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Changed line(s) 21 (click to see context) from:
to:
* AlliterativeName: The title of this short, "'''Wi'''ld '''Wi'''fe".
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Changed line(s) 16,17 (click to see context) from:
Despite all of Marsha’s accounts of her day, John remains unimpressed — until she answers that she did indeed get him something. It turns out to be a wooden rolling pin, which she uses to knock him out for what he said to her at the beginning.
to:
Despite all of Marsha’s accounts of her day, John remains unimpressed — until she answers that she did indeed get him something. It turns out to be a wooden rolling pin, which she uses to knock him out for what he said to his putting her at the beginning.
through all that trouble and then showing zero appreciation for it afterwards.
* {{Jerkass}}: John, a very chauvinistic husband with virtually no empathy for his wife.
Changed line(s) 29 (click to see context) from:
* RollingPinOfDoom: What Marsha bought John. She uses it to zap him over the noggin and proceeds to deliver the closing line of the cartoon.
to:
* RollingPinOfDoom: What Marsha bought "bought" John. She uses it to zap him over the noggin and proceeds to deliver the closing line of the cartoon.
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Changed line(s) 4,5 (click to see context) from:
'''“Wild Wife”''' is a 1954 WesternAnimation/MerrieMelodies one-shot cartoon directed by Creator/RobertMcKimson. Featuring none of the stable characters, it is instead a {{darker|and edgier}} (and, in hindsight, somewhat progressive) take on the stereotypical human television couple of the era.
to:
'''“Wild Wife”''' is a 1954 WesternAnimation/MerrieMelodies one-shot cartoon directed by Creator/RobertMcKimson. Featuring none of the stable staple characters, it is instead a {{darker|and edgier}} (and, in hindsight, somewhat progressive) take on the stereotypical human television couple of the era.
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Changed line(s) 31 (click to see context) from:
* SlapstickKnowsNoGender: Marsha's day is ''full'' of Looney Toon-level frustration and misfortune.
to:
* SlapstickKnowsNoGender: Marsha's day is ''full'' of Looney Toon-level Merrie Melodies-level frustration and misfortune.
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Changed line(s) 34 (click to see context) from:
* UngratefulBastard: John, as his reaction to hearing that the lawn hadn't been mowed was to make a crack about how women have all the time in the world, but still can't get anything done.
to:
* UngratefulBastard: John, as his reaction to hearing that the lawn hadn't been mowed was to make a sexist crack about how women have all the time in the world, but still can't get anything done.at his wife's expense.
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Added DiffLines:
* UngratefulBastard: John, as his reaction to hearing that the lawn hadn't been mowed was to make a crack about how women have all the time in the world, but still can't get anything done.
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Deleted line(s) 23 (click to see context) :
* AndNowForSomeoneCompletelyDifferent: One of the rare Looney Tunes shorts to not involve any of the mainstays. John and Marsha appear in this short and never appear again in any future shorts.
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Changed line(s) 27 (click to see context) from:
* OneEpisodeWonder: John and Marsha's debut, and only cartoon short. They never appear again in any follow up shorts.
to:
* OneEpisodeWonder: OneShotCharacter: John and Marsha's debut, and only debut (and only) cartoon short. They never appear again in any follow up shorts.
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Changed line(s) 22 (click to see context) from:
* AnAesop: While it's highly unlikely you'll ever get bashed with a rolling pin anytime soon, It's still important to show your loved one a little appreciation and gratitude.
to:
* AnAesop: While it's highly unlikely (hopefully) you'll ever get bashed with a rolling pin anytime soon, It's still important to show listen to your loved one and show a little appreciation and gratitude. gratitude.
* AndNowForSomeoneCompletelyDifferent: One of the rare Looney Tunes shorts to not involve any of the mainstays. John and Marsha appear in this short and never appear again in any future shorts.
* AndNowForSomeoneCompletelyDifferent: One of the rare Looney Tunes shorts to not involve any of the mainstays. John and Marsha appear in this short and never appear again in any future shorts.
* OneEpisodeWonder: John and Marsha's debut, and only cartoon short. They never appear again in any follow up shorts.
Changed line(s) 32 (click to see context) from:
* TheUnfairSex: Subverted. John shows clearly lacking gratitude towards his wife Marsha and gets bashed over the head for his trouble.
to:
* TheUnfairSex: Subverted. John shows clearly lacking understanding and gratitude towards his wife Marsha and gets bashed over the head for his trouble.trouble.
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Added DiffLines:
* AnAesop: While it's highly unlikely you'll ever get bashed with a rolling pin anytime soon, It's still important to show your loved one a little appreciation and gratitude.
Added DiffLines:
* SlapstickKnowsNoGender: Marsha's day is ''full'' of Looney Toon-level frustration and misfortune.
Added DiffLines:
* TheUnfairSex: Subverted. John shows clearly lacking gratitude towards his wife Marsha and gets bashed over the head for his trouble.
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Changed line(s) 23 (click to see context) from:
* FacePalm: The blood bank clerk when the little man wants to withdrawal.
to:
* FacePalm: The blood bank clerk when the little man wants to a withdrawal.
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* FacePalm: The blood bank clerk when the little man wants to withdrawal.
Changed line(s) 24 (click to see context) from:
* PayingInCoins: At the bank, the old lady in front of Marsha is making a large deposit in pennies. Marsha switches to another line when it clears up, only to be cut off by ''another'' old lady doing ''the same thing.''
to:
* PayingInCoins: At the bank, the old lady in front of Marsha is making a large deposit in pennies. Marsha switches to another line when it clears up, only to be cut off by ''another'' old lady doing ''the same thing.''thing''.
Changed line(s) 27 (click to see context) from:
* ShownTheirWork: Marsha’s accounts of her hectic day are highly accurate — even if the seniors’ bank deposits are exaggerated.
to:
* ShownTheirWork: Marsha’s Marsha's accounts of her hectic day are highly accurate — even if the seniors’ seniors' bank deposits are exaggerated.
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Changed line(s) 6,7 (click to see context) from:
Marsha, a housewife, is exhausted and slumping in an armchair when her pipe-smoking husband John comes home. The ''very first thing'' he asks is if she did any of the chores. She replies that mowing the lawn was the only chore that didn’t get done. After John makes a sexist remark about how housewives and stay-at-home moms have all the time in the world and can never get anything done, Marsha recounts her day to show what she normally goes through:
to:
Marsha, a housewife, is exhausted and slumping in an armchair when her pipe-smoking husband John comes home. The ''very first thing'' he asks is if she did any of the chores. She replies that mowing the lawn was the only chore that didn’t get done. After John makes a sexist remark about how housewives and stay-at-home moms women (at least, at the time this cartoon was made) have all the time in the world and can never get anything done, Marsha recounts her day to show what she normally goes through:
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Changed line(s) 23 (click to see context) from:
* {{Housewife}}: Marsha, who is greatly annoyed by John’s not realizing all she goes through in her day.
to:
* {{Housewife}}: Marsha, who is greatly annoyed by John’s John not realizing all she goes through in her day.
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Changed line(s) 4,9 (click to see context) from:
'''“Wild Wife”''' is a 1954 WesternAnimation/MerrieMelodies one-shot cartoon directed by Creator/RobertMcKimson. Featuring none of the stable characters, it is instead a {{darker|and edgier}} take on the stereotypical human television couple of the era.
Marsha is exhausted and slumping in an armchair when her pipe-smoking husband John comes home. The ''very first thing'' he asks is if she did any of the chores. She replies that mowing the lawn was the only chore that didn’t get done. After a sexist remark about how housewives and stay-at-home moms have all the time in the world and can never get anything done, Marsha recounts her day:
# She put up with his snoring through the night;
# She had to wake up to close the windows at the crack of dawn and prepare breakfast for him, the kids, and the dog;
Marsha is exhausted and slumping in an armchair when her pipe-smoking husband John comes home. The ''very first thing'' he asks is if she did any of the chores. She replies that mowing the lawn was the only chore that didn’t get done. After a sexist remark about how housewives and stay-at-home moms have all the time in the world and can never get anything done, Marsha recounts her day:
# She put up with his snoring through the night;
# She had to wake up to close the windows at the crack of dawn and prepare breakfast for him, the kids, and the dog;
to:
'''“Wild Wife”''' is a 1954 WesternAnimation/MerrieMelodies one-shot cartoon directed by Creator/RobertMcKimson. Featuring none of the stable characters, it is instead a {{darker|and edgier}} (and, in hindsight, somewhat progressive) take on the stereotypical human television couple of the era.
Marsha Marsha, a housewife, is exhausted and slumping in an armchair when her pipe-smoking husband John comes home. The ''very first thing'' he asks is if she did any of the chores. She replies that mowing the lawn was the only chore that didn’t get done. After John makes a sexist remark about how housewives and stay-at-home moms have all the time in the world and can never get anything done, Marsha recounts her day:
day to show what she normally goes through:
#She put Putting up with his John's snoring through until 6:00 in the night;
morning.
#She had to wake Waking up to close all the windows at in the crack of dawn house and prepare make breakfast for him, the kids, her bickering kids and the dog;chronically late-for-work husband.
#
#
Changed line(s) 12,19 (click to see context) from:
# Going to the blood bank, where she had to deal with a green-skinned man who wanted to make a withdrawal instead of a deposit;
# Going to the department store, the drugstore (which, as it was called at the time, had a soda counter for malts and milkshakes), and the grocery store;
# And finally, her hair appointment, where she had to put money in the parking meter. Despite pulling out the salon's permanent wave machine and scaring a man with the mud mask she had on her face, she ''still'' got a parking ticket because the city moved the parking meter and replaced it with a fire hydrant and the cop giving her the ticket didn't believe Marsha when she said that "It wasn't there when I parked it."
Despite all of Marsha’s accounts of her day, John remains unimpressed — until she answers that she did indeed get him something. It turns out to be a wooden rolling pin, which she uses to knock him out.
Creator/BeaBenaderet was the (uncredited!) voice of Marsha.
# Going to the department store, the drugstore (which, as it was called at the time, had a soda counter for malts and milkshakes), and the grocery store;
# And finally, her hair appointment, where she had to put money in the parking meter. Despite pulling out the salon's permanent wave machine and scaring a man with the mud mask she had on her face, she ''still'' got a parking ticket because the city moved the parking meter and replaced it with a fire hydrant and the cop giving her the ticket didn't believe Marsha when she said that "It wasn't there when I parked it."
Despite all of Marsha’s accounts of her day, John remains unimpressed — until she answers that she did indeed get him something. It turns out to be a wooden rolling pin, which she uses to knock him out.
Creator/BeaBenaderet was the (uncredited!) voice of Marsha.
to:
# Going to the blood bank, where she had to deal with a green-skinned man who wanted wants to make a withdrawal instead of a deposit;
# Going to the department store, the drugstore (which,as it was called at the time, time this short was made, had a soda counter for malts and milkshakes), and the grocery store;
# And finally, her hair and make-up appointment, where she had to put money in the parking meter. Despite pulling out the salon's permanent wave machine and scaring a man with the mud mask she had on her face, she ''still'' got a parking ticket because the city moved the parking meter and replaced it with a fire hydrant and the cop giving her the ticket didn't believe Marsha when shesaid that tells him, "It wasn't there when I parked it."
Despite all of Marsha’s accounts of her day, John remains unimpressed — until she answers that she did indeed get him something. It turns out to be a wooden rolling pin, which she uses to knock himout.
out for what he said to her at the beginning.
Creator/BeaBenaderet was the(uncredited!) (uncredited) voice of Marsha.
# Going to the department store, the drugstore (which,
# And finally, her hair and make-up appointment, where she had to put money in the parking meter. Despite pulling out the salon's permanent wave machine and scaring a man with the mud mask she had on her face, she ''still'' got a parking ticket because the city moved the parking meter and replaced it with a fire hydrant and the cop giving her the ticket didn't believe Marsha when she
Despite all of Marsha’s accounts of her day, John remains unimpressed — until she answers that she did indeed get him something. It turns out to be a wooden rolling pin, which she uses to knock him
Creator/BeaBenaderet was the
Changed line(s) 23 (click to see context) from:
* {{Housewife}}: Marsha, who is greatly annoyed by John’s response to her.
to:
* {{Housewife}}: Marsha, who is greatly annoyed by John’s response to her.not realizing all she goes through in her day.
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Changed line(s) 6,7 (click to see context) from:
Marsha is exhausted and slumping in an armchair when her pipe-smoking husband John comes home. The ''very first thing'' he asks is if she did any of the chores. She replies that mowing the lawn was the only chore that didn’t get done. After making a sexist remark about how housewives and stay-at-home moms have all the time in the world and can never get anything done, Marsha recounts her day:
to:
Marsha is exhausted and slumping in an armchair when her pipe-smoking husband John comes home. The ''very first thing'' he asks is if she did any of the chores. She replies that mowing the lawn was the only chore that didn’t get done. After making a sexist remark about how housewives and stay-at-home moms have all the time in the world and can never get anything done, Marsha recounts her day:
Changed line(s) 14,17 (click to see context) from:
# And finally, her hair appointment, where she had to put money in the parking meter, despite pulling out the salon's permanent wave machine and scaring a man with the mud mask she had on her face and ''still'' got a parking ticket because the city moved the parking meter and replaced it with a fire hydrant and the cop giving her the ticket didn't believe Marsha when she said that "It wasn't there when I parked it."
Despite all of Marsha’s accounts of her day, John remains unimpressed — until she answers that she did indeed get him something. It turns out to be wood to the skull, which knocks him out.
Despite all of Marsha’s accounts of her day, John remains unimpressed — until she answers that she did indeed get him something. It turns out to be wood to the skull, which knocks him out.
to:
# And finally, her hair appointment, where she had to put money in the parking meter, despite meter. Despite pulling out the salon's permanent wave machine and scaring a man with the mud mask she had on her face and face, she ''still'' got a parking ticket because the city moved the parking meter and replaced it with a fire hydrant and the cop giving her the ticket didn't believe Marsha when she said that "It wasn't there when I parked it."
Despite all of Marsha’s accounts of her day, John remains unimpressed — until she answers that she did indeed get him something. It turns out to bewood to the skull, a wooden rolling pin, which knocks she uses to knock him out.
Despite all of Marsha’s accounts of her day, John remains unimpressed — until she answers that she did indeed get him something. It turns out to be
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Changed line(s) 13 (click to see context) from:
# Going to the department store, the drugstore (which, back then, had a soda counter for malts and milkshakes), and the grocery store;
to:
# Going to the department store, the drugstore (which, back then, as it was called at the time, had a soda counter for malts and milkshakes), and the grocery store;
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Changed line(s) 6,7 (click to see context) from:
Marsha is exhausted and slumping in an armchair when her pipe-smoking husband John comes home. The ''very first thing'' he asks is if she did any of the chores. She replies that mowing the lawn was the only chore that didn’t get done. After making a sexist remark about how housewives and stay-at-home moms have all the time in the world and can never get anything done, Marsha tells John just how she spent her day:
to:
Marsha is exhausted and slumping in an armchair when her pipe-smoking husband John comes home. The ''very first thing'' he asks is if she did any of the chores. She replies that mowing the lawn was the only chore that didn’t get done. After making a sexist remark about how housewives and stay-at-home moms have all the time in the world and can never get anything done, Marsha tells John just how she spent recounts her day:
Changed line(s) 14,15 (click to see context) from:
# And finally, her hair and beauty appointment, where she had to put money in the parking meter (despite pulling out the salon's permanent wave machine and scaring a man with the mud mask she had on her face and ''still'' got a parking ticket because the city moved the parking meter and replaced it with a fire hydrant and the cop giving her the ticket didn't believe Marsha when she said that "It wasn't there when I parked it."
to:
# And finally, her hair and beauty appointment, where she had to put money in the parking meter (despite meter, despite pulling out the salon's permanent wave machine and scaring a man with the mud mask she had on her face and ''still'' got a parking ticket because the city moved the parking meter and replaced it with a fire hydrant and the cop giving her the ticket didn't believe Marsha when she said that "It wasn't there when I parked it."
Changed line(s) 28 (click to see context) from:
* {{Understatement}}: “Little man, I’ve had a ''busy'' day!”
to:
* {{Understatement}}: “Little man, I’ve had a ''busy'' day!”day!”
* [[WholeEpisodeFlashback Whole Cartoon Flashback]]: Marsha describing her day to John.
* [[WholeEpisodeFlashback Whole Cartoon Flashback]]: Marsha describing her day to John.
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Changed line(s) 6,10 (click to see context) from:
Marsha is exhausted and slumping in an armchair when her pipe-smoking husband John comes home. The ''very first thing'' he asks is if she did any of the chores. She replies that mowing the lawn was the only chore that didn’t get done. Then he makes a huge boo-boo: a sexist remark about how easy women in her position have it, at home.
And Marsha proceeds with her story:
# His snoring through the night;
# Waking up to close the windows at the crack of dawn and prepare breakfast for him, the kids, and the dog;
And Marsha proceeds with her story:
# His snoring through the night;
# Waking up to close the windows at the crack of dawn and prepare breakfast for him, the kids, and the dog;
to:
Marsha is exhausted and slumping in an armchair when her pipe-smoking husband John comes home. The ''very first thing'' he asks is if she did any of the chores. She replies that mowing the lawn was the only chore that didn’t get done. Then he makes a huge boo-boo: After making a sexist remark about how easy women in her position housewives and stay-at-home moms have it, at home.
Andall the time in the world and can never get anything done, Marsha proceeds tells John just how she spent her day:
# She put up withher story:
# Hishis snoring through the night;
#Waking She had to wake up to close the windows at the crack of dawn and prepare breakfast for him, the kids, and the dog;
And
# She put up with
# His
#
Changed line(s) 14,16 (click to see context) from:
# Going to the department store, the drugstore (which, as it was called in the day, had a soda counter for malts and milkshakes), and the grocery store;
# And finally, her hair appointment, where she had to deal with a fire hydrant that replaced the parking meter outside the salon… and a cop that tickets her for her claim.
# And finally, her hair appointment, where she had to deal with a fire hydrant that replaced the parking meter outside the salon… and a cop that tickets her for her claim.
to:
# Going to the department store, the drugstore (which, as it was called in the day, back then, had a soda counter for malts and milkshakes), and the grocery store;
# And finally, her hair and beauty appointment, where she had todeal put money in the parking meter (despite pulling out the salon's permanent wave machine and scaring a man with the mud mask she had on her face and ''still'' got a parking ticket because the city moved the parking meter and replaced it with a fire hydrant and the cop giving her the ticket didn't believe Marsha when she said that replaced the parking meter outside the salon… and a cop that tickets her for her claim.
"It wasn't there when I parked it."
# And finally, her hair and beauty appointment, where she had to
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That line didn't change everything, but it certainly wasn't what he expected.
Changed line(s) 27 (click to see context) from:
* RollingPinOfDoom: What Marsha bought John. She uses it to zap him over the noggin and proceeds to deliver the closing line of the cartoon.
to:
* RollingPinOfDoom: What Marsha bought John. She uses it to zap him over the noggin and proceeds to deliver the closing line of the cartoon.
Is there an issue? Send a MessageReason:
That line didn't change everything, but it certainly wasn't what he expected.
Changed line(s) 27,29 (click to see context) from:
* RollingPinOfDoom: What Marsha bought John. She zaps him over the noggin and delivers the WhamLine to close out the cartoon.
* ShownTheirWork: As a HouseHusband can attest, Marsha’s accounts of her hectic day are highly accurate — even if the seniors’ bank deposits are exaggerated.
* WhamLine: “Little man, I’ve had a ''[[UnderStatement busy]]'' day!”
* ShownTheirWork: As a HouseHusband can attest, Marsha’s accounts of her hectic day are highly accurate — even if the seniors’ bank deposits are exaggerated.
* WhamLine: “Little man, I’ve had a ''[[UnderStatement busy]]'' day!”
to:
* RollingPinOfDoom: What Marsha bought John. She zaps uses it to zap him over the noggin and delivers proceeds to deliver the WhamLine to close out closing line of the cartoon.
* ShownTheirWork:As a HouseHusband can attest, Marsha’s accounts of her hectic day are highly accurate — even if the seniors’ bank deposits are exaggerated.
*WhamLine: {{Understatement}}: “Little man, I’ve had a ''[[UnderStatement busy]]'' ''busy'' day!”
* ShownTheirWork:
*
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Changed line(s) 29 (click to see context) from:
* WhamLine: “Little man, I’ve had a [[UnderStatement ''busy'']] day!”
to:
* WhamLine: “Little man, I’ve had a [[UnderStatement ''busy'']] ''[[UnderStatement busy]]'' day!”
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Changed line(s) 29 (click to see context) from:
* WhamLine: “Little man, I’ve had a ''busy'' day.”
to:
* WhamLine: “Little man, I’ve had a ''busy'' day.”[[UnderStatement ''busy'']] day!”
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Changed line(s) 14 (click to see context) from:
# Going to the department store, the drugstore (which in the day had a soda counter for malts and milkshakes), and the grocery store;
to:
# Going to the department store, the drugstore (which (which, as it was called in the day day, had a soda counter for malts and milkshakes), and the grocery store;
Changed line(s) 23 (click to see context) from:
* BeCarefulWhatYouWishFor: John asks if Marsha bought him anything. When she answers yes, his face lights up. However, the page image indicates precisely what it was.
to:
* BeCarefulWhatYouWishFor: John asks if Marsha bought him anything. When she answers yes, his face lights up. However, the page image indicates precisely what it was.
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Changed line(s) 23 (click to see context) from:
* BeCarefulWhatYouWishFor: John asks if Marsha bought him anything. When she answers yes, his face lights up. However, the page image indicates precisely what it was.
to:
* BeCarefulWhatYouWishFor: John asks if Marsha bought him anything. When she answers yes, his face lights up. However, the page image indicates precisely what it was.
Changed line(s) 25 (click to see context) from:
* PayingInCoins: At the bank, the old lady in front of Marsha is making a large deposit in pennies. Marsha switches to another line when it clears up, only to get behind another old lady doing the same thing.
to:
* PayingInCoins: At the bank, the old lady in front of Marsha is making a large deposit in pennies. Marsha switches to another line when it clears up, only to get behind another be cut off by ''another'' old lady doing the ''the same thing. thing.''
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Changed line(s) 23 (click to see context) from:
* BeCarefulWhatYouWishFor: John asks if Marsha bought him anything. When she answers yes, his face lights up.
to:
* BeCarefulWhatYouWishFor: John asks if Marsha bought him anything. When she answers yes, his face lights up. However, the page image indicates precisely what it was.
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None
Added DiffLines:
* PayingInCoins: At the bank, the old lady in front of Marsha is making a large deposit in pennies. Marsha switches to another line when it clears up, only to get behind another old lady doing the same thing.
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None
Changed line(s) 4,5 (click to see context) from:
'''“Wild Wife”''' is a 1954 WesternAnimation/MerrieMelodies one-shot cartoon directed by Creator/RobertMcKimson. Featuring none of the stable characters, it is instead a darker take on the stereotypical human television couple of the era.
to:
'''“Wild Wife”''' is a 1954 WesternAnimation/MerrieMelodies one-shot cartoon directed by Creator/RobertMcKimson. Featuring none of the stable characters, it is instead a darker {{darker|and edgier}} take on the stereotypical human television couple of the era.
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Changed line(s) 4,7 (click to see context) from:
'''“Wild Wife”''' is a 1954 WesternAnimation/MerrieMelodies one-shot cartoon directed by Creator/RobertMcKimson. Featuring none of the stable characters, it is instead a darker take on the stereotypical human television couple of the era.
Marsha is exhausted and slumping in an armchair when her pipe-smoking husband John comes home. The ''very first thing'' he asks is if she did any of the chores. She replies that mowing the lawn was the only chore that didn’t get done. Then he makes a huge boo-boo: a sexist remark about how easy women in her position have it, at home.
Marsha is exhausted and slumping in an armchair when her pipe-smoking husband John comes home. The ''very first thing'' he asks is if she did any of the chores. She replies that mowing the lawn was the only chore that didn’t get done. Then he makes a huge boo-boo: a sexist remark about how easy women in her position have it, at home.
to:
'''“Wild Wife”''' is a 1954 WesternAnimation/MerrieMelodies one-shot cartoon directed by Creator/RobertMcKimson. Featuring none of the stable characters, it is instead a darker take on the stereotypical human television couple of the era.
Marsha is exhausted and slumping in an armchair when her pipe-smoking husband John comes home. The ''very first thing'' he asks is if she did any of the chores. chores. She replies that mowing the lawn was the only chore that didn’t get done. done. Then he makes a huge boo-boo: a sexist remark about how easy women in her position have it, at home.
Marsha is exhausted and slumping in an armchair when her pipe-smoking husband John comes home.
Changed line(s) 17,18 (click to see context) from:
Despite all of Marsha’s accounts of her day, John remains unimpressed — until she answers that she did indeed get him something. It turns out to be wood to the skull, which knocks him out.
to:
Despite all of Marsha’s accounts of her day, John remains unimpressed — until she answers that she did indeed get him something. It turns out to be wood to the skull, which knocks him out.
Changed line(s) 24 (click to see context) from:
Housewife: John’s response to Marsha, which annoys her greatly.
to:
Changed line(s) 26 (click to see context) from:
* RollingPinOfDoom: What Marsha bought John. She zaps him over the noggin and delivers the WhamLine to close out the cartoon.
to:
* RollingPinOfDoom: What Marsha bought John. She zaps him over the noggin and delivers the WhamLine to close out the cartoon.
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None
Added DiffLines:
[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/wild_wife.jpg]]
[[caption-width-right:350:A literal WhamLine.]]
'''“Wild Wife”''' is a 1954 WesternAnimation/MerrieMelodies one-shot cartoon directed by Creator/RobertMcKimson. Featuring none of the stable characters, it is instead a darker take on the stereotypical human television couple of the era.
Marsha is exhausted and slumping in an armchair when her pipe-smoking husband John comes home. The ''very first thing'' he asks is if she did any of the chores. She replies that mowing the lawn was the only chore that didn’t get done. Then he makes a huge boo-boo: a sexist remark about how easy women in her position have it, at home.
And Marsha proceeds with her story:
# His snoring through the night;
# Waking up to close the windows at the crack of dawn and prepare breakfast for him, the kids, and the dog;
# Vacuuming the house… and sweeping the floor when the dust comes out the other way;
# Going to the bank, where she had to deal with two elderly customers slowly counting out their large deposits in pennies;
# Going to the blood bank, where she had to deal with a green-skinned man who wanted to make a withdrawal instead of a deposit;
# Going to the department store, the drugstore (which in the day had a soda counter for malts and milkshakes), and the grocery store;
# And finally, her hair appointment, where she had to deal with a fire hydrant that replaced the parking meter outside the salon… and a cop that tickets her for her claim.
Despite all of Marsha’s accounts of her day, John remains unimpressed — until she answers that she did indeed get him something. It turns out to be wood to the skull, which knocks him out.
Creator/BeaBenaderet was the (uncredited!) voice of Marsha.
! Tropes appearing in this cartoon:
* BeCarefulWhatYouWishFor: John asks if Marsha bought him anything. When she answers yes, his face lights up.
Housewife: John’s response to Marsha, which annoys her greatly.
* PunBasedTitle: Of “wildlife.”
* RollingPinOfDoom: What Marsha bought John. She zaps him over the noggin and delivers the WhamLine to close out the cartoon.
* ShownTheirWork: As a HouseHusband can attest, Marsha’s accounts of her hectic day are highly accurate — even if the seniors’ bank deposits are exaggerated.
* WhamLine: “Little man, I’ve had a ''busy'' day.”
[[caption-width-right:350:A literal WhamLine.]]
'''“Wild Wife”''' is a 1954 WesternAnimation/MerrieMelodies one-shot cartoon directed by Creator/RobertMcKimson. Featuring none of the stable characters, it is instead a darker take on the stereotypical human television couple of the era.
Marsha is exhausted and slumping in an armchair when her pipe-smoking husband John comes home. The ''very first thing'' he asks is if she did any of the chores. She replies that mowing the lawn was the only chore that didn’t get done. Then he makes a huge boo-boo: a sexist remark about how easy women in her position have it, at home.
And Marsha proceeds with her story:
# His snoring through the night;
# Waking up to close the windows at the crack of dawn and prepare breakfast for him, the kids, and the dog;
# Vacuuming the house… and sweeping the floor when the dust comes out the other way;
# Going to the bank, where she had to deal with two elderly customers slowly counting out their large deposits in pennies;
# Going to the blood bank, where she had to deal with a green-skinned man who wanted to make a withdrawal instead of a deposit;
# Going to the department store, the drugstore (which in the day had a soda counter for malts and milkshakes), and the grocery store;
# And finally, her hair appointment, where she had to deal with a fire hydrant that replaced the parking meter outside the salon… and a cop that tickets her for her claim.
Despite all of Marsha’s accounts of her day, John remains unimpressed — until she answers that she did indeed get him something. It turns out to be wood to the skull, which knocks him out.
Creator/BeaBenaderet was the (uncredited!) voice of Marsha.
! Tropes appearing in this cartoon:
* BeCarefulWhatYouWishFor: John asks if Marsha bought him anything. When she answers yes, his face lights up.
Housewife: John’s response to Marsha, which annoys her greatly.
* PunBasedTitle: Of “wildlife.”
* RollingPinOfDoom: What Marsha bought John. She zaps him over the noggin and delivers the WhamLine to close out the cartoon.
* ShownTheirWork: As a HouseHusband can attest, Marsha’s accounts of her hectic day are highly accurate — even if the seniors’ bank deposits are exaggerated.
* WhamLine: “Little man, I’ve had a ''busy'' day.”