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Two such denizens of this rough and tumble lunar society are the notorious millionaire J. J. "100%" Hubbard (Warren Mitchell) and former-astronaut-turned-satellite-salvage-man Bill Kemp (James Olson). The first man to set foot on Mars, Kemp has now left the Space Corporation because it has abandoned exploration entirely in favour of running commercial passenger flights to Mars and Venus. When Hubbard hears of a small 6000-tonne asteroid made of pure sapphire that is orbiting close to the moon, he hires Kemp to capture it using Kemp's old "Moon 02" space ferry and bring it down on the lunar farside; although it would be against the law, nobody except Hubbard (and Kemp) would know that the asteroid was diverted. Kemp has little choice about agreeing, since he has learned that his flight license soon will be revoked due to protests from the Corporation. As extra incentive, Hubbard also claims that he plans to use the sapphire as a rocket engine thermal insulator -- meaning he would build more powerful rockets capable of finally colonizing Mercury, and even the moons of Jupiter, for commercial gain.

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Two such denizens of this rough and tumble lunar society are the notorious millionaire J. J. "100%" Hubbard (Warren Mitchell) (Creator/WarrenMitchell) and former-astronaut-turned-satellite-salvage-man Bill Kemp (James Olson). The first man to set foot on Mars, Kemp has now left the Space Corporation because it has abandoned exploration entirely in favour of running commercial passenger flights to Mars and Venus. When Hubbard hears of a small 6000-tonne asteroid made of pure sapphire that is orbiting close to the moon, he hires Kemp to capture it using Kemp's old "Moon 02" space ferry and bring it down on the lunar farside; although it would be against the law, nobody except Hubbard (and Kemp) would know that the asteroid was diverted. Kemp has little choice about agreeing, since he has learned that his flight license soon will be revoked due to protests from the Corporation. As extra incentive, Hubbard also claims that he plans to use the sapphire as a rocket engine thermal insulator -- meaning he would build more powerful rockets capable of finally colonizing Mercury, and even the moons of Jupiter, for commercial gain.
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Of course, if the heat radiating system is blown, the interior of a spacecraft can become dangerously hot, as depicted in the movie and as demonstrated aboard the real-world Skylab only four years later.

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Of **Of course, if the heat radiating system is blown, the interior of a spacecraft can become dangerously hot, as depicted in the movie and as demonstrated aboard the real-world Skylab only four years later.
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Added mention of Skylab to section about problems with heat dissipation aboard spacecraft.

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Of course, if the heat radiating system is blown, the interior of a spacecraft can become dangerously hot, as depicted in the movie and as demonstrated aboard the real-world Skylab only four years later.
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* SciFiBobHaircut: The wigmaker from ''Series/{{UFO}}'' has clearly been selling to some of the women in this movie, including Clementine. (Compare her appearance during the BarBrawl and on board ''Moon Zero Two'' in the next scene.)

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* SciFiBobHaircut: The wigmaker from ''Series/{{UFO}}'' ''Series/UFO1970'' has clearly been selling to some of the women in this movie, including Clementine. (Compare her appearance during the BarBrawl and on board ''Moon Zero Two'' in the next scene.)



* SpiritualSuccessor: The television series ''Series/{{UFO}}'' and ''Series/{{Space 1999}}'' have many stylistic similarities. (Indeed,this and ''Series/{{Space 1999}}'' have a cast member in common (Catherine Schell, still billed as Catherina von Schell).

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* SpiritualSuccessor: The television series ''Series/{{UFO}}'' ''Series/UFO1970'' and ''Series/{{Space 1999}}'' ''Series/Space1999'' have many stylistic similarities. (Indeed,this (Indeed, this and ''Series/{{Space 1999}}'' ''Series/Space1999'' have a cast member in common (Catherine Schell, still billed as Catherina von Schell).



* {{Zeerust}}: The film is a very 1960's vision of the future.

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* {{Zeerust}}: The film is a very 1960's 1960s vision of the future.
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* PocketRocketLauncher: Hubbard uses a gyrojet revolver, in keeping with its SpaceWestern theme. Since cowboy heroes use revolvers and the film follows Mundane Dogmatic rules, they couldn't very well give him a laser gun.
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* MohsScaleOfScienceFictionHardness: Underneath the silly '60s camp, ''Moon Zero Two'' is plenty hard.
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* ClaimingViaFlag: PlayedForLaughs and exposition in the AnimatedCreditsOpening, depicting an American astronaut and Soviet cosmonaut landing on the moon at almost the same time and battling over whose flag stays up. While they fight, a multinational fleet of ships [[SpaceIsAnOcean sails]] to the moon; the pair are shocked to notice a United Nations flag surrounded by dozens of other flags standing, and declare a truce to explore the new moon city in the background.
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Meanwhile a young woman named Clementine (Creator/CatherineSchell) arrives looking for her brother, a miner working a distant patch of moonscape at Spectacle Crater on farside. Unfortunately, the trip from Moon City on the nearside would take six days by lunar buggy. Since Kemp could fly there in twenty minutes in Moon 02, she persuades him to help her learn whether her brother is still alive. In doing so, Kemp learns more than he would like about of Hubbard's schemes and methods.

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Meanwhile a young woman named Clementine (Creator/CatherineSchell) arrives looking for her brother, a miner working a distant patch of moonscape at Spectacle Crater on the lunar farside. Unfortunately, the trip from Moon City on the nearside would take six days by lunar buggy. Since Kemp could fly there in twenty minutes in Moon 02, she persuades him to help her learn whether her brother is still alive. In doing so, Kemp learns more than he would like about of Hubbard's schemes and methods.



* INeverSaidItWasPoison: How Kemp fingers the man who arranged [[spoiler: Tapman's]] death. Realizing the man died from a poisoned oxygen tank, he holds it up to the face of the corrupt bureaucrat who sold it to him and asks him what he smells. The panicked man says, "Cyanide!"...at which point Kemp reveals that the tank he was holding ''then'' is empty.

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* INeverSaidItWasPoison: How Kemp fingers the man who arranged [[spoiler: Tapman's]] Wally Taplin's]] death. Realizing the man died from a poisoned oxygen tank, he holds it up to the face of the corrupt bureaucrat who sold it to him and asks him what he smells. The panicked man says, "Cyanide!"...at which point Kemp reveals that the tank he was holding ''then'' is empty.

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* ArtisticLicenseSpace: Despite a fair attempt at realism, there are examples. Most notably while in the malfunctioning moon bug, the temperature suddenly becomes excessively hot, forcing Kemp and Clem to strip down to their space skivvies because the heating and cooling systems are no longer functioning. However, waste heat elimination is one of the biggest problems faced by spacecraft designers because vacuum is an extremely poor conductor for radiating heat away. As a result, spacecraft are designed to be as efficient as possible at doing away with excess heat. The end result is that without some sort of heating system to warm the cabin, a spacecraft's interior will get extremely cold ''extremely'' quickly, regardless of whether it's being exposed to direct sunlight.[[note]]See, for example, the Apollo 13 accident; shutting down non-essential systems such as life support led to interior becoming very cold in short order.[[/note]] If Kemp and Clem's buggy had lost its environmental systems, it actually would have gotten dangerously ''cold'', ''not'' excessively hot, because of the craft's own engineering to expel waste heat.



* SpaceDoesNotWorkThatWay: Despite a fair attempt at realism, there are examples. Most notably while in the malfunctioning moon bug, the temperature suddenly becomes excessively hot, forcing Kemp and Clem to strip down to their space skivvies because the heating and cooling systems are no longer functioning. However, waste heat elimination is one of the biggest problems faced by spacecraft designers because vacuum is an extremely poor conductor for radiating heat away. As a result, spacecraft are designed to be as efficient as possible at doing away with excess heat. The end result is that without some sort of heating system to warm the cabin, a spacecraft's interior will get extremely cold ''extremely'' quickly, regardless of whether it's being exposed to direct sunlight.[[note]]See, for example, the Apollo 13 accident; shutting down non-essential systems such as life support led to interior becoming very cold in short order.[[/note]] If Kemp and Clem's buggy had lost its environmental systems, it actually would have gotten dangerously ''cold'', ''not'' excessively hot, because of the craft's own engineering to expel waste heat.
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* MrFanservice: Bill Kemp is [[WalkingShirtlessScene shirtless]] in the malfunctioning buggy and is seen almost completely naked while showering.

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* ForeheadOfDoom: Bill Kemp has a very prominent forehead.



* TheStoic: Bill Kemp the hero greets everything with DullSurprise.

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* TheStoic: Bill Kemp the hero greets everything with DullSurprise. He seems to be going for an Creator/AdamWest-style delivery.
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Meanwhile a young woman named Clementine (Catherine Schell) arrives looking for her brother, a miner working a distant patch of moonscape at Spectacle Crater on farside. Unfortunately, the trip from Moon City on the nearside would take six days by lunar buggy. Since Kemp could fly there in twenty minutes in Moon 02, she persuades him to help her learn whether her brother is still alive. In doing so, Kemp learns more than he would like about of Hubbard's schemes and methods.

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Meanwhile a young woman named Clementine (Catherine Schell) (Creator/CatherineSchell) arrives looking for her brother, a miner working a distant patch of moonscape at Spectacle Crater on farside. Unfortunately, the trip from Moon City on the nearside would take six days by lunar buggy. Since Kemp could fly there in twenty minutes in Moon 02, she persuades him to help her learn whether her brother is still alive. In doing so, Kemp learns more than he would like about of Hubbard's schemes and methods.

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No indenting tropes in this manner.


* {{Fanservice}}: In and out of universe, the dancing women dressed as Aliens, Cowgirls, and Native Americans.
** As well as getting a good look at Kemp in the shower...

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* {{Fanservice}}: In and out of universe, the dancing women dressed as Aliens, Cowgirls, and Native Americans.
**
Americans. As well as getting a good look at Kemp in the shower...shower, and Clem in her space skivvies during the moon buggy scene.



* InSpaceEveryoneCanSeeYourFace: No silly faceplate lights, but no shielding against solar radiation either.



* SpaceDoesNotWorkThatWay: Despite a fair attempt at realism, there are examples:
** InSpaceEveryoneCanSeeYourFace: No silly faceplate lights, but no shielding against solar radiation either.
** SpaceIsNoisy: Mostly averted, but during the gunfight on Farside, gunshots are clearly audible in a vacuum.
** SpaceIsSlowMotion: Abused horribly when Kemp turns off the artificial gravity at the saloon during a BarBrawl.
* SpaceWestern: The film labelled itself as one, lampshades it, and the plot is a SciFi version of a claim-jumping story. On the other hand, it more closely resembles the aviation-action thrillers fashionable at the time it was made, and the original story was co-written by [[http://en.wikipedia.org/wiki/Gavin_Lyall Gavin Lyall]], a notable author in that genre.

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* SpaceDoesNotWorkThatWay: Despite a fair attempt at realism, there are examples:
** InSpaceEveryoneCanSeeYourFace: No silly faceplate lights, but no shielding against solar radiation either.
** SpaceIsNoisy: Mostly averted, but during
examples. Most notably while in the gunfight on Farside, gunshots are clearly audible in a vacuum.
** SpaceIsSlowMotion: Abused horribly when
malfunctioning moon bug, the temperature suddenly becomes excessively hot, forcing Kemp turns off and Clem to strip down to their space skivvies because the artificial gravity at heating and cooling systems are no longer functioning. However, waste heat elimination is one of the saloon during biggest problems faced by spacecraft designers because vacuum is an extremely poor conductor for radiating heat away. As a BarBrawl.
* SpaceWestern:
result, spacecraft are designed to be as efficient as possible at doing away with excess heat. The film labelled itself as one, lampshades it, and the plot end result is a SciFi version of a claim-jumping story. On the other hand, it more closely resembles the aviation-action thrillers fashionable at the time it was made, and the original story was co-written by [[http://en.wikipedia.org/wiki/Gavin_Lyall Gavin Lyall]], a notable author in that genre.without some sort of heating system to warm the cabin, a spacecraft's interior will get extremely cold ''extremely'' quickly, regardless of whether it's being exposed to direct sunlight.[[note]]See, for example, the Apollo 13 accident; shutting down non-essential systems such as life support led to interior becoming very cold in short order.[[/note]] If Kemp and Clem's buggy had lost its environmental systems, it actually would have gotten dangerously ''cold'', ''not'' excessively hot, because of the craft's own engineering to expel waste heat.


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* SpaceIsNoisy: Mostly averted, but during the gunfight on Farside, gunshots are clearly audible in a vacuum.
* SpaceIsSlowMotion: Abused horribly when Kemp turns off the artificial gravity at the saloon during a BarBrawl.
* SpaceWestern: The film labelled itself as one, lampshades it, and the plot is a SciFi version of a claim-jumping story. On the other hand, it more closely resembles the aviation-action thrillers fashionable at the time it was made, and the original story was co-written by [[http://en.wikipedia.org/wiki/Gavin_Lyall Gavin Lyall]], a notable author in that genre.
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* LetMeGetThisStraight: "You had that louse kill my brother just so you could land an asteroid?"
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* DisposableWoman: Liz, the hero's [[VasquezAlwaysDies police officer]] SympatheticInspectorAntagonist slash [[UnresolvedSexualTension ambiguous love interest]] is bumped off just before the final act, just in time to make room for Clem to take over as the ReplacementLoveInterest. (Liz had been following the trail of Hubbard's plot on her own, but since she doesn't have the chance to notify other authorities, her subplot [[ShootTheShaggyDog boils down to this trope]].)

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* DisposableWoman: Liz, the hero's [[VasquezAlwaysDies police officer]] SympatheticInspectorAntagonist slash [[UnresolvedSexualTension ambiguous love interest]] is bumped off just before the final act, just in time to make room for Clem to take over as the ReplacementLoveInterest.ReplacementGoldfish. (Liz had been following the trail of Hubbard's plot on her own, but since she doesn't have the chance to notify other authorities, her subplot [[ShootTheShaggyDog boils down to this trope]].)
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* SpiritualSuccessor: The television series ''Series/{{UFO}}'' and ''Series/{{Space 1999}}'' have many stylistic similarities. (indeed This and ''Series/{{Space 1999}}'' have a cast member in common (Catherine Schell).

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* SpiritualSuccessor: The television series ''Series/{{UFO}}'' and ''Series/{{Space 1999}}'' have many stylistic similarities. (indeed This (Indeed,this and ''Series/{{Space 1999}}'' have a cast member in common (Catherine Schell, still billed as Catherina von Schell).



* UsedFuture: The eponymous spaceship Moon Zero Two is very used.

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* UsedFuture: The eponymous spaceship Moon ''Moon Zero Two Two'' is very used.

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* SpiritualSuccessor: The television series ''Series/{{UFO}}'' and ''Series/{{Space 1999}}'' have many stylistic similarities.

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*SoundtrackDissonance: As Joel and the Bots pointed out, the freeform jazz score by Don Ellis ''really'' doesn't fit.
* SpiritualSuccessor: The television series ''Series/{{UFO}}'' and ''Series/{{Space 1999}}'' have many stylistic similarities. (indeed This and ''Series/{{Space 1999}}'' have a cast member in common (Catherine Schell).
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Chekovs Gun cleanup


* ChekovsGun: Kemp and Clem use a wire connection between their suits to communicate during the shootout at her brother's claim, so Hubbard's goons can't hear them over the radio. In the climax, Clem uses the same system to coordinate taking out another of Hubbard's thugs with Korminski so they can regain control of ''Moon Zero Two'' and rescue Klem.

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* ChekovsGun: ChekhovsGun: Kemp and Clem use a wire connection between their suits to communicate during the shootout at her brother's claim, so Hubbard's goons can't hear them over the radio. In the climax, Clem uses the same system to coordinate taking out another of Hubbard's thugs with Korminski so they can regain control of ''Moon Zero Two'' and rescue Klem.
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This is REALLY thin, as they specifically chose his claim to land it on BECAUSE it was about to expire. If it wasn't, they'd have just chosen another claim that was close enough (the fact they could get it to land specifically on his claim means they could have directed it to any point on the far side). And considering they likely killed him as much as four months before the film began I'm sure they wouldn't have even let that stop them.


* ContrivedCoincidence: The astroid will reach optimum position in space to be redirected to the moon, just a couple of days before [[spoiler:Tapman's claim is set to expire]].

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* ContrivedCoincidence: The astroid will reach optimum position in space ChekovsGun: Kemp and Clem use a wire connection between their suits to be redirected to communicate during the moon, just a couple shootout at her brother's claim, so Hubbard's goons can't hear them over the radio. In the climax, Clem uses the same system to coordinate taking out another of days before [[spoiler:Tapman's claim is set to expire]].Hubbard's thugs with Korminski so they can regain control of ''Moon Zero Two'' and rescue Klem.
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* ContrivedCoincidence: The astroid will reach optimum position in space to be redirected to the moon, just a couple of days before [[spoiler:Tapman's claim is set to expire]].
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* AsteroidMiners: Averted, and discussed. When Hubbard tells Kemp about the sapphire asteroid, Kemp explains how mining asteroids in space has never been practical like he'd given the speech before. Hubbard then immediately explains how his plan was to crash the asteroid instead.

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* AsteroidMiners: Averted, and discussed. When Hubbard tells Kemp about the sapphire asteroid, Kemp explains how mining asteroids in space has never been practical like (in a way implying he'd given the speech before.before). Hubbard then immediately explains how his plan was to crash the asteroid instead.



* DisposableWoman: Liz, the hero's [[VasquezAlwaysDies police officer]] SympatheticInspectorAntagonist slash [[FoeYay ambiguous love interest]] is bumped off just before the final act, just in time to make room for Clem to take over as the ReplacementLoveInterest. (Liz had been following the trail of Hubbard's plot on her own, but since she doesn't have the chance to notify other authorities, her subplot [[ShootTheShaggyDog boils down to this trope]].)

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* DisposableWoman: Liz, the hero's [[VasquezAlwaysDies police officer]] SympatheticInspectorAntagonist slash [[FoeYay [[UnresolvedSexualTension ambiguous love interest]] is bumped off just before the final act, just in time to make room for Clem to take over as the ReplacementLoveInterest. (Liz had been following the trail of Hubbard's plot on her own, but since she doesn't have the chance to notify other authorities, her subplot [[ShootTheShaggyDog boils down to this trope]].)

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* AsteroidMiners: Averted, and discussed. When Hubbard tells Kemp about the sapphire asteroid, Kemp explains how mining asteroids in space has never been practical like he'd given the speech before. Hubbard then immediately explains how his plan was to crash the asteroid instead.



* DisposableWoman: The hero's police-officer girlfriend is bumped off to make room for the ReplacementLoveInterest.

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* DisposableWoman: The Liz, the hero's police-officer girlfriend [[VasquezAlwaysDies police officer]] SympatheticInspectorAntagonist slash [[FoeYay ambiguous love interest]] is bumped off just before the final act, just in time to make room for Clem to take over as the ReplacementLoveInterest.ReplacementLoveInterest. (Liz had been following the trail of Hubbard's plot on her own, but since she doesn't have the chance to notify other authorities, her subplot [[ShootTheShaggyDog boils down to this trope]].)


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* SciFiBobHaircut: The wigmaker from ''Series/{{UFO}}'' has clearly been selling to some of the women in this movie, including Clementine. (Compare her appearance during the BarBrawl and on board ''Moon Zero Two'' in the next scene.)
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''Moon Zero Two'' is a science fiction film produced by Hammer Films and released in 1969 (some three months after the moon landing, in fact). It was billed as a "space western" and made shortly after the release of Creator/StanleyKubrick's ''[[Film/TwoThousandOneASpaceOdyssey 2001: A Space Odyssey]]''. The film did very poorly at the box-office, but became a minor cult classic in following decades.

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''Moon Zero Two'' is a British science fiction film directed by Roy Ward Baker, produced by Hammer Films and released in 1969 (some three months after the moon landing, in fact). It was billed as a "space western" {{Western}}" and made shortly after the release of Creator/StanleyKubrick's ''[[Film/TwoThousandOneASpaceOdyssey 2001: A Space Odyssey]]''. The film did very poorly at the box-office, but became a minor cult classic in following decades.



Two such denizens of this rough and tumble lunar society are the notorious millionaire J. J. "100%" Hubbard and former-astronaut-turned-satellite-salvage-man Bill Kemp. The first man to set foot on Mars, Kemp has now left the Space Corporation because it has abandoned exploration entirely in favour of running commercial passenger flights to Mars and Venus. When Hubbard hears of a small 6000-tonne asteroid made of pure sapphire that is orbiting close to the moon, he hires Kemp to capture it using Kemp's old "Moon 02" space ferry and bring it down on the lunar farside; although it would be against the law, nobody except Hubbard (and Kemp) would know that the asteroid was diverted. Kemp has little choice about agreeing, since he has learned that his flight license soon will be revoked due to protests from the Corporation. As extra incentive, Hubbard also claims that he plans to use the sapphire as a rocket engine thermal insulator -- meaning he would build more powerful rockets capable of finally colonizing Mercury, and even the moons of Jupiter, for commercial gain.

Meanwhile a young woman arrives looking for her brother, a miner working a distant patch of moonscape at Spectacle Crater on farside. Unfortunately, the trip from Moon City on the nearside would take six days by lunar buggy. Since Kemp could fly there in twenty minutes in Moon 02, she persuades him to help her learn whether her brother is still alive. In doing so, Kemp learns more than he would like about of Hubbard's schemes and methods.

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Two such denizens of this rough and tumble lunar society are the notorious millionaire J. J. "100%" Hubbard (Warren Mitchell) and former-astronaut-turned-satellite-salvage-man Bill Kemp.Kemp (James Olson). The first man to set foot on Mars, Kemp has now left the Space Corporation because it has abandoned exploration entirely in favour of running commercial passenger flights to Mars and Venus. When Hubbard hears of a small 6000-tonne asteroid made of pure sapphire that is orbiting close to the moon, he hires Kemp to capture it using Kemp's old "Moon 02" space ferry and bring it down on the lunar farside; although it would be against the law, nobody except Hubbard (and Kemp) would know that the asteroid was diverted. Kemp has little choice about agreeing, since he has learned that his flight license soon will be revoked due to protests from the Corporation. As extra incentive, Hubbard also claims that he plans to use the sapphire as a rocket engine thermal insulator -- meaning he would build more powerful rockets capable of finally colonizing Mercury, and even the moons of Jupiter, for commercial gain.

Meanwhile a young woman named Clementine (Catherine Schell) arrives looking for her brother, a miner working a distant patch of moonscape at Spectacle Crater on farside. Unfortunately, the trip from Moon City on the nearside would take six days by lunar buggy. Since Kemp could fly there in twenty minutes in Moon 02, she persuades him to help her learn whether her brother is still alive. In doing so, Kemp learns more than he would like about of Hubbard's schemes and methods.
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[[quoteright:330:http://static.tvtropes.org/pmwiki/pub/images/moon-zero-two-aff_446.jpg]]

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[[quoteright:330:http://static.[[quoteright:300:http://static.tvtropes.org/pmwiki/pub/images/moon-zero-two-aff_446.jpg]]
org/pmwiki/pub/images/moon_zero_two_1969_poster.jpg]]
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For the ''MysteryScienceTheater3000'' version, please go to the [[Recap/MysteryScienceTheater3000S01E11MoonZeroTwo episode recap page]].

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For the ''MysteryScienceTheater3000'' ''Series/MysteryScienceTheater3000'' version, please go to the [[Recap/MysteryScienceTheater3000S01E11MoonZeroTwo episode recap page]].
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** As well as getting a good look at Kemp in the shower...
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Two such denizens of this rough and tumble lunar society are the notorious millionaire J. J. Hubbard and former-astronaut-turned-satellite-salvage-man Bill Kemp. The first man to set foot on Mars, Kemp has now left the Space Corporation because it has abandoned exploration entirely in favour of running commercial passenger flights to Mars and Venus. When Hubbard hears of a small 6000-tonne asteroid made of pure sapphire that is orbiting close to the moon, he hires Kemp to capture it using Kemp's old "Moon 02" space ferry and bring it down on the lunar farside although it would be against the law. However, Kemp has little choice since he has learned that his flight license soon will be revoked due to protests from the Corporation. Hubbard also claims that he plans to use the sapphire as a rocket engine thermal insulator; he would build more powerful rockets capable of finally colonising Mercury, and even the moons of Jupiter, for commercial gain.

to:

Two such denizens of this rough and tumble lunar society are the notorious millionaire J. J. "100%" Hubbard and former-astronaut-turned-satellite-salvage-man Bill Kemp. The first man to set foot on Mars, Kemp has now left the Space Corporation because it has abandoned exploration entirely in favour of running commercial passenger flights to Mars and Venus. When Hubbard hears of a small 6000-tonne asteroid made of pure sapphire that is orbiting close to the moon, he hires Kemp to capture it using Kemp's old "Moon 02" space ferry and bring it down on the lunar farside farside; although it would be against the law. However, law, nobody except Hubbard (and Kemp) would know that the asteroid was diverted. Kemp has little choice about agreeing, since he has learned that his flight license soon will be revoked due to protests from the Corporation. As extra incentive, Hubbard also claims that he plans to use the sapphire as a rocket engine thermal insulator; insulator -- meaning he would build more powerful rockets capable of finally colonising colonizing Mercury, and even the moons of Jupiter, for commercial gain.



* INeverSaidItWasPoison: How Kemp fingers the man who arranged [[spoiler: Tapman's]] death. Realizing the man died from a poisoned oxygen tank, he holds it up to the face of the corrupt bureaucrat who sold it to him and asks him what he smells. The panicked man says, "Cyanide!"...at which point Kemp reveals that the tank is empty.

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* INeverSaidItWasPoison: How Kemp fingers the man who arranged [[spoiler: Tapman's]] death. Realizing the man died from a poisoned oxygen tank, he holds it up to the face of the corrupt bureaucrat who sold it to him and asks him what he smells. The panicked man says, "Cyanide!"...at which point Kemp reveals that the tank he was holding ''then'' is empty.



%%* SpaceClothes: Groovy!

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%%* * SpaceClothes: Groovy!Pastels, unitards, and vinyl everywhere, all so groovy!



* SpaceWestern: The film labelled itself as one, but it more closely resembles the aviation-action thrillers fashionable at the time it was made, and the original story was co-written by [[http://en.wikipedia.org/wiki/Gavin_Lyall Gavin Lyall]], a notable author in that genre.
* ScrewTheRulesIHaveMoney: "Hundred Percent" Hubbard's whole gambit in the film.

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* SpaceWestern: The film labelled itself as one, but lampshades it, and the plot is a SciFi version of a claim-jumping story. On the other hand, it more closely resembles the aviation-action thrillers fashionable at the time it was made, and the original story was co-written by [[http://en.wikipedia.org/wiki/Gavin_Lyall Gavin Lyall]], a notable author in that genre.
* ScrewTheRulesIHaveMoney: "Hundred Percent" Hubbard's whole gambit to get control of the sapphire in the film.asteroid despite the law (and the lives of anyone in his way.)
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''Moon Zero Two'' is a science fiction film produced by Hammer Films and released in 1969 (some three months after the moon landing, in fact). It was billed as a "space western" and made shortly after the release of Stanley Kubrick's ''[[Film/TwoThousandOneASpaceOdyssey 2001: A Space Odyssey]]''. The film did very poorly at the box-office, but became a minor cult classic in following decades.

to:

''Moon Zero Two'' is a science fiction film produced by Hammer Films and released in 1969 (some three months after the moon landing, in fact). It was billed as a "space western" and made shortly after the release of Stanley Kubrick's Creator/StanleyKubrick's ''[[Film/TwoThousandOneASpaceOdyssey 2001: A Space Odyssey]]''. The film did very poorly at the box-office, but became a minor cult classic in following decades.
Is there an issue? Send a MessageReason:
None


''Moon Zero Two'' is a science fiction film produced by Hammer Films and released in 1969 (some three months after the moon landing, in fact). It was billed as a "space western" and made shortly after the release of Stanley Kubrick's ''[[Film/ThwoThousandOneASpaceOdyssey 2001: A Space Odyssey]]''. The film did very poorly at the box-office, but became a minor cult classic in following decades.

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''Moon Zero Two'' is a science fiction film produced by Hammer Films and released in 1969 (some three months after the moon landing, in fact). It was billed as a "space western" and made shortly after the release of Stanley Kubrick's ''[[Film/ThwoThousandOneASpaceOdyssey ''[[Film/TwoThousandOneASpaceOdyssey 2001: A Space Odyssey]]''. The film did very poorly at the box-office, but became a minor cult classic in following decades.
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[[quoteright:330:http://static.tvtropes.org/pmwiki/pub/images/moon-zero-two-aff_446.jpg]]

''Moon Zero Two'' is a science fiction film produced by Hammer Films and released in 1969 (some three months after the moon landing, in fact). It was billed as a "space western" and made shortly after the release of Stanley Kubrick's ''[[Film/ThwoThousandOneASpaceOdyssey 2001: A Space Odyssey]]''. The film did very poorly at the box-office, but became a minor cult classic in following decades.

In the year 2021 the moon is in the process of being colonized, and this new frontier is attracting a diverse group of people to settlements such as Moon City, Farside 5 and others.

Two such denizens of this rough and tumble lunar society are the notorious millionaire J. J. Hubbard and former-astronaut-turned-satellite-salvage-man Bill Kemp. The first man to set foot on Mars, Kemp has now left the Space Corporation because it has abandoned exploration entirely in favour of running commercial passenger flights to Mars and Venus. When Hubbard hears of a small 6000-tonne asteroid made of pure sapphire that is orbiting close to the moon, he hires Kemp to capture it using Kemp's old "Moon 02" space ferry and bring it down on the lunar farside although it would be against the law. However, Kemp has little choice since he has learned that his flight license soon will be revoked due to protests from the Corporation. Hubbard also claims that he plans to use the sapphire as a rocket engine thermal insulator; he would build more powerful rockets capable of finally colonising Mercury, and even the moons of Jupiter, for commercial gain.

Meanwhile a young woman arrives looking for her brother, a miner working a distant patch of moonscape at Spectacle Crater on farside. Unfortunately, the trip from Moon City on the nearside would take six days by lunar buggy. Since Kemp could fly there in twenty minutes in Moon 02, she persuades him to help her learn whether her brother is still alive. In doing so, Kemp learns more than he would like about of Hubbard's schemes and methods.

For the ''MysteryScienceTheater3000'' version, please go to the [[Recap/MysteryScienceTheater3000S01E11MoonZeroTwo episode recap page]].
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!!''Moon Zero Two'' contains examples of many tropes, including:

* AnimatedCreditsOpening: An amusing one that depicts the US/Soviet race to the moon being rendered meaningless by the tourist economy that springs up soon afterwards.
* ArtificialGravity: Mostly. ''Moon Zero Two'' is pretty good at suggesting low-gravity environments using slow-motion, but within base areas artificial gravity is assumed to keep the special-effects budget low.
* BarBrawl: In [[SpaceIsSlowMotion low-gravity slow motion]].
* CoversAlwaysLie: Posters for the movie showed rayguns and streamlined spaceships that never appear in the film.
* DisposableWoman: The hero's police-officer girlfriend is bumped off to make room for the ReplacementLoveInterest.
* {{Fanservice}}: In and out of universe, the dancing women dressed as Aliens, Cowgirls, and Native Americans.
* HighClassGlass: Hubbard wears a ludicrous ''tinted'' monocle.
* ImproperlyPlacedFirearms: It seems that thinly-disguised RevolversAreJustBetter, even on the moon.
* INeverSaidItWasPoison: How Kemp fingers the man who arranged [[spoiler: Tapman's]] death. Realizing the man died from a poisoned oxygen tank, he holds it up to the face of the corrupt bureaucrat who sold it to him and asks him what he smells. The panicked man says, "Cyanide!"...at which point Kemp reveals that the tank is empty.
* KineticWeaponsAreJustBetter: There's not a {{raygun}} in sight.
* MohsScaleOfScienceFictionHardness: Underneath the silly '60s camp, ''Moon Zero Two'' is plenty hard.
* MsFanservice: The scene in the moon buggy when the heating and cooling system malfunction leads to a pretty gratuitous scene of Catherine Schell stripping down to her space skivvies when the sun comes up and begins overheating the cockpit.
* MundaneDogmatic: Though it was made long before the Mundane Manifesto was published, the film meets the criteria pretty well, if allowance is made for ScienceMarchesOn.
%%* SpaceClothes: Groovy!
* SpaceDoesNotWorkThatWay: Despite a fair attempt at realism, there are examples:
** InSpaceEveryoneCanSeeYourFace: No silly faceplate lights, but no shielding against solar radiation either.
** SpaceIsNoisy: Mostly averted, but during the gunfight on Farside, gunshots are clearly audible in a vacuum.
** SpaceIsSlowMotion: Abused horribly when Kemp turns off the artificial gravity at the saloon during a BarBrawl.
* SpaceWestern: The film labelled itself as one, but it more closely resembles the aviation-action thrillers fashionable at the time it was made, and the original story was co-written by [[http://en.wikipedia.org/wiki/Gavin_Lyall Gavin Lyall]], a notable author in that genre.
* ScrewTheRulesIHaveMoney: "Hundred Percent" Hubbard's whole gambit in the film.
* SpiritualSuccessor: The television series ''Series/{{UFO}}'' and ''Series/{{Space 1999}}'' have many stylistic similarities.
* TheStoic: Bill Kemp the hero greets everything with DullSurprise.
* UsedFuture: The eponymous spaceship Moon Zero Two is very used.
* {{Zeerust}}: The film is a very 1960's vision of the future.

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