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''Senso'' is a 1954 film from Italy directed by Creator/LuchinoVisconti, [[TheFilmOfTheBook based on a short novella]] by Camillo Boito.
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''Senso'' is a 1954 film from Italy directed by Creator/LuchinoVisconti, [[TheFilmOfTheBook based on a short novella]] by Camillo Boito.
Boito, with a soundtrack by Music/NinoRota.
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* LostInImitation: In the original novella, Livia and her lover first meet in a swimming bath, but Visconti changed the location to a theatre. This change was kept for the 1993 French television and 2002 Italian theatrical adaptations of the novella.
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* SameLanguageDub: All of Farley Granger's dialogue was dubbed by an Italian actor.[[note]] Watch the movements of his mouth and you'll notice he's reciting his dialogue in English; he provided his own voice for the truncated English language dubs.[[/note]]
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* SameLanguageDub: All of Farley Granger's dialogue was dubbed by an Italian actor.[[note]] Watch the movements of his mouth and you'll notice he's reciting his dialogue in English; he provided his own voice for the truncated English language dubs.dub.[[/note]]
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* SameLanguageDub: All of Farley Granger's dialogue was dubbed by an Italian actor.
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* SameLanguageDub: All of Farley Granger's dialogue was dubbed by an Italian actor.[[note]] Watch the movements of his mouth and you'll notice he's reciting his dialogue in English; he provided his own voice for the truncated English language dubs.[[/note]]
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Franz was played by Farley Granger, an American actor better known to Anglophone audiences from the Hitchcock thrillers ''Theatre/{{Rope}}'' and ''Film/StrangersOnATrain''.
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Franz was played by Farley Granger, Creator/FarleyGranger, an American actor better known to Anglophone audiences from the Hitchcock thrillers ''Theatre/{{Rope}}'' and ''Film/StrangersOnATrain''.
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* WomanScorned: When she understands that Franz has never loved her and that he has manipulated her all along, Livia reports him as a deserter to the Austrian command, which means he will be sentenced to death.
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* WomanScorned: When she understands that Franz has never loved her and that he has manipulated her all along, Livia reports him as a deserter to the Austrian command, which means he will be sentenced to death.death.
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Not So Different has been renamed, and it needs to be dewicked/moved
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* NotSoDifferent: During their final confrontation, Franz tells Livia that she is just like him: she is not interested in the new world that is emerging and she is just looking for short-term pleasure. That is the reason why she gave him money.
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* NotSoDifferent: NotSoDifferentRemark: During their final confrontation, Franz tells Livia that she is just like him: she is not interested in the new world that is emerging and she is just looking for short-term pleasure. That is the reason why she gave him money.
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* AdaptationNameChange: Remigio Ruz becomes “Franz Mahler,” as a ShoutOut to Visconti’s favorite composer.
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* AdaptationNameChange: Remigio Ruz becomes “Franz Mahler,” as a ShoutOut to Visconti’s [[Music/GustavMahler favorite composer.]]
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No longer a trope.
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* WomanScorned: When she understands that Franz has never loved her and that he has manipulated her all along, Livia reports him as a deserter to the Austrian command, which means he will be sentenced to death.
* YourCheatingHeart: Livia embarks on an affair. Franz also cheats on her with a young woman named Clara.
* YourCheatingHeart: Livia embarks on an affair. Franz also cheats on her with a young woman named Clara.
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* WomanScorned: When she understands that Franz has never loved her and that he has manipulated her all along, Livia reports him as a deserter to the Austrian command, which means he will be sentenced to death.
* YourCheatingHeart: Livia embarks on an affair. Franz also cheats on her with a young woman named Clara.death.
* YourCheatingHeart: Livia embarks on an affair. Franz also cheats on her with a young woman named Clara.
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* DrivenToMadness: All the stress she has endured and giving over evidence to see Franz executed drives Livia insane.
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* InVinoVeritas: Franz confesses his true feelings in how much he loathes and used Livia when utterly drunk.
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* YourCheatingHeart: Livia embarks on an affair.
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* YourCheatingHeart: Livia embarks on an affair. Franz also cheats on her with a young woman named Clara.
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The opera is interrupted by a frenzied demonstration by Italian nationalists. An Italian marquis named Roberto insults Franz Mahler, an Austrian officer in the audience. Roberto's cousin Livia (Alida Valli, ''Film/TheThirdMan'') tries to intercede, but Roberto gets exiled anyway. Livia is an Italian patriot but she is also stuck in an unhappy marriage with an older boring businessman, Count Serpieri. Soon, despite herself, she is swept into a passionate affair with handsome Franz.
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The opera is interrupted by a frenzied demonstration by Italian nationalists. An Italian marquis named Roberto insults Franz Mahler, an Austrian officer in the audience. Roberto's cousin Livia (Alida Valli, (Creator/AlidaValli, ''Film/TheThirdMan'') tries to intercede, but Roberto gets exiled anyway. Livia is an Italian patriot but she is also stuck in an unhappy marriage with an older boring businessman, Count Serpieri. Soon, despite herself, she is swept into a passionate affair with handsome Franz.
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* AdaptationExpansion: The film covers a great deal of the Italian War for Independence from the Austro-Hungarian Empire and the politics of the time, all of which is barely hinted at in Camillo Boito's original story.
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* AdaptationExpansion: The film covers a great deal of the Italian War for Independence from the Austro-Hungarian Empire and the politics of the time, all of which is was barely hinted at in Camillo Boito's original story.
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* AtTheOperaTonight: The starting point of the film is a performance of ''Il Trovatore'', where Roberto insults Franz.
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The opera is interrupted by a frenzied demonstration by Italian nationalists. An Italian marquis named Roberto insults Franz Mahler, an Austrian officer in the audience. Her cousin Livia (Alida Valli, ''Film/TheThirdMan'') tries to intercede, but Roberto gets exiled anyway. Livia is an Italian patriot but she is also stuck in an unhappy marriage with an older boring businessman, Count Serpieri. Soon, despite herself, she is swept into a passionate affair with handsome Franz.
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The opera is interrupted by a frenzied demonstration by Italian nationalists. An Italian marquis named Roberto insults Franz Mahler, an Austrian officer in the audience. Her Roberto's cousin Livia (Alida Valli, ''Film/TheThirdMan'') tries to intercede, but Roberto gets exiled anyway. Livia is an Italian patriot but she is also stuck in an unhappy marriage with an older boring businessman, Count Serpieri. Soon, despite herself, she is swept into a passionate affair with handsome Franz.
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* AdaptationalAlternateEnding: [[spoiler: Livia does not attend Franz’s execution or gloat over his death. Instead, driven mad by her actions, she runs off into the night, hysterically crying out his name.]]
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* AdaptationalAlternateEnding: [[spoiler: Livia does not attend Franz’s execution or gloat over his death. Instead, driven mad by her actions, she runs off into the night, hysterically crying out his name.]]
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* AdaptationalAngstUpgrade: Livia is much more neurotic and emotional than her literately counterpart, while Franz is filled with self-loathing and wracked with guilt for desserting the army.
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* AdaptationalAngstUpgrade: Livia is much more neurotic and emotional than her literately literary counterpart, while Franz is filled with self-loathing and wracked with guilt for desserting deserting the army.
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* DestructiveRomance: Livia loses her status and her self-esteem. [[spoiler:Franz ends up dead.]]
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* DestructiveRomance: Livia loses her status and her self-esteem. [[spoiler:Franz Franz ends up dead.]]
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* LaResistance: Livia's cousin Roberto is part of an underground guerilla network that is fighting against the occupation by the Austrian Empire.
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* LaResistance: Livia's cousin Roberto is part of an underground guerilla guerrilla network that is fighting against the occupation by the Austrian Empire.
