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* HiddenDepths: Ali Hakim may be a womanizing peddler, but in some productions he is the one who tells Aunt Eller about "the little wonder", saving Curly's life.
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->''We're only sayin', "You're doin' fine, Oklahoma!''
->''Oklahoma, O.K.!"''

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->''We're only sayin', "You're doin' fine, Oklahoma!''
->''Oklahoma,
Oklahoma! Oklahoma, O.K.!"''
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* LocationSong: "Oklahoma", about the joy of living there.
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* SharpshooterFallacy: In order to try to impress/threaten Jud, Curly shoots a knothole in a beam on the ceiling and claims it was his target. When Aunt Eller comes in to inspect the shot, he tries to make the same claim and she points out that there are a lot of knotholes up on the ceiling.

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Moving items to YMMV/Trivia


* EthicalSlut: Ado Annie is equal-opportunity in terms of loving the man she's with.



* HeyItsThatGuy: The 1955 film version, which features [[ThePartridgeFamily Mrs. Partridge]], [[Film/InTheHeatOfTheNight Sheriff Gillespie]], [[TheShawshankRedemption Brooks Hatlen]], [[GreenAcres Oliver Wendell Douglas]], and [[AllMyChildren Palmer Cortlandt]].
** The 1998 West End production had Hugh Jackman before he was [[Film/{{X-Men}} Wolverine]] or even [[KateAndLeopold Leopold]].
** The 1979 Broadway revival includes [[Series/BuffyTheVampireSlayer The Mayor]] as Will Parker.
** The 2002 revival had Aasif Mandvi as Ali Hakim before ''Series/TheDailyShow'' picked him up as a correspondent.



* ProductionPosse: In the film, just about every dancer in the Dream Ballet had worked with Agnes de Mille on a regular basis.



* WorkingTitle: ''Away We Go'', until R&H decided to re-name the play after its most energetic song.
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* ThreateningMediator: When the number "The Farmer and the Cowman" breaks up into a feud between the two groups, Aunt Eller intervenes and holds the ensemble at gunpoint to finish the number through to the [[AnAesop Aesop]].
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* HeyItsThatGuy: The 1955 film version, which features [[ThePartridgeFamily Mrs. Partridge]], [[InTheHeatOfTheNight Sheriff Gillespie]], [[TheShawshankRedemption Brooks Hatlen]], [[GreenAcres Oliver Wendell Douglas]], and [[AllMyChildren Palmer Cortlandt]].

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* HeyItsThatGuy: The 1955 film version, which features [[ThePartridgeFamily Mrs. Partridge]], [[InTheHeatOfTheNight [[Film/InTheHeatOfTheNight Sheriff Gillespie]], [[TheShawshankRedemption Brooks Hatlen]], [[GreenAcres Oliver Wendell Douglas]], and [[AllMyChildren Palmer Cortlandt]].
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* LoveTriangle: Curly, Laurey, and Jud; Will, Annie, and Ali Hakim

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* LoveTriangle: Curly, Laurey, and Jud; Will, Annie, and Ali HakimHakim. Laurey, Curly, and Gertie Cummings, to a lesser extent.
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** One production implied that Jud [[KickTheDog started a fire that killed an entire family]] before the play even started. Why? Because the daughter in the family rejected him. This implication happened just before Curly started trying to convince Jud to kill himself.

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** One production implied [[spoiler: Some productions imply that Jud [[KickTheDog started a fire that killed an entire family]] before the play even started. Why? Because the daughter in the family rejected him. This implication happened happens just before Curly started trying to convince Jud to kill himself.]]

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** Of course, then the VillainSong "Lonely Room" happens and Jud starts to enter actual villainous territory.



** Of course, then the VillainSong "Lonely Room" happens and Jud starts to enter actual villainous territory.
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** One production implied that Jud [[KickTheDog started a fire that killed an entire family]] before the play even started. Why? Because the daughter in the family rejected him. This implication happened just before Curly started trying to convince Jud to kill himself.
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It\'s not a version at all - it is. Before cars folks bragged about their horses and wagons just as much.


* CarSong: "The Surrey with the Fringe on Top" could be considered the 1900s equivalent.

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* CarSong: "The Surrey with the Fringe on Top" could be considered the 1900s equivalent.Top"
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'''''Oklahoma!''''' is a 1943 [[TheMusical musical]], possibly the most influential musical in the genre. Based on the play ''Green Grow the Lilacs'' and adapted by {{Rodgers and Hammerstein}}, it tells the story of a young cowboy named Curly, and a farm girl, Laurey. They're obviously in love, but neither of them will admit it. The sinister farmhand, Jud, asks Laurey to a dance. Laurey is afraid of him, but she accepts to spite Curly. The story takes a dark turn as Laurey realizes that Jud is dangerous, and that, if she were to turn him down, he could become violent.

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'''''Oklahoma!''''' is a 1943 [[TheMusical musical]], possibly the most influential musical in the genre. Based It was based on the play ''Green Grow the Lilacs'' and adapted by {{Rodgers and Hammerstein}}, Hammerstein}}. Set in 1906, it tells the story of a young cowboy named Curly, and a farm girl, Laurey. They're obviously in love, but neither of them will admit it. The sinister farmhand, Jud, asks Laurey to a dance. Laurey is afraid of him, but she accepts to spite Curly. The story takes a dark turn as Laurey realizes that Jud is dangerous, and that, if she were to turn him down, he could become violent.
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** Of course, then the VillainSong "Lonely Room" happens and Jud starts to enter actual villainous territory.

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* IWantSong: "Lonely Room," in a...scary sort of way.



* VillainousCrush: Jud for Laurey, though how much one considers Jud to be a villain is up for debate.

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* VillainousCrush: Jud for Laurey, though how much one considers Jud to be a villain is up for debate.debate.
* VillainSong: "Lonely Room," and it's a damn good one. This is the moment that it becomes clear that, Curly being kind of a jerk to him aside, Jud is actually quite dangerous and Laurey may be in trouble.
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* CutSong: "Boys and Girls Like You and Me." It later turned up in {{Screen To Stage Adaptation}}s of ''Theatre/StateFair'' and ''{{Film/Cinderella}}''.

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* CutSong: "Boys and Girls Like You and Me." It later turned up in {{Screen To Stage Adaptation}}s of ''Theatre/StateFair'' ''Film/StateFair'' and ''{{Film/Cinderella}}''.
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* CutSong: "Boys and Girls Like You and Me." It later turned up in {{Screen To Stage Adaptation}}s of ''StateFair'' and ''{{Film/Cinderella}}''.

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* CutSong: "Boys and Girls Like You and Me." It later turned up in {{Screen To Stage Adaptation}}s of ''StateFair'' ''Theatre/StateFair'' and ''{{Film/Cinderella}}''.

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* MissYoYoKnickers: She ''is'' a girl who can't say no, after all.


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* ReallyGetsAround: She ''is'' a girl who can't say no, after all.

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from Villain Song trope page, \"just because a song is sung by a villain, it is not necessarily a Villain Song.\"


* DreamBallet: The paradigmatic example of the form.
** TropeCodifier?

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* DreamBallet: The paradigmatic example of the form.
**
form. Possible TropeCodifier?



* EvilSoundsDeep: Jud Fry is always cast as a bass.
** Not always. The 1979 revival saw Martin Vidnovic play Jud, and "Lonely Room" was transposed up a third (still keeping it in baritone territory, but with a tessitura higher than a bass's song would have.)

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* EvilSoundsDeep: Jud Fry is almost always cast as a bass.
** Not always. The
bass, although the 1979 revival saw Martin Vidnovic play Jud, and "Lonely Room" was transposed up a third (still keeping it in baritone territory, but with a tessitura higher than a bass's song would have.)



* VillainSong: "Lonely Room"
** True, sung by the villain, but not really a villain song nonetheless. The song generates what little sympathy the audience does have for Jud.
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** The 2002 revival had Aasif Mandvi as Ali Hakim before ''TheDailyShow'' picked him up as a correspondent.

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** The 2002 revival had Aasif Mandvi as Ali Hakim before ''TheDailyShow'' ''Series/TheDailyShow'' picked him up as a correspondent.
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** The 1998 West End production had Hugh Jackman before he was [[XMen Wolverine]] or even [[KateAndLeopold Leopold]].

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** The 1998 West End production had Hugh Jackman before he was [[XMen [[Film/{{X-Men}} Wolverine]] or even [[KateAndLeopold Leopold]].

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trope was renamed


* FelonyMisdemeanor: Laurey is horrified over this, weeps over this, has nightmares over this. Curly would rather see Jud dead than let him go through with this. Curly sells every prized possession he has to stop this from happening. And in the end Jud ''DIES'' over this. The crime? Asking Laurey out on a date, taking her to a party, and bidding on a picnic basket.
** Some stagings of the play add subtext that Jud is going to ''rape'' Laurey if he gets her alone.



* WhatDoYouMeanItsNotHeinous: Laurey is horrified over this, weeps over this, has nightmares over this. Curly would rather see Jud dead than let him go through with this. Curly sells every prized possession he has to stop this from happening. And in the end Jud ''DIES'' over this. The crime? Asking Laurey out on a date, taking her to a party, and bidding on a picnic basket.
** Some stagings of the play add subtext that Jud is going to ''rape'' Laurey if he gets her alone.
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* {{Casanova}}: Ali Hakim.

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* {{Casanova}}: TheCasanova: Ali Hakim.
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** The 1979 Broadway revival includes [[BuffyTheVampireSlayer The Mayor]] as Will Parker.

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** The 1979 Broadway revival includes [[BuffyTheVampireSlayer [[Series/BuffyTheVampireSlayer The Mayor]] as Will Parker.
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* VillainousCrush: Jud for Laurey, though how much one considers Jud to be a villain is up for debate.
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* UnableToSupportAWife: Will's problem.
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* WhatTheHellHero: Curly tries to MindScrew Jud into commiting suicide. Why? So that Jud won't be around to ask Laurey out. Even in the productions that add the rapey undertones, this scene happens before Jud does anything worse than express an interest in the same girl as Curly.
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Removing wick to Did Not Do The Research per rename at TRS.


* DidNotDoTheResearch: The locations referenced are in eastern Oklahoma, in the Cherokee Nation and in what was then Indian Territory--Laurie suspects Curly rented the surrey in Claremore, and later says "They'll hear you all the way to Catoosie!" (Catoosa), both of which are near Tulsa--but the characters represent the attitudes of the western half, Oklahoma Territory. Indian Territory made a bid for a separate state called Sequoyah, but was turned down. So when Curly speaks in awed tones of the new state: "They're gonna call it... 'Ok-la-ho-ma'!" he not only references a name that had already been in use since 1889 by the western territory, but also a single statehood plan that was hardly received with such enthusiasm in the Indian Territory, even among non-Indians.
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* DidNotDoTheResearch: The locations referenced are in eastern Oklahoma, in the Cherokee Nation and in what was then Indian Territory--Laurie suspects Curly rented the surrey in Claremore, and later says "They'll hear you all the way to Catoosie!" (Catoosa), both of which are near Tulsa--but the characters represent the attitudes of the western half, Oklahoma Territory. Indian Territory made a bid for a separate state called Sequoyah, but was turned down. So when Curly speaks in awed tones of the new state: "They're gonna call it... 'Ok-la-ho-ma'!" he not only references a name that had already been in use since 1889 by the western territory, but also a single statehood plan that was hardly received with such enthusiasm in the Indian Territory, even among non-Indians.
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[[quoteright:350:http://static.tvtropes.org/pmwiki/pub/images/Oklahoma_6301.jpg]]

->''We know we belong to the land, and the land we belong to is grand!''
->''And when we say, "Yeeow! Ayipioeeay!"''
->''We're only sayin', "You're doin' fine, Oklahoma!''
->''Oklahoma, O.K.!"''

'''''Oklahoma!''''' is a 1943 [[TheMusical musical]], possibly the most influential musical in the genre. Based on the play ''Green Grow the Lilacs'' and adapted by {{Rodgers and Hammerstein}}, it tells the story of a young cowboy named Curly, and a farm girl, Laurey. They're obviously in love, but neither of them will admit it. The sinister farmhand, Jud, asks Laurey to a dance. Laurey is afraid of him, but she accepts to spite Curly. The story takes a dark turn as Laurey realizes that Jud is dangerous, and that, if she were to turn him down, he could become violent.

The musical is a radical departure from the mostly fluffy musical comedies that had preceded it. It integrated the book (the spoken dialogue) with the music without attempting to justify it. Its use of dance as adding to the plot and atmosphere was also a change from the showgirls of previous musicals. It was not the first to use such techniques (''ShowBoat'', which also featured lyrics and libretto written by Hammerstein, predated it by nearly 20 years), but its impact is unmistakable.

''Oklahoma!'' was successfully adapted to film in 1955, and has been [[{{revival}} revived]] numerous times on Broadway and in London.
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!!This play contains examples of:

* AnnoyingLaugh: Gertie, full-stop.
* AntiVillain: As creepy as he is, it's hard not to feel at least a ''little'' sorry for Jud, with the way he's ostracized by the town and seems to be completely starved for affection. Oh, and did we mention the fact that the hero tries to encourage Jud to ''kill himself before he had even done anything wrong?''
* [[CaliforniaDoubling Arizona Doubling]]: Nogales, Arizona stands in for Oklahoma in the 1955 film.
* [[BadassGrandma Badass Aunt]]: Aunt Eller. At one point, she brandishes a ''gun'' at everyone, in order to make sure everyone gets along.
* BetaCouple: Will and Ado Annie
* BookEnds: The play and movie begin with Curly singing, "Oh What a Beautiful Mornin'" before asking Laurey out to the dance, and end with everyone singing the song while celebrating Curley's and Laurey's marriage and Oklahoma's becoming a state.
* {{Bowdlerise}}: In the play, "Kansas City" had a part with Will singing about how one of the burlesque girls he saw undressed herself to prove that she had a shapely figure, as opposed to a padded outfit. In the movie, Will sings about how when she danced, her body moved naturally.
* TheBrainlessBeauty: Ado Annie
* CarSong: "The Surrey with the Fringe on Top" could be considered the 1900s equivalent.
* {{Casanova}}: Ali Hakim.
* CoolOldLady: Aunt Eller.
* CutSong: "Boys and Girls Like You and Me." It later turned up in {{Screen To Stage Adaptation}}s of ''StateFair'' and ''{{Film/Cinderella}}''.
* DreamBallet: The paradigmatic example of the form.
** TropeCodifier?
* DrivenToSuicide: Curly attempts to do this to Jud in "Pore Jud is Daid".
* TheElevenOClockNumber: "Oklahoma!"
* EvilSoundsDeep: Jud Fry is always cast as a bass.
** Not always. The 1979 revival saw Martin Vidnovic play Jud, and "Lonely Room" was transposed up a third (still keeping it in baritone territory, but with a tessitura higher than a bass's song would have.)
* FarmersDaughter: Ado Annie.
* {{Fate Worse Than Death}}: Ali Hakim's forced marriage to Gertie Cummings. "I thought it would be better to be alive, but now I ain't so sure."
* {{Fauxreigner}}: Ali Hakim can be one depending on the production. Despite the character claiming to be Persian, the part was written for a "Jewish Comic"-type actor, and it is in line with the characterization for Hakim to be an outsider/more worldly than the characters (which a Jew from New York City would be in the setting), but still lying about his background in being American-born. The role finally went to an actual Muslim (although not an Iranian) in a major production when the 2002 Broadway revival gave the part to Aasif Mandvi.
* FeudingFamilies: Not families per se, but the farmers and cowboys otherwise fit this trope.
* FinalLoveDuet: "Let People Say We're in Love" - which, unlike most instances of this trope, is actually a reprise (with different lyrics) of the earlier flirty duet "People Will Say We're in Love."
* GoodBadGirl: Ado Annie, who might actually be the UrExample.
* HeyItsThatGuy: The 1955 film version, which features [[ThePartridgeFamily Mrs. Partridge]], [[InTheHeatOfTheNight Sheriff Gillespie]], [[TheShawshankRedemption Brooks Hatlen]], [[GreenAcres Oliver Wendell Douglas]], and [[AllMyChildren Palmer Cortlandt]].
** The 1998 West End production had Hugh Jackman before he was [[XMen Wolverine]] or even [[KateAndLeopold Leopold]].
** The 1979 Broadway revival includes [[BuffyTheVampireSlayer The Mayor]] as Will Parker.
** The 2002 revival had Aasif Mandvi as Ali Hakim before ''TheDailyShow'' picked him up as a correspondent.
* ImmuneToBullets: Jud, in the DreamBallet.
* KangarooCourt: The final sequence is the entire town holding a mock trial to excuse Curly for a murder charge. Regardless of whether or not he should have been guilty, they didn't even bother to ''hide'' that they were going to happily let him go after a few seconds.
* KarmaHoudini: Curly's conversation with Jud during "Pore Jud is Daid." Nothing is done to point out how wrong this is.
* LoveTriangle: Curly, Laurey, and Jud; Will, Annie, and Ali Hakim
* MadnessMantra: [[spoiler: "Think you're better than me..."]]
* MissYoYoKnickers: She ''is'' a girl who can't say no, after all.
* MobileKiosk: Ali Hakim the peddler has one of these.
* TheMusical
* NeverBringAKnifeToAFistFight: A lesson [[spoiler: Jud]] would do well to learn.
* PairTheSpares: Ali Hakim and Gertie. An interesting variation as they were paired by being the spares from two completely separate triangles.
* PleaseIWillDoAnything: Not outright stated but implied in the dream sequence.
* PlotParallel
* ProductionPosse: In the film, just about every dancer in the Dream Ballet had worked with Agnes de Mille on a regular basis.
* SerialKiller: [[spoiler: In all likelyhood, Jud himself. Some productions add more hints of this to keep him from being too sympathetic.]]
* SexDressed
* ShotgunWedding: Ali Hakim seems to attract these-- Carnes tries to force him to marry Ado Annie. [[spoiler: He escapes that one, only to be forced to marry the intolerable Gertie Cummings.]]
* SidekickSong: "Everything's Up to Date in Kansas City", "I Cain't Say No" and others.
* SnakeOilSalesman: Ali Hakim
* StalkerWithACrush: Jud.
* TomboyAndGirlyGirl: Some variations of Laurey and Ado Annie.
* {{Tsundere}}: Laurey.
* VillainSong: "Lonely Room"
** True, sung by the villain, but not really a villain song nonetheless. The song generates what little sympathy the audience does have for Jud.
* WhatDoYouMeanItsNotHeinous: Laurey is horrified over this, weeps over this, has nightmares over this. Curly would rather see Jud dead than let him go through with this. Curly sells every prized possession he has to stop this from happening. And in the end Jud ''DIES'' over this. The crime? Asking Laurey out on a date, taking her to a party, and bidding on a picnic basket.
** Some stagings of the play add subtext that Jud is going to ''rape'' Laurey if he gets her alone.
* WorkingTitle: ''Away We Go'', until R&H decided to re-name the play after its most energetic song.
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