Film: Sleepaway Camp
"Dear Mom and Dad, I've been at Sleepaway Camp for three weeks... and I'm getting very scared."Sleepaway Camp is a film directed by Robert Hiltzik, and it was released in 1983 during the heyday of Slasher Movies.The plot follows two cousins, Angela and Ricky, who are attending a summer camp. Shortly after their arrival, people start to die. Especially those who pick on Angela...The film became notorious for its Twist Ending and amassed a cult following over the years, mostly for its odd yet endearing mix of 80s slasher movie thrills and wistful summer nostalgia.Several sequels also followed: The comedic Sleepaway Camp II: Unhappy Campers and Sleepaway Camp III: Teenage Wasteland, the troubled Sleepaway Camp IV: The Survivor and the return-to-form Return to Sleepaway Camp. There is also a short film spinoff Judy, focusing on the character of the same name.
— Opening line of the trailer.
The first film contains the examples of:
- Adults Are Useless: The counselors know Artie is a pedophile and don't seem to care. The head of the camp is more concerned with the bad publicity and possible lawsuits that might arise from homicides than the fact that there's a potential murderer on the grounds that are filled with kids.
- The aunt. DEAR GOD, The Aunt.
- Alpha Bitch: Judy. She seemingly goes out of her way to be bitchy and hostile toward Angela.
- Author Appeal: Once you learn that the director was gay, all the men in belly shirts and short shorts make a lot more sense.
- Asshole Victim: Most of the victims. Most notably Artie the cook, who really likes children (yes, in that way). Ironically, he's also the only victim who doesn't die. Though if he survived his grave injuries it's likely a A Fate Worse Than Death. He's horribly disfigured and likely blind by the time he's rolled off to hospital. However some of the victims are selected for very petty reasons, most notably the young children murdered for being a bit bratty and kicking sand at Angela.
- Ax-Crazy: The killer has a lot of pent-up aggression as shown by the brutality.
- Bee Bee Gun: Billy is stung to death when a beehive is dropped into his bathroom stall.
- Big Brother Instinct: Ricky was very protective of Angela throughout the movie. His behavior is the reason why one of the councilors suspected him as killing kids that picked on Angela.
- Big "OMG!": During The Reveal.
- Bigger Bad: The demented Aunt Martha took a mentally fragile boy and forced him to be the daughter she always wanted. Worse still this involved pretending to be his recently dead sister. Add in the trauma of losing his family and being raised by a lunatic, Peter ends up becoming a psychotic serial killer.
- Butt Monkey: Mozart who is on the receiving end of several pranks in the boys cabin.
- Chekhov's Gun: Aunt Martha gives Ricky and Angela signed physical examination forms so they can go to camp. There's a good reason she doesn't want another doctor taking a look at Angela...
- Cloudcuckoolander: Aunt Martha is a particularly creepy one that is ultimately responsible for the whole mess due to her madness.
- Cradling Your Kill: Angela, or it that Peter, holds Paul in his arms.
- Cruel and Unusual Death: Judy has...''something'' done to her with a curling iron.
- Dedication: The director Robert Hiltzik dedicated the movie to his mother.
- Don't Go in the Woods: Several kids take a trip to the woods, and never return.
- '80s Hair: Mullets!
- Final Girl: Inverted with Angela who is the killer and really a guy. A better example would be Susie considering she's one of the few survivors.
- Flipping the Bird: Ricky delivers one to Judy after she makes out with Paul just to hurt Angela.
- Follow the Leader: So wait, an old summer camp is being reopened and a killer starts offing people. Sounds kinda familiar.
- Foreshadowing: The are clues hidden throughout the film that allude to Angela's real identity. For example, Angela refuses to swim in the lake with the other campers and at one point, one of the other girls asks why she always showers alone.
- Freudian Excuse: The killer's family died in a boating accident and his aunt forced him to dress in women's clothing and otherwise pretend to be her niece, who she preferred but actually died in the accident.
- Groin Attack: Strongly implied to have occurred on a female. With a curling iron to boot! However whilst the scene indicates the possibility, it never explicitly shows what happened.
- Harmful to Minors: Angela witnessing the death of her family. Well, Peter witnessing his father and sister's deaths more accurately.
- Has Two Daddies: Angela's dad's boyfriend didn't get custody after the accident.
- Hell Is That Noise: The creepy breathing/moaning that Angela does at the end.
- It's All About Me: Judy is incredibly self centered, insecure and jealous. Her ego is so massive that she becomes envious of Paul and Angela despite having several other men fawn over her constantly. Apparently the idea of a girl who isn't like her, that also has a man's attention, just rubs her the wrong way. Interestingly it's implied that before she hit puberty she wasn't such a jerkass with a high opinion of herself.
- Impending Doom P.O.V.: Both subverted and played straight.
- Infant Immortality: Averted, even kids are not safe from the killer.
- Jerkass: Pretty much every one who is targeted by the killer.
- Karma Houdini: Peter/Angela's aunt.
- Kick the Son of a Bitch: Angela scalds the pedophile cook with boiling water.
- Knife Nut: Meg is killed with a knife pulled down through her spine.
- Kubrick Stare: Angela seems to pull this off frequently.
- Male Frontal Nudity: Peter at the end.
- May-December Romance: Mel and Meg.
- My Beloved Smother: Aunt Martha to Angela.
- Nerd Glasses: Mozart is the sole character wearing glasses, which makes him the "loser nerd" of the cast.
- Nightmare Face: The final shot of the film.
- Nothing Is Scarier: Judy's death is more disturbing because we're not shown what happens when she is killed with the curling iron.
- Same thing with the kids Angela hacked and Paul. Both were killed offscreen, and we don't know the events that lead to them.
- Off with His Head!: Paul is decapitated off-screen with a hatchet.
- Peek-A-Boo Corpse: Several victims are discovered this way. One beneath a boat and another corpse falling from behind a shower curtain.
- Reasonable Authority Figure: Ronnie, the buffed-up, muscle-shirt-wearing counselor, really does care about the kids and their safety in the face of the killings, far moreso than the selfish, asshole owner of the camp. He gets a Pet the Dog moment early on when he politely tries to get a homesick Angela to eat her lunch.
- Red Herring: Hints that Ricky is the killer. While this is obvious to the more Genre Savvy viewers it later works in the film's favor, as The Reveal is more terrifying. There's a twist, just not of the nature you thought you were getting. This was all made more confusing by the fact that Ricky's actor did all the 'kill scenes'.
- Right for the Wrong Reasons: Mel soon connects the dots as to why the victims are being targeted. They have all wronged Angela. But then blames the wrong person. He suspects Ricky is murdering people out of some twisted desire to protect Angela. When in reality "Angela" is actually killing them personally.
- Sickeningly Sweethearts: Everyone makes fun of Paul and Angela for being this. They sort of are for a while until the end.
- Sir Swears-a-Lot: Ricky.
- Shadow Discretion Shot: Judy's death. We don't explicitly see what the killers done, only that it involves a curling iron and an awful lot of pain.
- She's All Grown Up: Played With. Paul, in an admittedly juvenile manner, points out to Ricky that Judy's hit puberty since last they met. However she doesn't think Ricky's any good for her now that she's "more mature" and Ricky takes an instant disliking to her new found personality.
- Shrinking Violet: Angela. Until it turns out that "she" is a psychotic killer.
- Soundtrack Dissonance: On the ending credits.
- Sympathy for the Devil: Angela. Rather than view "her" as aimless psycho killer, you can actually pity her. And that's pretty scary in itself.
- Thousand-Yard Stare: Again, Angela, as seen here◊.
- Twist Ending: One of the most infamous ones.
- Villainous Crossdresser: Angela is actually Martha's nephew, Peter; the crazy old bat, upon winning custody of him, forced him to dress up as and pretend to be a girl because she wanted a girl and not a boy.
- The Voiceless: Intially Angela. Though she soon upgrades to The Quiet One.
- Vomit Indiscretion Shot: Jeff upon discovering the bodies of butchered camp children.
- Wham Line:Aunt Martha: Angela. Such a lovely name. Why I believe it means 'angel'! Why, yes, I'm sure it does! I know you're going to like that name, won't you, Peter?
- Your Cheating Heart: Paul kissed Judy while he was trying to build a relationship with Angela. Though he regrets doing it immediately. Needless to say, Angela wasn't happy about this, and made him the last victim of the film.
Silent Night, Deadly Night III: Better Watch Out! Films of the 1980s Sleepaway Camp II: Unhappy Campers