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Crosswicking.


--->'''Lilli''': "I'm marrying an important man! Do the words "World War 2" mean anything to you?"
--->'''Fred''': "[[DeadpanSnarker You're marrying]] ''[[DeadpanSnarker Adolf Hitler?]]''"

to:

--->'''Lilli''': "I'm marrying an important man! Do the words "World War 2" mean anything to you?"
--->'''Fred''':
you?"\\
'''Fred''':
"[[DeadpanSnarker You're marrying]] ''[[DeadpanSnarker Adolf Hitler?]]''"Hitler?]]''"
* HurricaneOfPuns: "Brush Up Your Shakespeare" has most of its lyrics be based on puns on titles of Creator/WilliamShakespeare plays. Here is a selection:
-->"If you quote a few lines from [[Theatre/{{Othello}} Othella,]]\\
Then they'll think you're one heck of a fella.\\
If your blonde won't respond when you flatter her,\\
Tell her what [[Theatre/AntonyAndCleopatra Tony told Cleopatera.]]"
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* TheUnfairSex: Averted; Lilli slaps, punches and commits at lest one GroinAttack on Fred, but when he finally has enough he grabs her and spanks her so long and hard she can't sit down.

to:

* TheUnfairSex: Averted; Lilli slaps, punches and commits at lest one GroinAttack on Fred, but when he finally has enough he grabs her and spanks her so long and hard she can't sit down. Neither are ultimately shown to be in the wrong.
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* TheUnfairSex: Averted; Lilli slaps, punches and commits at lest one GroinAttack on Fred, but when he finally has enough he grabs her and spanks her so long and hard she can't sit down.
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* NarmCharm: InUniverse, the song "Wunderbar." Lili and Fred agree that it's cheesy through and through, but by the last refrain they're moved by the emotion.
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It's Baltimore, post-WorldWarII. High-minded actor Fred Graham is trying out his musical version of Shakespeare's ''Theatre/TheTamingOfTheShrew'', starring as Petruchio opposite his ex-wife Lilli Vanessi in the title role ("Another Op'nin', Another Show"). Fellow actress Lois Lane (Bianca) laments the behavior of chronic gambler Bill Calhoun (Lucentio), as Bill has signed Fred's name to a large gambling debt ("Why Can't You Behave?"). Fred and Lilli reminisce about old times ("Wunderbar"), but soon start to argue. Lilli realizes she still loves Fred ("So In Love"), and when a bouquet of flowers from Fred (actually intended for Lois) arrives in her dressing room, she rejoices even more. The show opens with Fred, Lilli, Bill, and Lois onstage ("We Open in Venice"), and continues with numbers by Lois and Bill ("Tom, Dick, or Harry"), Fred ("I've Come to Wive it Wealthily in Padua") and Lilli ("I Hate Men"). But things start to go awry when Lilli reads the ''note'' included with the bouquet, acting out onstage and forcing Fred to take matters into his own hands. By spanking her in front of the audience.

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It's Baltimore, post-WorldWarII.post-UsefulNotes/WorldWarII. High-minded actor Fred Graham is trying out his musical version of Shakespeare's ''Theatre/TheTamingOfTheShrew'', starring as Petruchio opposite his ex-wife Lilli Vanessi in the title role ("Another Op'nin', Another Show"). Fellow actress Lois Lane (Bianca) laments the behavior of chronic gambler Bill Calhoun (Lucentio), as Bill has signed Fred's name to a large gambling debt ("Why Can't You Behave?"). Fred and Lilli reminisce about old times ("Wunderbar"), but soon start to argue. Lilli realizes she still loves Fred ("So In Love"), and when a bouquet of flowers from Fred (actually intended for Lois) arrives in her dressing room, she rejoices even more. The show opens with Fred, Lilli, Bill, and Lois onstage ("We Open in Venice"), and continues with numbers by Lois and Bill ("Tom, Dick, or Harry"), Fred ("I've Come to Wive it Wealthily in Padua") and Lilli ("I Hate Men"). But things start to go awry when Lilli reads the ''note'' included with the bouquet, acting out onstage and forcing Fred to take matters into his own hands. By spanking her in front of the audience.
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[[quoteright:300:http://static.tvtropes.org/pmwiki/pub/images/image_268.jpeg]]

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namespace change


A 1948 [[TheMusical musical]] by Music/ColePorter. ''Kiss Me Kate'' was an answer to ''Theatre/{{Oklahoma}}'' in that the music advanced the plot. It also won the first Tony Award for Best Musical (along with four other Tonys). A film version was released in 1953.

to:

A 1948 [[TheMusical musical]] by Music/ColePorter. ''Kiss Me Kate'' was an answer to ''Theatre/{{Oklahoma}}'' in that the music advanced the plot. It also won the first Tony Award for Best Musical (along with four other Tonys). A film UsefulNotes/ThreeDMovie version was released in 1953.



* ThreeDMovie: The film version, although it's now extremely difficult to see it in the original format.
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* PainfulRhyme: "Brush Up Your Shakespeare" has a few:
-->"If you quote a few lines from [[Theater/{{Othello}} Othella,]]\\
Then they'll think you're one heck of a fella.\\
If your blonde won't respond when you flatter her,\\
Tell her what [[Theater/AntonyAndCleopatra Tony told Cleopaterer.]]"
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None


Tell her what [[Theater/AnthonyAndCleopatra Tony told Cleopaterer.]]"

to:

Tell her what [[Theater/AnthonyAndCleopatra [[Theater/AntonyAndCleopatra Tony told Cleopaterer.]]"
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* PainfulRhyme: "Brush Up Your Shakespeare" has a few:
-->"If you quote a few lines from [[Theater/{{Othello}} Othella,]]\\
Then they'll think you're one heck of a fella.\\
If your blonde won't respond when you flatter her,\\
Tell her what [[Theater/AnthonyAndCleopatra Tony told Cleopaterer.]]"
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Moved info to TRIVIA tab.


* CutSong: "From This Moment On", though it was later reinstated.
** Strangely, this is a cut number from a different Cole Porter musical, ''Out of This World'', which made its way into the film version of ''Kiss Me, Kate'' and then, in a different context, revivals of the stage version.
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* ComedicSpanking: Lilli receives a good one from Fred at the end of the first act, technically in character as Katherina but she had it coming herself as well. This sets up a RunningGag of her being unable to sit down well into the second act.

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Namespaces. Trivia migration.


A 1948 [[TheMusical musical]] by ColePorter. ''Kiss Me Kate'' was an answer to ''{{Oklahoma}}'' in that the music advanced the plot. It also won the first Tony Award for Best Musical (along with four other Tonys). A film version was released in 1953.

to:

A 1948 [[TheMusical musical]] by ColePorter. Music/ColePorter. ''Kiss Me Kate'' was an answer to ''{{Oklahoma}}'' ''Theatre/{{Oklahoma}}'' in that the music advanced the plot. It also won the first Tony Award for Best Musical (along with four other Tonys). A film version was released in 1953.



* BreakawayPopHit: CutSong "From This Moment On" to a limited extent.



* NamesTheSame: Lois Lane.
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** Also, "Always True to You in My Fashion" is probably an intentional paraphrase of a line from the poem "Non Sum Qualis eram Bonae Sub Regno Cynarae" (better known as simply "Cynara") by Ernest Dowson: "I have been faithful to thee, Cynara! in my fashion." Bonus in-joke points because the speaker has been indulging ''a lot'' in [[HookersAndBlow wine, women and song]] in an unsuccessful attempt to forget Cynara.

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* IntercourseWithYou: "Too Darn Hot".

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* IntercourseWithYou: "Too Darn Hot"."I'd like to coo with my baby tonight, pitch the woo with my baby tonight, but [[SubvertedTrope I ain't up to my baby tonight]] 'cuz it's ''[[TitleDrop too darn hot!]]''"



* KarmaHoudini: Bill. He signs Fred's name to a large gambling debt (to pay for money that Fred doesn't actually have) and his punishment for this is [[spoiler: the mob boss that wanted Fred to pay up conveniently dies just in time for Bill and Lois to reconcile and go on to star in what we presume will be a very successful play.]]



* LiteraryAllusionTitle

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* LiteraryAllusionTitleLiteraryAllusionTitle: "Kiss Me, Kate" is a line within "The Taming of the Shrew."
* TheLoinsSleepTonight: Because it's too darn hot.



* [[PunchClockVillain Punch Clock Villains]]: The Two Men

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* [[PunchClockVillain Punch Clock Villains]]: The Two MenMen. If they're not threatening to kill you and sprinkle the pieces in the Bay, then they're theater enthusiasts who are happy to talk Shakespeare and performance.



* ReallyGetsAround: Lois sings a whole song about it

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* ReallyGetsAround: Lois sings a whole song about itit.

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* SnarkToSnarkCombat: Fred and Lily do quite a bit of this
* SpankTheCutie

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* SnarkToSnarkCombat: Fred and Lily do quite a bit of this
* SpankTheCutie
this.

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* SlapSlapKiss: Fred and Lily



* SnarkToSnarkCombat: Fred and Lily do quite a bit of this



* ThoseTwoGuys: The Two Men (Slug and Lippy).

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* ThoseTwoGuys: ThoseTwoBadGuys: The Two Men (Slug and Lippy).Lippy).
* {{Tsundere}}: Lily oh so much.
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* {{Bowdlerisation}}: In the musical number "Too Darn Hot", the line "according to the Kinsey Report" was changed to "according to the latest report" in the film version.

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* {{Bowdlerisation}}: In the musical number "Too Darn Hot", the line "according to the Kinsey Report" was changed to "according to the latest report" in the film version. The word "bastard" was replaced in the film with [[GoshDarnItToHeck "you louse"]]. Many of the lyrics of "Brush Up Your Shakespeare" were changed.
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A 1948 [[TheMusical musical]] by ColePorter. ''Kiss Me Kate'' was an answer to ''{{Oklahoma}}'' in that the music advanced the plot. It also won the first Tony Award for Best Musical (along with four other Tonys).

to:

A 1948 [[TheMusical musical]] by ColePorter. ''Kiss Me Kate'' was an answer to ''{{Oklahoma}}'' in that the music advanced the plot. It also won the first Tony Award for Best Musical (along with four other Tonys).
Tonys). A film version was released in 1953.
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None

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* {{Bowdlerisation}}: In the musical number "Too Darn Hot", the line "according to the Kinsey Report" was changed to "according to the latest report" in the film version.
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None


* ShowWithinAShow: The musical version of ''Theatre/TheTamingOfTheShrew'', which itself is a ShowWithinAShow, based on the opening number of their musical, ''We Open In Venice''.

to:

* ShowWithinAShow: ShowWithinAShow[=/=]TheMusicalMusical: The musical version of ''Theatre/TheTamingOfTheShrew'', which itself is a ShowWithinAShow, based on the opening number of their musical, ''We Open In Venice''.
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* LoveableRogue: Bill


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* [[PunchClockVillain Punch Clock Villains]]: The Two Men
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* BigLippedAlligatorMoment: "Too Darn Hot," in the stage version.



* FairForItsDay: The roles of Fred's and Lilli's personal assistants seem almost blatantly racist in hindsight, though they are still sympathetic--if underdeveloped--characters. On the other hand, back in the '40s you had people complaining that they got too much face-time, along with those ''scandalous'' act-opening numbers (MoralGuardians actually tried to ban "Too Darn Hot", and did at least succeed in transferring it to the white characters and toning down the lyrics for TheMovie)...
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* ThoseTwoGuys: The Two Men.

to:

* ThoseTwoGuys: The Two Men.Men (Slug and Lippy).
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Apologies. This troper saw a production with a slightly different lineup. Fact checking saved me.
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* StylisticSuck: "Bianca" which is supposed to be a bad poem that Bill wrote for Lois.
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It's best known song is "Brush Up Your Shakespeare". "Another Op'nin' Another Show" is also widely recognized.

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It's Its best known song is "Brush Up Your Shakespeare". "Another Op'nin' Another Show" is also widely recognized.
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* TheBardOnBoard
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* BigLippedAlligatorMoment: "Too Darn Hot," in the stage version.
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Added DiffLines:

->''Brush up your [[Creator/WilliamShakespeare Shakespeare]], start quoting him now.''

A 1948 [[TheMusical musical]] by ColePorter. ''Kiss Me Kate'' was an answer to ''{{Oklahoma}}'' in that the music advanced the plot. It also won the first Tony Award for Best Musical (along with four other Tonys).

It's Baltimore, post-WorldWarII. High-minded actor Fred Graham is trying out his musical version of Shakespeare's ''Theatre/TheTamingOfTheShrew'', starring as Petruchio opposite his ex-wife Lilli Vanessi in the title role ("Another Op'nin', Another Show"). Fellow actress Lois Lane (Bianca) laments the behavior of chronic gambler Bill Calhoun (Lucentio), as Bill has signed Fred's name to a large gambling debt ("Why Can't You Behave?"). Fred and Lilli reminisce about old times ("Wunderbar"), but soon start to argue. Lilli realizes she still loves Fred ("So In Love"), and when a bouquet of flowers from Fred (actually intended for Lois) arrives in her dressing room, she rejoices even more. The show opens with Fred, Lilli, Bill, and Lois onstage ("We Open in Venice"), and continues with numbers by Lois and Bill ("Tom, Dick, or Harry"), Fred ("I've Come to Wive it Wealthily in Padua") and Lilli ("I Hate Men"). But things start to go awry when Lilli reads the ''note'' included with the bouquet, acting out onstage and forcing Fred to take matters into his own hands. By spanking her in front of the audience.

Meanwhile, backstage, Fred is approached by [[NoNameGiven two thugs]] who come to collect the IOU Bill signed Fred's name to. To stop Lilli from quitting the show, Fred tells the two men he can only pay their boss the money with the profits from the night's performance. In between his scenes ("Were Thine That Special Face"), Fred convinces the Two Men to do a little convincing of their own. The gangsters "cajole" Lilli into staying on the show ("Cantiamo d'Amore", "Kiss Me, Kate").

During the {{Intermission}}, Fred's dresser Paul and the rest of the ensemble cast complain about the weather ("Too Darn Hot"). Lilli calls her boyfriend, General Harrison Howell, to complain about Fred's treatment of her, and the General immediately drives down to rescue her while the show goes on ("Where is the Life that Late I Led?").

General Howell arrives to take Lilli away ("From This Moment On"). The Two Men find out their boss has been killed, so without an IOU to collect, they try to make their way out of the theater. Lois reassures Bill she has eyes only for him... sort of ("Always True to You") and Bill admits he couldn't leave her ("Bianca"). Fred desperately tries to get Lilli to perform the rest of the show, realizing he still loves her too ("So In Love (Reprise)"). Lilli leaves with Howell. The Two Men get stuck out on stage and improvise ("Brush Up Your Shakespeare"). Fred resigns himself to finish the last scene of the show, not expecting 'Kate' to come onstage. He is surprised but overjoyed when she does; Lilli came back ("I Am Ashamed that Women are so Simple") ("Kiss Me, Kate (Reprise)").

It's best known song is "Brush Up Your Shakespeare". "Another Op'nin' Another Show" is also widely recognized.
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!!Includes examples of:
* ThreeDMovie: The film version, although it's now extremely difficult to see it in the original format.
* AllMusicalsAreAdaptations: Slightly under half the show is a musical adaptation of ''The Taming of the Shrew''.
* {{Antihero}}: Fred.
* BelligerentSexualTension: Fred and Lilli.
--> '''Lilli''': Whose fault was it?
--> '''Fred''': Could have been your temper.
--> '''Lilli''': Could have been your ego.
* BetaCouple: Bill and Lois.
* BrainlessBeauty: Lois
* BreakawayPopHit: CutSong "From This Moment On" to a limited extent.
* ComedyOfRemarriage: Implied at the end.
* CrowdSong: "Another Op'nin', Another Show", "Bianca", "Kiss Me Kate".
* CutSong: "From This Moment On", though it was later reinstated.
** Strangely, this is a cut number from a different Cole Porter musical, ''Out of This World'', which made its way into the film version of ''Kiss Me, Kate'' and then, in a different context, revivals of the stage version.
* DelusionsOfEloquence: The Two Men. (It's implied that they did a lot of reading in prison.)
* DoubleEntendre: It's a show by Cole Porter -- would you expect anything else?
* TheFamilyForTheWholeFamily: The Two Men.
* FairForItsDay: The roles of Fred's and Lilli's personal assistants seem almost blatantly racist in hindsight, though they are still sympathetic--if underdeveloped--characters. On the other hand, back in the '40s you had people complaining that they got too much face-time, along with those ''scandalous'' act-opening numbers (MoralGuardians actually tried to ban "Too Darn Hot", and did at least succeed in transferring it to the white characters and toning down the lyrics for TheMovie)...
* TheGambler: Bill.
* GodwinsLaw: The dialog between Fred and Lilli
--->'''Lilli''': "I'm marrying an important man! Do the words "World War 2" mean anything to you?"
--->'''Fred''': "[[DeadpanSnarker You're marrying]] ''[[DeadpanSnarker Adolf Hitler?]]''"
* IAmSong: "Always True to You".
* TheIngenue: Subverted with Lois. She plays one on stage as Bianca but is far less virginal off stage.
* IntercourseWithYou: "Too Darn Hot".
* IrrelevantActOpener: "Too Darn Hot".
* IWantSong: "Why Can't You Behave".
* LargeHam: The Two Men, with Fred and General Howell trying to out-ham them.
* LiteraryAllusionTitle
* NamesTheSame: Lois Lane.
* NoNameGiven: The Two Men, called 'Man 1' and 'Man 2' in the script.]
* ThePlan: Fred attempt this to keep Lilli in the show, it works for a while, but not long enough.
* PrecisionFStrike: "You ''BASTARD!''"
* ProsceniumReveal: Just before the overture reaches its final chords, the conductor cuts it off and asks, "Is that all right, Mr. Graham?" Fred enters and says, "Yes, the cut's good, leave it in."
* PushedInFrontOfTheAudience: The Two Men.
* ReallyGetsAround: Lois sings a whole song about it
* RunningGag: Lilli is unable to sit down after Fred's spanking.
* ShowWithinAShow: The musical version of ''Theatre/TheTamingOfTheShrew'', which itself is a ShowWithinAShow, based on the opening number of their musical, ''We Open In Venice''.
* SpankTheCutie
* ThatRemindsMeOfASong: "Wunderbar".
* ThoseTwoGuys: The Two Men.
* TomboyAndGirlyGirl: Lilli and Lois. Subverted in that Lilli is a Tomboy with attitude but is also very feminine and a soprano.
* WorldOfHam: In and Out of Universe.
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