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* {{Leitmotif}}: ''"She is My Friend,"'' a melancholic piano-and-string countermelody to Asuna's "One Day, One Morning" Leitmotif in the ''Progressive'' motion pictures that emphasises her lonely and tragic nobility and the girls' mutual dependency on each other. Notably, Asuna's iconic ''"Luminous Sword"'' Leitmotif, which ''"She is My Friend"'' is *not* a countermelody to, only appears in ''"Aria of A Starless Night"'' properly at the *moment* [[spoiler: Mito abandons Asuna to the literal jaws of death in a MomentOfWeakness]]; thus symbolizing the "death" of the vulnerable original Asuna who depended on Mito for strength and her rebirth as the warrior who would one day Co-Lead the Knights of Blood.

to:

* {{Leitmotif}}: ''"She is My Friend,"'' is a melancholic piano-and-string countermelody to Asuna's "One optimistic ''"One Day, One Morning" Morning"'' Leitmotif in the ''Progressive'' motion pictures that emphasises her Mito's lonely and tragic nobility and the girls' mutual dependency on each other. Notably, Asuna's iconic ''"Luminous Sword"'' Leitmotif, which ''"She is My Friend"'' is *not* a countermelody to, only appears in ''"Aria of A Starless Night"'' properly at the *moment* [[spoiler: Mito abandons Asuna to the literal jaws of death in a MomentOfWeakness]]; thus symbolizing the "death" of the vulnerable original Asuna who depended on Mito for strength and her rebirth "rebirth" as the warrior who would one day Co-Lead the Knights of Blood.
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* {{Leitmotif}}: ''"She is My Friend,"'' a melancholic piano-and-string countermelody to Asuna's "One Day, One Morning" Leitmotif in the ''Progressive'' motion pictures that emphasises her lonely and tragic nobility and the girls' mutual dependency on each other. Notably, Asuna's iconic ''"Luminous Sword"'' Leitmotif, which ''"She is My Friend"'' is *not* a coutnermelody to, only appears in ''"Aria of A Starless Night"'' at the *moment* [[spoiler: Mito abandons Asuna to the literal jaws of death in a MomentOfWeakness]]; thus symbolizing the "death" of the vulnerable mainden Asuna who depended on Mito for strength and her rebirth as the warrior who would one day Co-Lead the Knights of Blood.

to:

* {{Leitmotif}}: ''"She is My Friend,"'' a melancholic piano-and-string countermelody to Asuna's "One Day, One Morning" Leitmotif in the ''Progressive'' motion pictures that emphasises her lonely and tragic nobility and the girls' mutual dependency on each other. Notably, Asuna's iconic ''"Luminous Sword"'' Leitmotif, which ''"She is My Friend"'' is *not* a coutnermelody countermelody to, only appears in ''"Aria of A Starless Night"'' properly at the *moment* [[spoiler: Mito abandons Asuna to the literal jaws of death in a MomentOfWeakness]]; thus symbolizing the "death" of the vulnerable mainden original Asuna who depended on Mito for strength and her rebirth as the warrior who would one day Co-Lead the Knights of Blood.
Is there an issue? Send a MessageReason:
None


* {{Leitmotif}}: ''"She is My Friend,"'' a melancholic piano-and-string countermelody to Asuna's "One Day, One Morning" Leitmotif in the ''Progressive'' motion pictures that emphasises her lonely and tragic nobility and the girls' mutual dependency on each other. Notably, Asuna's iconic ''"Luminous Sword"'' Leitmotif, which ''"She is My Friend"'' is *not* a coutnermelody to, dosen't appear in ''"Aria of A Starless Night"'' until [[spoiler: Mito abandons Asuna to the literal jaws of death in a MomentOfWeakness]]; thus symbolizing the "death" of the vulnerable Asuna who depended on Mito for strength and her rebirth as her own warrior.

to:

* {{Leitmotif}}: ''"She is My Friend,"'' a melancholic piano-and-string countermelody to Asuna's "One Day, One Morning" Leitmotif in the ''Progressive'' motion pictures that emphasises her lonely and tragic nobility and the girls' mutual dependency on each other. Notably, Asuna's iconic ''"Luminous Sword"'' Leitmotif, which ''"She is My Friend"'' is *not* a coutnermelody to, dosen't appear only appears in ''"Aria of A Starless Night"'' until at the *moment* [[spoiler: Mito abandons Asuna to the literal jaws of death in a MomentOfWeakness]]; thus symbolizing the "death" of the vulnerable mainden Asuna who depended on Mito for strength and her rebirth as her own warrior.the warrior who would one day Co-Lead the Knights of Blood.
Is there an issue? Send a MessageReason:
None


* {{Leitmotif}}: ''"She is My Friend,"'' a melancholic piano-and-string countermelody to Asuna's theme in the ''Progressive'' motion pictures that emphasises her lonely and tragic nobility.

to:

* {{Leitmotif}}: ''"She is My Friend,"'' a melancholic piano-and-string countermelody to Asuna's theme "One Day, One Morning" Leitmotif in the ''Progressive'' motion pictures that emphasises her lonely and tragic nobility.nobility and the girls' mutual dependency on each other. Notably, Asuna's iconic ''"Luminous Sword"'' Leitmotif, which ''"She is My Friend"'' is *not* a coutnermelody to, dosen't appear in ''"Aria of A Starless Night"'' until [[spoiler: Mito abandons Asuna to the literal jaws of death in a MomentOfWeakness]]; thus symbolizing the "death" of the vulnerable Asuna who depended on Mito for strength and her rebirth as her own warrior.
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Softening one more desription to not give conservatives a wedge to drive the spike of sarcastic "whataboutism" in and smash out all references to Mito's LGBTQ identity with again.


* {{Tomboy}}: Her regal, ice-cold, and dignified beauty notwithstanding, Mito is clearly a girl ill at ease with her birth gender, as her behavior, body language, dress, sense of humor and even voice is closer to that of a teenage boy (not unlike the mischievous yet assertive and kind Kirito) when she is not obligated by a "prestigious school for proper young ladies" setting to play the part of a prim and proper {{Ojou}}. As shown during a flashback to her unhappy elementary school days, it was her boyish love of video games (not to mention clothing and mannerisms) that alienated her from other girls her age, and it is all but stated that she had ''no'' friends of her own gender until Asuna found out her true persona wandering by an arcade. In fact, when the VR world of ''Sword Art Online'' gave her the chance to abandon her female identity completely, she leapt at the opportunity by taking a masculine avatar, and is visibly uncomfortable when Asuna gave her an "adorable teenage girl" matching hairstyle as a gesture of friendship once she was forced by the system to maintain a female persona. It's worth noting, however, that since the system identifies gender (but not appearance) based on brain waves, the fact that she was forced into a female avatar means that deep down she does still identify as a girl, just a very masculine one. However, as shown by her [[spoiler: jealousy towards Kirito;s closeness to Asuna in ''Scherzo of a Dark Dusk'']], she is more than likely a lesbian.

to:

* {{Tomboy}}: Her regal, ice-cold, and dignified beauty notwithstanding, Mito is clearly a girl ill at ease with her birth gender, as her behavior, body language, dress, sense of humor and even voice is closer to that of a teenage boy (not unlike the mischievous yet assertive and kind Kirito) when she is not obligated by a "prestigious school for proper young ladies" setting to play the part of a prim and proper {{Ojou}}. As shown during a flashback to her unhappy elementary school days, it was her boyish love of video games (not to mention clothing and mannerisms) that alienated her from other girls her age, and it is all but stated that she had ''no'' friends of her own gender until Asuna found out her true persona wandering by an arcade. In fact, when the VR world of ''Sword Art Online'' gave her the chance to abandon her female identity completely, she leapt at the opportunity by taking a masculine avatar, and is visibly uncomfortable when Asuna gave her an "adorable teenage girl" matching hairstyle as a gesture of friendship once she was forced by the system to maintain a female persona. It's worth noting, however, that since the system identifies gender (but not appearance) based on brain waves, the fact that she was forced into a female avatar means that deep down she does still identify as a girl, just a very masculine one. However, as shown by her [[spoiler: jealousy towards Kirito;s closeness to Asuna in ''Scherzo of a Dark Dusk'']], she is more than likely a lesbian.

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Changed: 175

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Restoring references to Mito's fluid and ambiguous gender identity as (1) they were *all* bluntly removed *without reason given* or *discussion* by two collaborators (2) Positive and Tragic Portrayals of Ambiguously Bi girls in the Sword Art Online franchise like Yuuki and Kizmel have *long* been accepted over the last *decade* (3) So unless Florida Senator Ron Desantis' book-burning "don't say gay" laws now apply to TV Tropes, which on last check is a Liberal Website, Tropes pertaining to Mito's Gender Identity, *Integral* to her character's conflict and development, will be restored. Unless of course those in objection want to wipe out all references to Yuuki and Kizmel's Romantic Interes for Asuna and non-confirmity to "traditional femininity" as well?


* ComingOutStory: Just as much as the ''Progressive Pictures'' so far are a PerspectiveFlip of the saga told from Asuna's perspective, the (thus far) duology is also about Mito coming to terms with her gender identity; In ''Aria of a Starless Night'' she tried to embody what she percieved to be her "true" masculine identity in the form of a hulking male avatar in game before being forced into her IRL girl form, while coming to terms with her growing love for her OnlyFriend Asuna, who is her psychological projection of ideal femininity she believes she can never become. In the sequel ''Scherzo of a Dark Dusk'', she symbolically reconciles with her spiritual identity by settling for the middle ground of [[spoiler: a cunning and mighty warrior of masculine dress and behavior who just ''happens'' to be a girl, that ''embraces'' rather than rejects her love for Asuna. This is symbolized by her ''keeping'' the princess hairstyle Asuna braided, that she once flustered was "too adorable" for someone like her, as the final last vestige of "traditional" femininity.]]



* DistaffCounterpart: To Kirito. Much of her character is meant to reflect him such as his passion for gaming as a form of escapism from real life, being a beta tester for SAO, as well as dealing with the hardships and ostracization that beta players like Kirito faced. Both have online names that are derived from the letters of their real-life names ('''Mi'''sumi '''To'''sawa = Mito, '''Kiri'''gaya Kazu'''to''' = Kirito). And much like Kirito, she notably has an initial avatar that's wildly different to her real appearance.

to:

* DistaffCounterpart: To Kirito. Much of her character is meant to reflect him such as his passion for gaming as a form of escapism from real life, being a beta tester for SAO, as well as dealing with the hardships and ostracization that beta players like Kirito faced. Both have online names that are derived from the letters of their real-life names ('''Mi'''sumi '''To'''sawa = Mito, '''Kiri'''gaya Kazu'''to''' = Kirito). And much like Kirito, Kirito when he entered ''Gun Gale Online'', she notably has an initial opposite-gender avatar that's wildly different to her real appearance.appearance. Finally, both are (or will fall) in love with Asuna.



* {{GIRL}}: Inverted, as she is the "Girl In Real Life" variety who embodies her inner "idealized self" of a tall muscular male warrior during the beta testing and initial 4 official hours of Sword Art Online. Curiously, she chose the raspy and effeminate voice of [[Creator/RyuseiNakao Lord]] [[Anime/DragonballZ Freeza]] of all people for her avatar in spite of him being a giant, muscular and masculine warrior.



* IncompatibleOrientation: She's is in love with Asuna, who minus her PseudoRomanticFriendship with Yuuki (even getting flustered and momentarily forgetting about her boyfriend Kirito when Yuuki playfully suggests getting married) is straight, a fact that Mito is very much aware of and resents.



** Also, her wearing a generically cute dress while wielding a hard-hitting and blunt scythe [[spoiler: which is later upgraded to being able to transform into a swift and elegant sickle on a chain in ''Scherzo of a Dark Dusk,'' wearing a masculine Robin-Hood like costume to rescue Asuna, while keeping the braid the latter gave her as a final vestige of traditional femininity]] is reflective of the fluid and flexible nature of her gender identiy, much like the hulking masculine warrior bearing the personality of a mischievous girl that Asuna (and we the audience) first see her initial online persona as onscreen was.



* SuspiciouslySimilarSubstitute: It's hard not to see similarities between her, Yuuki and Kizmel. All three are girls with purple {{Color Motif}}s, further emphasized by their unique hair colours, who are close with Asuna to some extent, with the key difference being that Mito uses a SinisterScythe instead of a sword like the other two. She also shares traits with the two, having Kizmel's generally calm demeanour and protectiveness towards Asuna, and Yuuki's {{Tomboy}} personality, and GamerChick status.[[spoiler: Her similarities to Yuuki is likely why she survived the (thus far) two "Progressive" Motion Pictures.]] She is also one to Lizbeth due to being a close friend to Asuna [[spoiler: who decides to settle down to running a General Store when not in battle during the "Scherzo of a Dark Dusk" motion picture]].

to:

* SuspiciouslySimilarSubstitute: It's hard not to see similarities between her, Yuuki and Kizmel. All three are girls with purple {{Color Motif}}s, further emphasized by their unique hair colours, who are close with Asuna to some extent, with the key difference being that Mito uses a SinisterScythe instead of a sword like the other two. She also shares traits with the two, having Kizmel's generally calm demeanour and protectiveness towards Asuna, and Yuuki's {{Tomboy}} personality, GamerGirl status and implied romantic feelings for Asuna. GamerChick status.chick status. [[spoiler: Her similarities to Yuuki is likely why she survived the (thus far) two "Progressive" Motion Pictures.]] She is also one to Lizbeth due to being a close friend to Asuna [[spoiler: who decides to settle down to running a General Store when not in battle during the "Scherzo of a Dark Dusk" motion picture]].picture]].
* {{Tomboy}}: Her regal, ice-cold, and dignified beauty notwithstanding, Mito is clearly a girl ill at ease with her birth gender, as her behavior, body language, dress, sense of humor and even voice is closer to that of a teenage boy (not unlike the mischievous yet assertive and kind Kirito) when she is not obligated by a "prestigious school for proper young ladies" setting to play the part of a prim and proper {{Ojou}}. As shown during a flashback to her unhappy elementary school days, it was her boyish love of video games (not to mention clothing and mannerisms) that alienated her from other girls her age, and it is all but stated that she had ''no'' friends of her own gender until Asuna found out her true persona wandering by an arcade. In fact, when the VR world of ''Sword Art Online'' gave her the chance to abandon her female identity completely, she leapt at the opportunity by taking a masculine avatar, and is visibly uncomfortable when Asuna gave her an "adorable teenage girl" matching hairstyle as a gesture of friendship once she was forced by the system to maintain a female persona. It's worth noting, however, that since the system identifies gender (but not appearance) based on brain waves, the fact that she was forced into a female avatar means that deep down she does still identify as a girl, just a very masculine one. However, as shown by her [[spoiler: jealousy towards Kirito;s closeness to Asuna in ''Scherzo of a Dark Dusk'']], she is more than likely a lesbian.
* UnknownRival: Amusingly, Kirito dosen't get why Mito coldly declares she hates him after he told her Asuna keeps the sword she gave her because she treasures her as a friend, completely oblivious that Mito also loves Asuna (her OnlyFriend since the days of RealLife) and sees him as a threat that will take her away from her.
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None


* SuspiciouslySimilarSubstitute: It's hard not to see similarities between her, Yuuki and Kizmel. All three are girls with purple {{Color Motif}}s, further emphasized by their unique hair colours, who are close with Asuna to some extent, with the key difference being that Mito uses a SinisterScythe instead of a sword like the other two. She also shares traits with the two, having Kizmel's generally calm demeanour and protectiveness towards Asuna, and Yuuki's {{Tomboy}} personality, and GamerChick chick status.[[spoiler: Her similarities to Yuuki is likely why she survived the (thus far) two "Progressive" Motion Pictures.]] She is also one to Lizbeth due to being a close friend to Asuna [[spoiler: who decides to settle down to running a General Store when not in battle during the "Scherzo of a Dark Dusk" motion picture]].

to:

* SuspiciouslySimilarSubstitute: It's hard not to see similarities between her, Yuuki and Kizmel. All three are girls with purple {{Color Motif}}s, further emphasized by their unique hair colours, who are close with Asuna to some extent, with the key difference being that Mito uses a SinisterScythe instead of a sword like the other two. She also shares traits with the two, having Kizmel's generally calm demeanour and protectiveness towards Asuna, and Yuuki's {{Tomboy}} personality, and GamerChick chick status.[[spoiler: Her similarities to Yuuki is likely why she survived the (thus far) two "Progressive" Motion Pictures.]] She is also one to Lizbeth due to being a close friend to Asuna [[spoiler: who decides to settle down to running a General Store when not in battle during the "Scherzo of a Dark Dusk" motion picture]].
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None


* OddFriendship: With Asuna. In Misumi's own words, the two never exactly got along, with Asuna being their prep school's top honor student while Misumi, at least by their school's standards, was effectively a delinquent due to her GamerGirl tendencies. Despite this, Asuna is actually rather interested in Misumi's gaming skills after catching her taking part in an arcade tournament and asks her to teach her some things, leading to their friendship.

to:

* OddFriendship: With Asuna. In Misumi's own words, the two never exactly got along, with Asuna being their prep school's top honor student while Misumi, at least by their school's standards, was effectively a delinquent due to her GamerGirl GamerChick tendencies. Despite this, Asuna is actually rather interested in Misumi's gaming skills after catching her taking part in an arcade tournament and asks her to teach her some things, leading to their friendship.



* SuspiciouslySimilarSubstitute: It's hard not to see similarities between her, Yuuki and Kizmel. All three are girls with purple {{Color Motif}}s, further emphasized by their unique hair colours, who are close with Asuna to some extent, with the key difference being that Mito uses a SinisterScythe instead of a sword like the other two. She also shares traits with the two, having Kizmel's generally calm demeanour and protectiveness towards Asuna, and Yuuki's {{Tomboy}} personality, GamerGirl status and implied romantic feelings for Asuna. [[spoiler: Her similarities to Yuuki is likely why she survived the (thus far) two "Progressive" Motion Pictures.]] She is also one to Lizbeth due to being a close friend to Asuna [[spoiler: who decides to settle down to running a General Store when not in battle during the "Scherzo of a Dark Dusk" motion picture]].

to:

* SuspiciouslySimilarSubstitute: It's hard not to see similarities between her, Yuuki and Kizmel. All three are girls with purple {{Color Motif}}s, further emphasized by their unique hair colours, who are close with Asuna to some extent, with the key difference being that Mito uses a SinisterScythe instead of a sword like the other two. She also shares traits with the two, having Kizmel's generally calm demeanour and protectiveness towards Asuna, and Yuuki's {{Tomboy}} personality, GamerGirl status and implied romantic feelings for Asuna. GamerChick chick status.[[spoiler: Her similarities to Yuuki is likely why she survived the (thus far) two "Progressive" Motion Pictures.]] She is also one to Lizbeth due to being a close friend to Asuna [[spoiler: who decides to settle down to running a General Store when not in battle during the "Scherzo of a Dark Dusk" motion picture]].

Changed: 54

Removed: 623

Is there an issue? Send a MessageReason:
None


* DistaffCounterpart: To Kirito. Much of her character is meant to reflect him such as his passion for gaming as a form of escapism from real life, being a beta tester for SAO, as well as dealing with the hardships and ostracization that beta players like Kirito faced. Both have online names that are derived from the letters of their real-life names ('''Mi'''sumi '''To'''sawa = Mito, '''Kiri'''gaya Kazu'''to''' = Kirito). And much like Kirito, she notably has an initial avatar that's wildly different to her real appearance. Finally, both are (or will fall) in love with Asuna.

to:

* DistaffCounterpart: To Kirito. Much of her character is meant to reflect him such as his passion for gaming as a form of escapism from real life, being a beta tester for SAO, as well as dealing with the hardships and ostracization that beta players like Kirito faced. Both have online names that are derived from the letters of their real-life names ('''Mi'''sumi '''To'''sawa = Mito, '''Kiri'''gaya Kazu'''to''' = Kirito). And much like Kirito, she notably has an initial avatar that's wildly different to her real appearance. Finally, both are (or will fall) in love with Asuna.



** Also, her wearing a generically cute dress while wielding a hard-hitting and blunt scythe [[spoiler: which is later upgraded to being able to transform into a swift and elegant sickle on a chain in ''Scherzo of a Dark Dusk,'' wearing a masculine Robin-Hood like costume to rescue Asuna, while keeping the braid the latter gave her as a final vestige of traditional femininity]] is reflective of the fluid and flexible nature of her gender identiy, much like the hulking masculine warrior bearing the personality of a mischievous girl that Asuna (and we the audience) first see her initial online persona as onscreen was.

Changed: 576

Removed: 4082

Is there an issue? Send a MessageReason:
None


* ButchLesbian: Tellingly, when Kirito told her that Asuna held onto the Sword that she gave her [[spoiler: in the battle with Illfang The Kobold Lord because she treasures her as a friend in the second ''Progressive'' film]], Mito becomes (chronologically) the first girl in the franchise to openly and coldly tell Kirito that she hates him, more than likely stemming from jealousy of the (ultimately correct) assumption that he will take her place in the life of her OnlyFriend as her most treasured and beloved person.



* ComingOutStory: Just as much as the ''Progressive Pictures'' so far are a PerspectiveFlip of the saga told from Asuna's perspective, the (thus far) duology is also about Mito coming to terms with her gender identity; In ''Aria of a Starless Night'' she tried to embody what she percieved to be her "true" masculine identity in the form of a hulking male avatar in game before being forced into her IRL girl form, while coming to terms with her growing love for her OnlyFriend Asuna, who is her psychological projection of ideal femininity she believes she can never become. In the sequel ''Scherzo of a Dark Dusk'', she symbolically reconciles with her spiritual identity by settling for the middle ground of [[spoiler: a cunning and mighty warrior of masculine dress and behavior who just ''happens'' to be a girl, that ''embraces'' rather than rejects her lesbianism. This is symbolized by her ''keeping'' the princess hairstyle Asuna braided, that she once flustered was "too adorable" for someone like her, as the final last vestige of traditional femininity.]]



* {{GIRL}}: Inverted, as she is the "Girl In Real Life" variety who embodies her inner "idealized self" of a tall muscular male warrior during the beta testing and initial 4 official hours of Sword Art Online. Curiously, she chose the raspy and effeminate voice of [[Creator/RyuseiNakao Lord]] [[Anime/DragonballZ Freeza]] of all people for her avatar in spite of him being a giant, muscular and masculine warrior.
* GuiltComplex:
** Not unlike Kirito and Argo to an extent, she feels guilty about the deaths that have occurred so far in SAO due to her status as a Beta-Tester, since most of them ended up hogging the good farming spots. [[spoiler: The manner in which [[BreakingTheFellowship she and Asuna]] [[DirtyCoward split up]] probably doesn't help matters.]]

to:

* {{GIRL}}: Inverted, as she is the "Girl In Real Life" variety who embodies her inner "idealized self" of a tall muscular male warrior during the beta testing and initial 4 official hours of Sword Art Online. Curiously, she chose the raspy and effeminate voice of [[Creator/RyuseiNakao Lord]] [[Anime/DragonballZ Freeza]] of all people for her avatar in spite of him being a giant, muscular and masculine warrior.
* GuiltComplex:
**
GuiltComplex: Not unlike Kirito and Argo to an extent, she feels guilty about the deaths that have occurred so far in SAO due to her status as a Beta-Tester, since most of them ended up hogging the good farming spots. [[spoiler: The manner in which [[BreakingTheFellowship she and Asuna]] [[DirtyCoward split up]] probably doesn't help matters.]]



* IncompatibleOrientation: She's a ButchLesbian who is in love with Asuna, who minus her PseudoRomanticFriendship with Yuuki (even getting flustered and momentarily forgetting about her boyfriend Kirito when Yuuki playfully suggests getting married) is straight, a fact that Mito is very much aware of and resents.



* {{Tomboy}}: Her regal, ice-cold, and dignified beauty notwithstanding, Mito is clearly a girl ill at ease with her birth gender, as her behavior, body language, dress, sense of humor and even voice is closer to that of a teenage boy (not unlike the mischievous yet assertive and kind Kirito) when she is not obligated by a "prestigious school for proper young ladies" setting to play the part of a prim and proper {{Ojou}}. As shown during a flashback to her unhappy elementary school days, it was her boyish love of video games (not to mention clothing and mannerisms) that alienated her from other girls her age, and it is all but stated that she had ''no'' friends of her own gender until Asuna found out her true persona wandering by an arcade. In fact, when the VR world of ''Sword Art Online'' gave her the chance to abandon her female identity completely, she leapt at the opportunity by taking a masculine avatar, and is visibly uncomfortable when Asuna gave her an "adorable teenage girl" matching hairstyle as a gesture of friendship once she was forced by the system to maintain a female persona. It's worth noting, however, that since the system identifies gender (but not appearance) based on brain waves, the fact that she was forced into a female avatar means that deep down she does still identify as a girl, just a very masculine one. However, as shown by her [[spoiler: jealousy towards Kirito;s closeness to Asuna in ''Scherzo of a Dark Dusk'']], she is more than likely a lesbian.
* UnknownRival: Amusingly, Kirito dosen't get why Mito coldly declares she hates him after he told her Asuna keeps the sword she gave her because she treasures her as a friend, completely oblivious that Mito also loves Asuna (her OnlyFriend since the days of RealLife) and sees him as a threat that will take her away from her.

Changed: 44

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Boobs Of Steel has been disambiguated


* BoobsOfSteel: Well-endowed and a powerful fighter, acting as a CrutchCharacter for Kirito and Asuna in the Elf Quest and, to neutral players or ones siding with the Forest Elves, her cursor is pitch black, which informs players that she’s so many levels above them that taking a hit from her could potentially be a ''OneHitKill!''



* MaleGaze: In the Manga, she swerved round Lind and a group of DKB members to avoid killing them as she attacked the Forest Elves they were allied with as she made a beeline for the Forest Elf Falconer, and they were so enamored by the up close look at her BoobsOfSteel that they ''changed sides''.
* MsFanservice: In Asuna's own words, she's a "Male Generated Fantasy". She has flawless, AmbiguouslyBrown skin, a nice figure with BoobsOfSteel, and, due to her culture, she's a ShamelessFanserviceGirl who has no issue with being naked around Male Players. She also gets a lot of [[BathingBeauty bath scenes]], two in ''Hollow Realization'' and several in the ''Progressive'' series, all of which are rather extensive and show off her body. She's also willing to bathe with Kirito though [[ChasteHero both Kirito and Asuna]] spend their time washing her back instead of anything else.

to:

* MaleGaze: In the Manga, she swerved round Lind and a group of DKB members to avoid killing them as she attacked the Forest Elves they were allied with as she made a beeline for the Forest Elf Falconer, and they were so enamored by the up close look at her BoobsOfSteel breasts that they ''changed sides''.
* MsFanservice: In Asuna's own words, she's a "Male Generated Fantasy". She has flawless, AmbiguouslyBrown skin, a nice figure with BoobsOfSteel, a large bust, and, due to her culture, she's a ShamelessFanserviceGirl who has no issue with being naked around Male Players. She also gets a lot of [[BathingBeauty bath scenes]], two in ''Hollow Realization'' and several in the ''Progressive'' series, all of which are rather extensive and show off her body. She's also willing to bathe with Kirito though [[ChasteHero both Kirito and Asuna]] spend their time washing her back instead of anything else.



* CovertPervert: In the ''Progressive'' Manga. [[spoiler: What gets him, [[AllMenArePerverts and the rest of his guildmates]], to reconsider fighting for the Forest Elves is getting a close-up of Kizmel's BoobsOfSteel when she avoids harming them in favor of attacking other Forest Elves.]]

to:

* CovertPervert: In the ''Progressive'' Manga. [[spoiler: What gets him, [[AllMenArePerverts and the rest of his guildmates]], to reconsider fighting for the Forest Elves is getting a close-up of Kizmel's BoobsOfSteel breasts when she avoids harming them in favor of attacking other Forest Elves.]]
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Peek A Bangs has been disambiguated


* PeekABangs: Her hair covers her right eye. Obviously, there's a side of her that she's keeping hidden from others.
Is there an issue? Send a MessageReason:
None


** Also, her wearing a generically cute dress while wielding a hard-hitting and blunt scythe [[spoiler: that can transform into a swift and elegant sickle on a chain in ''Scherzo of a Dark Dusk,'' while wearing an almost completely masculine Robin-Hood like costume to rescue Asuna]] is reflective of the fluid and flexible nature of her gender identiy, much like the hulking masculine warrior bearing the personality of a mischievous girl that Asuna (and we the audience) first see her initial online persona as onscreen was.

to:

** Also, her wearing a generically cute dress while wielding a hard-hitting and blunt scythe [[spoiler: that can which is later upgraded to being able to transform into a swift and elegant sickle on a chain in ''Scherzo of a Dark Dusk,'' while wearing an almost completely a masculine Robin-Hood like costume to rescue Asuna]] Asuna, while keeping the braid the latter gave her as a final vestige of traditional femininity]] is reflective of the fluid and flexible nature of her gender identiy, much like the hulking masculine warrior bearing the personality of a mischievous girl that Asuna (and we the audience) first see her initial online persona as onscreen was.

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Blade On A Stick has been disambiguated


* BladeOnAStick: Wields a Halberd.



* EverythingsBetterWithSamurai: Following [[TheLeader Klein's]] lead, the group has a prominent Samurai theme going on. Unlike him though, none of them use a Katana, the closest they got to using Samurai-edque weapons being their [[BladeOnAStick spear wielders]] using Japanese style spears, with Kunimitzz using a ''kama yari'' and Issin using a ''sasumata'', and Dale briefly wielding a weapon resembling a ''kanabo'' around the time of Floor 40.

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* EverythingsBetterWithSamurai: Following [[TheLeader Klein's]] lead, the group has a prominent Samurai theme going on. Unlike him though, none of them use a Katana, the closest they got to using Samurai-edque weapons being their [[BladeOnAStick spear wielders]] wielders using Japanese style spears, with Kunimitzz using a ''kama yari'' and Issin using a ''sasumata'', and Dale briefly wielding a weapon resembling a ''kanabo'' around the time of Floor 40.



* BladeOnAStick: [[CaptainObvious Guess what Cu Chulainn uses.]]



* BladeOnAStick: His weapon is a spear.



* BladeOnAStick: Sachi uses a two-handed spear in combat. The reason for this is she's terrified at the mere sight of monsters if she gets to close, so her friends figured a spear would allow her to fight from a distance.

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!!!'''Voiced by:''' Creator/KaedeHondo (Japanese)

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!!!'''Voiced by:''' Creator/KaedeHondo (Japanese)(Japanese), Gabriela Gris (Latin American Spanish)


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!!!'''Voiced by:''' Yusuke Nagano (Japanese), Luis Navarro (Latin American Spanish)
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By TRS decision Whip It Good is now a disambiguation page. Moving entries to appropriate tropes when possible.


* WhipItGood: Her weapon of choice is a whip.

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* WhipItGood: WeaponSpecialization: Her weapon of choice is a whip.
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!!!'''Voiced by:''' Creator/ShioriIzawa (Japanese), Creator/CassandraLeeMorris(English, 2013), Creator/KimberleyAnneCampbell (English, 2022-Present), Jocelyn Robles (Latin American Spanish, Season 1), Creator/AnnieRojas (Latin American Spanish, ''Aria of a Starless Night'')

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!!!'''Voiced by:''' Creator/ShioriIzawa (Japanese), Creator/CassandraLeeMorris(English, 2013), Creator/KimberleyAnneCampbell (English, 2022-Present), Jocelyn Robles (Latin American Spanish, Season 1), Creator/AnnieRojas (Latin American Spanish, ''Aria of a Starless Night'')
''Progressive'' movies)



!!!'''Voiced by:''' Creator/TakeoOtsuka (Japanese)

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!!!'''Voiced by:''' Creator/TakeoOtsuka (Japanese)
(Japanese), Héctor Mena (Latin American Spanish)
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Added original Argo VA


!!!'''Voiced by:''' Creator/ShioriIzawa (Japanese), Creator/KimberleyAnneCampbell (English), Jocelyn Robles (Latin American Spanish, Season 1), Creator/AnnieRojas (Latin American Spanish, ''Aria of a Starless Night'')

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!!!'''Voiced by:''' Creator/ShioriIzawa (Japanese), Creator/CassandraLeeMorris(English, 2013), Creator/KimberleyAnneCampbell (English), (English, 2022-Present), Jocelyn Robles (Latin American Spanish, Season 1), Creator/AnnieRojas (Latin American Spanish, ''Aria of a Starless Night'')

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** With the anime's adaptations of ''Progressive'' content, she may as well not even resemble her original anime depiction whatsoever anymore. Not only is she more on-model with the rest of the cast like the games, but she's been made AmbiguouslyBrown with her character avatar to make her more distinct as well as [[AdaptationalCurves a little less petite.]]



* HiddenBuxom: She's far from the largest of the cast, but her petite frame and short height combined with often wearing thick clothing conceal a rather modest bust as far as the gameverse from ''Hollow Realization'' onwards is concerned. Compare this to her Aincrad and ''Lost Song'' appearances and it's like night and day.

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* HiddenBuxom: She's far from the largest of the cast, but her petite frame and short height combined with often wearing thick clothing conceal a rather modest bust as far as the gameverse from ''Hollow Realization'' onwards is concerned. Compare this to her Aincrad and ''Lost Song'' appearances and it's like night and day. Meanwhile certain pieces of anime artwork involving the adaptations of ''Progressive'' content are a bit less subtle about it.
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[[WMG:[[center: [- ''LightNovel/SwordArtOnline'' '''[[Characters/SwordArtOnline Main Character Index]]'''\\

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[[WMG:[[center: [- ''LightNovel/SwordArtOnline'' ''Literature/SwordArtOnline'' '''[[Characters/SwordArtOnline Main Character Index]]'''\\



'''''[[LightNovel/SwordArtOnlineAlternativeGunGaleOnline Alternative Gun Gale Online]]''''' '''[[Characters/SwordArtOnlineAlternativeGunGaleOnline Characters]]''': [[Characters/SwordArtOnlineAlternativeGunGaleOnlineTeamLPFM Team LPFM]] | [[Characters/SwordArtOnlineAlternativeGunGaleOnlineTeamSHINC Team SHINC]] | [[Characters/SwordArtOnlineAlternativeGunGaleOnlineTeamMMTM Team MMTM]] | [[Characters/SwordArtOnlineAlternativeGunGaleOnlineOthers Others]]\\

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'''''[[LightNovel/SwordArtOnlineAlternativeGunGaleOnline '''''[[Literature/SwordArtOnlineAlternativeGunGaleOnline Alternative Gun Gale Online]]''''' '''[[Characters/SwordArtOnlineAlternativeGunGaleOnline Characters]]''': [[Characters/SwordArtOnlineAlternativeGunGaleOnlineTeamLPFM Team LPFM]] | [[Characters/SwordArtOnlineAlternativeGunGaleOnlineTeamSHINC Team SHINC]] | [[Characters/SwordArtOnlineAlternativeGunGaleOnlineTeamMMTM Team MMTM]] | [[Characters/SwordArtOnlineAlternativeGunGaleOnlineOthers Others]]\\



This page details the various characters that debuted in the first story arc of ''LightNovel/SwordArtOnline''.

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This page details the various characters that debuted in the first story arc of ''LightNovel/SwordArtOnline''.''Literature/SwordArtOnline''.

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The Chick is no longer a trope.


* FiveManBand: Before Kirito joined, they were a five-man guild. Keita is the TheLeader because he is the levelheaded guildhead who sets the strategies. Sasamaru is TheLancer because he is the NumberTwo and he literally has a spear for a weapon. Tetsuo is TheBigGuy because he is physically fit enough to wield a giant bludgeoning weapon. He's also the team's only shield user. Disarming traps is Ducker's role in the guild which makes him TheSmartGuy. Sachi is the lone female that most of the guild, and especially Kirito, are invested in protecting because she contributes with kind words and love, making her TheChick.

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* FiveManBand: Before Kirito joined, they were a five-man guild. Keita is the TheLeader because he is the levelheaded guildhead who sets the strategies. Sasamaru is TheLancer because he is the NumberTwo and he literally has a spear for a weapon. Tetsuo is TheBigGuy because he is physically fit enough to wield a giant bludgeoning weapon. He's also the team's only shield user. Disarming traps is Ducker's role in the guild which makes him TheSmartGuy. Sachi is the lone female that most of the guild, and especially Kirito, are invested in protecting because she contributes with kind words and love, making her TheChick.TheHeart.



* TheChick: She can contribute with kind words and love and is also the lone female that most of the guild, and especially Kirito, are invested in protecting. This also makes her TheHeart.


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* TheHeart: She can contribute with kind words and love.

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Description didn't mention any specific traits to the Vampire Lolita Archetype. Changed to Our Vampires Are Different. If readded, mention traits that are required for the archetype.


* RoyalRapier: LikeMotherLikeDaughter.

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* %%* RoyalRapier: LikeMotherLikeDaughter.



* OurVampiresAreDifferent: [[spoiler: It's revealed that she's a Lord of the Night, which is essentially a vampire.]]



* VampireLolitaArchetype: [[spoiler: It's revealed after she's poisoned that she's in fact a Lord of the Night, which is essentially a vampire.]]


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Dewicked trope


* HartmanHips: In her ''Hollow Realization'' design, she ditches her prior cloaks for a more stylish outfit with a case of BareYourMidriff, where it becomes incredibly apparent that she's got a bit of an hourglass figure going on.

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* HartmanHips: In her ''Hollow Realization'' design, she ditches her prior cloaks for a more stylish outfit with a case of BareYourMidriff, outfit, where it becomes incredibly apparent that she's got a bit of an hourglass figure going on.
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* OreOnna: Aside from her tendency to dress in a masculine manner, Argo in the Japanese version uses the Osaka-region-specific masculine-pronoun of ''Oira'' (roughly the equlivalent of a Hillbilly's "Ahm" or "Mah" as opposed to the regular "I'm" and "My") when referring to herself, further cementing her status as a strictly-business tomboy.

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* OreOnna: Aside from her tendency to dress in a masculine manner, Argo in the Japanese version uses the Osaka-region-specific masculine-pronoun of ''Oira'' (roughly the equlivalent of a Hillbilly's "Ahm" or "Mah" as opposed to the regular "I'm" and "My") when referring to herself, further cementing her status as a strictly-business rough-and-tumble tomboy.
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* OreOnna: Aside from her tendency to dress in a masculine manner, Argo in the Japanese version uses the Osaka-region-specific masculine-pronoun of ''Oira'' (roughly the equlivalent of a Hillbilly's "Ahm" or "Mah" as opposed to the regular "I'm" and "My") when referring to herself, further cementing her status as a strictly-business tomboy.
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* AdaptationalDyeJob: Most media, beit a light novel, manga, or games, all depict Argo with blonde hair. The only exception is the anime where her one off appearance in Episode 3 made her a brunette.

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* AdaptationalDyeJob: AdaptationalDyeJob:
**
Most media, beit be it a light novel, manga, or games, all depict Argo with blonde hair. The only exception is the anime where her one off appearance in Episode 3 made her a brunette.brunette.
** The anime film adaptation of "Scherzo of Deep Night" gives Argo a slight tan in contrast to the pale skin she has in most other appearances.



* AdaptedOut: As she was introduced in ''Progressive'' which wasn't written/released until after the anime, she never made it into the anime series with the TimeSkip glossing over the floors which she is present on.

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* AdaptedOut: AdaptedOut:
**
As she was introduced in ''Progressive'' which wasn't written/released until after the anime, she never made it into the anime series with the TimeSkip glossing over the floors which she is present on.on.
** In the anime film of "Scherzo of Deep Night", which adapts the fight with Wythege the Hippocampus that occurred in the arc before, Kizmel makes no appearance.



* ChekhovsGun: [[spoiler: During her and Asuna's duel in "Scherzo of Deep Night", she ends up breaking a necklace Asuna was wearing when she manages to land a hit on her and win the duel. As an apology, she gives Asuna one she made that grants resistances of Level 5 poisons. In the climax of the film, this gives Asuna the courage to call [=PoH=]'s bluff about his dagger, which he claims to have coated in such a poison, by pretending to play along with his suggestion to relocate before abruptly stopping, causing him to stab her by accident and activate the safe zone measures.]]



* CompositeCharacter: [[spoiler: In the anime film of ''Scherzo of Deep Night'', Mito ends up taking a few roles from characters in the original story. She and her [[ChainPain chained scythe]] takes the place of Nezha and his chakram as the group's ranged fighter during the fight with Fuscus; she takes a minor role from Liten by taking the place of the player who help keep Fuscus mouth open to keep it from crushing Asuna, who herself took the place of Shivata, between it's teeth; and lastly, she ends up being the one to have got the Guild Flag from the boss upon it's defeat, in the place of Okotan who was AdaptedOut.]]



* SelfPunishmentOverFailure: [[spoiler: After "Aria of Starless Night", Mito has abstained from boss fights and has been focusing on collecting materials so she can open an accessory shop. When confronted by Asuna on this when she comes to ask for her help with the Floor 5 Boss Fight, she reveals that this is because she's worried that the same cowardice that [[MyGreatestFailure caused her to abandon Asuna]] will crop up again and lead to someone dying.]]



* SmallRoleBigImpact: Due to ArcWelding making the ''Progressive'' Motion Picture continuity canon, had Misumi not piqued Asuna's interest in video-gaming and join her in adventuring through Aincrad, Kirgaya Kazuto would never have met the love of this life and gained the stregth and courage to beat ''Sword Art Online.'' In this way, Misumi's friendship literally, however indirectly, saved 6000 lives from wasting away in an online purgatory of unreality, not to mention saving Asuna from becoming the wife of the perverted and abusive sleazebag Sugou Nobuyuki in their ArrangedMarriage, due to not having met Kirito.



* SmallRoleBigImpact: Due to ArcWelding making the ''Progressive'' Motion Picture continuity canon, had Misumi not piqued Asuna's interest in video-gaming and join her in adventuring through Aincrad, Kirgaya Kazuto would never have met the love of this life and gained the strength and courage to beat ''Sword Art Online.'' In this way, Misumi's friendship literally, however indirectly, saved 6000 lives from wasting away in an online purgatory of unreality, not to mention saving Asuna from becoming the wife of the perverted and abusive sleazebag Sugou Nobuyuki in their ArrangedMarriage, due to not having met Kirito.



* AdaptationalNiceGuy: He's a lot more approachable in ''Integral Factor'', being less of an outright {{Jerkass}} and more of a JerkWithAHeartOfGold. While initially still being cold to Kirito for being a beater, he does come to uphold a begrudging respect towards both him. He's also pretty kind to the PlayerCharacter.

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* AdaptationalNiceGuy: AdaptationalNiceGuy:
**
He's a lot more approachable in ''Integral Factor'', being less of an outright {{Jerkass}} and more of a JerkWithAHeartOfGold. While initially still being cold to Kirito for being a beater, he does come to uphold a begrudging respect towards both him. He's also pretty kind to the PlayerCharacter.PlayerCharacter.
** In contrast to the original, where he was LockedOutOfTheLoop, the anime film version of "Scherzo of Deep Night" gives Kibaou [[spoiler: more involvement in Kirito's plot to beat the boss before the ALS so that the DKB doesn't collapse due to power imbalance caused by the Guild Flag, divulging the details to the group at Liten's request and not-so-subtly telling them what time his raid party will be leaving so Kirito's group can beat them to the boss, allowing him to further flex his ReasonableAuthorityFigure credentials.]]


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* AdaptedOut: In the animated adaptation of ''Scherzo of Deep Night'', he isn't recruited as a member of the impromptu Floor 5 Boss Raid, [[spoiler: and subsequently isn't the one to get the Guild Flag and be tempted to use it to forcibly merge the DKB and ALS.]]


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* AdaptedOut: Due to the film adaptation of "Scherzo of Deep Night" using the fight with Wythege the Hippocampus as the opening act while glossing over the events of Floor 4, Yofilis doesn't assist with the fight unlike with the original.
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Asskicking Leads To Leadership is the new name of the trope.


* AsskickingEqualsAuthority: [[spoiler: Kirito and Asuna speculate that their endgame with their scam is to amass enough power while weakening their competition that the moment their scam ''does'' get outed, they'd be strong enough to beat back any attempts on their life out in the field. Kirito is rightfully concerned, as players that powerful with seemingly so little morals is a dangerous combination, as Laughing Coffin would later prove.]]

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* AsskickingEqualsAuthority: AsskickingLeadsToLeadership: [[spoiler: Kirito and Asuna speculate that their endgame with their scam is to amass enough power while weakening their competition that the moment their scam ''does'' get outed, they'd be strong enough to beat back any attempts on their life out in the field. Kirito is rightfully concerned, as players that powerful with seemingly so little morals is a dangerous combination, as Laughing Coffin would later prove.]]
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Some relatively minor fixes in the Mito folder


* ChangedMyMindKid: [[spoiler:In the movie ''Progressive: Scherzo of a Dark Dusk'', Asuna tracks down Mito and asks her to join the Floor 5 boss battle. Mito refuses, even winning a duel so she wouldn't have to join. However, she shows up just in time to help the group during the boss battle.]]

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* ChangedMyMindKid: [[spoiler:In the movie ''Progressive: Scherzo of a Dark Dusk'', Asuna tracks down Mito and asks her to join the Floor 5 boss battle. Mito refuses, even winning and wins a duel so she wouldn't have to join. However, she shows up just in time to help the group during the boss battle.]]



* DistaffCounterpart: To Kirito. Much of her character is meant to reflect him such as his passion for gaming as a form of escapism from real life, being a beta tester for SAO, as well as dealing with the hardships and ostracization that beta players like Kirito faced. Both have online names that are derived from the letters of their real-life names ('''Mi'''sumi '''To'''sawa = Mito, '''Ki'''rigaya Kazu'''to''' = Kirito). And much like Kirito, she is also famous for having an opposite gender avatar wildly different to her real appearance. Finally, both are (or will fall) in love with Asuna.

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* DistaffCounterpart: To Kirito. Much of her character is meant to reflect him such as his passion for gaming as a form of escapism from real life, being a beta tester for SAO, as well as dealing with the hardships and ostracization that beta players like Kirito faced. Both have online names that are derived from the letters of their real-life names ('''Mi'''sumi '''To'''sawa = Mito, '''Ki'''rigaya '''Kiri'''gaya Kazu'''to''' = Kirito). And much like Kirito, she is also famous for having notably has an opposite gender initial avatar that's wildly different to her real appearance. Finally, both are (or will fall) in love with Asuna.
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** Rescues Asuna ''literally'' from the jaws of death in the final battle of ''Scherzo of a Dark Dusk'', reconciling her strained friendship with her OnlyFriend.


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* ComingOutStory: Just as much as the ''Progressive Pictures'' so far are a PerspectiveFlip of the saga told from Asuna's perspective, the (thus far) duology is also about Mito coming to terms with her gender identity; In ''Aria of a Starless Night'' she tried to embody what she percieved to be her "true" masculine identity in the form of a hulking male avatar in game before being forced into her IRL girl form, while coming to terms with her growing love for her OnlyFriend Asuna, who is her psychological projection of ideal femininity she believes she can never become. In the sequel ''Scherzo of a Dark Dusk'', she symbolically reconciles with her spiritual identity by settling for the middle ground of [[spoiler: a cunning and mighty warrior of masculine dress and behavior who just ''happens'' to be a girl, that ''embraces'' rather than rejects her lesbianism. This is symbolized by her ''keeping'' the princess hairstyle Asuna braided, that she once flustered was "too adorable" for someone like her, as the final last vestige of traditional femininity.]]

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