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* GambitPileup: The play is a straight example, with Lady Inger and Niels Lykke trying to outgambit eachother, setting lives, properties and ''an entire nation'' at stake. Lampshaded by Inger herself:

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* GambitPileup: The play is a straight example, with Lady Inger and Niels Lykke trying to outgambit eachother, each other, setting lives, properties and ''an entire nation'' at stake. Lampshaded by Inger herself:
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Per TRS, this was renamed to Falsely Advertised Accuracy and moved to Trivia


* DanBrowned: Ibsen dumps a lot of references here, and shows some thorough research. But then, he goes off the scale with inaccuracies (see the ArtisticLicence entries). Probably the only time he did this. Therefore, ''Lady Inger'' is often played as a personal drama revolving around the emotions of the Titular Character.
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Up To Eleven is a defunct trope


* {{Tsundere}}: Eline, daughter of Inger, initially despising Niels Lykke for his role in seducing her sister, and because of the rumors going of his actions. She is also smitten by his charms, but does not admit it. Played UpToEleven when Eline states she hates Niels, with a passion that actually sounds rather... endearing.

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* {{Tsundere}}: Eline, daughter of Inger, initially despising Niels Lykke for his role in seducing her sister, and because of the rumors going of his actions. She is also smitten by his charms, but does not admit it. Played UpToEleven up to eleven when Eline states she hates Niels, with a passion that actually sounds rather... endearing.

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'''Lady Inger at Austraat''' (''Fru Inger til Østråt'') is a {{period piece}} written by Creator/{{Henrik Ibsen}} in 1857. This is one of his most known historical plays, and {{historical domain character}}s are abundant. Lady Inger was a Norwegian noblewoman sitting at her estate in Trøndelag, and was close to the circles of power at the time. The play goes pretty deep into her agonies concerning the fate of UsefulNotes/{{Norway}}, and the decisions she has to make considering both her daughters, her situation, and her future. Emmisaries from UsefulNotes/{{Denmark}} and UsefulNotes/{{Sweden}}, as well as Norwegian nobles, plot in different directions around her, and difficult decisions has to be made. At the same time, there is rebellion in Sweden, and the farmers in Norway strive to join, but their mission is already doomed, as is the future of lady Inger. The year of the play is 1528, and it is clear that any struggle for independence is bound to fail.

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'''Lady ''Lady Inger at Austraat''' Austraat'' (''Fru Inger til Østråt'') is a {{period piece}} written by Creator/{{Henrik Ibsen}} in 1857. This is one of his most known historical plays, and {{historical domain character}}s are abundant. Lady Inger was a Norwegian noblewoman sitting at her estate in Trøndelag, and was close to the circles of power at the time. The play goes pretty deep into her agonies concerning the fate of UsefulNotes/{{Norway}}, and the decisions she has to make considering both her daughters, her situation, and her future. Emmisaries from UsefulNotes/{{Denmark}} and UsefulNotes/{{Sweden}}, as well as Norwegian nobles, plot in different directions around her, and difficult decisions has to be made. At the same time, there is rebellion in Sweden, and the farmers in Norway strive to join, but their mission is already doomed, as is the future of lady Inger. The year of the play is 1528, and it is clear that any struggle for independence is bound to fail. \n

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* TruthInTelevision: While Knut Alvsson definitely aspired for royalty, claiming to be the last heir of the medieval kings, he never had that support, and as far as history shows, he was not close to call in all the nobles just like that.
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* HistoricalDomainCharacter: Pretty much the entire cast. Inger and her daughers, the Danish nobleman Niels Lykke, Sten Sture from Sweden, and namechecks on the heroic Knut Alvsson. Even {{Martin Luther}} is referred to in passing.

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* HistoricalDomainCharacter: Pretty much the entire cast. Inger and her daughers, daughters, the Danish nobleman Niels Lykke, Sten Sture from Sweden, and namechecks on the heroic Knut Alvsson. Even {{Martin Luther}} [[UsefulNotes/ReligiousLeaders Martin Luther]] is referred to in passing.

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* BadassGrandpa: Olaf Skaktavl is the oldest character, and has lived a rugged life on the run "sharing his bed with wolves and bears".



* OnlyAFleshWound: Olaf Skaktavle, being almost the SoleSurvivor of the Swedish ambush, lost a finger in combat, and barely scoffs when Inger mentions it. BadassGrandpa indeed.

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* OnlyAFleshWound: Olaf Skaktavle, being almost the SoleSurvivor of the Swedish ambush, lost a finger in combat, and barely scoffs when Inger mentions it. BadassGrandpa indeed.
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* DelusionsOfGrandeur: Inger dreams of becoming the mother of kings, as Nils Stensson arguably could take the crown in both Sweden and Norway.
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** I you are looking for a CrowningMomentOfFunny in this play, it is here.

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** I If you are looking for a CrowningMomentOfFunny SugarWiki/{{Funny Moment|s}} in this play, it is here.
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* ChivalricRomance: The setting is partly this, partly {{Goth}}. A number of chivalrous songs are mentioned, but the whole "romance" thing is actually stabbed to death by the notorious womanixer Niels Lykke. Eline thinks she lives the part from the very beginning.

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* ChivalricRomance: The setting is partly this, partly {{Goth}}. A number of chivalrous songs are mentioned, but the whole "romance" thing is actually stabbed to death by the notorious womanixer womanizer Niels Lykke. Eline thinks she lives the part from the very beginning.

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* ChivalricRomance: The setting is partly this, partly {{Goth}}. A number of chivalrous songs are mentioned, but the whole "romance" thing is actually stabbed to death by the notorious womanixer Niels Lykke. Eline thinks she lives the part from the very beginning.



* EnterStageWindow: Nils Stensson, the designated {{rebel leader}}.

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* EnterStageWindow: Nils Stensson, the designated {{rebel leader}}.RebelLeader.
* FloweryElizabethanEnglish: Er, Norwegian in this case. The speaking patterns are filled with old idioms, easily translated with "thou", "thee" and "thine", archaic in Ibsen´s time, but reckoned "high style" in the era of Inger. All characters in the play talk and act like a number of characters from ''Literature/TheSilmarillion''.
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** That would be ''two'' nations. They also gamble on the future of {{Sweden}} as well as Norway.
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Dangerously Genre Savvy is being merged with Genre Savvy. Misuse and zero context examples will be cut.


* DangerouslyGenreSavvy: Niels Lykke. Good and proper.
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'''Lady Inger at Austraat''' (''Fru Inger til Østråt'') is a {{period piece}} written by {{Henrik Ibsen}} in 1857. This is one of his most known historical plays, and {{historical domain character}}s are abundant. Lady Inger was a Norwegian noblewoman sitting at her estate in Trøndelag, and was close to the circles of power at the time. The play goes pretty deep into her agonies concerning the fate of UsefulNotes/{{Norway}}, and the decisions she has to make considering both her daughters, her situation, and her future. Emmisaries from UsefulNotes/{{Denmark}} and UsefulNotes/{{Sweden}}, as well as Norwegian nobles, plot in different directions around her, and difficult decisions has to be made. At the same time, there is rebellion in Sweden, and the farmers in Norway strive to join, but their mission is already doomed, as is the future of lady Inger. The year of the play is 1528, and it is clear that any struggle for independence is bound to fail.

to:

'''Lady Inger at Austraat''' (''Fru Inger til Østråt'') is a {{period piece}} written by {{Henrik Creator/{{Henrik Ibsen}} in 1857. This is one of his most known historical plays, and {{historical domain character}}s are abundant. Lady Inger was a Norwegian noblewoman sitting at her estate in Trøndelag, and was close to the circles of power at the time. The play goes pretty deep into her agonies concerning the fate of UsefulNotes/{{Norway}}, and the decisions she has to make considering both her daughters, her situation, and her future. Emmisaries from UsefulNotes/{{Denmark}} and UsefulNotes/{{Sweden}}, as well as Norwegian nobles, plot in different directions around her, and difficult decisions has to be made. At the same time, there is rebellion in Sweden, and the farmers in Norway strive to join, but their mission is already doomed, as is the future of lady Inger. The year of the play is 1528, and it is clear that any struggle for independence is bound to fail.



* XanatosSpeedChess: Niels Lykke changes his plans rapidly on the information Olaf Skaktavl unwittingly gives him. This comes in useful moments later, when Nils Stensson arrives.

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* XanatosSpeedChess: Niels Lykke changes his plans rapidly on the information Olaf Skaktavl unwittingly gives him. This comes in useful moments later, when Nils Stensson arrives.
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* KansasCityShuffle: Niels Lykke manages to con Inger into believing that Nils Stensson is her enemy and not her son, and she has him executed, by the hand of Olaf. She is well aware that Niels Lykke is out to play his tricks on her, and mistrusts him from the onset, and yet...
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* OnlyAFleshWound: Olaf Skaktavle, being almost the SoleSurvivor of the Swedish ambush, lost a finger in combat, and barely scoffs when Inger mentions it. BadassGrandpa indeed.
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** Finn, a servant in the Austraat estate, serves as a mole for Niels Lykke, until he is busted and gets locked up.


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* OldRetainer: Bjørn, the old housekeeper, a NiceGuy who used to tell Eline fairy tales when she was younger. A faithful confidant of Inger.
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* BadassGrandpa: Olaf Skaktavl is the oldest character, and has lived a rugged life on the run "sharing his bed with wolves and bears".


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** Niels bluffs his way through the play with great skill.


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* TheReveal: Inger reveals her backstory to both Olaf and Niels come the fourth act.

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* NeverLearnedToRead: Nils Stensson is anyway bad at it. This gives Niels Lykke an advantage because he ''can'' read properly, and gets all the information he needs from the letters the younger Nils never understood anyway.
* OhCrap: Niels Lykke has one of those when he realizes the identity of Nils Stensson.



* {{Tsundere}}: Eline, daughter of Inger, initially despising Niels Lykke for his role in seducing her sister, and because of the rumors going of his actions. She is also smitten by his charms, but does not admit it.

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* {{Tsundere}}: Eline, daughter of Inger, initially despising Niels Lykke for his role in seducing her sister, and because of the rumors going of his actions. She is also smitten by his charms, but does not admit it. Played UpToEleven when Eline states she hates Niels, with a passion that actually sounds rather... endearing.



* {{Womaniser}}: Niels Lykke is ''notoriously known'' for this, even in Sweden.

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* {{Womaniser}}: TheCasanova: Niels Lykke is ''notoriously known'' for this, even in Sweden.
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* DarkestHour: The play underscores this rather heavily. The different Norwegian fractions clearly doesn`t trust eachother, there is no leadership, no successor to the throne, and Danish and Swedish agents are everywhere. And here is Lady Inger with her vow to fight on.
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* LastOfHisKind: Inger believes herself to be the last surviving member of the once proud Norwegian nobility, wiped out by the Danish over a period of twenty years. It turns out ThereIsAnother, Olaf Skaktavl, but Inger had given up hope. No wonder she freaks out when he suddenly appears on stage.

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