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* RealLifeRelative: George and Martha were played in the film version by then-couple Richard Burton and ElizabethTaylor.
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* RealLifeRelative: George and Martha were played in the film version by then-couple Richard Burton and ElizabethTaylor.Creator/ElizabethTaylor.
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* ShadowArchetype: George and Martha put on vivid display the conflicts that Honey and Nick try to keep sumbmerged
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* ShadowArchetype: George and Martha put on vivid display the conflicts that Honey and Nick try to keep sumbmerged submerged
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-->--Martha
A classic 1963 play by Edward Albee, which in turn spawned a classic 1966 film directed by MikeNichols and starring RichardBurton and ElizabethTaylor.
A classic 1963 play by Edward Albee, which in turn spawned a classic 1966 film directed by MikeNichols and starring RichardBurton and ElizabethTaylor.
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A classic 1963 play by Edward Albee, which in turn spawned a classic 1966 film directed by MikeNichols and starring RichardBurton and
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* TheLoinsSleepTonight: Nick turns out to be "a flop."
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** The work itself also receives some shout outs in random, unexpected places, including a children's book series about a pair of hippos, and George and Martha being the name of of [[LittleLulu Little Lulu]]'s parents.
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* HappyMarriageCharade: Jury's still out on which of the two couples has the shakier marriage.
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* HappyMarriageCharade: Jury's still out on which of the two couples has the shakier marriage. However, while George and Martha may be unable to communicate using anything other than insults and verbal abuse, they make no pretence to having a happy marriage (and yet are probably too dependent on each other emotionally to seriously consider divorcing); it is Nick and Honey who have the happy marriage charade, Nick having married Honey mostly for her father's money (her pregnancy was a convenient excuse) and Honey being implied to have [[spoiler:aborted the baby after marrying Nick]].
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* HypocriticalHumor: When George and Martha try to find out where the "What a dump" line comes from, George suggests ''Chicago''. Martha responds: " Don't you know anything? ''Chicago'' was a '30s musical starring little Miss Alice Faye. Don't you know anything?" The film she's talking about is actually called ''In Old Chicago''.
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* HypocriticalHumor: When George and Martha try to find out where the "What a dump" line comes from, George suggests ''Chicago''. Martha responds: " Don't "Don't you know anything? ''Chicago'' was a '30s musical starring little Miss Alice Faye. Don't you know anything?" The film she's talking about is actually called ''In Old Chicago''.
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-->'''Nick''': And I'll bet your wife has the broadest, most inviting avenue of the whole damn campus! *{{Beat}}* Her father president and all.
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-->'''Nick''': And I'll bet your wife has the broadest, most inviting avenue of the whole damn campus! *{{Beat}}* ''({{Beat}})'' Her father president and all.
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Crosswicking
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* TrivialTitle: Named after an OrphanedPunchline in the play.
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** Albee put "VirginiaWoolf" in the title in place of "Big Bad Wolf" because he was afraid of copyright infringement. It also adds to the concept of absurdism throughout the play.
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** Albee put "VirginiaWoolf" "Virginia Woolf" in the title in place of "Big Bad Wolf" because he was afraid of copyright infringement. It also adds to the concept of absurdism throughout the play.
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** Plus the obvious reference to VirginiaWoolf in the title.
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** Plus the obvious reference to VirginiaWoolf Creator/VirginiaWoolf in the title.
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* HypocriticalHumor: When George and Martha try to find out where the "What a dump" line comes from, George suggests ''Chicago''. Martha responds: " Don't you know anything? ''Chicago'' was a '30s musical starring little Miss Alice Faye. Don't you know anything?" The film she's talking about is actually called ''In Old Chicago''.
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* ShoutOut: To ''Theatre/AStreetcarNamedDesire''. Also, Martha quotes a line ("What a dump!") from the BetteDavis movie ''BeyondTheForest'', which is mainly remembered for this reference.
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* ShoutOut: To ''Theatre/AStreetcarNamedDesire''. Also, Martha quotes a line ("What a dump!") from the BetteDavis movie ''BeyondTheForest'', ''BeyondTheForest'' (but she can't remember the title) which is mainly remembered for this reference.
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** Albee put in Virginia Woolf instead of Big Bad Wolf because he was afraid of copyright infringement. It also adds to the concept of absurdism throughout the play.
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** Albee put "VirginiaWoolf" in Virginia Woolf instead the title in place of Big "Big Bad Wolf Wolf" because he was afraid of copyright infringement. It also adds to the concept of absurdism throughout the play.
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Changed line(s) 57 (click to see context) from:
* ShoutOut: To ''AStreetCarNamedDesire''. Also, Martha quotes a line ("What a dump!") from the BetteDavis movie ''BeyondTheForest'', which is mainly remembered for this reference.
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* ShoutOut: To ''AStreetCarNamedDesire''.''Theatre/AStreetcarNamedDesire''. Also, Martha quotes a line ("What a dump!") from the BetteDavis movie ''BeyondTheForest'', which is mainly remembered for this reference.
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*** Plus the obvious reference to VirginiaWoolf in the title.
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** ContentWarnings: An example that predates the American film rating system. The poster's TagLine ("You are cordially invited to George and Martha's for an evening of fun and games*") was followed by this footnote: "*Important Exception: No one under 18 will be admitted unless accompanied by his parent." According to {{IMDB}}, the film has a rating equivalent to PG-13 or R in most countries.
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** ContentWarnings: An example that predates the American film rating system. The poster's TagLine ("You are cordially invited to George and Martha's for an evening of fun and games*") was followed by this footnote: "*Important Exception: No one under 18 will be admitted unless accompanied by his parent." According to {{IMDB}}, Website/{{IMDB}}, the film has a rating equivalent to PG-13 or R in most countries.
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** In the film version, due to legal conflict with {{Disney}}, the song is sung to the tune of "Here We Go 'Round the Mulberry Bush."
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** In the film version, due to legal conflict with {{Disney}}, Creator/{{Disney}}, the song is sung to the tune of "Here We Go 'Round the Mulberry Bush."
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* MediationBackfire: There are hints that George and Martha deliberately invoke this trope in order to have something to bond over (i.e., abusing others instead of one another.)
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* MediationBackfire: There are hints that George and Martha deliberately invoke this trope in order to have something to bond over (i.e., abusing others instead of one another.)another).
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Deleted line(s) 38,39 (click to see context) :
* {{Minimalism}}: The play has one location, four characters and is in RealTime. The movie added a few outside locations and two bit parts.
* [[spoiler: MistakenForPregnant]]: [[spoiler: Honey]], charitably interpreted.
* [[spoiler: MistakenForPregnant]]: [[spoiler: Honey]], charitably interpreted.
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* {{Minimalism}}: The play has one location, four characters and is in RealTime. The movie added a few outside locations and two bit parts.
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* [[spoiler: MistakenForPregnant]]: [[spoiler: Honey]], charitably interpreted.
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* DrunkDriver: In the movie. First George and later Martha, who nearly ends up parking the car inside their house.
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* DrunkDriver: In the movie.film adaptation. First George and later Martha, who nearly ends up parking the car inside their house.
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* HappyMarriageCharade: Jury's still out on which of the two couples has the shakiest marriage.
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* HappyMarriageCharade: Jury's still out on which of the two couples has the shakiest shakier marriage.
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* IncurableCoughOfDeath, averted: Characters in the film adaptation frequently cough, but it doesn't portend anything.
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* IncurableCoughOfDeath, averted: IncurableCoughOfDeath: An AvertedTrope. Characters in the film adaptation frequently cough, but it doesn't portend anything.
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* TheDayTheMusicLied: George's umbrella.
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* TheDayTheMusicLied: CatScare: George's umbrella.
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* DrunkDriver: First George and later Martha, who nearly ends up parking the car inside their house.
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* DrunkDriver: In the movie. First George and later Martha, who nearly ends up parking the car inside their house.
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* MindScrew: How on Earth did two whack-jobs ever produce a son who is the embodiment of perfection? [[spoiler: He didn't exist. He was totally fake, a story made-up for Martha and George so that they could feel like they had something.]]
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* MindScrew: How on Earth did two whack-jobs ever produce a son who is the embodiment of perfection? [[spoiler: He didn't exist. He was totally fake, a story made-up for Martha and George so that they could feel like they had something.]] Lucky for him.
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* TheAlcoholic: Everyone.
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* DidTheyOrDidntThey: "Are you a stud or a [[UnusualEuphemism houseboy]]?"
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* DidTheyOrDidntThey: "Are you a stud or a [[UnusualEuphemism houseboy]]?"Martha seems to be disappointed when she comes back down from the bedroom. The conversation she has with George later implies that [[spoiler: he was ultimately unable to "perform"]].
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* MediationBackfire: There are hints that George and Martha deliberately invoke this trope in order to have something to bond over (i.e., abusing others instead of one another.)
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This character study follows George, a "boring" middle-aged history professor at a small [[HollywoodNewEngland New England]] college, and his caustic, abusive wife Martha, as they invite another, younger professor, Nick, and his meek and mousy wife Honey, into their home one very drunken very early morning. The older couple verbally spars in front of their guests, and then gradually turns their abuse -- and lust -- onto them. [[SarcasmMode Fun, isn't it?]]
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This character study follows George, a "boring" middle-aged history professor at a small [[HollywoodNewEngland New England]] college, and his caustic, abusive wife Martha, as they Martha. They invite another, younger professor, Nick, and his meek and mousy wife wife, Honey, into their home one very drunken very early morning. The older couple verbally spars in front of their guests, and then gradually turns their abuse -- and lust -- onto them. [[SarcasmMode Fun, isn't it?]]\n
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* GoodGirlsAvoidAbortion: [[spoiler: Suverted. It is implied that the sweet, fragile Honey secretly aborts any children she and her husband have conceived because she doesn't want children.]]
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* GoodGirlsAvoidAbortion: [[spoiler: Suverted.Subverted. It is implied that the sweet, fragile Honey secretly aborts any children she and her husband have conceived because she doesn't want children.]]
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added the trope Good Girls Avoid Abortion
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* GoodGirlsAvoidAbortion: [[spoiler: Suverted. It is implied that the sweet, fragile Honey secretly aborts any children she and her husband have conceived because she doesn't want children.]]
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!!''WhosAfraidOfVirginiaWoolf'' features examples of:
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* MinimalistCast
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** The last names of George, Martha and Nick are not given. And Nick's '''first''' name is never spoken on stage (though obviously it's in the program and can be deduced by whittling down the OmegaCast).
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** The last names of George, Martha and Nick are not given. And Nick's '''first''' name is never spoken on stage (though obviously it's in the program and can be deduced by whittling down the OmegaCast).MinimalistCast).
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* OmegaCast
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misspelling
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** Albee put in Virginia Woolf instead of Big Bad Wolf because he was afraid of cobyright infringement. It also adds to the concept of absurdism throughout the play.
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** Albee put in Virginia Woolf instead of Big Bad Wolf because he was afraid of cobyright copyright infringement. It also adds to the concept of absurdism throughout the play.
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** Albee put in Virginia Woolfe instead of Big Bad Wolf because he was afraid of cobyright infringement. It also adds to the concept of absurdism throughout the play.
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** Albee put in Virginia Woolfe Woolf instead of Big Bad Wolf because he was afraid of cobyright infringement. It also adds to the concept of absurdism throughout the play.
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* PunBasedTitle: An obvious play on "[[{{Disney/ThreeLittlePigs}} Who's Afraid of the Big Bad Wolf?]]"
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* PunBasedTitle: An obvious play on "[[{{Disney/ThreeLittlePigs}} Who's Afraid of the Big Bad Wolf?]]" Wolf?]]"
**Albee put in Virginia Woolfe instead of Big Bad Wolf because he was afraid of cobyright infringement. It also adds to the concept of absurdism throughout the play.
**Albee put in Virginia Woolfe instead of Big Bad Wolf because he was afraid of cobyright infringement. It also adds to the concept of absurdism throughout the play.
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* FridgeLogic: So, presumably, everyone else on campus knows that [[spoiler: George and Martha don't have any kids]], and a few questions or even casual remarks from Nick and Honey would make this clear to them?
** It's explicitly stated that Martha broke a 'rule' by telling ''others'' about their son. It's quite clear that Martha and George say nothing to anyone about their son. That's a point in their favor for not being bat-!@#$ insane.
** It's explicitly stated that Martha broke a 'rule' by telling ''others'' about their son. It's quite clear that Martha and George say nothing to anyone about their son. That's a point in their favor for not being bat-!@#$ insane.