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** The anime's second opening, ''" [[https://www.youtube.com/watch?v=kkEQ58iMmNg Dream of Life]]''" the second opening of the anime, is no slouch either. The awesome instrumentation and vocals are backed up by lyrics that uncannily match the show.

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** The anime's second opening, ''" " [[https://www.youtube.com/watch?v=kkEQ58iMmNg Dream of Life]]''" Life]]" the second opening of the anime, is no slouch either. The awesome instrumentation and vocals are backed up by lyrics that uncannily match the show.
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* {{Anvilicious}}: When Mashiro and Takagi end up [[PanderingToTheBase writing their story according to reader suggestions]] due to understandably being desperate to keep Detective Trap going, [[DumbassHasAPoint Miura, of all people, notices something's off and calls them out on it]]. He then points out that the fan mail doesn't represent the majority of the readers, and the readers are there for Mashiro and Takagi's story. It's not exactly subtle that it's a message against merely pandering in an attempt to gain popularity.

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* {{Anvilicious}}: When Mashiro and Takagi end up [[PanderingToTheBase writing their story according to reader suggestions]] due to understandably being desperate to keep Detective Trap ''Detective Trap'' going, [[DumbassHasAPoint Miura, of all people, notices something's off and calls them out on it]]. He then points out that the fan mail doesn't represent the majority of the readers, and the readers are there for Mashiro and Takagi's story. It's not exactly subtle that it's a message against merely pandering in an attempt to gain popularity.



** "''[[https://www.youtube.com/watch?v=LIlZCmETvsY Shin-Takarajima]]''" (New Treasure Island), the optimistic alternative-punk ending theme for 2015 live-action adaptation of ''Bakuman'' by a Japanese group ''{{Music/Sakanaction}}''.

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** "''[[https://www."[[https://www.youtube.com/watch?v=LIlZCmETvsY Shin-Takarajima]]''" Shin-Takarajima]]" (New Treasure Island), the optimistic alternative-punk ending theme for 2015 live-action adaptation of ''Bakuman'' by a Japanese group ''{{Music/Sakanaction}}''.
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** Toward the end of Hideout Door's serialization, Nakai becomes desperate to stay serialized, while Aoki refuses to compromise her vision. Is Aoki self-centered and inconsiderate of Nakai(especially given his long struggle to get serialized), or is she simply staying true to herself like a good artist should? Is Nakai's concern understandable, or is he so desperate to stay in the magazine (not to mention work together with Aoki) that he disregards her wishes?

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** Toward the end of Hideout Door's serialization, Nakai becomes desperate to stay serialized, while Aoki refuses to compromise her vision. Is Aoki self-centered and inconsiderate of Nakai(especially Nakai (especially given his long struggle to get serialized), or is she simply staying true to herself like a good artist should? Is Nakai's concern understandable, or is he so desperate to stay in the magazine (not to mention work together with Aoki) that he disregards her wishes?
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* WhatAnIdiot:
** Takagi doesn't tell Miyoshi about his seeing Aoki for ideas on his manga, and meeting Iwase while he's there, claiming that she'll get jealous if he goes to other women for help. As a result, when she finds Iwase's book, with a letter to him in it, while cleaning, she assumes [[MistakenForCheating he's cheating on her]].
** [[spoiler:Nakai]] tries to salvage the situation with [[spoiler:Nanamine's]] manga by telling his contributors that the ranking has fallen to 16th and they need to work hard to reverse it. The few left over then desert [[spoiler:Nanamine]] after knowing for certain that he lied, and he gets fired for this.

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* {{Anvilicious}}: When Mashiro and Takagi end up [[PanderingToTheBase writing their story according to reader suggestions]] due to understandably being desperate to keep Detective Trap going, [[DumbassHasAPoint Miura, of all people, notices something's off and calls them out on it]]. He then points out that the fan mail doesn't represent the majority of the readers, and the readers are there for Mashiro and Takagi's story. It's not exactly subtle that it's a message against merely pandering in an attempt to gain popularity.



* SomeAnvilsNeedToBeDropped: When Mashiro and Takagi end up [[PanderingToTheBase writing their story according to reader suggestions]] due to understandably being desperate to keep Detective Trap going, [[DumbassHasAPoint Miura, of all people, notices something's off and calls them out on it]]. He then points out that the fan mail doesn't represent the majority of the readers, and the readers are there for Mashiro and Takagi's story. It's not exactly subtle, but it's an effective message against merely pandering in an attempt to gain popularity.
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** Does Mashiro really love Azuki or does she just love the ideal he has about her? Especially if we take into account that due to the promise they made, their interaction is minimal and they cannot get to know each other well.


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* StrangledByTheRedString: Azuri and Mashiro have almost no interactions with each other due to promises, making it hard to believe all the devotion they have for each other.

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The latter sentence isn't relevant to Iwase.


** Toward the end of Hideout Door's serialization, Nakai becomes desperate to stay serialized, while Aoki refuses to compromise her vision. Is Aoki self-centered and inconsiderate of Nakai(especially given his long struggle to get serialized), or is she simply staying true to herself like a good artist should? Is Nakai's concern understandable, or is he so desperate to stay in the magazine (not to mention work together with Aoki) that he disregards her wishes?



* DesignatedVillain: Iwase, to [[BrokenBase some of the base]] that believe that her portrayal as a snobby bitch because she's smart and talented is sexist. On the other hand, Takagi later accepts her as a rival, which could indicate that we are not meant to agree with his initial reactions. All of this, however, becomes a moot point as Nakai grows more and more despicable, and even more so when Nanamine is revealed as the true villain of the series.

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* DesignatedVillain: Iwase, to [[BrokenBase some of the base]] that believe that her portrayal as a snobby bitch because she's smart and talented is sexist. On the other hand, Takagi later accepts her as a rival, which could indicate that we are not meant to agree with his initial reactions. All of this, however, becomes a moot point as Nakai grows more and more despicable, and even more so when Nanamine is revealed as the true villain of the series.



** Hattori is the best.

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** Hattori is the best.rather popular for being a good mentor to Mashiro and Takagi, as well as to his kohai Miura.


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* SomeAnvilsNeedToBeDropped: When Mashiro and Takagi end up [[PanderingToTheBase writing their story according to reader suggestions]] due to understandably being desperate to keep Detective Trap going, [[DumbassHasAPoint Miura, of all people, notices something's off and calls them out on it]]. He then points out that the fan mail doesn't represent the majority of the readers, and the readers are there for Mashiro and Takagi's story. It's not exactly subtle, but it's an effective message against merely pandering in an attempt to gain popularity.
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* FanPreferredCouple: Aoki with either [[BirdsOfAFeather Takagi]] or especially [[spoiler:[[OppositesAttract Shinda]] [[RescueRomance Fukuda]].]] In the end, [[spoiler:Takagi ends up married to Miyoshi, while Aoki is in a relationship wtih Hiramaru, and is ultimattely engaged to him]].

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* FanPreferredCouple: Aoki with either [[BirdsOfAFeather Takagi]] or especially [[spoiler:[[OppositesAttract Shinda]] [[RescueRomance Fukuda]].]] In the end, [[spoiler:Takagi ends up married to Miyoshi, while Aoki is in a relationship wtih with Hiramaru, and is ultimattely ultimately engaged to him]].
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* FamilyUnfriendlyAesop:
** It's OK to lie to and manipulate a lonely, and quite possible depressed man, if you need him to write more manga. {{Played for laughs}} with Kazuya Hiramaru and his editor.
** Yoshida's manipulations become less effective and more obvious to Hiramaru over time, until [[spoiler:Aoki becomes Hiramaru's motivation to keep writing manga]].
** Mashiro getting bed-ridden eventually teaches the audience that "Your dreams are more important than your physical health." Although it should be noted that [[spoiler:Detective Trap ultimately ends up being cancelled, possibly even ''because'' of Mashiro getting hospitalized by overextending himself while in school]].
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* EpilepticTrees: The series started a popular ''real-life'' theory that Tsugumi Ohba was actually just a SecretIdentity for Hiroshi Gamou, the author of popular 90s GagSeries ''Luckyman''. Evidence for this is that Nobuhiro's manga and later career heavily resemble Gamou's, making his death very strange from a meta sense, Ohba's own art shown in the volumes closely resembling Gamou's, and that Ohba himself has literally zero credited work prior to ''Manga/DeathNote'', suggesting he had a career prior under a different name. When asked, Editor-in-Chief Sasaki pointedly declined to answer.
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** With how the story ends up it's likely that readers were meant to see the enforced hiatus as reasonable but it being extended all the way until their graduation as not.
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* EarWorm: "''[[https://www.youtube.com/watch?v=5W3DSRRwqOs Blue Bird]]''" the first opening of the anime, definitely qualifies.
** Especially the version that ran in the first season's last episode, which had the entire song played over the final scene.


* CounterpartComparison: Shun Shiratori has some similarities with Tsubasa Katsuki of ''Manga/ComicGirls''. Both are the younger children of very wealthy families, who eagerly pursue manga in spite of their mothers' opposition to it.
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** Azuma. He's been out of work for some time, and it has obviously taken its toll on him emotionally. [[spoiler:As such, he turns to Nanamine, only to get cast aside when he's deemed to be not good enough. This makes it considerably more [[CrowningMomentOfAwesome awesome]] and [[CrowningMomentOfHeartwarming heartwarming]] when he does actually succeed on his own]].

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** Azuma. He's been out of work for some time, and it has obviously taken its toll on him emotionally. [[spoiler:As such, he turns to Nanamine, only to get cast aside when he's deemed to be not good enough. This makes it considerably more [[CrowningMomentOfAwesome [[SugarWiki/MomentOfAwesome awesome]] and [[CrowningMomentOfHeartwarming heartwarming]] SugarWiki/{{heartwarming|Moments}} when he does actually succeed on his own]].

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* AwesomeMusic: "''[[https://www.youtube.com/watch?v=LIlZCmETvsY Shin-Takarajima]]''" (New Treasure Island), the optimistic alternative-punk ending theme for 2015 live-action adaptation of ''Bakuman'' by a Japanese group ''{{Music/Sakanaction}}''.

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* AwesomeMusic: SugarWiki/AwesomeMusic:
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"''[[https://www.youtube.com/watch?v=LIlZCmETvsY Shin-Takarajima]]''" (New Treasure Island), the optimistic alternative-punk ending theme for 2015 live-action adaptation of ''Bakuman'' by a Japanese group ''{{Music/Sakanaction}}''.

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Iwase is a Base Breaking Character, so she doesn't count as The Scrappy.


** While the editor in chief is largely seen as unreasonable for putting Detective Trap on hiatus while Mashiro is hospitalized, it's possible to conclude that he's the OnlySaneMan concerned about Mashiro's health but unwilling to end his career over this, like his mother wants. Considering that the main characters realize that the editor has valid points later on, it's possible that the story even intended for him to be seen this way.

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** While the editor in chief is largely seen as unreasonable for putting Detective Trap on hiatus while Mashiro is hospitalized, it's possible to conclude that he's the OnlySaneMan concerned about Mashiro's health but unwilling to end his career over this, like his mother wants. Considering that the main characters realize that the editor has valid points later on, and he's generally portrayed as a tough but fair ReasonableAuthorityFigure, it's possible that the story even intended for him to be seen this way.



** Same goes for Kayoko Mashiro, for not only being a nagging mother, but for being very strict and hardly supportive of her son's dream to become a manga artist (especially considering the circumstances that inspire him to do so).

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** Same goes for Kayoko Mashiro, for not only being a nagging mother, but for being very strict and hardly supportive of her son's dream to become a manga artist (especially considering the circumstances that inspire him to do so). Some believe she has valid reasons to do so, given what happened to her brother-in-law, but others see her as being unreasonable. Granted, she does gradually loosen up and become a bit more willing to tolerate Moritaka going into manga.
* CounterpartComparison: Shun Shiratori has some similarities with Tsubasa Katsuki of ''Manga/ComicGirls''. Both are the younger children of very wealthy families, who eagerly pursue manga in spite of their mothers' opposition to it.



** Miura, especially in the later chapters, though the authors seem to be trying to avert it as of chapter seventy.

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** Miura, especially in the later chapters, though the authors seem to be Miura gets some hate for being overly pushy and trying to avert it force Mashiro and Takagi to do gag manga, in spite of his lack of experience. Some of these reader reactions may be intentional, since the main characters are somewhat frustrated with having him as of chapter seventy.an editor, although they do accept that they can't blame him for all their troubles.



** Iwase, too, gets treated as this from time to time, though it's been softened by CharacterDevelopment. [[BrokenBase Other circles]] of the fandom [[EnsembleDarkhorse like her]] and consider her a victim of [[UnfortunateImplications author sexism.]] Ironically, Ohba appears to be fond of her.
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** The anime's second opening, "Dream of Life" is no slouch either. The awesome instrumentation and vocals are backed up by lyrics that uncannily match the show.

to:

** The anime's second opening, "Dream ''" [[https://www.youtube.com/watch?v=kkEQ58iMmNg Dream of Life" Life]]''" the second opening of the anime, is no slouch either. The awesome instrumentation and vocals are backed up by lyrics that uncannily match the show.



* Ear Worm: "Blue Bird", the first opening of the show, definitely qualifies.

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* Ear Worm: "Blue Bird", EarWorm: "''[[https://www.youtube.com/watch?v=5W3DSRRwqOs Blue Bird]]''" the first opening of the show, anime, definitely qualifies.
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Added DiffLines:

**The anime's second opening, "Dream of Life" is no slouch either. The awesome instrumentation and vocals are backed up by lyrics that uncannily match the show.


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*Ear Worm: "Blue Bird", the first opening of the show, definitely qualifies.
**Especially the version that ran in the first season's last episode, which had the entire song played over the final scene.
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** Azuki has her fair share of people (including WebVideo/RolloT of ''Weekly Manga Recap'') who find her relationship with Mashiro to be completely ridiculous and unbelievable, and [[SatelliteLoveInterest that she isn't defined as a character beyond that.]]

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** Azuki has her fair share of people (including WebVideo/RolloT of ''Weekly Manga Recap'') ''Podcast/WeeklyMangaRecap'') who find her relationship with Mashiro to be completely ridiculous and unbelievable, and [[SatelliteLoveInterest that she isn't defined as a character beyond that.]]

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* FanPreferredCouple: Aoki with either [[BirdsOfAFeather Takagi]] or especially [[spoiler:[[OppositesAttract Shinda]] [[RescueRomance Fukuda]].]] In the end, [[spoiler:Takagi ends up married to Miyoshi, while Aoki is in a relationship wtih Hiramaru, and is ultimatrely engaged to him]].
* FoeYay

to:

* FanPreferredCouple: Aoki with either [[BirdsOfAFeather Takagi]] or especially [[spoiler:[[OppositesAttract Shinda]] [[RescueRomance Fukuda]].]] In the end, [[spoiler:Takagi ends up married to Miyoshi, while Aoki is in a relationship wtih Hiramaru, and is ultimatrely ultimattely engaged to him]].
* FoeYayFoeYay:



* [[HilariousInHindsight Ironic In Hindsight]]: The third chapter has Mashiro forcing Takagi into making a name, with Takagi complaining that he could just give Mashiro a script. [[spoiler: Guess how Eiji and Iwase make +Natural work, and how Mashiro and Takagi start taking the lead with PCP?]]

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* [[HilariousInHindsight Ironic In Hindsight]]: HilariousInHindsight: In-universe. The third chapter has Mashiro forcing Takagi into making a name, with Takagi complaining that he could just give Mashiro a script. [[spoiler: Guess how Eiji and Iwase make +Natural work, and how Mashiro and Takagi start taking the lead with PCP?]]PCP?]]
** The authors' occasional TakeThat towards Jump SQ (a romanization for Jump Square) becomes hilarious as their next work, ''Manga/PlatinumEnd'', is serialized there.
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* AwesomeMusic: "''[[https://www.youtube.com/watch?v=LIlZCmETvsY Shin-Takarajima]]''" (New Treasure Island), the optimistic alternative-punk ending theme for 2015 live-action adaptation of ''Bakuman'' by a Japanese group ''Sakanaaction''.

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* AwesomeMusic: "''[[https://www.youtube.com/watch?v=LIlZCmETvsY Shin-Takarajima]]''" (New Treasure Island), the optimistic alternative-punk ending theme for 2015 live-action adaptation of ''Bakuman'' by a Japanese group ''Sakanaaction''.''{{Music/Sakanaction}}''.
Is there an issue? Send a MessageReason:
None


* AwesomeMusic: "''[[https://youtu.be/LIlZCmETvsY?list=RDoPuuBHr35iI Shin-Takarajima]]''" (New Treasure Island), the optimistic alternative-punk ending theme for 2015 live-action adaptation of ''Bakuman'' by a Japanese group ''Sakanaaction''.

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* AwesomeMusic: "''[[https://youtu.be/LIlZCmETvsY?list=RDoPuuBHr35iI "''[[https://www.youtube.com/watch?v=LIlZCmETvsY Shin-Takarajima]]''" (New Treasure Island), the optimistic alternative-punk ending theme for 2015 live-action adaptation of ''Bakuman'' by a Japanese group ''Sakanaaction''.
Is there an issue? Send a MessageReason:
None


* AwesomeMusic: "''[[https://youtu.be/LIlZCmETvsY?list=RDoPuuBHr35iI Shin-Takarajima]]''" (New Treasure Island), the optimistic alternative-punk ending theme to the live-action adaptation of ''Bakuman'' by a Japanese group ''Sakanaaction''.

to:

* AwesomeMusic: "''[[https://youtu.be/LIlZCmETvsY?list=RDoPuuBHr35iI Shin-Takarajima]]''" (New Treasure Island), the optimistic alternative-punk ending theme to the for 2015 live-action adaptation of ''Bakuman'' by a Japanese group ''Sakanaaction''.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

*AwesomeMusic: "''[[https://youtu.be/LIlZCmETvsY?list=RDoPuuBHr35iI Shin-Takarajima]]''" (New Treasure Island), the optimistic alternative-punk ending theme to the live-action adaptation of ''Bakuman'' by a Japanese group ''Sakanaaction''.
Is there an issue? Send a MessageReason:
None


* DesignatedVillain: Iwase, to [[BrokenBase some of the base]] that believe that her portrayal as a snobby bitch because she's smart and talented is sexist. On the other hand, Takagi later accepts her as a rival, which could indicate that we are not meant to agree with his initial reactions. Well, this is mostly until Nanamine comes into the picture and becomes the true villain of the series.

to:

* DesignatedVillain: Iwase, to [[BrokenBase some of the base]] that believe that her portrayal as a snobby bitch because she's smart and talented is sexist. On the other hand, Takagi later accepts her as a rival, which could indicate that we are not meant to agree with his initial reactions. Well, this is mostly until All of this, however, becomes a moot point as Nakai grows more and more despicable, and even more so when Nanamine comes into the picture and becomes is revealed as the true villain of the series.
Is there an issue? Send a MessageReason:
None


* DesignatedVillain: Iwase, to [[BrokenBase some of the base]] that believe that her portrayal as a snobby bitch because she's smart and talented is sexist. On the other hand, Takagi later accepts her as a rival, which could indicate that we are not meant to agree with his initial reactions.

to:

* DesignatedVillain: Iwase, to [[BrokenBase some of the base]] that believe that her portrayal as a snobby bitch because she's smart and talented is sexist. On the other hand, Takagi later accepts her as a rival, which could indicate that we are not meant to agree with his initial reactions. Well, this is mostly until Nanamine comes into the picture and becomes the true villain of the series.

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** One can argue that Nakai never quite TookALevelInJerkass, and was mainly repressing the less admirable aspects of his personality, as he never admits how much Fukuda's reminding him that his career is going nowhere upsets him to his face. Over time, he does so less often, such as when he loses his temper at an assistant when Hideout Door is doing poorly.

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** One can argue that Nakai never quite TookALevelInJerkass, and was mainly repressing the less admirable aspects of his personality, as he never admits how much Fukuda's reminding him that his career is going nowhere upsets him to his face. Over time, he does so less often, such as when he loses his temper at an assistant when Hideout Door is doing poorly. Similarly, considering that he [[NeverMyFault accuses Aoki of causing his present situation by rejecting him]], it's possible that his long history of failure is more his fault than he's willing to admit.


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** While the editor in chief is largely seen as unreasonable for putting Detective Trap on hiatus while Mashiro is hospitalized, it's possible to conclude that he's the OnlySaneMan concerned about Mashiro's health but unwilling to end his career over this, like his mother wants. Considering that the main characters realize that the editor has valid points later on, it's possible that the story even intended for him to be seen this way.
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** ValuesResonance: ''"Just so you know, women understand it, too."''
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* BaseBreaker:

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* BaseBreaker:BaseBreakingCharacter:

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* BaseBreaker: Iwase. How sympathetic is she, and how does this compare to how she is intended to be seen?

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* BaseBreaker: BaseBreaker:
**
Iwase. How sympathetic is she, and how does this compare to how she is intended to be seen?

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