In 1998, Hollywood almost destroyed the Earth from space. Twice.
This is about the one that didn't involve Bruce Willis
is a 1998 sci-fi/drama Disaster Movie
released by Paramount Pictures and DreamWorks SKG in the United States. The film was directed by Mimi Leder, and stars Elijah Wood
, Tea Leoni
, Morgan Freeman
and Robert Duvall
. It is loosely based on a book by Larry Niven
and Jerry Pournelle
called Lucifer's Hammer
The plot is roughly divided into these plot-lines:
- A Teen Genius and amateur astronomer who discovers what turns out to be a previously unknown comet. He strongly values his girlfriend.
- An Intrepid Reporter for MSNBC who thinks she's found a scandal when she asks a just-resigned cabinet member about "Ellie." Due to a misunderstanding, she believes "Ellie" is his mistress; the White House believes she's uncovered the truth and treats her accordingly, chasing her down with the FBI. She has an irascible father from whom she is estranged and a virtuous single mom as a boss, whose insistence on giving her lame stories is why she's so ambitious.
- The president (played by Morgan Freeman), who announces some months late that an ELE—an Extinction Level Event—threatens the earth. But he has several plans involving a large underground bunker and a special shuttle.
- The crew of the special shuttle sent to save the world from disaster; the younger members of which are a little grumpy about having an old-timer along.
Although the film's premise is similar to that of the more famous Armageddon
(released the same year), the two movies are only superficially similar otherwise. Deep Impact
is a drama movie first and foremost, and unlike the action-packed Armageddon
, focuses mostly on depicting the effects of the meteor's impending arrival.
This film contains examples of:
- Apathetic Citizens:
- The throngs (far too many to simply be facing death with dignity) in New York City still calmly going about their business downtown even though the President has warned that the Eastern seaboard (including New York City) is about to be destroyed by a tidal wave.
- Even before that, there seems to be massive public indifference to the comet's existence for over half a year, all the way up until the Messiah fails in its initial mission. At the press conference where the story is broken to the world, there is a brief agitated murmur when the President makes his announcement...and then everyone either calms down or (in the case of the news media) scrambles to find out anything they can about comets or natural disasters in order to make for must-see TV news coverage. Immediately after this sequence, there are some inappropriately lighthearted scenes, first of Leo Biederman receiving honors from his school for discovering the comet and being told that he is now going to lose his virginity, then of the younger astronauts chatting at a backyard barbecue and then in a country-and-western-themed bar, bragging and putting down Spurgeon Tanner.
- Apocalypse How: If the comet hit full, it would have caused the end of global human civilization. It does cause a massive localized disruption of the US eastern seaboard.
- The Ark: It's not mobile, but the underground bunker is specifically called "the Ark" by one of its security staff, and cages of wild animals are seen being brought inside to preserve them.
- Big Applesauce: Disaster movies hate New York City.
- Bittersweet Ending: The larger chunk of asteroid misses the Earth, thus sparing humanity, but the smaller chunk hits and causes massive damage and many deaths.
- Cool Starship: The Messiah and its Orion Drive. In the movie, it's supposed to be the most ambitious spacecraft ever developed by man.
- Demoted to Extra: Dougray Scott appears intermittently throughout the start and middle of the film. At the climax, while drawing straws for the last seat on a helicopter, there are hints that he and Tea Leoni's character are in some sort of relationship, though their main interactions must have been lost to editing.
- Deus Ex Nukina: A nuke is used to break up the asteroid.
- Disaster Movie
- Driven to Suicide: Implied with Jenny's mother.
- Dull Surprise
- Andrea, as they fly up to the comet. "Look at them [the rocks barely missing the spacecraft], they're the size of houses.", yeah, and you sound really concerned. Justified because astronauts/cosmonauts/space-o-nauts are specifically trained to remain calm and in control despite all manner of disaster blowing up around them. Anyone remember the frantic panic in the famous quote "Houston, we have a problem"?
- Téa Leoni's performance in this film just screams this. She does okay as the Smug Snake Intrepid Reporter looking for a political scandal. It's when the end of the world is confirmed and she has to show she has hidden depths, that her acting takes a turn for the worse.
- Earth-Shattering Poster
- Elaborate Underground Base: Created to put a million people underground for 2 years.
- Emergency Presidential Address: The President makes the announcement about Wolf–Biederman, and then makes another announcement that the Messiah has failed, and that disaster is coming — and if anyone has any way at all to get out of the path of destruction they better get going.
- Every Car Is a Pinto: The astronomer's ride couldn't just get hit by a truck, nooooo...
- Face Death with Dignity
- "Look on the bright side. We'll all have high schools named after us." Also counts as "Facing the Bullets" One-Liner.
- The families that knew they couldn't outrun the wave and chose to send their last moments in meaningful, loving embrace rather than futile panic.
- Failed a Spot Check: When the tsunami hits Manhattan, we see a man in a park reading a newspaper who doesn't notice the massive wave destroying the city until it swamps him. Doubly hilarious because everyone knew the asteroid was supposed to hit on that day, so even assuming someone did print a newspaper that morning, there would be nothing else worth reporting. Since he looks over 70 and wouldn't be eligible for the Ark as a result, it could be another instance of Face Death with Dignity.
- Follow the Leader: Part of the disaster movie revival of the 90's.
- Free-Range Children: As Sarah's father is chaining up his motorcycle and putting bars on the window of his house because society is breaking down as the comet approaches, his daughter is away from home, by herself. True, she's an older teen - but it certainly provides some dissonance as to what her father really cares about.
- Fulton Street Folly: Justified, in that the tidal wave naturally takes out the part of Manhattan Island that faces the bay.
- Government Conspiracy: Played more realistically than most, they can only keep it secret for about a year. But still, constructing an Elaborate Underground Base requiring thousands of people and a new spacecraft? Surely someone would have blabbed sooner.
- Heroic Sacrifice: Though the crew of the Messiah counts (see below) counts, it's more about Jenny's last-second choice to give up her space on the Ark to a coworker and her baby daughter. This allows her to finally reunite and make peace with her father.
- Idiot Ball: The astronomer in the beginning panicking about his discovery. He knew the world had well over a year until impact, yet still drove recklessly despite how precious his cargo of information was. Not to mention he didn't try to phone anyone about it until he was driving, rather than calling from the observatory.
- Impeded Messenger: Astronomer Marcus Wolf (Smith), who realizes that the object is a comet on a collision course with Earth, tries to get the information out, but dies in a car accident before he can alert the world.
- Indy Ploy: The Intrepid Reporter thinks she's investigating a sex scandal involving a woman called Ellie...until the moment the President of the United States enters the room and demands "What do you know about E.L.E?" She has to bluff out a response on the spot.
- Infant Immortality: Averted, as we clearly see children among the masses of people trying in vain to escape the torrent of water that destroys the East Coast. Also subverted as Leo and Sarah manage to haul the latter's infant brother to higher ground where it's safe.
- In Space Everyone Can See Your Face: Averted. As the astronauts worked on the dark side of the comet their face shields were open, only closing them as the Sun approached the horizon. This scene also realistically portrays the effects of failing to use face shields when one astronaut fails to close their shield in time. The exposure of only a few seconds results in immediate permanent blindness and severe sunburn.
- It Has Been an Honor: The astronauts Andy and Fisher, the former being the aged mission commander and the latter one of his subordinates, tell each other that "it's been an honour" just before they detonate the nukes on their ship to blow up the meteor from within.
- Lottery Of Doom: Inverted—there is a lottery for the limited space in the underground bunker.
- Made of Explodium: The astronomer's jeep, which is run off the road by a semi and explodes in midair.
- Meaningful Name: The shuttle sent to destroy the comet and save the Earth is named "Messiah."
- Messianic Archetype: In a literal and symbolic sense, the Messiah really does save the Earth with its final Heroic Sacrifice.
- Suicide Mission: The crew of the spaceship Messiah assign themselves one last mission, well aware of the fact that when the remaining nuclear bombs are detonated inside the larger comet fragment they will be killed as well.
- Television Geography: It's to be expected in a film of this size:
- Sarah's family is fleeing inland from Richmond, Virginia—stuck on the highway by a sign saying "Virginia Beaches 6 miles". Richmond is MUCH farther than 6 miles from the coast.
- There are no big hills such as the one Leo and Sarah find safety on within 6 miles of the coast there.
- Too Dumb To Live: Sarah's parents. They let their child refuse to go into the ark tunnel and then when Leo comes back for her, they don't try to follow on foot just because he has a motorbike. And yet they're redeemed, when they spend their last few moments in each other's arms, giving each other a loving hug.
- Trailers Always Spoil: The trailer compresses the whole movie into 3 1/2 minutes without anything important cut out.
- We All Live in America: Justified...sort of. The comet splashes down in the Atlantic Ocean - specifically, in Cape Hatteras, which is just off North Carolina. North America, South America, western Europe and western Africa all get swamped by the massive tsunami; Asia and Australia are apparently completely spared. In any case, with a few exceptions, the entire film takes place either around New York or "in the soft limestone hills of Missouri."
- What Happened to the Mouse?: We never find out if Jenny's young stepmother survived the tidal wave caused by the comet impact. The subplot about the resigning U.S. Treasury Secretary wanting to spend time with his daughter and sick wife is also dropped without resolution early on.
- Arguable, really. After the conversation Jenny had in the rain with her father, her stepmother is out of the picture, showing us all that her marriage with Jenny's father was hollow and pointless, after all, and putting a fine point on just how much of a waste his hurtful treatment of his family really was. The Treasury Secretary plotline was only there to introduce Jenny's plot, so he served his purpose with that one scene.
- Your Days Are Numbered: As soon as the Wolf–Biederman comet is revealed to the public, the world is told the projected timeline for the impact. First, the countdown to the Messiah mission begins, then to the actual catastrophe.