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A huge rubber Satan has started inflatin', He towers up over the drums. Then pyrotechnics and stuff give a blast loud enough, To rattle your teeth from your gums. This incredible set is the best vision yet, Of our stage designer's craft. And it helps to distract the crowd from the fact, That the music is really quite daft.
— Mitch Benn, "Never Mind The Song (Look At The Stage Set)"
Hard rock bands, and especially "Hair Metal" bands, with their aura of "Greek gods walking the earth," sometimes have a rather unfortunate tendency to rely heavily upon special effects such as fog, lasers or, more commonly, Impressive Pyrotechnics in their videos and stage shows. It's as much about the visual BANG as it is the music, sometimes more so — anything to perpetuate the notion that these beings are so far above and beyond us mere mortal music consumers that they actually alter the very nature of the universe.
This attention to visual detail can be partly blamed on MTV, which transmogrified music from an audio medium to a visual one in the 1980s. Suddenly everything bright and flashy was in, anything simple and straightforward was right out; and as MTV grew in influence, music video budgets rose accordingly, allowing bands to afford more spectacular effects. That meant more explosions. Woo-hooo!!!
Of course, nowadays we look back on those days long gone, and remember only the teased hairdos and the flashing lights and Roman candles. The music? Not so much.
Oh, but don't misunderstand. Special effects in hard rock videos are very much here to stay. Now with 100% more Bullet Time and less 80s-style spark factories!
Of course, not everything is about fire and bombs. Some bands, in an attempt to make a memorable video or concert experience, might take a trip into the outre with weird stage shows, odd props, or bizarre dramatizations with members of the band, roadies or even the audience. When it comes down to making sure you come back next year to see what they'll do, nothing is off limits.
Compare Rockers Smash Guitars.
Note: It should be emphasized that the presence or absence of theatrics or special effects does not necessarily equate with the absence or presence of musical ability, nor vice-versa; the two can co-exist quite comfortably. This article is intended to have a light tone; let's keep it that way, shan't we?
Examples:
Alternative Rock
- The Butthole Surfers love using these kind of effects in shows for serious Squick. Naked dancer, drum with a strobe light in it, films of such things as penis reconstruction surgery and gory driver's education films... apparently, Gibby Haynes and Paul Leary even had sex on stage once.
Avante Garde/Misc
- During her 2003 live tour, Björk used firethrowers as a musical instrument(!)
Christian Rock
- If you want to see this trope embodied to the fullest in music video form, watch the one for Skillet's "Hero". It consists of two things: random closeup shots of cops, firemen, marines and social workers ("heroes", you see) and the band playing in front of massive explosion after massive explosion. Oh, and it's raining for over half the video as well, but that doesn't stop all those GBOFs from going off undoused. To top it off, after cycling through every type of pyro in the rock and roll inventory, the video ends with a fucking mushroom cloud.
Classical
- Perhaps the grand-pappy of this would be the 1812 Overture where outside performances sometimes use real artillery pieces for the bit with the cannon fire. (Da-dadadada-da-da-BOOM!)
- Well, the piece was *written* to have Cannonfire included. None of this "let's add the theatrics afterwards" pandering.
- The Music for the Royal Fireworks by Georg Friedrich Händel is an inversion of this trope, with the piece especially composed to accompany a great firework in London's Green Park in 1749. It is today still often used as background music to fireworks performances.
Country
- Garth Brooks's concerts had some very impressive pyrotechnics, particularly at the Live in Central Park concert in 1997, where they set a spotlight on fire. Understandable, as he counted Queen as one of his inspirations.
Electronic
- E Nomine's "Die Prophezeiung" video is a huge dramatization of the entire disc's lyrics, which range from satanist cults to cursed souls walking the earth.
Folk
- Aversion: Not to mention every folk singer ever, but special mention must go to José Gonzalez, whose performances tend to be so quiet and unobtrusive that a journalist once described them as "anti-gig"s.
Hard Rock/Heavy Metal
Pop
- Indian singer Daler Mehndi uses this in his "Tunak Tunak Tun" video. At one point, he even picks up a CGI fireball and throws it at the camera.
- Conversely, some of his other videos (such as "Shaa Ra Ra") consist entirely of a still picture of him with the music playing in the background, and no movement at all.
- In his video for "Just A Gigolo/I Ain't Got Nobody", David Lee Roth parodies many videos and video tropes, including a pyro going off and setting the guitar player on fire.
Rock
- Pyrotechnics became so ubiquitous in the mid- to late-80s that at the 1987 MTV Music Video Awards, a bomb blast was used during the performance of Los Lobos' "La Bamba." "La frickin' Bamba," people!
- And don't forget Pink Floyd's "flying pig."
- Variations have included a flying hospital bed and an actual (model) airplane, which — yes — crashed into the stage and exploded.
- Even Elvis Presley wasn't immune, and he died four years (almost to the day) before MTV.
- All live Paul McCartney versions of "Live and Let Die" include explosions. What sort depends on the show: the pyrotechnics have ranged from smoke pots to huge rocket firecrackers. On occasion, the huge rockets had been placed dangerously close to the piano Paul was using—though clearly nothing's gone wrong on that front yet.
- Muse.
- Famous aversion: Dire Straits deliberately avoided on-stage theatrics during their shows. When they played small venues, they often turned the volume down so people could talk to each other.
- In an early example, a 1967 performance by The Who on The Smothers Brothers Comedy Hour was capped off by Keith Moon igniting a pyrotechnic charge he'd smuggled inside his bass drum. The charge, which Moon had made himself, proved so powerful that it temporarily blacked out the studio cameras and singed Pete Townshend's hair, and the sudden explosion caused Bette Davis to faint backstage.
- Ok Go are the geeky subtrope. Pyrotechnics, no. Spectacular
setpieces, oh yes .
- While U2 have never used actual pyrotechnics, when your stages look
◊ like ◊ THIS ◊, you don't need 'em.
- Similarly, David Bowie's Diamond Dogs Tour (1974) and Glass Spider Tour (1987) received a lot of hype for their huge sets. The former's set was so expensive that the cost figured into the choice to dispense with it halfway through the tour, and the latter's set was seen as over-the-top even by the standards of The Eighties.
- Just take one look at the "Famous Last Words" music video by My Chemical Romance. Wow.
Fictional Examples
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