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YMMV: Superman Returns
  • Alternative Character Interpretation: The creators of the film appear to have had it in mind that Superman was to be a Christian Allegory or at-least an all-around boy-scout. This is kind-of undermined by how he turns out to be the father of Lois' child meaning he either slept with her without her knowing he was Clark, or Jason was conceived in Superman II and he impregnated her during the night they spent together which he erased from her memory—along with everything else—at the end of the film.
    • He also decides at one point to eavesdrop on Lois and her family one night after using his super hearing to listen in when she tells the cab driver where to take her. Class act.
  • Anvilicious: In the Christopher Reeve films Jor-El talking to Superman already sounded like God talking to Jesus ("I have sent them you, my only son", etc.), but this film takes that parallel and runs with it. Besides reusing that version of Jor-El, Superman's return is a "Second Coming", he suffers a "Passion" when Lex and his men beat him up and Lex stabs him in the side, after saving the day he falls to Earth near death in a cruciform position, and he unexpectedly recovers from supposedly fatal injuries, with his empty hospital bed evoking the empty tomb. And as at least one critic (of Time magazine) pointed out, Superman secretly having a child with Lois is sort of like Jesus secretly having a child with Mary Magdalene.
  • Big Lipped Alligator Moment: The dog that ate the other dog. Seriously, what was that about?
  • Broken Base: The fanbase was (and remains) divided over this movie. While numerous fans saw Returns as a sincere ode to the earlier films, others were dismayed that the film didn't use any material from the more modern comics (given that the earlier films and their Silver-Bronze Age style Superman characterization was about 20 years out of date by the time this film was made) and completely changed the dynamic of Lois and Superman's relationship. While the film received some good reviews and recovered its production cost rather quickly, the overall polarizing reception and underwhelming box office caused plans for a sequel to fizzle out, despite director Bryan Singer promising a more action packed follow up.
  • Critical Dissonance: By critics, the film was fairly well received. By fans and the general audiences, however...
    • Some theorize that critics let nostalgia of the original Superman films cloud their judgment when reviewing this film.
    • Deader Than Disco: Critics nowadays agree with the fan sentiment that Returns was way too archaic and reliant on the original Superman film plot points.
  • Ensemble Darkhorse: Some fans and critics felt that Richard White was more sympathetic than Superman/Clark Kent.
  • Ham and Cheese: Lex was easily the best part of the movie.
  • Hilarious in Hindsight: This movie gets criticized about Superman having a kid and abandoning said kid for 5 years. Later on, Dragon Ball Abridged, parody of Dragon Ball Z uses, Gohan's Daddy Issues over Goku, who was often compared to Superman; as a long Running Gag.
  • Ho Yay: Jimmy Olsen seems to be just a wee bit too fond of Clark Kent.
  • It's the Same, Now It Sucks: A common criticism of the film is that its plot is far too similar to the original Superman (Superman tries to save Metropolis when Lex Luthor and his feisty female assistant try to kill Superman with kryptonite and make money with a real estate scam involving natural disasters).
  • Memetic Mutation: "WRONG!"
  • Running the Asylum: Singer is, by some accounts, a huge Superman fan (or at least a huge fan of the first two Christopher Reeve Superman films), which is why he left the X-Men franchise to make a Superman movie. Some of those accounts suggest that this is why the first two X-Men movies were awesome and Superman was not; he was only marginally familiar with the X-Men comics, so he was able to make two X-Men films that even non-fans could enjoy, but he was too close to Superman to do it right.
    • According to Singer himself this is why, as a Star Trek fan, he has never approached the Star Trek franchise beyond his one cameo in Nemesis for fear that he would be "too close" to its mythos to do it right.
  • Sequelitis: A variation; one of the often-raised criticisms of the movie was that the makers didn't seem able to make up their minds whether they were carrying on from the end of Superman II or whether they were making their own distinct film.
  • So Okay, It's Average: A general consensus of the film.
  • Strawman Has a Point: Lex Luthor in accuses Superman of selfishly withholding the advanced alien technology he inherited from his dad, so that the planet is forced to stay dependent on Superman. While he is probably wrong about Superman's motives, he has a point. Sharing, say, what Kryptonian science knows about medicine or space travel or producing food would probably save a lot more lives than individually putting out fires with super breath.
  • They Wasted a Perfectly Good Plot: Superman is MIA for a few years, the Earth has to learn to get along without him, and then he comes back and... this potentially interesting idea of the Earth having to readjust to his return while he has to rediscover his place among humanity never really goes anywhere, since the film seems too busy focusing on Superman being mopey about Lois moving on.
  • Unfortunate Implications: As pointed out by Kevin Smith, since Lois has no idea she's had sex with Superman and conceived his child, this implies that the memory erasing kiss in Superman II occurred. So in the hospital, instead of telling him that he has a son, why wasn't she freaking out that he might have raped her? From her point of view she's just realised she has no memory of being impregnated by an alien god, who immediately afterwards skipped town for five years. Doesn't that seem slightly suspicious?
  • Vindicated by History: To an extent. The film is still polarizing, but Man of Steel proved to be even more polarizing. If some disliked Returns for copying the Reeve films too much, probably even more disliked Man of Steel for being too Darker and Edgier, commonly thought to be the wrong approach for Superman, and for messing with established lore and characterization so that it didn't represent the "modern" (Post-Crisis onward) Superman very well. Returns may not reflect the modern Superman, but it's at least more faithful to the era it represents than Man of Steel was to any era.
  • Visual Effects of Awesome: The film had a budget of $250 Million and every cent can be seen on the screen. From the beautiful opening titles to Superman's incredible rescue of a jet to Superman having a bullet bounce harmlessly off his eye, every scene shines with a quality that shows how much Singer cared. Special mention must go to the scene where Superman lifts an island with shards of Kryptonite mere millimetres from his face. The effects are unanimously stunning. Which only makes the shoestring budget of Superman IV all the more hilarious in comparison.
  • What an Idiot: Thom Holbrook wrote an essay pointing out that Superman is dumber than a bag of hammers in Returns.
    The big inspiration for Superman Returns is when Superman and Lois had sex, what if he got her pregnant? Thus the need for him to be gone five years so that he could return to discover he has a son. That also means that, clearly, Superman left before he knew Lois was pregnant, we can assume he left shortly after Superman II. Really shortly. He's Superman. He would be able to see Lois was pregnant very early on with his vision. Lets say he leaves… two months after the end of Superman II. So in Superman II he painfully learns that he must put the needs of Earth ahead of his own personal desires. He apologizes to the President for being away so long (we was gone maybe a week or two) and that he won't let him down again. Then two months later he leaves Earth without telling anyone on a personal five year long wild goose chase. He also leaves without covering his bases. He doesn't secure the dangerous tech in his Fortress of Solitude. He doesn't make sure his departure won't result in Lex Luthor's release from jail. He doesn't even apparently warn the President he's leaving. His actions fly in the face of everything he learned in Superman II and everything he swore to do. Dumb as a bag of hammers.
  • What The Hell, Casting Agency?: To be fair, Brandon Routh is fairly convincing as Clark Kent. As Superman however... not so much.
    • Kate Bosworth also received some of this when cast as Lois. Numerous commentators seemed to be of the opinion that she and Parker Posey should have swapped roles, not least because Posey had a closer resemblance to Margot Kidder, the Lois Lane of the previous film sequence. The fact that Kate Bosworth is thought to be too young as Lois (23 opposed to Posey's 37) helps.
    • This was a problem with the casting of Brandon Routh as well, even though he had the bare minimum of Superman's appearance (tall white guy with dark hair) - he was only about 25 when he was cast, yet he was supposed to be playing a Superman who was already an established and experienced hero, a legend in his own time. The problem is that Routh, at best, looked like a recent college graduate.
    • Also, Routh had to wear tinted contact lenses to make him look like he had Superman's canonical blue eyes.

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