"Our story is about music, not the music of long ago, but the music that expresses the culture, the refinement and the polite grace of the present day."Tom Miller is a down on his luck music agent called in to help former gangster Marty "Fats" Murdock's girlfriend Jerri make it big in the music business. Of course things get complicated when those two in love, and it turns out Jerri doesn't even want to be a singer. Can they get Murdock to understand the latter and not find out about the former?This Jayne Mansfield film (directed by former Warner Bros. animation director, Frank Tashlin) is also notable for its embracing of rock and roll. It has many actual recording stars of the time perform their hits, almost like a musical. The film also inspired John Lennon and Paul McCartney to get into music, so this film is one of the causes of The British Invasion.
Provides Examples Of:
- Agony of the Feet: After walking around the clubs in heels, there is a shot of Jerri's swollen bare feet when she gets home.
- The Alcoholic: Tom Miller is seriously on the sauce.
- All-Star Cast: The rock stars. Just look at the listing at the bottom of the page picture. It reads like a "Who's Who?" of the mid fifties.
- Anti-Love Song: Julie London's "Cry me a River" is one, apparently to spite him:"Come and cry me a river
cry me a river
I cried a river over you."
- Babies Ever After: Our two leads show up at the end with their children.
- Distracted by the Sexy: Jerri causes several accidents (and sexually-charged visual puns) by walking down the street.
- Double Entendre: A lot of the jokes about Jerri's... equipment, including this famous line:Tom: Rome wasn't built in a day.Murdock: She ain't Rome. What we're talking about is already built.
- Drowning My Sorrows: Tom started a while back and he didn't stop.
- Epic Rocking: Little Richard performs "She's Got It" and "Ready Teddy" in the middle section. And of course the opening credits is his title hit, "The Girl Can't Help It".
- The Fifties: The definitive portrayal of 50s Rock and Roll.
- Getting Crap Past the Radar: The lines about Jerri's assets.
- The scene where a bottle of milk bursts open when a guy sees Jerri strutting by.
- Glory Days: Tom and Murdock had them.
- Hello, Nurse!: Jerri.
- Have a Gay Old Time: A newsreel mentions Murdock "making whoopie" with a bunch of bunch of girls on the French Riviera. The thing is it just meant him partying with them.
- Hideous Hangover Cure: Averts the "Hideous" part.
- Hollywood Tone-Deaf: Jerri is faking that she cant's sing because she doesn't want that career.
- I Just Want My Beloved to Be Happy: Tom and Jerri hope this for each other.
- Imagine Spot: "Cry Me A River" as Tom imagining Julie London in his room all around the house in various outfits.
- Informed Ability: One might find that about Murdock's song at the end. Of course it's part of the Take That against packaged rock music.
- Lady in Red: Jerri's dress when Tom takes her out to the clubs to get noticed.
- Male Gaze: Invoked by Tom when he takes Jerri to the clubs.
- The Man Is Sticking It to the Man: Rock Music's popular among kids, the musicians are young and talented, yet the business is owned by 30s Gangsters. Indeed the whole plot is about this trope. Fats Murdoch is trying to promote his Moll as a pop sensation so he can cash in on her success, but then it turns out that he's the one with the talent for rock music. Indeed, Murdoch's old rival, who came to the finale to kill Fats, sees how popular he's with the kids and signs him up. It's Nothing Personal, just business.
- Meaningful Name: Tom and Jerri, although the latter is just a stage name, and her actual name is Georgiana.
- Missing Mom: Subverted. Just watch the scene.
- The One That Got Away: In the film, Tom was Real Life singer Julie London's agent, and he fell in love with her. But he let her get away, and that drove him to start drinking and sent his career spiraling.
- Pimped-Out Dress: Quite a few, with Julie wearing as many in her scene as Jerri does in the whole movie.
- Pretty in Mink: Jerri is a gangster's girlfriend, so she wears several furs. Her first scene is her wearing a white fox wrap and a dress with a white fox hem.
- Tom even uses one of her fox wraps as part of showing her off. She wears it coming into the club, and when the owner is around, he has her take it off and walk by, so the owner can see her full figure.
- Real Person Cameo: The rock acts on offer: Little Richard, Gene Vincent and the Blue Caps, Eddie Cochrane, Fats Domino, The Platters, Abbey Lincoln, Julie London and others. Initially Tashlin hoped to get Elvis Presley but the Colonel vetoed the offer. So it was very nearly a full set.
- Sexy Walk: "The Girl Can't Help It/She was born to please"
- Something Else Also Rises: A scene has three of these, including a bottle of milk bursting open at the top.
- Supreme Chef: Tom thinks this about Jerri's cooking.
- The One That Got Away: Julie London is this for Tom Miller, apparently he kept their relationship strictly business broke her heart and Tom interprets the song "Cry Me a River" as a Take That to him.
- Unlimited Wardrobe: She's in the film for one song, but Julie London has a jawdropping amount of costume changes during "Cry Me A River".
- Visual Pun: Jerri holding two jugs of milk against her chest.
- Widescreen Shot: When Tom introduces the film, he notices the Aspect Ratio is wrong, and then has the camera spread to widescreen.
- Wolf Whistle: The paperboy does it after seeing Jerri.
- Woman in White: Perhaps unintentional, but Jerri's white dress in her first scene indicates she is more innocent than she seems.