troperville

tools

toys

SubpagesAwesome
AwesomeMusic
Film
Funny
Headscratchers
Main
Trivia
WMG
YMMV

main index

Narrative

Genre

Media

Topical Tropes

Other Categories

TV Tropes Org
random
Film: Streets of Fire
Another time, another place.

I don't see any angels in the city
I don't hear any holy choirs sing
And if I can't get an angel
I can still get a boy
And a boy'd be the next best thing
The next best thing to an angel...
A boy'd be the next best thing.

Ellen Aim (Diane Lane), lead singer of the Attackers, is kidnapped by a gang of bikers known as The Bombers. One of the people in the audience, Reva Cody (Deborah Van Valkenburgh), sends a telegram to her brother Tom (Michael Paré), a war veteran - and Ellen's ex-boyfriend - asking him to return to "the Richmond", a district in the city. Tom Cody and the ex-soldier McCoy (Amy Madigan) are hired by Ellen's manager and boyfriend, Billy Fish (Rick Moranis) to rescue Ellen. The three of them search for Ellen, to rescue her from the Bombers, only for Tom to find that he has feelings for Ellen that need to be reconciled.

From Walter Hill, the director of The Warriors and 48 Hours, Streets of Fire is a 1984 film, described as a "Rock'n'Roll Fable". Its setting is a kind of Alternate Universe, a mix of an over-the-top 50s and a dystopian near-future as seen from the 80s; a card in the opening title sequence tells us it's set in "another time, another place." The charm of this film lies in its darkly beautiful shots with lots of shadow and smoke and piercing colors, the comic-book style storytelling, and fantastic music, and it is especially popular in Japan, despite having no initial success, commercially or critically. Notably, Bubblegum Crisis and Final Fight were influenced by this film.

Streets of Fire was intended to be the first in a projected trilogy of action films called "The Adventures of Tom Cody" with Hill tentatively titling the two sequels The Far City and Cody's Return. However, the film's eventual failure at the box office put an end to the project.

The song "Tonight Is What It Means To Be Young", which plays in the ending scene and over the credits (and whose title also appeared as the tagline for the film) was later adapted into "Der Tanz der Vampire" ("The Dance of the Vampires") in the German-language stage musical Tanz der Vampire.

According to That Other Wiki, an unofficial Fan Sequel is being produced by Albert Pyun. Entitled Road To Hell, it will have Michael Pare and Deborah Van Valkenburgh reprising their roles from the original film. The website for the sequel can be found here.

No relation to the song from the Initial D soundtrack.

This film provides examples of the following:

  • Action Film, Quiet Drama Scene: Ellen's reconciliation with Tom.
  • Action Girl: McCoy. The role was written as male. Amy Madigan just happened to give an awesome audition.
  • Action Prologue: It starts off with Ellen being kidnapped onstage followed by a diner brawl, and the action never stops from there.
  • Ambiguously Gay: McCoy is a butch ex-soldier who keeps telling Tom that he's not her type.
  • Anti-Hero: Tom Cody.
  • Ascended Fangirl: One of Ellen's fans decides to tag along with the group, even giving them crucial information about the police patrols. Then Tom Cody kicks her out.
  • Author Appeal: Part of the reason this was made was because the director wanted to make a movie with the things he thought were cool while he was growing up; "custom cars, kissing in the rain, neon, trains in the night, high-speed pursuit, rumbles, rock stars, motorcycles, jokes in tough situations, leather jackets and questions of honor".
  • Bad Ass: Where to start. Tom Cody, McCoy, Raven, Officer Price, Greer and most of the rest of the Bombers. Hell even Ed Begley Jr. played a Bad Ass homeless guy. Even Billy Fish, the Non-Action Guy (played by Rick Moranis, no less), has a lot of guts.
  • Badass Biker: Raven and the Bombers, obviously. The Roadmasters think they're this. They're not.
  • Badass Longcoat: Tom Cody.
  • Bad-Guy Bar: "Torchie's", an abandoned factory with an upstairs/back rooms apparently for Bad Guys' use.
  • Beauty Is Never Tarnished: McCoy and Ellen aren't hurt at all, while the men get the snot beat out of them.
  • Big Bad: Raven Shaddock.
  • Big Bad Wannabe: The Roadmasters, a gang of wannabe thugs who're dispatched during the opening credits.
  • Bittersweet Ending: Cody pulls himself together and saves the city, but leaves Ellen, feeling the best thing to do for her is to let her go.
  • Blade Lock: In the fight scene at the end, Cody and Raven do this with sledgehammers.
  • Butterfly Knife: One of the gang members in the Diner Brawl whips one of these out. Tom smacks it out of his hand, then hands it back to the gang member with the challenge, "Try that again." The gang member does, with the same result, about eight times. Tom eventually keeps the knife and tosses the gang out of the diner.
  • Casual Danger Dialog: Tons of it.
  • The Cavalry: At the end the citizens of The Richmond see off the Bombers after Cody defeats Raven.
  • The Chanteuse: Ellen Aim, who's played by Diane Lane.
  • Chekhov's Gun: The Butterfly Knife that Tom takes from the gang leader during the Diner Brawl gets put to good use later in the movie.
  • Cherry Tapping: After beating each other up with sledgehammers and fists, Cody finishes Raven by pushing him over. It's a bit of an act of mercy, since Raven was basically out on his feet.
  • City of Adventure
  • City with No Name: Although "the Richmond" and other districts were named, the overall city was simply "another time, another place."
  • The Coats Are Off: Cody does this in the opening Diner Brawl, revealing a sleeveless shirt beneath that duster. Both he and Raven do this before the sledgehammer street fight as well.
  • Combat Pragmatist: Both Tom and Raven.
  • Complaining About Rescues They Don't Like: Ellen is furious that Tom went to save her for money.
  • Cool Big Sis: Reva Cody.
  • Cool Car: "I just picked it up today."
  • Crazy Jealous Guy: Billy Fish.
  • Curb-Stomp Battle: Cody and the Roadmasters
  • Cut Song: "Streets of Fire".
  • Damsel in Distress: Ellen Aim.
  • The Dandy: Billy Fish.
  • Deconstructed Trope: The Distressed Damsel plot. Cody's doing it for money, and Ellen is rescued about halfway through, the problem then becomes keeping her safe. It also touches on this when Ellen talks with the fangirl, admitting that she doesn't write her songs.
  • Did Not Get the Girl: More like 'Didn't Want The Girl'; Tom loved her, and Billy even offered to stand down, but Cody wasn't the kind of man to be a groupie. He does drive off with the girl sidekick, though she keeps protesting that he's "not her type."
  • Diner Brawl: We're introduced to Cody through one of these, where he defends his sister from some rowdy diner patrons.
  • Do Wrong, Right: The police chief gives Cody permission to fight Raven after his plan to resolve it peacefully fails.
  • The Dragon: Greer, Raven's second-in-command. The one who punches out Billy Fish. Played by Lee Ving, the former lead singer of the punk band Fear.
  • Dramatic Gun Cock: The townspeople with several hundred guns after the end of the sledgehammer duel.
  • Drop the Hammer: The sledgehammer duel between Tom Cody and Raven.
  • Dystopia
  • The Eighties
  • Fake Band: Ellen Aim and the Attackers, and the Sorels. The band playing at Torchy's? Those were the Blasters, a real Bad Ass rockabilly group.
  • Fan Sequel: As mentioned above, a fan sequel is being produced.
  • Film Noir
  • Fire-Forged Friends: At the end, Tom Cody and Billy Fish, who spent most of the movie being antagonistic toward each other, have come to an accord and respect each other to the point that they are no longer constantly sniping at each other.
  • Foreshadowing: I Can Dream About You foreshadows that Tom won't go with Ellen.
  • Gangster Land
  • Gender-Blender Name: A man named...Raven?
  • Gender Flip: The original screenplay imagined McCoy as a male; Amy Madigan convinced them to have the character be female without rewriting the part.
  • Genre Shift
  • Good Old Fisticuffs: How the sledgehammer duel ends up.
  • Hell-Bent for Leather
  • Hollywood Night: Some of the film was shot on the backlot of Universal Studios in California on two large, elaborate sets covered in a tarp 1,240 feet long by 220 feet wide so that night scenes could be filmed during the day.
  • Honor Before Reason: Officer Price tries his best to uphold the law by the book, which means he can't go after Ellen as it's outside his jurisdiction.
  • Hypercompetent Sidekick: McCoy has shades of this, though it could stem from the villains being unwilling to hit a girl.
  • I Have You Now, My Pretty: Raven tries to put the moves on Ellen, and this is essentially why he kidnapped her in the first place.
  • I Just Want My Beloved to Be Happy: Billy Fish is Ellen Aim's boyfriend as well as her manager, but he recognizes that Tom is Ellen's True Love and offers to stand aside. For his part, Tom realizes the in the long run, Billy is better for Ellen's career and her happiness. He also doesn't want to take Ellen's music away from her (his original complaint was that he didn't like "coming in second to her music" Each says Ellen would be better off with the other guy, leading to this exchange:
    Billy Fish: "Listen, Tom... I won't stand in your way with Ellen. I know how things are between you two."
    Tom Cody: (after a beat) "I'd only slow her down. Besides, she needs you more than she needs me."
    Billy Fish: "Sure, she needs me... but she loves you!"
    Tom Cody: "She'll get over it. Besides, she's used to me being unreliable and disappearing on her."
    Billy Fish: "Is that what I'm supposed to tell her?"
    Tom Cody: (shrugs) "You're better with words than I am."
  • I Lied: Raven lies to the police about bringing only two guys to the showdown.
  • Jerk with a Heart of Gold:
    • Tom Cody. Saves his ex for money, kicks out her fangirl, and generally makes everyone dislike him...and then he lets Fish keep the money, reconciles with Ellen, and saves the town from the bikers.
    • Billy Fish. For all his whining and complaining, for all his constantly insulting and condescending to everyone he meets except Ellen, he rides right into Hell for Ellen along with everyone else, not to mention charging out into the fight onstage in the opening scene and trying to face down Raven just before the sledgehammer fight (he's pathetically ineffective both times, but still. Whatever else you can call him, he's no Dirty Coward). Also, despite his petty greed, he agrees to not one, but two benefits in Ellen's old neighborhood (with notably less complaining the second time). See also: I Just Want My Beloved to Be Happy.
  • Jim Steinman: Wrote the music for Ellen Aim and the Attackers. As if you couldn't tell.
  • Keep the Reward: Cody takes the 10 percent that he promised McCoy and lets Billy Fish keep the rest.
  • Kick Them While They Are Down: Raven does this to Cody during their fight. Cody also kicks back.
  • The Lad-ette: McCoy was written as a man, but eventually cast with a female actor, during her into one of these. Very little of her lines were changed.
  • Made of Explodium: Cody dispatches Raven's gang's motorcycles with a single shot each. Whoomph-flash-boom.
  • Meaningful Name:
    • The biker bar Torchie's. Everything around the place blows up real good.
    • Ellen Aim: "The things they say and the things they do / Nothing's gonna stop us if our aim is true".
  • Missing Trailer Scene: The trailer had Ellen saying "You gonna stay for the show? It's really good," and a different take of Raven saying "I want Tom Cody!'; the latter is notable as it appeared to be in his hideout that, in the film, was burnt down.
  • Mood Whiplash: After scenes of typical action movie fare with Bloodless Carnage comes the raw, brutal sledgehammer fight, with blood.
  • Motor Mouth:
    • Billy Fish, especially when agitated.
    • Also Baby Doll, Ellen's fangirl.
  • My God, What Have I Done?: Tom seems to have this realization after everyone is alienated from him, and soon starts to set things right.
  • Ninja Pirate Zombie Robot: It's a Musical/Action/Comic Book movie.
  • No Name Given: Ellen's fan, who's called "Baby Doll" in the script.
  • Non-Action Guy: Billy Fish, who nevertheless has balls made of pure brass and who doesn't let something like the knowledge he's about to get his ass kicked stop him.
  • Not So Stoic: The one time Cody really panics is when the Sorels' bus catches on fire and they can't cool it off.
  • Notable Original Music: By Jim Steinman, The Fixx, and many others.
  • One-Liner: Much of the dialogue is this.
  • Only in It for the Money: Cody goes to save Ellen for money, not love.
  • Out-Gambitted: The police chief tries to get Cody and Ellen out of town while he arrests Raven. He didn't expect Raven to have an army of bikers at the ready. Good thing Cody returned when he did.
  • Pet the Dog: Billy and Cody finally exchange friendly words at the film's end, finally making amends.
  • Police Are Useless: Well it is Gangster Land, after all. There are only two main cops that we see, and one of them is the Chief of Police. Two other patrolmen are bought off.
  • Pop-Cultural Osmosis
  • Ragtag Bunch of Misfits: Cody, McCoy, and Billy fit this trope well enough, but it really heads into this territory when they pick up Baby Doll, a fan of Ellen's, and the Sorels, a band, on the way back from the Battery.
  • Recycled Soundtrack: The "Godspeed!" section of Nowhere Fast was lifted from the title track of Jim Steinman's solo album, Bad For Good, and the opening piano riff was recycled for the Meat Loaf song Everything Louder Than Everything Else. And as mentioned above, Tonight Is What It Means To Be Young was re-arranged to become the title track of Tanz der Vampire.
  • Retro Universe: The setting is best described as being in Rock n' Roll land with minimal racial tensions, '50s-ish fashion sense, and '80s-ish urban decay. The intro card simply reads, "Another Time, Another Place".
  • Rule of Cool: Did we mention the duel between Tom Cody and Raven? With sledgehammers!
  • Running Gag: Cody and company repeatedly ditching and procuring the same car.
  • Same Content, Different Rating: Some DVDs of the film rate it PG while others rate it R.
  • Screw This, I'm Outta Here!: The police chief tries to get Cody and Ellen to leave the city to avert a final showdown. Cody—though unwillingly—gets Ellen away, but heads back to take care of the Bombers.
  • Shout-Out: The film has been referenced in other works.
  • The Smurfette Principle: Ellen Aim and the Attackers.
  • Spiritual Successor: To director Hill's own film The Warriors, another film taking place in a gritty but stylized alternate reality overrun by gangs.
  • Spontaneous Crowd Formation: Raven summons about 200 bikers out of nowhere to face down the police. A bit later, a bunch of citizens with guns show up to stare them down. They then proceed to do nothing until Tom beats Raven in a street fight, at which point the guys with guns chase off the bikers.
  • The Squadette: McCoy, who else.
  • Starter Villain: The Roadmasters.
  • Stealth Parody: Though advertised as a dark, edgy atmospheric action thriller the film is very tongue in cheek with a lot of bad dialogue delivered badly on purpose.
  • Teeth-Clenched Teamwork: Cody, McCoy, and Billy spend as much time arguing as they do rescuing Ellen.
  • Trapped Behind Enemy Lines
  • Vice City
  • What Could Have Been: Walter Hill once claimed he wanted to make a trilogy of films about Tom Cody, but the film flopped and those plans went unfulfilled.
  • World of Badass: Let's put it this way: Billy Fish is played by Rick Moranis. He's pushy, he's a loudmouth, he's a nerd, and he loses every single physical confrontation he engages in. But he never once backs down to any of the tough guys he's surrounded by, even when he knows it means his ass is about to be kicked. Why? Because while he might be a pushy loudmouth nerd, he's a BADASS pushy loudmouth nerd. Same with Bill Paxton's character, Clyde the Bartender. Its pretty clear he's a joke of a human being. A bad joke. And when confronted with 200 heavily armed bikers, he naturally runs away... to bring back 400 heavily armed guys from the neighborhood to help drive the bikers away. So if the two weakest characters in the movie are both badasses, you know its a World of Badass.
  • Would Hit a Girl: Tom punches Ellen across the face to knock her out so she would stop fussing and he could focus on saving them.
  • Wretched Hive
  • X Meets Y: This movie has been described as The Warriors meets Escape from New York with lots of music.

Stop Making SenseFilms of the 1980sSuburbia

alternative title(s): Streets Of Fire
random
TV Tropes by TV Tropes Foundation, LLC is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License.
Permissions beyond the scope of this license may be available from thestaff@tvtropes.org.
Privacy Policy
43848
32