanity adapted to living in deep space, attacks.attack.
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* AIIsACrapShoot: The [=TechnoCore=] is composed of artifical intelligences who seceded from human control several centuries ago and peacefully coexist with humanity. This looks like a subversion until we learn the inner politics of the core, with the [=AIs=] falling into three political factions. Of the three, one wants to continue peaceful coexistence with humanity, one wants to wipe humanity out, and the third wants to keep humanity around--at least until it finishes its goal of creating the ultimate intelligence, of which humanity ''could'' be a useful component. This stalemate of "spare," "kill," and "don't kill right now," is what leads to the Core's nominally symbiotic relationship with the Hegemony.
** This trope is played ''much'' straighter in ''The Fall of Hyperion.''
* ArtificialHuman: "Androids" in the series are nearly identical to regular humans, and "cybrids" are androids that act as biological terminals for the [=TechnoCore=].
** This trope is played ''much'' straighter in ''The Fall of Hyperion.''
* ArtificialHuman: "Androids" in the series are nearly identical to regular humans, and "cybrids" are androids that act as biological terminals for the [=TechnoCore=].
to:
* AIIsACrapShoot: AIIsACrapdhoot: The [=TechnoCore=] is composed of artifical intelligences who seceded from human control several centuries ago and peacefully coexist with humanity. This looks like a subversion until we learn the inner politics of the core, with the [=AIs=] falling into three political factions. Of the three, one wants to continue peaceful coexistence with humanity, one wants to wipe humanity out, and the third wants to keep humanity around--at least until it finishes its goal of creating the ultimate intelligence, of which humanity ''could'' be a useful component. This stalemate of "spare," "kill," and "don't kill right now," is what leads to the Core's nominally symbiotic relationship with the Hegemony.
**Hegemony. This trope is played ''much'' straighter in ''The Fall of Hyperion.''
* ArtificialHuman:"Androids" Androids in the series are nearly identical to regular humans, and "cybrids" are androids that act as biological terminals for the [=TechnoCore=].
**
* ArtificialHuman:
Changed line(s) 34 (click to see context) from:
** The cruciform in ''Hyperion'' and ''The Fall of Hyperion'' is a cross-shaped parasite that grants its hosts a powerful HealingFactor - but slowly transforms them, physically and mentally, into neutered caricatures of humanity.
to:
** The cruciform in ''Hyperion'' and ''The Fall of Hyperion'' is a cross-shaped parasite that grants its hosts a powerful HealingFactor - -- but slowly transforms them, physically and mentally, into neutered caricatures of humanity.
* CasualTimeTravel: [[spoiler: In the future, it seems to be employed quite literally by the Core and humanity.]]
Changed line(s) 40 (click to see context) from:
* ChekhovsGun: Both played straight and subverted in Endymion, where it is established early on that [[spoiler:resurrection (which normally takes three days) can be rushed to completion in six hours at the risk of some major BodyHorror.]] Separately subverted with a literal "Chekhov's gun" - huge plasma rifle which the narrator mentions and plays up for quite some time - but never is used for to significant effect.
to:
* ChekhovsGun: Both played straight and subverted in Endymion, where it is established early on that [[spoiler:resurrection (which normally takes three days) can be rushed to completion in six hours at the risk of some major BodyHorror.]] Separately subverted with a literal "Chekhov's gun" - -- huge plasma rifle which the narrator mentions and plays up for quite some time - but never is used for to significant effect.
Changed line(s) 59,60 (click to see context) from:
* DeusEstMachina: The goal of the Ultimates faction of the [=TechnoCore=] is to create the ultimate intelligence. This is compared many times to the creation of God.
** Additonally,[[spoiler: Father Dure]] gives a brief monologue about the various Deus and Machinas those in the setting are pursuing midway through ''The Fall of Hyperion."
** Additonally,[[spoiler: Father Dure]] gives a brief monologue about the various Deus and Machinas those in the setting are pursuing midway through ''The Fall of Hyperion."
to:
* DeusEstMachina: The goal of the Ultimates faction of the [=TechnoCore=] is to create the ultimate intelligence. This is compared many times to the creation of God. \n** Additonally,[[spoiler: Father Dure]] gives a brief monologue about the various Deus and Machinas those in the setting are pursuing midway through ''The Fall of Hyperion."Hyperion''.
Changed line(s) 68 (click to see context) from:
* EnsembleCast: The first book features seven main characters, [[spoiler: six]] taking the time to tell their own tale.
to:
* EnsembleCast: EnsembleCast:
** The first book features seven main characters, [[spoiler: six]] taking the time to tell their own tale.
** The first book features seven main characters, [[spoiler: six]] taking the time to tell their own tale.
Changed line(s) 73,74 (click to see context) from:
* FateWorseThanDeath: The condition the Ousters keep their prisoners of war in. The Tree of Pain is also this. Or the traitors who are "thoroughly interrogated" and "detained" by the Hegemony.
** Father Dure regards the fate of those infected by the Cruciform parasite the same way.
** Father Dure regards the fate of those infected by the Cruciform parasite the same way.
to:
%%** The condition the Ousters keep their prisoners of war
%%** The Tree of Pain is also
%%** The traitors who are "thoroughly interrogated" and "detained" by the Hegemony.
* FutureBadass: [[spoiler: Rachel becomes Moneta, who is quite capable of taking down Kassad.]]
Changed line(s) 89,90 (click to see context) from:
** "The Priest's Tale" bears a a striking resemblance to Creator/JamesBlish's ''A Case of Conscience''
** "The Detective's Tale" is cyberpunk (complete with a Creator/WilliamGibson NameDrop)
** "The Detective's Tale" is cyberpunk (complete with a Creator/WilliamGibson NameDrop)
to:
** "The Priest's Tale" bears a a striking resemblance to Creator/JamesBlish's ''A Case of Conscience''
Conscience''.
** "The Detective's Tale" is cyberpunk (complete with a Creator/WilliamGibsonNameDrop)NameDrop).
** "The Detective's Tale" is cyberpunk (complete with a Creator/WilliamGibson
Changed line(s) 116,117 (click to see context) from:
* MoreTeethThanTheOsmondFamily: The Shrike.
* MultiArmedAndDangerous: The Shrike.
* MultiArmedAndDangerous: The Shrike.
to:
* MerlinSickness: The TropeNamer. A "disease" in ''Hyperion'' that Rachel Weintraub contracts after contact with the Time Tombs causes her to age backwards (as well as progressively lose her memory).
%%* MoreTeethThanTheOsmondFamily: The Shrike.
* %%* MultiArmedAndDangerous: The Shrike.
%%* MoreTeethThanTheOsmondFamily: The Shrike.
Changed line(s) 119 (click to see context) from:
* NayTheist: Sol
to:
Changed line(s) 148,149 (click to see context) from:
** ''You use Nazis as your instruments. Madmen. Monsters. You're a goddamn monster yourself.''
** ''Listen! There will be no more offerings, neither child nor parent. There will be no more sacrifices for anyone but our fellow human. The time of obedience and atonement has passed. That's all! Now either leave us alone or join us as a father, rather than a receiver of sacrifices. You have the choice of Abraham!''
** ''Listen! There will be no more offerings, neither child nor parent. There will be no more sacrifices for anyone but our fellow human. The time of obedience and atonement has passed. That's all! Now either leave us alone or join us as a father, rather than a receiver of sacrifices. You have the choice of Abraham!''
to:
**
''Listen! There will be no more offerings, neither child nor parent. There will be no more sacrifices for anyone but our fellow human. The time of obedience and atonement has passed. That's all! Now either leave us alone or join us as a father, rather than a receiver of sacrifices. You have the choice of Abraham!''
Changed line(s) 177,180 (click to see context) from:
* Main/SpaceCossacks: The Ousters.
* Main/SpaceIsNoisy: Colonel Fedmahn Kassad spends an extended scene fighting Ousters in the vacuum of a derelict ship using a sonic gun.
* Main/SpaceMarine: The Swiss Guard in the second two books are pretty much this. For bonus points, they are foot soldiers of an evil Catholic empire, fighting alien heresy with PoweredArmor and Latin. Yeah, they're ''[[TabletopGame/{{Warhammer 40000}} those]]'' kind of Space Marines.
* Main/SpacePeople: Again, the Ousters.
* Main/SpaceIsNoisy: Colonel Fedmahn Kassad spends an extended scene fighting Ousters in the vacuum of a derelict ship using a sonic gun.
* Main/SpaceMarine: The Swiss Guard in the second two books are pretty much this. For bonus points, they are foot soldiers of an evil Catholic empire, fighting alien heresy with PoweredArmor and Latin. Yeah, they're ''[[TabletopGame/{{Warhammer 40000}} those]]'' kind of Space Marines.
* Main/SpacePeople: Again, the Ousters.
to:
*
*
* StableTimeLoop:
** [[spoiler: The entirety of the plot of the series seems to suggest one.]]
** A more benign example is that [[spoiler: Rachel Weintraub]] gives her name to Kassad as "Moneta", as she moves through time backwards (meaning each of them knows the other best when the other has just met them). When he meets her furthest into her past and his future, he calls her "Moneta", and she adopts the name.
** [[spoiler: The entirety of the plot of the series seems to suggest one.]]
** A more benign example is that [[spoiler: Rachel Weintraub]] gives her name to Kassad as "Moneta", as she moves through time backwards (meaning each of them knows the other best when the other has just met them). When he meets her furthest into her past and his future, he calls her "Moneta", and she adopts the name.
* TerminatorTwosome: [[spoiler: The Core sends the Shrike into the past to kill humanity's Ultimate Intelligence, and Moneta/Rachel follows it to help set the plot into motion.]]
* TimeStandsStill: The Shrike, thanks to its ability to manipulate time.
Changed line(s) 186,192 (click to see context) from:
** CasualTimeTravel: [[spoiler: In the future, it seems to be employed quite literally by the Core and humanity.]]
** FutureBadass: [[spoiler: Rachel becomes Moneta, who is quite capable of taking down Kassad.]]
** MerlinSickness: The TropeNamer. A "disease" in ''Hyperion'' that Rachel Weintraub contracts after contact with the Time Tombs causing her to age backwards (as well as progressively lose her memory).
** StableTimeLoop: [[spoiler: The entirety of the plot of the series seems to suggest one, but see below.]] A more benign example is that [[spoiler: Rachel Weintraub]] gives her name to Kassad as "Moneta," as she moves through time backwards (meaning each of them knows the other best when the other has just met them). When he meets her furthest into her past and his future, he calls her "Moneta," and she adopts the name.
** TerminatorTwosome: [[spoiler: The Core sends the Shrike into the past to kill humanity's Ultimate Intelligence, and Moneta/Rachel follows it to help set the plot into motion.]]
** TimeStandsStill: The Shrike, thanks to its ability to manipulate time.
** TimeTravelRomance: Kassad and Moneta
** FutureBadass: [[spoiler: Rachel becomes Moneta, who is quite capable of taking down Kassad.]]
** MerlinSickness: The TropeNamer. A "disease" in ''Hyperion'' that Rachel Weintraub contracts after contact with the Time Tombs causing her to age backwards (as well as progressively lose her memory).
** StableTimeLoop: [[spoiler: The entirety of the plot of the series seems to suggest one, but see below.]] A more benign example is that [[spoiler: Rachel Weintraub]] gives her name to Kassad as "Moneta," as she moves through time backwards (meaning each of them knows the other best when the other has just met them). When he meets her furthest into her past and his future, he calls her "Moneta," and she adopts the name.
** TerminatorTwosome: [[spoiler: The Core sends the Shrike into the past to kill humanity's Ultimate Intelligence, and Moneta/Rachel follows it to help set the plot into motion.]]
** TimeStandsStill: The Shrike, thanks to its ability to manipulate time.
** TimeTravelRomance: Kassad and Moneta
to:
** FutureBadass: [[spoiler: Rachel becomes Moneta, who is quite capable of taking down Kassad.]]
** MerlinSickness: The TropeNamer. A "disease" in ''Hyperion'' that Rachel Weintraub contracts after contact with the Time Tombs causing her to age backwards (as well as progressively lose her memory).
** StableTimeLoop: [[spoiler: The entirety of the plot of the series seems to suggest one, but see below.]] A more benign example is that [[spoiler: Rachel Weintraub]] gives her name to Kassad as "Moneta," as she moves through time backwards (meaning each of them knows the other best when the other has just met them). When he meets her furthest into her past and his future, he calls her "Moneta," and she adopts the name.
** TerminatorTwosome: [[spoiler: The Core sends the Shrike into the past to kill humanity's Ultimate Intelligence, and Moneta/Rachel follows it to help set the plot into motion.]]
** TimeStandsStill: The Shrike, thanks to its ability to manipulate time.
**