These are what we call the 'YMMV items.' Things that some people find in this work. We call them 'your mileage might vary' because not everyone sees these things in the same way. This starts discussions in the trope lists, a thing we don't want. Please use the discussion page if you'd like to discuss any of these items.
YMMV: Bubblegum Crisis
Alternative Character Interpretation: Is Priss (from the original series) really a pure of heart champion of the oppressed against the corrupt, or just a spazzy, Ax-Crazy pain in the ass so drunk on her own arrogance and anger that she just can't stop picking fights as a way to deal with her issues?
Complete Monster: Largo starts as A Corrupt Corporate Executive who manipulates the Boomers by kidnapping a child boomer so he can gain access to the technology that allows him to pinpoint a Kill Sat in space and had one of his own Boomers go berserk to force her to panic and unleash the Kill Sat in a boomer populated area. When he's first shown on screen in episode 3, he heartlessly evicts the tenants of a poor neighborhood and has his demolition crews continue their job even though a woman is still trapped inside the building-he only stops them after she is dead to rub it into the heroine Priss's face. After his supposed death, he reappears as a Boomer named Largo who manipulates a group of Sexaroids, leading to most of their deaths and tricks the final Sexaroid Anri into believing Priss had murdered her best friend Sylvie to make Anri stab Sylvia. Larog then uses his Kill Sat on multiple occupied cities to destroy the bases of his former masters without care that the blasts consume entire city blocks. For all his rhetoric on 'equality', he sneers that Sylvie was 'just a sexaroid' before killing Anri in front of Priss and declaring his intent to become a god before being defeated when he tries to take everyone with him using hisKill Sat toy to satisfy his ego.
OVA series: "Kon'ya wa Hurricane", "Mad Machine", "Asu e Touchdown", "Victory", "Crisis ~ Ikari o Komete Hashire", "Akuma no Tenshi no Kiss", "Bara no Soldier", "Mysterious Night", "Rock Me", "Say Yes!", "Never The End", "Bye Bye My Crisis", "Chase the Dream"
Bubblegum Crash!: "Hateshitenai Tabi" (OP)
AD Police OVA: "Dead End City" (OP)
BGC Tokyo 2040: "y'Know" (OP), "Idea", "Bukkirabou na Ai ni Oboreta", "Waiting For You" (ED), "Ame", "DGR-1", "Innocence"
AD Police TV: "Toki no Naka de" (ED; in a rare example of the ending theme being better than the opening, even ADV used it in all of its trailers for this series.)
Die for Our Ship: 2040!Leon. Yeah, there IS Les Yay between Linna and Priss, but bringing down Leon for that is NOT helping the cause.
Ear Worm: Funky Doll, the BGM that plays during the aerobics scene in episode 2 and during Nene's work montage in episode 8. Everything aerobics is, was, and will be distilled into three minutes of music.
Moral Event Horizon: Largo. Most notably when he lies to Anri about Sylvie's death, and convinces her to stab Priss. He follows up after Priss' apology by laughing off both Sylvie's sacrifice and delivering a Motive Rant for the previous episode. And when Anri Takes the Bullet for Priss, all the would-be Boomer Messiah has to say is that "it's" Just a Machine. After all of this, He Must Die!
One Episode Wonder: Madigan is only seen during the "Red Eyes" episode. Her fate, however, is left unclear, as to whether she died or simply passed out, from Largo's attack.
Narm: Just about every single female character across both versions has been called a bitch at one point or another. For a series which is meant to deal with the consequences of over-relying on imperfect technology, it's surprisingly catty.
Paranoia Fuel: The original OVAs invoke this by having Boomers that can look indistinguishable from humans. It's largely absent from Crash and 2040, where average Boomers look much more like robots (and the only exceptions are major characters).
The music from the first scene of the first OVA is based on the opening theme from Blade Runner.
The intros to "Victory" and "Akuma to Tenshi no Kiss" are derived from different parts of the intro to "Nowhere Fast", the opening theme from Streets of Fire.
The guitar riff in "Say Yes" from OVA 7 resembles U2's "Where the Streets Have No Name".
"Konya wa Hurricane" is very clearly an attempt to create a song in the style of Jim Steinman, particularly those from Streets Of Fire.
The Woobie: The sexaroid girls from the fifth OVA, Sylvie, Anri, Meg, Lou, and Nam. The latter three provide a Heroic Sacrifice so Sylvie and Anri can get to Earth.
Boomers in general in the 2040. They're practically a slave race to humans, treated like shit, but they always address people respectfully. Sometimes, when a boomer goes berserk its a perfectly nice one before, making whenever they're killed off a Mercy Kill.