The Full Monty is a 1997 British comedy written by Simon Beaufoy and directed by Peter Cattaneo.Set in Sheffield, England, the film follows the story of six unemployed men, four of them former steel workers, who attempt to make money as stripteasers. No, wait, come back, it's really good. The film was a modest hit, released in the summer of 1997 to stellar reviews and decent box office, and then was a surprise nominee for Best Picture. The film made $257 million worldwide on a budget of $3.5 million, $45 million of which came Stateside.The film was adapted into a Broadway Musical in 2000, which moves the plot to America.
Contains examples of:
- Ask a Stupid Question...: This exchange when Gaz asks his friend Dave to “borrow” a jacket for a funeral from the retail store ASDA where he works:
- Berserk Button: Gerald butts in in Gaz and his friends' conversation and afterwards, calls them "fucking ugly" which really breaks the straw on the camel's back for Gaz.Gerald: Because you're fat and he's thin, and you're both fucking ugly.
Gaz: [lunging at Gerald in fury] Bastard!
[Chaos ensue as Gaz attempts to fight Gerald, only for the other members of the job club to restrain them quickly.]
- Black Comedy: Cheery fun about a bunch of guys stripping off for the ladies, but it doesn't gloss over the fact that they hit on doing it because their livelihoods have been destroyed, and a bleak future of long-term unemployment seems most likely. The play version adds to this with a catchy musical number about assisting a friend's suicide.
- Black Is Bigger in Bed:
Gaz: (upon seeing Guy's "assets" at the tryouts) Gentlemen, the lunchbox has landed.
- Horse becomes concerned when he learns of the plan to strip completely, because he thinks everyone will expect his penis to be large when it is instead of normal size. It is instead Guy, a white guy, who has a rather large penis.
- Also subverts it, in that Dave asks his wife whether, were anything to happen to him, she might take up with a black feller. She answers that she "might do, yeah". He immediately goes into a funk, because everyone knows they have "great bodies and that"note . He may be talking about their physiques, and not their equipment, or he may just be uncomfortable openly discussing genitalia with her. Either way it's rooted in his own insecurity about his appearance.
- Brick Joke: Gerald talks to Dave about a friend of his wife who used something like cling film to help her to lose weight. Later, Dave wraps cling film around his stomach, while eating a chocolate bar.
- Chick Flick: The spear counterpart— basically a "chick flick" from a man's perspective, as guys stop and think of who they are, what they look like and their place in the world. The whole scene at Gerald's house is nothing but this.
- Cluster F-Bomb: Gaz in particular is guilty of these.
- Comically Missing the Point:
- During the movie, the boys watch Flashdance for inspiration. They spend the whole time criticizing Jennifer Beale's welding. "Her mix is all to cock! ... it's like Bonfire Night! That's too much acetylene, is that! Them joints will hold fuck all!"
- Lomper dismissing the idea of committing suicide by drowning because he can't swim.
- At the police station, the cops are having a laugh at the gang's attempt to strip, then everyone starts criticizing Gaz, telling him he's always a beat ahead of the music.
- Dave, inspired by Gerald's tale of his wife's trip to a spa, wraps his belly in cling-film in an attempt to slim down... and eats chocolate while doing so.
- Cool Old Lady: The musical adds in a delirious old woman who "came with the piano".
- Cultural Translation: The musical. It moves the action to Buffalo, NY and renames most of the characters (Lomper becomes "Malcolm", Gary = Jerry, Gerald = Harold, and Guy = Ethan). Dave and Horse remain the same.
- Delayed Reaction: When Gaz and Dave walk past Lomper sitting in his car, Dave fixes Lomper's engine while making polite conversation about remembering him from their days at the steel mill together, and Gaz walks a few yards further on to wait for him. The car starts, and Dave, annoyed at Lomper's silent ingratitude for the repair job, doesn't really absorb the exhaust smoke starting to fill the passenger cabin until he is halfway toward Gaz, who has lit a cigarette for him - at which point he turns around, dashes back to the car, and drags the coughing Lomper out of the door.
- Driven to Suicide: Lomper attempts suicide by carbon monoxide poisoning in his car, after losing his job as the security guard at the steel mill. After Dave pulls him out of it (the car), they have a discussion about other suicide options:Dave: Drownin'. Now there's a way to go.Lomper: I can't swim.Gaz: Well you don't have to fucking swim, you divvy. That's the whole point. God, you're not very keen are you?Lomper: Sorry...
- Mr. Fanservice: Averted in-universe. Their act is based on a Chippendales show, and none of the men resemble those dancers in any way. Justified thanks to...
- Fat Best Friend: Dave.
- First Father Wins: The conflict between Gaz and his ex-wife's new husband is built around this trope.
- Four-Temperament Ensemble: Everyone but Gaz fits this scheme nicely...
- Gerald is choleric, Dave and Lomper are melancholic, Horse is phlegmatic and Guy is sanguine.
- Gag Penis: It appears to be Guy's only "talent" in the tryouts. Subverted with Horse, whose name strongly suggests this trope ("it's not because he's won the Grand National"), who is astonishingly... good at dancing.
- Hey, Let's Put on a Show
- Historical Character Confusion: From the musical:
- Hypocritical Humor: When Dave gets a job as a security guard job as ASDA (supermarket), he tells Dave that he is "working, earning, not poncing about!" after he has just been seen trying to juggle confectionery.
- Known Only by Their Nickname: Lomper and Horse.
- Left Hanging: The vast majority of the plot points in the film are left unresolved — the guys do their dance, strip all the way, then after a brief freeze-frame of the moment the film cuts to black.
- Love Epiphany: Lomper and Guy, under hilarious circumstances.
- Men Act, Women Are: The first part of this trope is key to the situation; if men are defined by what they do, the closure of the steelworks has robbed them of their role. Worse, they can no longer provide for their families: all the men are now on state benefits, or their wives are the breadwinner. The latter is obviously not a bad thing or presented as such, but for the men of Sheffield it's still a persistent wound to the ego.
- Mistaken for Cheating: Dave becomes emotionally distant from his wife Jean because of his embarrassment over trying to be a stripper, and his own insecurities over being good enough for her. However, Jean interprets his behavior as him cheating on her, especially when she finds lotion and a thong he'd been hiding. Thankfully when Dave explains to her what he'd been doing, and opens up to her over his insecurities, she gives him her unequivocal support.
- Naked People Are Funny: One of the driving tropes. You have to wonder how many women attended out of Bile Fascination.
- Oop North
- Shout-Out: A movie about six British male laid off steelworkers flash-dancing to earn extra money? More like a remake. They even “borrow” the “original” movie for inspiration.
- Title Drop: When they're putting up the posters.
- The Unreveal: Thanks to clever lighting, the Broadway version manages to have the guys completely naked, and yet we can't see a thing. The film, of course, has the luxury of showing them from behind. (Some viewers were still annoyed that, what with full-frontal nudity being one of the major plot points, we didn't get to see them from the front.)
- Unconfessed Unemployment: Gerald never tells his wife he's lost his job. She finds out only when the repo men show up, much to her displeasure.
- What the Hell, Hero?: Gaz and Dave mess with Gerald during a job interview to have a laugh at their former foreman, costing him the job. He comes out and yells at them, nearly in tears. They buy him a little something for the garden by way of apology.
- Yaoi Guys: Guy and Lomper.
- You Keep Using That Word: "The Full Monty" is an expression which just means all the way; everything. Americans, unfamiliar with it before this film, generally believe it means "taking all of your clothes off".