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* SelfSoothingSong: "Somewhere Out There", which Tanya and Fievel sing separately but as a duet, with her still believing her little brother is alive somewhere, and him knowing his family is out there and he needs to find them.
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* StockSoundEffects: The growls of the Cossack cats were lifted from Dragon in ''WesternAnimation/TheSecretOfNIMH'', themselves coming from the Balrog in 1978's ''WesternAnimation/TheLordOfTheRings''.
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Saw a sequel five years later with ''[[WesternAnimation/AnAmericanTailFievelGoesWest Fievel Goes West]]'', a pastiche of classic westerns in which the Mousekewitz family, still dirt poor and at the mercy of ever-more-sophisticated cats, flee New York for a Wild Western town. The debut production of Spielberg's Creator/Amblimation studio (albeit featuring no involvement from Bluth), the film, unusually for its period, was a full-budgeted theatrical release boasting comparably fluid animation to its predecessor (despite its conspicuously LighterAndSofter tone). A [[ShortRunners short-lived]] TV series set within the same Western town (''WesternAnimation/FievelsAmericanTails'') aired the following year; both instalments featured a RoleReprise from Phillip Glasser as Fievel. Years later, two additional [[DirectToVideo DTV]] sequels (''[[WesternAnimation/AnAmericanTailTheTreasureOfManhattanIsland The Treasure of Manhattan Island]]'' and ''[[WesternAnimation/AnAmericanTailTheMysteryOfTheNightMonster Mystery of the Night Monster]]'') were produced; both films play fast and loose with the established continuity, and had no involvement from either Bluth or Spielberg. While the series (mostly) retains a surprisingly consistent cast by the standards of most '90s animated franchises, Creator/DomDeLuise (Tiger) and Creator/NehemiahPersoff (Papa Mousekewitz) are the sole actors to feature in all four films

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Saw a sequel five years later with ''[[WesternAnimation/AnAmericanTailFievelGoesWest Fievel Goes West]]'', a pastiche of classic westerns in which the Mousekewitz family, still dirt poor and at the mercy of ever-more-sophisticated cats, flee New York for a Wild Western town. The debut production of Spielberg's Creator/Amblimation Creator/{{Amblimation}} studio (albeit featuring no involvement from Bluth), the film, unusually for its period, was a full-budgeted theatrical release boasting comparably fluid animation to its predecessor (despite its conspicuously LighterAndSofter tone). A [[ShortRunners short-lived]] TV series set within the same Western town (''WesternAnimation/FievelsAmericanTails'') aired the following year; both instalments featured a RoleReprise from Phillip Glasser as Fievel. Years later, two additional [[DirectToVideo DTV]] sequels (''[[WesternAnimation/AnAmericanTailTheTreasureOfManhattanIsland The Treasure of Manhattan Island]]'' and ''[[WesternAnimation/AnAmericanTailTheMysteryOfTheNightMonster Mystery of the Night Monster]]'') were produced; both films play fast and loose with the established continuity, and had no involvement from either Bluth or Spielberg. While the series (mostly) retains a surprisingly consistent cast by the standards of most '90s animated franchises, Creator/DomDeLuise (Tiger) and Creator/NehemiahPersoff (Papa Mousekewitz) are the sole actors to feature in all four films
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Saw a sequel five years later with ''[[WesternAnimation/AnAmericanTailFievelGoesWest Fievel Goes West]]'', a pastiche of classic westerns in which the Mousekewitz family, still dirt poor and at the mercy of ever-more-sophisticated cats, flee New York for a Wild Western town. The debut production of Spielberg's Creator/Amblimation studio (albeit featuring no involvement from Bluth), the film, unusually for its period, was a full-budgeted theatrical release boasting comparably fluid animation to its predecessor (despite its conspicuously LighterAndSofter tone). A [[ShortRunners short-lived]] TV series set within the same Western town,(''WesternAnimation/FievelsAmericanTails''), aired the following year; both instalments featured a RoleReprise from Phillip Glasser as Fievel. Years later, two additional [[DirectToVideo DTV]] sequels (''[[WesternAnimation/AnAmericanTailTheTreasureOfManhattanIsland The Treasure of Manhattan Island]]'' and ''[[WesternAnimation/AnAmericanTailTheMysteryOfTheNightMonster Mystery of the Night Monster]]'') were produced; both films play fast and loose with the established continuity, and had no involvement from either Bluth or Spielberg. While the series (mostly) retains a surprisingly consistent cast by the standards of most '90s animated franchises, Creator/DomDeLuise (Tiger) and Creator/NehemiahPersoff (Papa Mousekewitz) are the sole actors to feature in all four films

to:

Saw a sequel five years later with ''[[WesternAnimation/AnAmericanTailFievelGoesWest Fievel Goes West]]'', a pastiche of classic westerns in which the Mousekewitz family, still dirt poor and at the mercy of ever-more-sophisticated cats, flee New York for a Wild Western town. The debut production of Spielberg's Creator/Amblimation studio (albeit featuring no involvement from Bluth), the film, unusually for its period, was a full-budgeted theatrical release boasting comparably fluid animation to its predecessor (despite its conspicuously LighterAndSofter tone). A [[ShortRunners short-lived]] TV series set within the same Western town,(''WesternAnimation/FievelsAmericanTails''), town (''WesternAnimation/FievelsAmericanTails'') aired the following year; both instalments featured a RoleReprise from Phillip Glasser as Fievel. Years later, two additional [[DirectToVideo DTV]] sequels (''[[WesternAnimation/AnAmericanTailTheTreasureOfManhattanIsland The Treasure of Manhattan Island]]'' and ''[[WesternAnimation/AnAmericanTailTheMysteryOfTheNightMonster Mystery of the Night Monster]]'') were produced; both films play fast and loose with the established continuity, and had no involvement from either Bluth or Spielberg. While the series (mostly) retains a surprisingly consistent cast by the standards of most '90s animated franchises, Creator/DomDeLuise (Tiger) and Creator/NehemiahPersoff (Papa Mousekewitz) are the sole actors to feature in all four films
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Saw a sequel five years later with ''[[WesternAnimation/AnAmericanTailFievelGoesWest Fievel Goes West]]'', in which the Mousekewitz family, still dirt poor and at the mercy of ever-more-sophisticated cats, flee New York for the Wild West (made without Bluth's involvement, but with Spielberg still on board), and a [[ShortRunners short-lived]] TV series in the same setting (''WesternAnimation/FievelsAmericanTails''), and two additional [[DirectToVideo DTV]] sequels (''[[WesternAnimation/AnAmericanTailTheTreasureOfManhattanIsland The Treasure of Manhattan Island]]'' and ''[[WesternAnimation/AnAmericanTailTheMysteryOfTheNightMonster Mystery of the Night Monster]]'') that played fast and loose with the established continuity, and had no involvement from the original creators.

to:

Saw a sequel five years later with ''[[WesternAnimation/AnAmericanTailFievelGoesWest Fievel Goes West]]'', a pastiche of classic westerns in which the Mousekewitz family, still dirt poor and at the mercy of ever-more-sophisticated cats, flee New York for the a Wild West (made without Bluth's involvement, but with Spielberg still on board), and Western town. The debut production of Spielberg's Creator/Amblimation studio (albeit featuring no involvement from Bluth), the film, unusually for its period, was a full-budgeted theatrical release boasting comparably fluid animation to its predecessor (despite its conspicuously LighterAndSofter tone). A [[ShortRunners short-lived]] TV series in set within the same setting (''WesternAnimation/FievelsAmericanTails''), and Western town,(''WesternAnimation/FievelsAmericanTails''), aired the following year; both instalments featured a RoleReprise from Phillip Glasser as Fievel. Years later, two additional [[DirectToVideo DTV]] sequels (''[[WesternAnimation/AnAmericanTailTheTreasureOfManhattanIsland The Treasure of Manhattan Island]]'' and ''[[WesternAnimation/AnAmericanTailTheMysteryOfTheNightMonster Mystery of the Night Monster]]'') that played were produced; both films play fast and loose with the established continuity, and had no involvement from either Bluth or Spielberg. While the original creators.series (mostly) retains a surprisingly consistent cast by the standards of most '90s animated franchises, Creator/DomDeLuise (Tiger) and Creator/NehemiahPersoff (Papa Mousekewitz) are the sole actors to feature in all four films
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** The Statue of Liberty is a golden copper color. When the statue was first built, it really was that color slowly turning to the blue-green color it is today as a result of oxidization from weathering over subsequent decades.

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** The Statue of Liberty is a golden copper color. When the statue was first built, it really was that color slowly turning to the blue-green color it is today as a result of oxidization oxidation from weathering over subsequent decades.
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** The Statue of Liberty is a golden copper color. When the statue was firt built, it really was that color slowly turning to the blue-green color it is today as a result of oxidization from weathering over subsequent decades.

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** The Statue of Liberty is a golden copper color. When the statue was firt first built, it really was that color slowly turning to the blue-green color it is today as a result of oxidization from weathering over subsequent decades.
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** The Statue of Liberty is a golden copper color. When the statue was firt built, it really was that color slowly turning to the blue-green color it is today as a result of oxidization from weathering over subsequent decades.
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* SewerGator: Used [[MouseWorld proportionally]] with a regular lizard. [[AlwaysABiggerFish It eats the cockroaches attacking Feivel, allowing him to escape.]] A large, creepy-looking fish is also seen in the sewer.

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* SewerGator: Used [[MouseWorld proportionally]] with a regular lizard. [[AlwaysABiggerFish It eats the cockroaches attacking Feivel, Fievel, allowing him to escape.]] A large, creepy-looking fish is also seen in the sewer.
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* ScarecrowSolution: The Giant Mouse of Minsk sees the mice use a giant (well, to them, anyway) mechanical mouse to terrify the cats into leaving them alone. [[spoiler:It's double suvberted at the end of the movie when try actually try to use it. The subversion comes from them having to stop the release of the Giant Mouse before it's ready, and soon as they stop it, the mice now have to release it. When they do, it starts falling apart and making horrific mechanical noises. The double subversion comes in the fact that this terrifies the cats even further than the Giant Mouse if it had worked properly, and the cats book it as fast as they can.]]

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* ScarecrowSolution: The Giant Mouse of Minsk sees the mice use a giant (well, to them, anyway) mechanical mouse to terrify the cats into leaving them alone. [[spoiler:It's double suvberted subverted at the end of the movie when try they actually try to use it. The subversion comes from them having to stop the release of the Giant Mouse before it's ready, and soon as they stop it, the mice now have to release it. When they do, it starts falling apart and making horrific mechanical noises. The double subversion comes in the fact that this terrifies the cats even further than the Giant Mouse if it had worked properly, and the cats book it as fast as they can.]]
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* ThatsAllFolks: Right before the credits, Fievel and Tanya wave to the audience and shout "Bye-bye!" before riding Henri out of view.

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* ThatsAllFolks: Right before the credits, Fievel and Tanya wave to the audience and shout "Bye-bye!" before riding Henri out of view.as they fly away on Henri.
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* AnachronismStew: The movie takes place in 1885-86.

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* AnachronismStew: The Some, despite the movie takes taking place in 1885-86.

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* AnachronismStew: A group of children are shown reciting the Pledge of Allegiance which wouldn't be invented until 1892, and they add 'Under God', which wouldn't be added until 1951. And they have their hands over their hearts (They couldn't have had them using the original salute, [[http://en.wikipedia.org/wiki/Bellamy_salute which was co-opted by the Nazis in the 1930's and '40's]]). "The Stars and Stripes Forever" is played in the phonograph even if the song wasn't published until 1897. The majority of the movie takes place in 1885-86.

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* AnachronismStew: The movie takes place in 1885-86.
**
A group of children are shown reciting the Pledge of Allegiance which wouldn't be invented until 1892, and they add 'Under God', which wouldn't be added until 1951. And they have their hands over their hearts (They couldn't have had them using the original salute, [[http://en.wikipedia.org/wiki/Bellamy_salute which was co-opted by the Nazis in the 1930's and '40's]]). '40's]]).
** The phonograph was in its infancy at the time of the movie's setting, and wax cylinders were not commercially available until 1889. Also,
"The Stars and Stripes Forever" is played in by the phonograph even if phonograph, but the song wasn't published until 1897. The majority of the movie takes place in 1885-86.1897.


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* ThatsAllFolks: Right before the credits, Fievel and Tanya wave to the audience and shout "Bye-bye!" before riding Henri out of view.
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----
->''Somewhere out there beneath the pale moonlight\\
Someone's thinking of me and loving me tonight\\
Somewhere out there someone's saying a prayer\\
That we'll find one another in that big somewhere out there.''
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[[caption-width-right:300:[[{{Tagline}} ''Meet Fievel. In his search to find his family, he discovered America.'']]]]

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[[caption-width-right:300:[[{{Tagline}} ''Meet Fievel. In his search to find his family, he discovered America.'']]]]
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* MySpeciesDothProtestTooMuch: Tiger is the one cat among many who likes mice as people, not as food. He manages to convinceFievel that he's not going to eat him, and the two bond over being outcasts. In the second movie, Tiger also saves Fievel's life, and helps put a stop to the BigBad Cat R. Waul's plans against the rest of the cats.

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* MySpeciesDothProtestTooMuch: Tiger is the one cat among many who likes mice as people, not as food. He manages to convinceFievel convince Fievel that he's not going to eat him, and the two bond over being outcasts. In the second movie, Tiger also saves Fievel's life, and helps put a stop to the BigBad Cat R. Waul's plans against the rest of the cats.
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* AnimalJingoism: Cats vs mice, though it's used as a metaphor for Orthodox Jews and Cossacks. But we're relatively confident that Jews weren't literally eaten by Cossacks who were multiple times their size.

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* AnimalJingoism: Cats vs mice, though it's used as a metaphor Done metaphorically, with the conflict between cats and mice standing in for Orthodox the persecution of Jews and Cossacks. But we're relatively confident that Jews weren't literally eaten by Cossacks who were multiple times their size.and [=WASPs=], playing off the historical use of vermin as AnimalMotifs for Jews in antisemitic propaganda.
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* AllegoricalCharacter: The mice broadly represent various oppressed demographic (Jews, Sicilians, Irish, etc.) with the cats representing those in power (Cossacks, Mafia, and English), but there are also some more specific examples that represent different facets of the immigrant experience in America.
** Warren T. Rat represents illicit businessmen who would watch for immigrants fresh off the boat (particularly those who didn't speak English), and would lure them in with promises of work, only to end up selling them to labor shops.
** Honest John represents politicians (particularly those who operated out of Tammany Hall) who would skim votes from new immigrants with pro-immigrant policies and stances.
** Both Bridget and Mausheimer represent forms of ImmigrantPatriotism, who after managing to achieve success, use their positions to advocate for immigrant rights and reform.
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* GratuitousFrench: Henri the pigeon, who builds and lives in the Statue of Liberty. When you take into account that the statue is a gift to the United States from the people of France, it makes sense.

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* GratuitousFrench: Henri the pigeon, who builds and lives in the Statue of Liberty.Art/StatueOfLiberty. When you take into account that the statue is a gift to the United States from the people of France, it makes sense.
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Nice Hat is a disambig, not a trope.


* NiceHat: Fievel has one, a Russian Kasket cap, which becomes fairly significant to his identity. At the beginning of the film, Papa presents the hat to Fievel as a Hanukkah gift. He explains that it belonged to his father, and his father's father, meaning it originally belonged to Fievel's great-grandfather. If they have human lifespans (as is implied in the series), this would date the hat to the 1700's.
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Another trope

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* NiceHat: Fievel has one, a Russian Kasket cap, which becomes fairly significant to his identity. At the beginning of the film, Papa presents the hat to Fievel as a Hanukkah gift. He explains that it belonged to his father, and his father's father, meaning it originally belonged to Fievel's great-grandfather. If they have human lifespans (as is implied in the series), this would date the hat to the 1700's.
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* AluminumChristmasTrees: The Art/StatueOfLiberty's golden copper color in the film wasn't just artistic license; when the statue was first built it really was that color. It slowly oxidized to its current green color over subsequent decades.
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Saw a sequel five years later with ''[[WesternAnimation/AnAmericanTailFievelGoesWest Fievel Goes West]]'', in which the Mousekewitz family, [[SurprisinglyRealisticOutcome still dirt poor and at the mercy of ever-more-sophisticated cats]], flee New York for the Wild West (made without Bluth's involvement, but with Spielberg still on board), and a [[ShortRunners short-lived]] TV series in the same setting (''WesternAnimation/FievelsAmericanTails''), and two additional [[DirectToVideo DTV]] sequels (''[[WesternAnimation/AnAmericanTailTheTreasureOfManhattanIsland The Treasure of Manhattan Island]]'' and ''[[WesternAnimation/AnAmericanTailTheMysteryOfTheNightMonster Mystery of the Night Monster]]'') that played fast and loose with the established continuity, and had no involvement from the original creators.

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Saw a sequel five years later with ''[[WesternAnimation/AnAmericanTailFievelGoesWest Fievel Goes West]]'', in which the Mousekewitz family, [[SurprisinglyRealisticOutcome still dirt poor and at the mercy of ever-more-sophisticated cats]], cats, flee New York for the Wild West (made without Bluth's involvement, but with Spielberg still on board), and a [[ShortRunners short-lived]] TV series in the same setting (''WesternAnimation/FievelsAmericanTails''), and two additional [[DirectToVideo DTV]] sequels (''[[WesternAnimation/AnAmericanTailTheTreasureOfManhattanIsland The Treasure of Manhattan Island]]'' and ''[[WesternAnimation/AnAmericanTailTheMysteryOfTheNightMonster Mystery of the Night Monster]]'') that played fast and loose with the established continuity, and had no involvement from the original creators.
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* AwardBaitSong: "[[https://www.youtube.com/watch?v=vFp10zmArgg Somewhere Out There]]" in the first movie—particularly the duet between Music/LindaRonstadt and Music/JamesIngram. They tried to do it again in the sequels, "[[https://www.youtube.com/watch?v=xmQb_yE3eyk Dreams to Dream]]" from ''Fievel Goes West'' being the only other remotely successful attempt, as it also received a Linda Ronstadt cover.

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* AwardBaitSong: "[[https://www.youtube.com/watch?v=vFp10zmArgg Somewhere Out There]]" in the first movie—particularly the duet between Music/LindaRonstadt and Music/JamesIngram.James Ingram. They tried to do it again in the sequels, "[[https://www.youtube.com/watch?v=xmQb_yE3eyk Dreams to Dream]]" from ''Fievel Goes West'' being the only other remotely successful attempt, as it also received a Linda Ronstadt cover.



* AwardBaitSong: "Somewhere Out There" is definitely one of the best-known examples, and probably the TropeCodifier—especially the Music/LindaRonstadt and Music/JamesIngram duet.

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* AwardBaitSong: "Somewhere Out There" is definitely one of the best-known examples, and probably the TropeCodifier—especially the Music/LindaRonstadt and Music/JamesIngram James Ingram duet.
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* AwardBaitSong: "Somewhere Out There" is definitely one of the best-known examples, and probably the TropeCodifier.

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* AwardBaitSong: "Somewhere Out There" is definitely one of the best-known examples, and probably the TropeCodifier.TropeCodifier—especially the Music/LindaRonstadt and Music/JamesIngram duet.
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* AwardBaitSong: "[[https://www.youtube.com/watch?v=vFp10zmArgg Somewhere Out There]]" in the first movie. They tried to do it again in the sequels, "[[https://www.youtube.com/watch?v=xmQb_yE3eyk Dreams to Dream]]" from ''Fievel Goes West'' being the only other remotely successful attempt, as it also received a Linda Ronstadt cover.

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* AwardBaitSong: "[[https://www.youtube.com/watch?v=vFp10zmArgg Somewhere Out There]]" in the first movie.movie—particularly the duet between Music/LindaRonstadt and Music/JamesIngram. They tried to do it again in the sequels, "[[https://www.youtube.com/watch?v=xmQb_yE3eyk Dreams to Dream]]" from ''Fievel Goes West'' being the only other remotely successful attempt, as it also received a Linda Ronstadt cover.

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* ArtisticLicenseHistory: When an immigration officer at Ellis Island asks one of them his surname, he replies with a long Slavic name, to which the officer replies, "Okay, Mr... Smith". In reality, new immigrants did ''not'' have their names changed for them like that. While name changes did occur, this was always done by the immigrants themselves, and not until well after they had arrived.

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* ArtisticLicenseHistory: When an immigration officer at Ellis Island asks one of them his surname, he replies with a long Slavic name, to which the officer replies, "Okay, Mr... Smith". In reality, new Meanwhile, Tanya has her first name changed to "Tilly" by the mouse immigration officer. New immigrants did ''not'' have never had their names changed for them like that. upon immigration to America. While name changes did occur, occur after people immigrated, this was always done by the immigrants themselves, themselves voluntarily, and not until well after they had arrived.



* AssInALionSkin: Warren T. Rat [[spoiler: (actually a cat himself) dresses as a rat to fool the mice into buying into his protection racket against the cats.]]

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* AssInALionSkin: Warren [[spoiler:Warren T. Rat [[spoiler: (actually a cat himself) dresses as a rat to fool the mice into buying into his protection racket against the cats.]]



* BigDamnReunion: Probably one of the most famous examples in animated films.
* BigGood: Gussie Mouseheimer, the rich mouse who wawees, er, ''rallies'' the mice of New York City to stand up to the cats.

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* BigDamnReunion: Probably one BigDamnReunion: At the very end of the most famous examples in animated films.
first movie, Fievel had given up on ever finding his family, thanks to a bunch of orphans who told Fievel that if they hadn't found him by now, then they must not be looking for him. The next morning, [[SweetAndSourGrapes Fievel does manage to find them after all]], and the Mousekewitz family is reunited.
* BigGood: Gussie Mouseheimer, the rich mouse who wawees, er, ''rallies'' rallies the mice of New York City to stand up to the cats.



%%* BreakTheCutie
* BreakUpMakeUpScenario: At the point where Fievel actually gives up his search for his family.
* CatStereotype: Tiger (orange) is the one good cat. In the first sequel his love interest is light grey.
* CentralTheme: The film is an allegory on the idealistic expectations vs harsh reality of immigrations for the Russians heading towards America.

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%%* BreakTheCutie
* BreakTheCutie: Fievel goes through a lot of trauma in the first film. He gets separated from his family as they flee the cats, nearly drowns in the Atlantic Ocean, gets abused by the cats of America when he manages to make it there, and has to release the Giant Mouse of Minsk while getting knocked out for it. The whole time, Fievel slowly gets less sure that he'll find his family in America, ultimately crossing the DespairEventHorizon when some kids on Orphan's Row tell Fievel that he's never going to find them again, because they're clearly not looking for him.
* BreakUpMakeUpScenario: At the point where Fievel actually gives up his search for his family.
family, they find him shortly thereafter.
* CatStereotype: Tiger (orange) is the one good cat. In the first sequel sequel, his love interest is light grey.
* CentralTheme: The film is an allegory on the idealistic expectations vs harsh reality of immigrations immigration for the Russians heading towards America.



* CrapsackWorld: Russia and New York are essentially portrayed as this. New York gets worse in the sequel.

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* CrapsackWorld: Russia and New York are essentially portrayed as this.this for the mice, living under constant fear of cat attacks. New York gets worse in the sequel.



%%* GrassIsGreener: [[WebVideo/YuGiOhTheAbridgedSeries In America!]]

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%%* * GrassIsGreener: [[WebVideo/YuGiOhTheAbridgedSeries In America!]]The mice immigrating to the United States believe that "there are no cats in America, and the streets are paved with cheese". But once they get there, not only are the working conditions even worse than back in Eastern Europe, but things don't look to improve any time soon.



* GutFeeling: "I just have this feeling - like Fievel's alive!"

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* GutFeeling: "I just have this feeling - like Fievel's alive!"alive!" Tanya is the only one of the Mousekewitzes that believes that Fievel is still alive after they're separated. Mama and Papa believe that [[NoOneCouldSurviveThat there's no way Fievel could have survived]].



* HopeSpot: Fievel has these several times throughout the movie, only to have his hopes of finding his family dashed to pieces again and again.
** A special mention to each time Fievel hears a violin, believing it's his papa playing, only to discover it isn't the case... Well, until the very end.

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* HopeSpot: Fievel has these several times throughout the movie, only to have his hopes of finding his family dashed to pieces again and again.
**
again. A special mention to each time Fievel hears a violin, believing it's his papa playing, only to discover it isn't the case... Well, until the very end.case.



* LostAtSea: Fievel gets washed overboard, and floats to New York in a bottle.

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* LostAtSea: Fievel gets washed overboard, overboard the ship when the Mousekewitz family flees to America, and floats to New York in a bottle.



* WhatMeasureIsANonCute:Most of the cats are bullies, but Tiger is noticeably cute and looks like [[Film/TheWizardOfOz the Cowardly Lion]] and the cats who explicitly try to eat the protagonists are drawn as big, violent monsters. Digit the cockroach is just a pest and is kind of cute but the sewer roaches who menace Fievel are rendered as realistic BigCreepyCrawlies.

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* WhatMeasureIsANonCute:Most WhatMeasureIsANonCute: Most of the cats are bullies, but Tiger is noticeably cute and looks like [[Film/TheWizardOfOz the Cowardly Lion]] and the cats who explicitly try to eat the protagonists are drawn as big, violent monsters. Digit the cockroach is just a pest and is kind of cute but the sewer roaches who menace Fievel are rendered as realistic BigCreepyCrawlies.

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* AnimalJingoism: Cats vs mice; though it's used as a metaphor.

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* AnimalJingoism: Cats vs mice; mice, though it's used as a metaphor.metaphor for Orthodox Jews and Cossacks. But we're relatively confident that Jews weren't literally eaten by Cossacks who were multiple times their size.



* BarefootCartoonAnimal: Most of the mouse characters.
** Warren too till near the climax where he's only in his night gown.
* BeastFable: They're not just mice. They're Russo-Jewish immigrants.
* BigApplesauce: Most of the films is set in New York City.

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* BarefootCartoonAnimal: Most of the mouse characters.
** Warren too till near the climax where he's only in his night gown.
characters aren't wearing any shoes.
* BeastFable: They're not just mice. They're Russo-Jewish immigrants.
immigrants, trying to escape oppression in their home country by achieving the idealistic of UsefulNotes/TheAmericanDream: If you work hard enough, you can be rich and successful!
* BigApplesauce: Most of the films is are set in New York City.City. ''Fievel Goes West'' starts there, but transitions to way out west after the opening act.



* PunBasedTitle: "Tale". "Tail". [[DontExplainTheJoke Get it?]]
** Most of the overseas translations weren't able to incorporate this trope, but the German version, ''Feivel Der Mauswanderer'', pulled it off (the word for emigrant is "auswanderer", so add an 'm' and it becomes a cute mouse pun).

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* PunBasedTitle: "Tale". "Tail". [[DontExplainTheJoke Get it?]]
**
it?]] Most of the overseas translations weren't able to incorporate this trope, but the German version, ''Feivel Der Mauswanderer'', pulled it off (the word for emigrant is "auswanderer", so add an 'm' and it becomes a cute mouse pun).

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* CatsAreMean: As stated elsewhere, Creator/DonBluth is probably a dog person. Although Tiger is a nice guy.
** Don Bluth said once in an interview that "We knew that if we were going to say "all cats are bad", [[AvertedTrope we wanted to have at least one "good" one...and that's Tiger."]]

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* CatsAreMean: As stated elsewhere, Creator/DonBluth is probably a dog person. Although Tiger is a nice guy.
**
guy, he seems to be the exception. Don Bluth said once in an interview that "We knew that if we were going to say "all cats are bad", [[AvertedTrope we wanted to have at least one "good" one...and that's Tiger."]]"]] But besides him, cats are the enemies of mice, and portrayed as such.
** The first movie sees cats regularly trying to eat the mice. A few of them are smart enough to engage in some PragmaticVillainy to exploit the mice with the threat of being eaten over their heads, but just as many are brutish thugs who love torturing the mice and making them run in fear. The Mousekewitz family (along with many others) leave their home in Russia explicitly because of the promise that "there are no cats in America and the streets are paved with cheese", hoping to get away from the cats.
** The second movie sees the BigBad, Cat R. Waul, trying to do much the same as the cats from the first movie, but he's a little more pragmatic and deceitful about it. Besides reining in the more brutish members of his gang, Cat R. Waul is a VillainWithGoodPublicity, acting like he wants to share a world where cat and mouse coexist peacefully. In private, he wants to lure all the mice into a false sense of security and kill them all in a giant mousetrap for mouse burgers, all while making the mice do the work for him under the pretense of a better life.



* HalfDressedCartoonAnimal: The cat characters.

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* HalfDressedCartoonAnimal: The cat characters.characters typically all wear shirts, tops, and coats, but no pants. The mice, meanwhile, are fully dressed.



* InformedJudaism: Fievel's Jewishness is barely touched upon really. If you weren't paying attention you might not even know that they are celebrating Hanukkah at the beginning of the first movie, or notice the Yiddish text on the briefly-seen memorial the family has for Fievel when they think he's dead. And their Jewish heritage is all but buried in the sequels.

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* InformedJudaism: Fievel's Jewishness is barely touched upon really. If you weren't paying attention attention, you might not even know that they are the Mousekewitz family is celebrating Hanukkah at the beginning of the first movie, or notice the Yiddish text on the briefly-seen memorial the family has for Fievel when they think he's dead. And their Jewish heritage is all but buried in the sequels.



* MySpeciesDothProtestTooMuch: Tiger

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* MySpeciesDothProtestTooMuch: TigerTiger is the one cat among many who likes mice as people, not as food. He manages to convinceFievel that he's not going to eat him, and the two bond over being outcasts. In the second movie, Tiger also saves Fievel's life, and helps put a stop to the BigBad Cat R. Waul's plans against the rest of the cats.



* NotEvenBotheringWithTheAccent: See FakeRussian in the Trivia tab.

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* NotEvenBotheringWithTheAccent: See FakeRussian Fievel and Tanya are Russian Jews, yet they have neutral American accents, even in the Trivia tab.first movie when they're immigrating from Russia to America.



* SettingOffSong: "Never Say Never" and "Way Out West."

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* SettingOffSong: "Never Say Never" and "Way Out West."West" from the second movie is a song sung by the mice about how much things will change for the better once they get out to their new lives.



* UnnamedParent: Fievel's parents are known only as "Mama" and "Papa". An episode of ''Fievel's American Tails'' in which Fievel's Aunt Sophie comes to visit gives Papa the name Bernard. That's ''if'' you count anything from the TV series as canon, because it even contradicts ''Fievel Goes West'' at times...

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* UnnamedParent: Fievel's parents are known only as "Mama" and "Papa". An episode of ''Fievel's American Tails'' in which Fievel's Aunt Sophie comes to visit gives Papa the name Bernard. That's ''if'' you count anything from the TV series as canon, because it even contradicts ''Fievel Goes West'' at times...



%%* DisneyVillainDeath: Well, sort of.

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%%* * DisneyVillainDeath: Well, sort of.of. [[spoiler:The cats fall, but it's onto a boat headed for Hong Kong, and they survive. Either way, they're no longer a threat.]]



* MissedHimByThatMuch: Over, and over, and over. The movie even provides the page picture.
* MoodWhiplash: Just the song "There are No Cats in America", in which each character gives the tragic story of what the cats did to them in their individual homelands...but... but there are nooo cats in America!

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* MissedHimByThatMuch: Over, Over and over, Fievel and over. The movie even provides the page picture.
rest of his family come within centimeters of meeting back up again, but just miss each other every time. This is played for DramaticIrony, as Fievel's whole goal is to find his family again. In several scenes, all he'd have to do is just tilt his head a certain direction, and he'd see his parents or his sister, but he doesn't. They only reunite right at the end of the movie, [[SweetAndSourGrapes right after Fievel assumes that his family isn't coming to find him]].
* MoodWhiplash: Just the song "There are No Cats in America", in which America" has each character gives give the tragic story of what the cats did to them in their individual homelands...but... homelands, which is appropriately tragic and dramatic... but there are nooo cats in America!on each chorus, it instantly shifts to an upbeat tune about how the problems will all be gone once they get to America.

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