Funny / The Nostalgia Critic 2024 Episodes

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On Deadly Ground

• After listening to Michael Caine and trying to figure out what kind of accent he's trying to portray, the Nostalgia Critic gives up and Googles it, only to burst out laughing when he sees it was meant to be a Texan accent.
• After R Lee Ermy’s character gives his monologue on Forest:
  Critic: (as Forest) Oh, sorry. My hard-on hit one of the barrels here.

Fat Albert

• When we're introduced to Kyla Pratt's character, Critic assumes that she and Fat Albert will switch places and we'd see what her life is like as a cartoon (cue picture of Penny Proud).
• Critic wastes NO time in roasting Bill Cosby when the movie gets to his scenes.
  Critic-as-Dark Helmet: Prepare for bad-taste jokes!
  Critic-as-Sandurz: Preparing for bad-taste jokes!
  Critic-as-Dark Helmet: BAD-TASTE JOKES!
  Critic-as-Sandurz: Bad-taste jokes, sir!
  • "How many times have I told you, I am NOT appearing on Chris Hansen!"
  • "Hey, hey, hey! Taste of your own medicine! How far should I go with this?"
  • This final bit:
    Bill: You can't stay out here.
    Critic: Something Cosby is told on a daily basis. I'm sorry! I don't why the worst if it brings out the best in me!

Aladdin

• Lea Salonga is the singing voice for both Jasmine and Mulan. When Jasmine and Aladdin are watching a parade in China:
  Critic: (as Jasmine) You can see me also singing for Mulan down there.
• When Jasmine is shown in her iconic sexy slave outfit:
  Critic: She's 15. (shows clip of people spitting in shock) It's all just lines, they always get an adult to play her, I don't think anyone cares, nobody's going to change their porn now.

Jumanji

• When the film's focus shifts from Alan and Sarah to Judy and Peter:
  Critic: I guess the movie got sick of those two kids, so here's two brand new ones.
• Critic is unimpressed when Judy uses a price scanner to blind Van Pelt, complete with overly Climactic Music.

Superman

• Critic's entire takedown of Superman spinning the Earth backwards:
  • He wonders why Superman didn't use this power to solve a million other dilemmas he's faced, particularly his father's death.
  • The plot hole in which the gas station and dam still blow up even though Superman prevented the earthquake.
  • Pointing out the time paradox in which Superman is supposed to meet an alternate past self.
    Alternate Superman: Well what happens to me?
    Superman: Well you die. (alternate Superman explodes) There can be only one.

Superman II

• When Superman erases Lois's memories by kissing her, Critic wonders why Superman doesn't just use this power on Lex Luthor.
  Critic: And don't lie, a really weird messed up part of your brain, even if it was just for a second, thought of that too.

Superman III

• Critic mocks the weirdly angular opening credits.

Justice League (Snyder Cut)

• During the intro, when Critic talked about the demand for the Snyder Cut, he jokingly scoffs at the notion of Warner Bros. having a complete film that they won't let anyone see... and brings up a news page about the Wile E. Coyote movie getting shelved for a tax write-off.

Wish

• In the beginning of the review, Critic introduces Malcolm and Tamara to "100 Years of Disney"... by pointing out everyday things and passing them off as objects and characters from classic Disney films while the two remain unimpressed at the lack of effort, which gives you a clear window into Critic's thoughts on the movie.
  • He even tries to pass Chaplin off as "all the cats from Disney".
    Chaplin: I'm lazily conceived.
  • His "grand finale" is him kicking a "dead horse" (really a guy with a horse mask) on which he projects the movie.
• He gives a more accurate logo for Disney's 100th anniversary: Cleveland falling out the bathtub while yelling no.
• Critic claims that one the Easter Eggs the movie has is the castle, bringing up a certain infamous building from the VHS cover of The Little Mermaid (1989).
• His constant cringing at the lyrics of the songs, which he feels are more like Whose Line Is It Anyway? songs than Disney songs.
  • When he talks about Magnifico's Villain Song , he notes that it feels like if Frollo swapped out "Hellfire" for Gaston's song.
  No one lusts like Frollo
  Or mistrusts like Frollo
  And goes roaming for big gypsy busts like Frollo!
• When Valentino talks about his dream of a utopian city where animals live as equals, Critic can just imagine the "whimsical" world he's envisioning.
• When Asha tells the people of Rosas to "just keep wishing", we cut to one year later and Rosas is burning with people screaming in the streets.
  Critic: Yeah, turns out there were a few Mussolinis in there!
  • Building on that, Critic previously points out that he's surprised that out of all the wishes Magnifico kept under lock and key, none of them were too questionable to offer up as a bounty for the "traitor". (The funniest part is the ambiguity of the wish, leaving it up to the audience's imagination that "Joe'" wish could range from maniacal to perverted.)
  Magnifico: Whoever identifies the traitor, your wish will be granted!
  Critic!Magnifico: ...unless it's Joe! Joe, I know what your wish is, and you should be ashamed!
  Critic!Joe: Is it that bad?
  Critic!Magnifico: It's pretty bad, Joe.
  Critic!Joe: Awww, I'm a monster, and I'm sorry!
  Critic!Magnifico: You should be, Joe.
  Critic!Joe: Wow.
• At the end of the review, once Critic is done with kicking the dead horse, Tamara notes that the dead horse is actually Madame Web (2024), and everyone starts kicking it with glee!

The Land Before Time

• Critic points out the ridiculous number of sequels this movie has (14 and counting), followed by a clip from Liar Liar:
  Fletcher: (to the Universal logo) How do you sleep at night?!
• When Littlefoot's mother dies, he shows "Let's Sing A Gay Little Spring Song" from Bambi.