Music: The Dillinger Escape Plan
Flying guitarists are a lot more common in this line of work than you might think.
- Arcane (former band of Ben Weinman, Chris Pennie and Dmitri Minakakis)
- Coheed and Cambria (former drummer Chris Pennie currently plays in them)
- Jesuit (former guitarist Brian Benoit played in them, alongside future Converge bassist Nate Newton)
- Mike Patton (collaborated for one EP)
- Starkweather (Liam Wilson)
The Dillinger Escape Plan (currently stylized as The Dillinger ESC Plan) is a Metalcore
band from New Jersey. They formed in 1997 after the split-up of Arcane, a fairly run-of-the-mill hardcore band that guitarist Ben Weinman, drummer Chris Pennie and singer Dmitri Minakakis played in. Building on the proto-mathcore sound of bands like Converge
, Cave In and Botch, they developed an extremely technically demanding mathcore style based on speedy tempos, furious time-signature changes, shouted/screamed vocals and purposefully jarring shifts in rhythm and tone. Following the release of their first album, their music started to become even more experimental, incorporating sung vocals, industrial & electronic textures and a greater interest in melody.
Despite what the above description might suggest and their being arguably one of the most extreme bands in the world, they maintain a decidedly light-hearted approach to their music (especially in a genre known for po-faced-ness) and their songs are much more quirky and eccentric than might be expected. The band has had numerous lineup changes, to the point that lead guitarist Ben Weinman is the sole remaining founding member.
The current line-up consists of:
- Greg Puciato (vocals)
- Ben Weinman (guitar, backing vocals, piano, electronics, management)
- James Love (rhythm guitar - live only)
- Liam Wilson (bass)
- Billy Rymer (drums)
Studio albums and other releases:
- The Dillinger Escape Plan (1997) - EP
- Under The Running Board (1998) - EP
- Calculating Infinity (1999)
- Irony is a Dead Scene (2002) - an EP-length collaboration with Mike Patton
- Miss Machine (2004)
- Plagiarism (2006) - EP
- Ire Works (2007)
- Option Paralysis (2010)
- One of Us is the Killer (2013)
The band provides examples of:
- Ascended Fanboy: Greg was a fan of the band prior to joining.
- Bilingual Bonus: On the song "Pig Latin" during the chorus Mike Patton screams "Chinga", which is "Aching" in Pig Latin, in between the verses. Spanish speakers however will hear the Spanish equivalent of "Fuck", turning the sense of frustration and aching to hostile rage.
- Black Comedy: "Baby's First Coffin".
- Cover Version: Among others, "Come To Daddy" by Aphex Twin (recorded with Mike Patton on vocals), "Wish" by Nine Inch Nails (Greg and Ben later joined NIN onstage at a gig in Australia to perform the song) and "Fight The Power" by Public Enemy. Let's not forget "Like I Love You" by Justin Timberlake
- Dramatic Shattering: On par with X Japan for playing this trope: from smashing guitars, to setting them on fire, to smashing microphones and other equipment, to smashing drumkits and setting them ablaze, they have done all these and more.
- Epic Rocking: "Mouth of Ghosts" and "Widower"
- Five-Man Band:
- The Hero: Ben Weinman for starting the band, being the only consistant member, and being the Face of the Band.
- The Lancer: Liam Wilson, being the second most consistant member behind Ben.
- The Smart Guy: Billy Rymer for being the quiet drummer.
- The Big Guy: Greg Puciato for being physically larger than the rest of the members and doing most of the damage in live shows.
- The Heart: James Love for quitting the band once and rejoining them as a live guitarist.
- Gorn: The video for "When I Lost My Bet".
- Harsh Vocals
- I Am the Band: Ben Weinman is the band's main creative force, manager and only remaining founding member. He's not entirely happy with this arrangement, however; in an interview around the release of Option Paralysis, he said that he hoped the present Dillinger line-up would be the last one.
- Indecipherable Lyrics: Surprisingly averted - Greg's vocals are quite harsh but the lyrics remain easy to understand.
- Metalcore: A sub-genre called mathcore.
- Mohs Scale of Rock and Metal Hardness: 10. Their softer passages go down to anywhere from a 3 to a 6, while most of their harder passages can be considered to go up to 11.
- It is worth noting that most of their stuff borders on level 11, but the song have still too much "structure" for reaching that level, although "Prancer" off of One of Us is the Killer is actually a borderline 11, and also, "When I Lost My Bet" from the same album, ranks at an 11 as a whole.
- Mood Whiplash: Happens pretty often, like on their cover of "Paranoid".
- Neoclassical Punk Zydeco Rockabilly: A weird mix of avant-garde metal, math rock, hardcore punk, jazz, noise, industrial and what have you~
- New Sound Album: Arguable, but One of Us is The Killer is considerably heavier than their preceding releases, with a harsh, noisy sound akin to Converge.
- Performance Video: "Panasonic Youth" and "Farewell, Mona Lisa".
- Pun-Based Title: "Panasonic Youth", fnarr fnarr.
- Revolving Door Band: Two vocalists, five guitarists, three bassists and three drummers over the course of fourteen years.
- Rockers Smash Guitars: Hoo boy, definitely. And not just guitars either, for that matter.
- Sampling: They sometimes sample John Doe's line from Se7en ("I've gone and done it again.") in live performances of "Sugar Coated Sour".
- Scary Musician, Harmless Music: An inversion - they look like a harmless indie rock band, but just wait till you hear them play songs like this.
- Spiritual Successor: They are this to The Who, for very, very obvious reasons.
- Surprisingly Gentle Song: Started to pop up with more frequency from Miss Machine onwards. Examples include "Unretrofied", "Black Bubblegum", "Milk Lizard", "Mouth of Ghosts", "Widower" (an honest-to-goodness Power Ballad), and the title track off of "One of Us is the Killer."
- Uncommon Time: Weird time signatures and stuttering off-beats are what their core sound is based around. In fact, Dillinger songs in Common Time are the exception, rather than the rule. To give you an idea of how prevalent this trope is, there is a rumour (probably apocryphal) that they determine their time signatures by throwing dice.
- Word Puree Title: "*#..".
- Word Salad Lyrics: The lyrics on Calculating Infinity consisted almost exclusively of this. Greg's lyrics are substantially less nonsensical.