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There's no evidence of Serling saying this.


** Rod Serling's intent was that [[AuthorTract he got what he deserved for not being normal.]] Just about everyone didn't see it that way and instead thought it was [[YankTheDogsChain needlessly cruel]], however.
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* Captain Riker leaving behind his wedding ring and baby pictures after being told by his best friend that he's doomed to die in "The Purple Testament" as well as said friends forlorn DeathSeeker attitude afterwards.

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* Captain Riker ([[Characters/StarTrekTheNextGenerationMainCharacters no, not]] '''[[Characters/StarTrekTheNextGenerationMainCharacters that]]''' [[Characters/StarTrekTheNextGenerationMainCharacters one]]) leaving behind his wedding ring and baby pictures after being told by his best friend that he's doomed to die in "The Purple Testament" as well as said friends forlorn DeathSeeker attitude afterwards.
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** As Peter's popularity rises due to aid from his mysterious benefactor, Ernst (a Holocaust survivor who was imprisoned at Dachau) reveals to the proprietor of a bar he's drowning his sorrows at that he's seen this happen once before...and now it's happening all over again.
--->'''Ernst''': That's what we said, too. They were brown scum. Temporary insanity, part of the passing scene, too monstrous to be real. So, we ignored them or laughed at them. Because we couldn't believe that there were enough insane people to walk alongside of them. And then one morning, the country woke up from an uneasy sleep, and there was no more laughter. The Peter Vollmers had taken over. The wild animals had changed places with us in the cage. But not again. It mustn't happen again. We can't let it. We simply can't let it happen again. All, all that nightmare. Oh, no. No, not this time.
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** After the execution has been carried out, the Reverend turns to the assembled crowd and tells them that the blackness is the hate everyone has and it has escaped as it needs somewhere to go. This would be the point where people realize the error of their ways and vow to change. But that's not what happens. A townswoman says in horror "Look. Look what's happened. It's getting even darker. I can...''I can hardly see anymore''" as the lights fade more and more. As the sheriffs and reporter hunker down in the station, wondering if the Reverend is right or not, they turn on the radio...only to learn that the blackness isn't just focused over their town anymore. ''It's spreading''...including over Dallas (implied to be Dealey Plaza, where President Kennedy was assassinated), North Vietnam, a political prison in Budapest and a section of the Berlin Wall. As the scene darkens even more, Creator/RodSerling delivers the final monologue.
--->'''Serling:''' A sickness known as hate. Not a virus. Not a microbe. Not a germ. But a sickness nonetheless. Highly contagious, deadly in its effects. Don't look for it in the Twilight Zone; look for it in the mirror. Look for it before the light goes out altogether.
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** After her loved ones are unable to understand why Marilyn isn't excited about the Transformation, Marilyn's mother takes her to the family physician, Dr. Rex in order to see if there's something deeper going on. Dr. Rex comes across as a kind and caring, telling Marilyn that she's far from alone. This gives Marilyn and the audience a HopeSpot that (finally) somebody understands and will validate her decision. This is quickly dashed as it's normal to want the Transformation to happen sooner and it can be arranged. Talk about KickTheDog.
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* "The Last Night of a Jockey" follows Michael Grady (played by Creator/MickeyRooney), a washed up jockey who was banned from racing because he was caught fixing several races. He's granted a wish by his alter ego and wishes to become big (he's 5 ft fall and jockeying was really the only job that fit well with his height). This really turns into a case of BeCarefulWhatYouWishFor when not only his ex girlfriend rejects him but he gets the phone call from the racing commission stating that he's been given a second chance...but now he's close to 10 ft tall. He can't even fit in his apartment, let alone ride a horse. The alter ego laughs at him as Grady begs to be made small again.
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** The ending is little better; after Riker dies, Fitz (the main character) receives word he's going to division headquarters for some much needed rest. He packs...then sees the light in his reflection. He decides that [[YouCantFightFate He Can't Fight Fate]] and resigns himself to die. As they're preparing to leave, Fitz sees the light one last time on the face of the jeep driver. He decides to not scare him with the news and they drive off...
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** The episode begins with the funeral of the the little girl. The sight of the tiny casket being followed by the grieving parents and friends hammers home the deep tragedy. Whether you believe in capital punishment or not, a little girl still died and her parents are left to live the rest of their lives without their daughter...very much the scenario facing the father of the condemned man.
** After the noose snapped, the parents of the victim are asked by the sheriff if they want to try again. The look the Canfields exchange with one other screams volumes.
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* "The Changing of the Guard" has Professor Ellis Fowler [[YouHaveOutlivedYourUsefulness being forced into retirement after 50 years of devoting his life to teaching.]] Heartbroken and feeling everything he tried to do for his students was all for naught, he decides to kill himself. Before he is able to, he goes back into his classroom and his reunited with his late students who all died honorably ([[DyingMomentOfAwesome in war saving others and while trying to find a cure for cancer]]) and thanked him for the lessons and bravery he taught them. Doubling as heartwarming ultimately, it's certainly relatable to people of all ages (particularly adults) who question their worth and place in the world and wonder what, if any, legacy they will leave behind.

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* "The Changing of the Guard" has Professor Ellis Fowler [[YouHaveOutlivedYourUsefulness being forced into retirement after 50 years of devoting his life to teaching.]] Heartbroken and feeling everything he tried to do for his students was all for naught, he decides to kill himself. Before he is able to, he goes back into his classroom and his reunited with his late students who all died honorably ([[DyingMomentOfAwesome in war saving others and while trying to find a cure for cancer]]) and thanked him for the lessons and bravery he taught them. Doubling as heartwarming ultimately, it's certainly relatable to people of all ages (particularly adults) who question their worth and place in the world and wonder what, if any, legacy they will leave behind. The cherry on top of the sundae? Creator/RodSerling not only wrote this episode in tribute to his high school English teacher who encouraged him to pursue writing but even added a quote from one of the Presidents of his alma mater, Antioch College; "Be ashamed to die until you have won some victory for humanity."
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** Marilyn's loved ones also have this as well. Marilyn has plenty of valid reasons to not go through the Transformation. But, even though they're incapable of understanding why she feels and thinks that way, her mother, uncle and best friend all try to convince her to undergo the procedure (which they consider to be part of life, [[DoesThisRemindYouOfAnything similar to how most people in America are expected to go to college right after high school or get their driver's licenses at 16]]). Their concern for her is born from worry. It's hard watching someone you love in pain and nothing you can do can help them.
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* "[[Recap/TheTwilightZoneS1E30AStopAtWilloughby A Stop at Willoughby]]". While the DownerEnding is enough (Gart is a depressed executive who is LongingForFictionland and is basically DrivenToSuicide), the RealitySubtext makes it worse. Creator/RodSerling at the time of the episode also felt depressed and was stressed out by work, and the train stops in the episode are real Northwest Corridor stops on Amtrak.

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* "[[Recap/TheTwilightZoneS1E30AStopAtWilloughby "[[Recap/TheTwilightZone1959S1E30AStopAtWilloughby A Stop at Willoughby]]". While the DownerEnding is enough (Gart is a depressed executive who is LongingForFictionland and is basically DrivenToSuicide), the RealitySubtext makes it worse. Creator/RodSerling at the time of the episode also felt depressed and was stressed out by work, and the train stops in the episode are real Northwest Corridor stops on Amtrak.



* From "[[Recap/TheTwilightZoneS2E58LongDistanceCall Long Distance Call]]": The father's plea to his dead mother, through the [[PhoneCallFromTheDead toy telephone]] she has supposedly been talking to his son through, after convincing the child to drown himself so they can be TogetherInDeath, pleading with her to let his son (who paramedics are trying to resuscitate downstairs) live.

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* From "[[Recap/TheTwilightZoneS2E58LongDistanceCall "[[Recap/TheTwilightZone1959S2E22LongDistanceCall Long Distance Call]]": The father's plea to his dead mother, through the [[PhoneCallFromTheDead toy telephone]] she has supposedly been talking to his son through, after convincing the child to drown himself so they can be TogetherInDeath, pleading with her to let his son (who paramedics are trying to resuscitate downstairs) live.



* It's a blink and you'll miss it type of moment, but Jason Foster gets one in "[[Recap/TheTwilightZoneS5E145TheMasks The Masks]]". At about ten to midnight all his family has to say is about how unbearable their masks are. He asks "is there nothing else you have to say to me?" in a tone of disappointment and he just gets more complaining while being called crazy. From his tone of voice, it sounded as if Jason still had at least one small hope that his family could show ''some'' kindness, but instead all they give him is incessant pettiness and cruelty.

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* It's a blink and you'll miss it type of moment, but Jason Foster gets one in "[[Recap/TheTwilightZoneS5E145TheMasks "[[Recap/TheTwilightZone1959S5E25TheMasks The Masks]]". At about ten to midnight all his family has to say is about how unbearable their masks are. He asks "is there nothing else you have to say to me?" in a tone of disappointment and he just gets more complaining while being called crazy. From his tone of voice, it sounded as if Jason still had at least one small hope that his family could show ''some'' kindness, but instead all they give him is incessant pettiness and cruelty.



* "[[Recap/TheTwilightZoneS1E27TheBigTallWish The Big Tall Wish]]". A washed up boxer is able to win his comeback match thanks to the wish his girlfriend's son made. The boxer discovers this and feels that something like a wish is an impossible explanation, and despite the boy's heartbreaking pleas to believe in it he just can't, and ultimately the wish is undone. On top of that, the failure of his wish causes the boy to [[SillyRabbitIdealismIsforKids finally give up his belief in miracles]].
* "[[Recap/TheTwilightZoneS2E47TheNightOfTheMeek Night of the Meek]]" is a brutal combination of this and Heartwarming.

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* "[[Recap/TheTwilightZoneS1E27TheBigTallWish "[[Recap/TheTwilightZone1959S1E27TheBigTallWish The Big Tall Wish]]". A washed up boxer is able to win his comeback match thanks to the wish his girlfriend's son made. The boxer discovers this and feels that something like a wish is an impossible explanation, and despite the boy's heartbreaking pleas to believe in it he just can't, and ultimately the wish is undone. On top of that, the failure of his wish causes the boy to [[SillyRabbitIdealismIsforKids finally give up his belief in miracles]].
* "[[Recap/TheTwilightZoneS2E47TheNightOfTheMeek "[[Recap/TheTwilightZone1959S2E11TheNightOfTheMeek Night of the Meek]]" is a brutal combination of this and Heartwarming.



* Watch "[[Recap/TheTwilightZoneS1E8TimeEnoughAtLast Time Enough at Last]]" and try not to feel your heart die when you see the tragic fate of poor innocent Henry Bemis.

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* Watch "[[Recap/TheTwilightZoneS1E8TimeEnoughAtLast "[[Recap/TheTwilightZone1959S1E8TimeEnoughAtLast Time Enough at Last]]" and try not to feel your heart die when you see the tragic fate of poor innocent Henry Bemis.



* "[[Recap/TheTwilightZoneS4E106HesAlive He's Alive]]". From the realization that neo-Nazi Peter Vollmer is nothing more than a sad child wanting love, to Ernst's constant reminders that Peter's ideas are not as new as he claims.
* TheReveal at the end of "[[Recap/TheTwilightZoneS3E79FiveCharactersInSearchOfAnExit Five Characters In Search of An Exit]]" - The characters are simple toys, and that's all they ever were. It does include a RayOfHopeEnding at the end where Serling reveals that the toys will be loved and cared for by children.
* "[[Recap/TheTwilightZoneS5E127TheOldManInTheCave The Old Man In The Cave]]". Poor Mr. Goldsmith, left as the last man alive in the ruins of his town, after trying his damndest to save everyone from radiation poisoning that they could have easily avoided if they just listened to him.
* Poor, poor, poor [[Recap/TheTwilightZoneS4E109JessBelle Jess-Belle]].

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* "[[Recap/TheTwilightZoneS4E106HesAlive "[[Recap/TheTwilightZone1959S4E4HesAlive He's Alive]]". From the realization that neo-Nazi Peter Vollmer is nothing more than a sad child wanting love, to Ernst's constant reminders that Peter's ideas are not as new as he claims.
* TheReveal at the end of "[[Recap/TheTwilightZoneS3E79FiveCharactersInSearchOfAnExit "[[Recap/TheTwilightZone1959S3E14FiveCharactersInSearchOfAnExit Five Characters In Search of An Exit]]" - The characters are simple toys, and that's all they ever were. It does include a RayOfHopeEnding at the end where Serling reveals that the toys will be loved and cared for by children.
* "[[Recap/TheTwilightZoneS5E127TheOldManInTheCave "[[Recap/TheTwilightZone1959S5E7TheOldManInTheCave The Old Man In The Cave]]". Poor Mr. Goldsmith, left as the last man alive in the ruins of his town, after trying his damndest to save everyone from radiation poisoning that they could have easily avoided if they just listened to him.
* Poor, poor, poor [[Recap/TheTwilightZoneS4E109JessBelle [[Recap/TheTwilightZone1959S4E7JessBelle Jess-Belle]].



* "[[Recap/TheTwilightZoneS1E10JudgementNight Judgement Night]]"

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* "[[Recap/TheTwilightZoneS1E10JudgementNight "[[Recap/TheTwilightZone1959S1E10JudgementNight Judgement Night]]"



* The way Becker recounts the sickening torture and misery he and the other prisoners at Dachau were forced to endure under SS Captain Lutze in "[[Recap/TheTwilightZoneS3E74DeathsHeadRevisited Deaths-Head Revisited]]" is simply heartbreaking, and is only magnified by the unrepentant Lutze's own casual flippancy when confronted with the cruelty he inflicted on them.

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* The way Becker recounts the sickening torture and misery he and the other prisoners at Dachau were forced to endure under SS Captain Lutze in "[[Recap/TheTwilightZoneS3E74DeathsHeadRevisited "[[Recap/TheTwilightZone1959S3E9DeathsHeadRevisited Deaths-Head Revisited]]" is simply heartbreaking, and is only magnified by the unrepentant Lutze's own casual flippancy when confronted with the cruelty he inflicted on them.



* Arch Hammer's quest in "[[Recap/TheTwilightZoneS1E13TheFourOfUsAreDying The Four of Us are Dying]]" is cruel enough- tricking a dead jazz singer's heartbroken girlfriend, for one thing. But after disguising himself as boxer Andy Marshak to escape some gangsters, he ends up running into Marshak's father. That's when we learn Hammer isn't the only monster in the episode: Andy Marshak abandoned his family, then broke his mother's heart and did something horribly cruel to a sweet young girl who was incredibly devoted to him. Whatever it was, his father has nothing but [[IHaveNoSon contempt]] for him, enough to want to ''[[OffingTheOffspring shoot his own son]]'', which is ultimately how Hammer meets his end. [[NothingIsScarier We never find out exactly what Marshak did, but the implications are very unpleasant.]]

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* Arch Hammer's quest in "[[Recap/TheTwilightZoneS1E13TheFourOfUsAreDying "[[Recap/TheTwilightZone1959S1E13TheFourOfUsAreDying The Four of Us are Dying]]" is cruel enough- tricking a dead jazz singer's heartbroken girlfriend, for one thing. But after disguising himself as boxer Andy Marshak to escape some gangsters, he ends up running into Marshak's father. That's when we learn Hammer isn't the only monster in the episode: Andy Marshak abandoned his family, then broke his mother's heart and did something horribly cruel to a sweet young girl who was incredibly devoted to him. Whatever it was, his father has nothing but [[IHaveNoSon contempt]] for him, enough to want to ''[[OffingTheOffspring shoot his own son]]'', which is ultimately how Hammer meets his end. [[NothingIsScarier We never find out exactly what Marshak did, but the implications are very unpleasant.]]

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* "The Silence". While neither party is exactly sympathetic, it's nothing short of a DownerEnding when you realize [[NothingIsTheSameAnymore betting has changed their lives for the worse]]. One party now has to live with both his lack of honor and the exposure of his [[ImpoverishedPatrician fraudulent wealth]]; and the other party is now broke ''and'' [[TheSpeechless unable to speak ever again]].
** Worse, if Jamie ''had'' won the $500,000 he was promised, it still would've been a PyrrhicVictory. Even if he found a skilled neurosurgeon with that money, severed nerves are nearly impossible to repair.

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* "The Silence". While neither party is exactly sympathetic, it's nothing short of a DownerEnding when you realize [[NothingIsTheSameAnymore betting has changed their lives for the worse]]. One party now has to live with both his lack of honor and the exposure of his [[ImpoverishedPatrician fraudulent wealth]]; and the other party is now broke ''and'' [[TheSpeechless unable to speak ever again]].
**
again]]. Worse, if Jamie ''had'' won the $500,000 he was promised, it still would've been a PyrrhicVictory. Even if he found a skilled neurosurgeon with that money, severed nerves are nearly impossible to repair.
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** Worse, if Jamie ''had'' won the $500,000 he was promised, it still would've been a PyrrhicVictory. Even if he found a skilled neurosurgeon with that money, severed nerves are nearly impossible to repair.
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* In "A Piano In The House", {{Jerkass}} theatre critic Fitzgerald Fortune discovers that the titular player piano has the power to make people reveal their inmost secrets when certain music is placed within it, first discovering it when the piece chosen causes his [[TheStoic normally-taciturn butler]] to break into a manic smile, as he's genuinely happy with his job and even finds Fitzgerald's temper amusing. He decides to use this power to play a cruel joke on one of the people at his wife's birthday party, [[BigFun a jovial, heavyset woman]] named Marge. The music makes Marge reveal to everyone that she secretly wishes she was as light and delicate as a snowflake, and likes to imagine herself as a graceful ballerina named Tina. While in her trance she's quite graceful. At first, everyone is laughing, until Marge reveals her secret desires and dreams of being loved by somebody, as she takes his hand into hers and melts away. Once the music is off, Marge comes back to reality and realizes what she's just done. Of course, [[FunnyAneurysmMoment at that point]], the only person who was still laughing [[{{Jerkass}} was Fitzgerald]].

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* In "A Piano In The House", {{Jerkass}} theatre critic Fitzgerald Fortune discovers that the titular player piano has the power to make people reveal their inmost secrets when certain music is placed within it, first discovering it when the piece chosen causes his [[TheStoic normally-taciturn butler]] to break into a manic smile, as he's genuinely happy with his job and even finds Fitzgerald's temper amusing. He decides to use this power to play a cruel joke on one of the people at his wife's birthday party, [[BigFun a jovial, heavyset woman]] named Marge. The music makes Marge reveal to everyone that she secretly wishes she was as light and delicate as a snowflake, and likes to imagine herself as a graceful ballerina named Tina. While in her trance she's quite graceful. At first, everyone is laughing, until Marge reveals her secret desires and dreams of being loved by somebody, as she takes his hand into hers and melts away. Once the music is off, Marge comes back to reality and realizes what she's just done. Of course, [[FunnyAneurysmMoment [[HarsherInHindsight at that point]], the only person who was still laughing [[{{Jerkass}} was Fitzgerald]].
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* In "Midnight Sun", a man breaks into the two main character's apartment and gulps down their water. At first, he would seem like just another brutish marauder taking whatever the heck he pleases during this desperate, lawless crisis. But then, he sees the paintings in the young woman's apartment and softens. They remind him of how his wife used to paint. He shares his personal story about [[FreudianExcuse how the wife died during childbirth, and how their baby perished in the growing heat]]. As he leaves the two in peace, he sadly moans to himself that he's not a bad guy. It's a sobering testament about how the crisis at hand has turned good (if grieving) men into desperate souls with nothing to lose. Arguably worse with TheReveal that none of it was real. The world is doomed, but not because of heat, but of ice. The Earth is leaving its orbit and slowly freezing over, and the whole episode was the main character having a fever dream caused by the encroaching cold.

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* In "Midnight "The Midnight Sun", a man breaks into the two main character's apartment and gulps down their water. At first, he would seem like just another brutish marauder taking whatever the heck he pleases during this desperate, lawless crisis. But then, he sees the paintings in the young woman's apartment and softens. They remind him of how his wife used to paint. He shares his personal story about [[FreudianExcuse how the wife died during childbirth, and how their baby perished in the growing heat]]. As he leaves the two in peace, he sadly moans to himself that he's not a bad guy. It's a sobering testament about how the crisis at hand has turned good (if grieving) men into desperate souls with nothing to lose. Arguably worse with TheReveal that none of it was real. The world is doomed, but not because of heat, but of ice. The Earth is leaving its orbit and slowly freezing over, and the whole episode was the main character having a fever dream caused by the encroaching cold.
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* In "Midnight Sun", a man breaks into the two main character's apartment and gulps down their water. At first, he would seem like just another brutish marauder taking whatever the heck he pleases during this desperate, lawless crisis. But then, he sees the paintings in the young woman's apartment and softens. They remind him of how his wife used to paint. He shares his personal story about [[FreudianExcuse how the wife died during childbirth, and how their baby perished in the growing heat]]. As he leaves the two in peace, he sadly moans to himself that he's not a bad guy. It's a sobering testament about how the crisis at hand has turned good (if grieving) men into desperate souls with nothing to lose. Arguably worse with TheReveal that none of it was real. The world is doomed, but not because of heat, but of ice. The Earth is leaving it's orbit and slowly freezing over, and the whole episode was the main character having a fever dream caused by the encroaching cold.

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* In "Midnight Sun", a man breaks into the two main character's apartment and gulps down their water. At first, he would seem like just another brutish marauder taking whatever the heck he pleases during this desperate, lawless crisis. But then, he sees the paintings in the young woman's apartment and softens. They remind him of how his wife used to paint. He shares his personal story about [[FreudianExcuse how the wife died during childbirth, and how their baby perished in the growing heat]]. As he leaves the two in peace, he sadly moans to himself that he's not a bad guy. It's a sobering testament about how the crisis at hand has turned good (if grieving) men into desperate souls with nothing to lose. Arguably worse with TheReveal that none of it was real. The world is doomed, but not because of heat, but of ice. The Earth is leaving it's its orbit and slowly freezing over, and the whole episode was the main character having a fever dream caused by the encroaching cold.
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* "Number 12 Looks Just Like You": Throughout the episode, everyone tells Lana Cuberle that going through a Transformation into looking just like a select few ideal men or women is always a good thing, but she doubts this, reminiscing on her fathers' love and care for her, and his wisdom about human dignity and identity. Near the end, it seems like she's finally gotten through to her friend Valerie... [[HopeSpot only for her to then callously rebuff her]] and reveal that it's regular for people to often get divorced, because "Everybody marries everybody these days." Then they have this shocking exchange:

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* "Number 12 Looks Just Like You": Throughout the episode, everyone tells Lana Marilyn Cuberle that going through a Transformation into looking just like a select few ideal men or women is always a good thing, but she doubts this, reminiscing on her fathers' love and care for her, and his wisdom about human dignity and identity. Near the end, it seems like she's finally gotten through to her friend Valerie... [[HopeSpot only for her to then callously rebuff her]] and reveal that it's regular for people to often get divorced, because "Everybody marries everybody these days." Then they have this shocking exchange:



-->'''Erich:''' (Angrily) [[IHaveNoSon I'm not your daddy!!]]

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-->'''Erich:''' '''Erich:''' (Angrily) [[IHaveNoSon I'm not your daddy!!]]
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* Poor, poor, poor Jess-Belle.

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* Poor, poor, poor Jess-Belle.[[Recap/TheTwilightZoneS4E109JessBelle Jess-Belle]].



-->'''Christie:''' (Tearfully) Daddy! Daddy, please!

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-->'''Christie:''' (Tearfully) Daddy! Daddy, please!please!\\
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** The reveal early on that their marriage was a short one as they married when she was 18 and she died at 25. Given Booth's current age, it's highly likely she's been dead longer than alive and Booth flat out admits his new wife is no replacement.
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* Arch Hammer's quest in "[[Recap/TheTwilightZoneS1E13TheFourOfUsAreDying The Four of Us are Dying]]" is cruel enough- tricking a dead jazz singer's heartbroken girlfriend, for one thing. But after disguising himself as boxer Andy Marshak to escape some gangsters, he ends up running into Marshak's father. That's when we learn Hammer isn't the only monster in the episode: Andy Marshak abandoned his family, then broke his mother's heart and did something horribly cruel to a sweet young girl who was incredibly devoted to him. Whatever it was, his father has nothing but contempt for him, enough to want to ''[[OffingTheOffspring shoot his own son]]'', which is ultimately how Hammer meets his end. [[NothingIsScarier We never find out exactly what Marshak did, but the implications are very unpleasant.]]
** Earlier, when Marshak's father confronts Hammer over it, he starts screaming and trying to publicly shame him, Hammer shoves him to the ground and runs off. Marshak's father keeps screaming at him before his voice cracks and he starts crying. A man who's seen what kind of monster his own son has turned into and wants to put an end to it.

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* Arch Hammer's quest in "[[Recap/TheTwilightZoneS1E13TheFourOfUsAreDying The Four of Us are Dying]]" is cruel enough- tricking a dead jazz singer's heartbroken girlfriend, for one thing. But after disguising himself as boxer Andy Marshak to escape some gangsters, he ends up running into Marshak's father. That's when we learn Hammer isn't the only monster in the episode: Andy Marshak abandoned his family, then broke his mother's heart and did something horribly cruel to a sweet young girl who was incredibly devoted to him. Whatever it was, his father has nothing but contempt [[IHaveNoSon contempt]] for him, enough to want to ''[[OffingTheOffspring shoot his own son]]'', which is ultimately how Hammer meets his end. [[NothingIsScarier We never find out exactly what Marshak did, but the implications are very unpleasant.]]
** Earlier, when Marshak's father confronts Hammer over it, he starts screaming and trying to publicly shame him, Hammer shoves him to the ground and runs off. Marshak's father keeps screaming at him before his voice cracks and he starts crying. A man This isn't just a raving old crank driven by simple anger: this is a [[DisappointedInYou disappointed]] father who's seen what kind of cruel monster his own son has turned into and wants to put an end to it.
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* ''The Trouble With Templeton'' has two of them. The first is Booth Templeton arriving in the past only to find his first wife, the love of his life, acting cruel, callous, and arrogant, to the point that she slaps him and demands he leave, breaking his heart and causing him to return to the past. The second is the moment Booth leaves the entire party he entered stops and his wife drops the act; it was all faked in order to get Booth to return to the present. But the heartbreak that she not only had to send him back but also break his heart to do it is a gut punch

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* ''The "The Trouble With Templeton'' Templeton" has two of them. The first is Booth Templeton arriving in the past only to find his first wife, the love of his life, acting cruel, callous, and arrogant, to the point that she slaps him and demands he leave, breaking his heart and causing him to return to the past. The second is the moment Booth leaves the entire party he entered stops and his wife drops the act; it was all faked in order to get Booth to return to the present. But the heartbreak that she not only had to send him back but also break his heart to do it BreakHisHeartToSaveHim is a gut punchGutPunch.
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* ''The Trouble With Templeton'' has two of them. The first is Booth Templeton arriving in the past only to find his first wife, the love of his life, acting cruel, callous, and arrogant, to the point that she slaps him and demands he leave, breaking his heart and causing him to return to the past. The second is the moment Booth leaves the entire party he entered stops and his wife drops the act; it was all faked in order to get Booth to return to the present. But the heartbreak that she not only had to send him back but also break his heart to do it is a gut punch
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* Arch Hammer's quest in "[[Recap/TheTwilightZoneS1E13TheFourOfUsAreDying The Four of Us are Dying]]" is cruel enough- tricking a dead jazz singer's heartbroken girlfriend, for one thing. But after disguising himself as boxer Andy Marshak to escape some gangsters, he ends up running into Marshak's father. That's when we learn Hammer isn't the only monster in the episode: Andy Marshak broke his mother's heart and did something horribly cruel to a young girl who was devoted to him. Whatever it was, his father has nothing but contempt for him, enough to want to ''[[OffingTheOffspring shoot his own son]]'', which is ultimately how Hammer meets his end. The worst part? [[NothingIsScarier We never find out what Marshak did, but the implications are very unpleasant, given his celebrity status.]]
** Earlier, when Marshak's father confronts Hammer over it, he starts screaming and trying to publicly shame him, Hammer shoves him to the ground and runs off. Marshak's father keeps screaming at him before his voice cracks and he starts crying.

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* Arch Hammer's quest in "[[Recap/TheTwilightZoneS1E13TheFourOfUsAreDying The Four of Us are Dying]]" is cruel enough- tricking a dead jazz singer's heartbroken girlfriend, for one thing. But after disguising himself as boxer Andy Marshak to escape some gangsters, he ends up running into Marshak's father. That's when we learn Hammer isn't the only monster in the episode: Andy Marshak abandoned his family, then broke his mother's heart and did something horribly cruel to a sweet young girl who was incredibly devoted to him. Whatever it was, his father has nothing but contempt for him, enough to want to ''[[OffingTheOffspring shoot his own son]]'', which is ultimately how Hammer meets his end. The worst part? [[NothingIsScarier We never find out exactly what Marshak did, but the implications are very unpleasant, given his celebrity status.unpleasant.]]
** Earlier, when Marshak's father confronts Hammer over it, he starts screaming and trying to publicly shame him, Hammer shoves him to the ground and runs off. Marshak's father keeps screaming at him before his voice cracks and he starts crying. A man who's seen what kind of monster his own son has turned into and wants to put an end to it.

Changed: 145

Removed: 23

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* Arch Hammer's quest in "[[Recap/TheTwilightZoneS1E13TheFourOfUsAreDying The Four of Us are Dying]]" is cruel enough- tricking a dead jazz singer's heartbroken girlfriend, for one thing. But after disguising himself as boxer Andy Marshak to escape some gangsters, he ends up running into Marshak's father. That's when we learn Hammer isn't the only monster in the episode: Andy Marshak broke his mother's heart and did something horribly cruel to a young girl who was devoted to him. Whatever it was, his father has nothing but contempt for him, enough to want to ''[[OffingTheOffspring shoot his own son]]'', which is ultimately how Hammer meets his end. We never find out what Marshak did, which [[NothingIsScarier makes it even worse.]]
** Earlier, when Marshak's father confronts Hammer over it, he starts screaming and trying to publicly shame him, Hammer shoves him to the ground and runs off. Marshak's father keeps screaming at him before he breaks down in tears.
--> "Look at...my son."

to:

* Arch Hammer's quest in "[[Recap/TheTwilightZoneS1E13TheFourOfUsAreDying The Four of Us are Dying]]" is cruel enough- tricking a dead jazz singer's heartbroken girlfriend, for one thing. But after disguising himself as boxer Andy Marshak to escape some gangsters, he ends up running into Marshak's father. That's when we learn Hammer isn't the only monster in the episode: Andy Marshak broke his mother's heart and did something horribly cruel to a young girl who was devoted to him. Whatever it was, his father has nothing but contempt for him, enough to want to ''[[OffingTheOffspring shoot his own son]]'', which is ultimately how Hammer meets his end. The worst part? [[NothingIsScarier We never find out what Marshak did, which [[NothingIsScarier makes it even worse.but the implications are very unpleasant, given his celebrity status.]]
** Earlier, when Marshak's father confronts Hammer over it, he starts screaming and trying to publicly shame him, Hammer shoves him to the ground and runs off. Marshak's father keeps screaming at him before his voice cracks and he breaks down in tears.
--> "Look at...my son."
starts crying.
Is there an issue? Send a MessageReason:
None


* Arch Hammer's quest in "[[Recap/TheTwilightZoneS1E13TheFourOfUsAreDying The Four of Us are Dying]]" is cruel enough- tricking a dead jazz singer's heartbroken girlfriend, for one thing. But after disguising himself as boxer Andy Marshak to escape some gangsters, he ends up running into Marshak's father. That's when we learn Hammer isn't the only monster in the episode: Andy Marshak broke his mother's heart and did something horribly cruel to a young girl who was devoted to him. Whatever it was, his father has nothing but contempt for him, enough to want to ''[[OffTheOffspring shoot his own son]]'', which is ultimately how Hammer meets his end. We never find out what Marshak did, which [[NothingIsScarier makes it even worse.]]

to:

* Arch Hammer's quest in "[[Recap/TheTwilightZoneS1E13TheFourOfUsAreDying The Four of Us are Dying]]" is cruel enough- tricking a dead jazz singer's heartbroken girlfriend, for one thing. But after disguising himself as boxer Andy Marshak to escape some gangsters, he ends up running into Marshak's father. That's when we learn Hammer isn't the only monster in the episode: Andy Marshak broke his mother's heart and did something horribly cruel to a young girl who was devoted to him. Whatever it was, his father has nothing but contempt for him, enough to want to ''[[OffTheOffspring ''[[OffingTheOffspring shoot his own son]]'', which is ultimately how Hammer meets his end. We never find out what Marshak did, which [[NothingIsScarier makes it even worse.]]
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Added DiffLines:

* Arch Hammer's quest in "[[Recap/TheTwilightZoneS1E13TheFourOfUsAreDying The Four of Us are Dying]]" is cruel enough- tricking a dead jazz singer's heartbroken girlfriend, for one thing. But after disguising himself as boxer Andy Marshak to escape some gangsters, he ends up running into Marshak's father. That's when we learn Hammer isn't the only monster in the episode: Andy Marshak broke his mother's heart and did something horribly cruel to a young girl who was devoted to him. Whatever it was, his father has nothing but contempt for him, enough to want to ''[[OffTheOffspring shoot his own son]]'', which is ultimately how Hammer meets his end. We never find out what Marshak did, which [[NothingIsScarier makes it even worse.]]
** Earlier, when Marshak's father confronts Hammer over it, he starts screaming and trying to publicly shame him, Hammer shoves him to the ground and runs off. Marshak's father keeps screaming at him before he breaks down in tears.
--> "Look at...my son."
Is there an issue? Send a MessageReason:
None


** The ending where the doctor, the nurse, and the staff sadly see off Janet Tyler as she goes to live with the other "ugly people". Even though their own faces are our definition of "ugly", they're nonetheless human enough to quietly weep out of pity that they couldn't help Miss Tyler. Earlier in the episode, one of the doctors laments the dictatorship they're living under--"Why? Why can't people be different?"--and a nurse fearfully tells him to be quiet, as even ''speaking'' dissent is apparently a crime in this world. Their monstrous faces don't change the fact that they're human beings, too. They're suffering under the dystopian laws of their society, too, and feel too powerless to do anything about it.

to:

** The ending where the doctor, the nurse, and the staff sadly see off Janet Tyler as she goes to live with the other "ugly people". Even though their own faces are our definition of "ugly", they're nonetheless human enough to quietly weep out of pity that they couldn't help Miss Tyler. Earlier in the episode, one of the doctors laments the dictatorship they're living under--"Why? Why can't people be different?"--and a nurse fearfully tells him to be quiet, as even ''speaking'' dissent is apparently a crime in this world. Their monstrous faces don't change the fact that they're human beings, too. They're suffering under the dystopian laws of their society, too, society just as Janet is (though clearly not as much) and feel too powerless to do anything about it.
Is there an issue? Send a MessageReason:
None


** The ending where the doctor, the nurse, and the staff sadly see off Janet Tyler as she goes to live with the other "ugly people". Even though their own faces are our definition of "ugly", they're nonetheless human enough to quietly weep out of pity that they couldn't help Miss Tyler.

to:

** The ending where the doctor, the nurse, and the staff sadly see off Janet Tyler as she goes to live with the other "ugly people". Even though their own faces are our definition of "ugly", they're nonetheless human enough to quietly weep out of pity that they couldn't help Miss Tyler. Earlier in the episode, one of the doctors laments the dictatorship they're living under--"Why? Why can't people be different?"--and a nurse fearfully tells him to be quiet, as even ''speaking'' dissent is apparently a crime in this world. Their monstrous faces don't change the fact that they're human beings, too. They're suffering under the dystopian laws of their society, too, and feel too powerless to do anything about it.

Changed: 697

Removed: 210

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Removed a redundancy.


* During Jason's tirade in "The Masks", he mentions that Emily's marriage to Wilfred "broke her dear, late mother's heart in every sense!" It's pretty clear that Emily marrying Wilfred was the catalyst to Jason's family becoming the cruel, miserable people that they are.
* Captain Riker leaving behind his wedding ring and baby pictures after being told by his best friend that he's doomed to die in ''The Purple Testament'' as well as said friends forlorn DeathSeeker attitude afterwards.
* After an episode of being conflicted about it, the three soldiers marching over the hill to join Custer's last stand in ''The 7th is Made Up of Phantoms'', with their names then appearing on the war memorial.

to:

* During Jason's tirade in "The Masks", he mentions that Emily's marriage to Wilfred "broke her dear, late mother's heart in every sense!" It's pretty clear that Emily marrying Wilfred was the catalyst to Jason's family becoming the cruel, miserable people that they are.
* Captain Riker leaving behind his wedding ring and baby pictures after being told by his best friend that he's doomed to die in ''The "The Purple Testament'' Testament" as well as said friends forlorn DeathSeeker attitude afterwards.
* After an episode of being conflicted about it, the three soldiers marching over the hill to join Custer's last stand in ''The "The 7th is Made Up of Phantoms'', Phantoms", with their names then appearing on the war memorial.

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