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Music: Suede
1994 vs 2011

Suede (also known as The London Suede) are a British Alternative Rock band (Started 1989; went on breakup/hiatus between 2003-2010) known for being one of the bands to start Britpop, with a distinct glam rock style influenced by The Smiths and David Bowie. They gained press hype even before releasing their debut album, described by Melody Maker as "The Best New Band in Britain" as early as 1992. The following year, their debut album Suede, went to the top of the charts becoming the fastest-selling debut album in almost a decade. Their next album, however, Dog Man Star, suffered in popularity due to a troubled production and Creative Differences between the band's lead singer, Brett Anderson, and guitarist Bernard Butler. This resulted in the departure of Butler and his replacement by Richard Oakes, a young fan of the band who got in thanks to a tape he recorded sent them of him playing some Suede songs (Drummer Simon Gilbert mistakenly believed it to be an early demo tape with Butler when he heard Anderson playing it back, going through audition tapes sent to them).

Their next album Coming Up became their largest success mainstream success, mainly in the UK, as in the US it was released a nearly year later and had only a short American tour. It was backed by hit singles "Trash", "Saturday Night" and "Beautiful Ones". However, their following albums - Head Music and (especially) A New Morning - were met much less warmly, which led to the band's breakup in 2003.

In 2004, Anderson and Butler started a new group under the name The Tears, but broke up again after a single album, Here Come the Tears.

Suede reunited in 2010 for a series of concerts, and after three years of gigs went on to release a new (well-received) album, Bloodsports.

Discography
  • Suede (1993)
  • Dog Man Star (1994)
  • Coming Up (1996)
  • Head Music (1999)
  • A New Morning (2002)
  • Bloodsports (2013)

Band members

Current:
  • Brett Anderson - vocals (1989–2003; 2010–present)
  • Mat Osman - bass (1989–2003; 2010–present)
  • Simon Gilbert - drums (1991–2003; 2010–present)
  • Richard Oakes - lead guitar, piano (1994–2003; 2010–present)
  • Neil Codling - keyboards, rhythm guitar (1996–2001; 2010–present)

Former:
  • Justine Frischmann - rhythm guitar (1989–1991)
  • Bernard Butler - lead guitar, piano (1989–1994)
  • Alex Lee - rhythm guitar, keyboards (2001–2003)

Examples of tropes that apply to this band:

  • AcCENT Upon the Wrong SylLABle: "Come on and hit me / With your ma-JES-ty..."
  • Alliterative Name: "Metal Mickey".
    • Bernard Butler.
  • Animal Motifs: "Animal Lover", "Animal Nitrate", "We are the Pigs", "Where the Pigs Don't Fly", "Dog Man Star", "Pantomime Horse", "For the Birds"...
    • "We'll be the wild ones / Running with the dogs today".
    • "She lives in a house / She's as quiet as a mouse".
  • Author Appeal: A number of songs, in particular "She" and "She's in Fashion", appear to imply that Anderson has a fetish for very thin women.
  • Author Catchphrase: the words "aniseed", "sin", "psycho", "nuclear" and "gasoline" feature heavily in Suede lyrics.
  • Band of Relatives: Simon Gilbert (drums) and Neil Codling (keyboard, rhythm guitar, backing vocals) are cousins.
  • Bare Your Midriff / Fanservice: Brett Anderson was famous for this style of dress in the 1990s.
  • Black Gal on White Guy Drama: "Black or Blue", which is apparently an autobiographical song.
  • Breakup Song: "Barriers" and (for a possibly platonic version) "The 2 of Us". The latter also comes along with Reality Subtext since during the song's recording tensions in the band were high (and led to Bernard Butler leaving the band). Apparently Brett Anderson still finds it difficult to listen to the song without being reminded of the bleak times that spawned it.
  • B-Side: Sci-Fi Lullabies (a compilation album consisting of the band's B-sides from the singles released with their first three albums) is reckoned by critics to be equal in quality to Stheir better studio albums.
  • Camp Straight: despite his rather effeminate appearance and style in the 90s, Anderson's now a married man with two children. (He did, however, infamously proclaim himself "a bisexual man who's never had a homosexual experience").
    • Drummer Simon Gilbert, the only band member who actually is gay, later echoed this statement, joking that he was "a bisexual man who's never had a heterosexual experience".
  • Creepy Children Singing: the kids chanting at the end of "We are the Pigs".
  • Darker and Edgier: Suede already had a lot of dark slow songs, but Dog Man Star focused on even darker sounds, influenced by art-rock and with elements of the lyrics influenced by drug use. Proving relatively commercially unsuccessful, it was followed by the Lighter and Softer Coming Up.
  • Domestic Abuse: "Animal Nitrate", a song about a dysfunctional gay relationship in the suburbia.
    Brett Anderson: People think about gay sex and never really think about it romantically. They see sadness, romance and loss as purely a heterosexual thing. There's a definite domestic violence feel to 'Animal Nitrate.' But behind that there's a real sadness.
  • Driven to Suicide: the two lovers in "She's Not Dead". To double up the sadness, it's Based on a True Story.
    Brett Anderson: [My aunt] had this lover and he was black and Hayward's Heath is a small town and in the early '80s I guess it was very taboo. And basically they committed joint suicide together. They drove a car into a garage and just turned the exhaust on and killed themselves.
  • Eerie Pale-Skinned Brunette: Anderson, especially in his drug-fueled years.
  • Epic Rocking: "The Ashphalt World", "Stay Together" and "The Chemistry Between Us" are all over 7 minutes in length.
  • Genre Popularizer: Suede may not have been the first Britpop record, but it was the first popular britpop record and thus codified and fostered the genre. Ironically, the band think little of britpop and have since tried to distance themselved from it.
  • Getting Crap Past the Radar: since their songs are commonly about sex and/or drugs, this sort of thing tended to happen - most prominently with "Animal Nitrate".
    Brett Anderson: I had this schoolboy-ish fantasy to sneak an overtly sexual song with the framework of pop. I was amazed it got daytime radio play, considering the title is a play on amyl nitrate.
  • Heterosexual Life-Partners: Brett Anderson and Mat Osman, who have been friends since their schooldays.
  • Intercourse with You: a lot of Suede songs quite blatantly fall into this category, with "Asphalt World" and "Animal Nitrate" being just two examples.
  • Last Note Nightmare: Could "The Next Life" count in a very odd way? The album closer to 1993's Suede, "The Next Life" is a beautiful piano ballad that ends at about 2:57. But the song's silence continues until 3:39. You sit there and continue waiting for something to happen, and while nothing scary ever happens, it can really freak someone who is either Genre Savvy or has just sat through The Cure's "Subway Song" out.
  • Lonely at the Top: "The 2 of Us", whose narrator is "alone but loaded".
  • Long-Haired Pretty Boy: as the page image can attest, in Suede's early days drummer Simon Gilbert was the only short-haired band member.
  • Love Triangle: a real-life one between Anderson, Justine Frischmann (lead singer of Elastica) and Damon Albarn (blur frontman). See No Celebrities Were Harmed, below.
    • "The Asphalt World": "When you're there in her arms / And there in her legs / Well I'll be in her head".
  • Lull Destruction: The sampled film dialogue in "The Power" is there to fill the place intended for a guitar solo that Butler left the band without recording.
  • Market-Based Title: A lounge singer also named Suede sued the band over the use of their name in America, and won, and as a result their albums were released under the name "The London Suede".
  • The Nineties: duh.
  • No Celebrities Were Harmed: "Animal Lover" is widely considered to be a Take That against Damon Albarn, who at that point was dating Anderson's ex-girlfriend Justine Frischmann. (According to Word of God, Elastica's "Never Here" is unambiguously a Take That against Anderson.)
  • Pun-Based Title: "Animal Nitrate" is an allusion to amyl nitrite, a chemical compound with psychoactive effects that is heavily associated with gay male club culture. And to animals, of course.
  • Precision F-Strike: "She's Not Dead".
  • Queer Romance: "Animal Nitrate", for a very violent, drug-addled version. "The Drowners" also hints at this with lyrics like "we kissed in his room to a popular tune".
  • Refrain from Assuming: a minor example, but "By the Sea" is commonly believed to be titled "Into the Sea" because these are the words repeated in the chorus.
  • Self-Titled Album: the debut.
  • Sequel Song: according to Word of God, "Still Life" is this to "Sleeping Pills".
  • Shout-Out: the chorus of "The Wild Ones" was inspired by Jacques Brel's "Ne Me Quitte Pas".
    • "Daddy's Speeding" is about the death of James Dean.
    • The themes and imagery of Dog Man Star were inspired by George Orwell.
    • The two-note guitar figure at the end of the choruses of "We Are The Pigs" is a sarcastic shout out to the theme tune of Peter Gunn.
    • The opening line of "Heroine", "She walks in beauty like the night", quotes a poem by Lord Byron.
  • Silly Love Songs: straight examples are far and few in between, but "It Starts and Ends with You" and "Hit Me" certainly qualify.
  • The Something Song: "Campfire Song".
  • Straight Gay: the band's drummer Simon Gilbert, who Anderson once described as "the straighest-appearing member of the band". (See Camp Straight, above).
  • Wretched Hive: the setting of "We are the Pigs".
Barbra StreisandCreator/Columbia RecordsMatthew Sweet
St VincentAlternative IndieThe Sundays
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