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History Recap / BlackMirrorSanJunipero

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[[center:[-'''BlackMirror/SeriesThree'''-]]]

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[[center:[-'''BlackMirror/SeriesThree'''-]]][[center:[-'''Series/BlackMirror Series Three'''-]]]
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Dewicked trope


* AdultFear: [[OutlivingOnesOffspring Outliving your children]] and being able to achieve digital immortality after they weren't.

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* DeathlessAndDebauched: Those who choose to be [[BrainUploading uploaded to the Cloud]] after death spend the rest of their days partying - either in the innocently nostalgic environment of Tucker's bar, or the [[DenOfInequity seedy, perverted confines of the Quagmire]]. Kelly suggests that this is an ultimately empty existence that drives people to greater and greater extremes of hedonism in a desperate effort to feel ''anything''; however, it's indicated that Yorkie and Kelly will enjoy a much happier eternity as a married couple, as they have something other than meaningless pleasure-seeking to live for.

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* DeathlessAndDebauched: Those who choose to be [[BrainUploading uploaded to the Cloud]] after death spend the rest of their days partying - either in the innocently nostalgic environment of Tucker's bar, or the [[DenOfInequity [[DenOfIniquity seedy, perverted confines of the Quagmire]]. Kelly suggests that this is an ultimately empty existence that drives people to greater and greater extremes of hedonism in a desperate effort to feel ''anything''; however, it's indicated that Yorkie and Kelly will enjoy a much happier eternity as a married couple, as they have something other than meaningless pleasure-seeking to live for.


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* FeelNoPain: When Kelly sees Yorkie sitting precariously on the edge of a roof and climbs a ladder to join her, she asks her whether she's set her pain sliders to zero in case she falls down or decides to intentionally jump down, implying that feeling physical pain in San Junipero is optional and the ability to do so is mainly for the benefit of people who prefer to spend their time in Quagmire.
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Added DiffLines:

* DeathlessAndDebauched: Those who choose to be [[BrainUploading uploaded to the Cloud]] after death spend the rest of their days partying - either in the innocently nostalgic environment of Tucker's bar, or the [[DenOfInequity seedy, perverted confines of the Quagmire]]. Kelly suggests that this is an ultimately empty existence that drives people to greater and greater extremes of hedonism in a desperate effort to feel ''anything''; however, it's indicated that Yorkie and Kelly will enjoy a much happier eternity as a married couple, as they have something other than meaningless pleasure-seeking to live for.
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* ContinuityNod: We're not shown it in-episode, but to White Christmas; Kelly mentions that she will 'red-light' Wes if he doesn't leave her alone. It can be assumed that red-lighting works the same as blocking.

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* ContinuityNod: We're not shown it in-episode, but to White Christmas; "White Christmas". Kelly mentions that she will 'red-light' Wes if he doesn't leave her alone. It can be assumed alone; in that red-lighting works episode Matt appears as a red blob after being blocked by the same as blocking.rest of humanity, indicating that he is a sex offender.

Removed: 103

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** [[SuspiciouslyAproposMusic "Im living in a box, im living in a cardboard box, im living in a box."]]
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* EternalSexualFreedom: Subverted. Kelly assures Yorkie that society has progressed enough that nobody will judge her for her homosexuality, which would seem anachronistic for a story ostensibly set in TheEighties. This is actually one of the first clues that San Junipero is not a real 1980s beach town but rather an idealized simulation of one.

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* EternalSexualFreedom: Subverted. Kelly assures Yorkie that society has progressed enough that nobody will judge her for her homosexuality, which would seem anachronistic for a story ostensibly set in TheEighties. This is actually one of the first clues that San Junipero is not a real 1980s beach town but rather an idealized simulation of one.
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* EternalSexualFreedom: Subverted. Kelly assures Yorkie that society has progressed enough that nobody will judge her for her homosexuality, which would seem anachronistic for a story ostensibly set in TheEighties. This is actually one of the first clues that San Junipero is not a real 1980s beach town but rather an idealized simulation of one.
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Society Marches On has been renamed; cleaning out misuse and moving examples


* SocietyMarchesOn: In-universe example. Yorkie is worried that people will react negatively to the sight of two girls dancing, but Kelly assures her that such prejudices aren't really a problem anymore. This is one of the big hints that the story is actually taking place in the future.
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Removed "Bury Your Disabled", because it is definitely not played straight. If she were dead and that was it, it would be played straight. Her body is dead, but she gets to live as long as she wants in San Junipero. If it's anything at all, I'd say it's a subversion. I don't know how to write a good summary for this, so I'll leave it for someone who can.


* BuryYourDisabled: Despite all the ways in which the BuryYourGays trope gets messed around with (see below), Type 4 of this trope gets absolutely played straight.
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Deleted a portion of the Both Sides Have a Point example (which claimed Kelly because she fears never seeing her husband and daughter in the afterlife). Kelly doesn't believe in the afterlife. That's why she doesn't feel right getting to enjoy what is essentially a digital afterlife when her loved ones weren't able to. Also deleted a claim that Yorkie doesn't believe in an afterlife, since as far as I can recall she never says either way.


* BothSidesHaveAPoint: Yorkie and Kelly both have very different viewpoints on being uploaded into the Cloud post mortem, but the episode does not treat either as the "right" one. Yorkie has been paralyzed most of her life and doesn't seem to believe in life after death, and is thus eager to be uploaded so she can live the life she was deprived of forever. Kelly, meanwhile, is reluctant to go through with it out of fear of never seeing her husband and daughter in the afterlife. Beliefs aside, she also doesn't think it fair for her to live in youthful eternity when her daughter never had the chance--which is why her husband did not upload himself. Again, the episode does not offer an absolute solution to the situation.

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* BothSidesHaveAPoint: Yorkie and Kelly both have very different viewpoints on being uploaded into the Cloud post mortem, but the episode does not treat either as the "right" one. Yorkie has been paralyzed most of her life and doesn't seem to believe in life after death, life, and is thus eager to be uploaded so she can live the life she was deprived of forever. Kelly, meanwhile, is reluctant to go through with it out of fear of never seeing her husband and daughter in the afterlife. Beliefs aside, because she also doesn't think it fair for her to live in youthful eternity when her daughter never had the chance--which is why her husband did not upload himself. Again, the episode does not offer an absolute solution to the situation.
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* AnachronismStew: The titular 1987 city is named after [[https://en.wikipedia.org/wiki/Junipero_Serra a saint that was only canonized in 2015.]] But of course the simulation was created well after that.

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* AnachronismStew: Subverted. The titular 1987 city is named after [[https://en.wikipedia.org/wiki/Junipero_Serra a saint that was only canonized in 2015.]] But of course it turns out to be a simulation, and the simulation was created well after that.episode is actually set in the future.
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* EarnYourHappyEnding: Neither of them had particularly happy backgrounds. One was permanently hospitalized at 21, while the other buried her child. It also takes a ton of work for both of them to open up. They still end up getting a happy ending.
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* ManicPixieDreamgirl: The episode plays with this trope. At first it seems like this is going to be a story about the zesty Kelly pulling the timid Yorkie out of her comfort zone. Then it turns out that Kelly is scared to death of actual intimacy and it's up to Yorkie to push her to feel something real again. Kelly teaches Yorkie to have fun, Yorkie teaches Kelly to truly live.

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* ManicPixieDreamgirl: The episode plays with this trope. At first it seems like this is going to be a story about the zesty Kelly pulling the timid Yorkie out of her comfort zone. Then it turns out that Kelly is scared to death of actual intimacy and it's up to Yorkie to push her to feel something real again. Kelly teaches Yorkie to have fun, Yorkie teaches Kelly to truly live.live again.
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* ManicPixieDreamgirl: The episode plays with this trope. At first it seems like this is going to be a story about the zesty Kelly pulling the timid Yorkie out of her comfort zone. Then it turns out that Kelly is scared to death of actual intimacy and it's up to Yorkie to push her to feel something real again.

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* ManicPixieDreamgirl: The episode plays with this trope. At first it seems like this is going to be a story about the zesty Kelly pulling the timid Yorkie out of her comfort zone. Then it turns out that Kelly is scared to death of actual intimacy and it's up to Yorkie to push her to feel something real again. Kelly teaches Yorkie to have fun, Yorkie teaches Kelly to truly live.
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None

Added DiffLines:

* ManicPixieDreamgirl: The episode plays with this trope. At first it seems like this is going to be a story about the zesty Kelly pulling the timid Yorkie out of her comfort zone. Then it turns out that Kelly is scared to death of actual intimacy and it's up to Yorkie to push her to feel something real again.
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** "Im living in a box, im living in a cardboard box, im living in a box."

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** [[SuspiciouslyAproposMusic "Im living in a box, im living in a cardboard box, im living in a box.""]]
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Added DiffLines:

** "Im living in a box, im living in a cardboard box, im living in a box."
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mentioned on characters sheet


* NiceGuy: Against all expectations, Greg turns out to be one.
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Please don't make judgments on main pages. That's for subjective pages.


* NiceGuy: [[DarknessInducedAudienceApathy Against all expectations]], Greg turns out to be one.

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* NiceGuy: [[DarknessInducedAudienceApathy Against all expectations]], expectations, Greg turns out to be one.
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moved to characters sheet


* DeadpanSnarker: Elder Kelly, as illustrated by the example above.
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* DeadpanSnarker: Elder Kelly, as illustrated by the example above.
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* SomethingElseAlsoRises: A rare female example when Kelly, ahem, "deflowers" Yorkie. They kiss, Kelly begins undressing Yorkie and slides her hand down her panties... and the scene abruptly switches to a shot of waves breaking on the seashore.

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* SomethingElseAlsoRises: A rare female example when Kelly, ahem, "deflowers" Yorkie. They kiss, Kelly begins undressing Yorkie and slides her hand down her panties... and the scene abruptly switches cuts to a shot of waves breaking on the seashore.
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Added DiffLines:

* SomethingElseAlsoRises: A rare female example when Kelly, ahem, "deflowers" Yorkie. They kiss, Kelly begins undressing Yorkie and slides her hand down her panties... and the scene abruptly switches to a shot of waves breaking on the seashore.
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* BisexualLoveTriangle: Kelly (bisexual) is in one with Yorkie (a lesbian) and her husband (presumably straight), although her husband is dead. Kelly promised her husband so that she would "move on" and not go to San Junipero, because their daughter died before she had the option. Yorkie, however, who has been lying paralyzed since she was a teenager, represents the possibilities of San Junipero and the new life it provides. Kelly eventually chooses Yorkie.

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** The opening scene isn't subtle in establishing that the year is [[TheEighties 1987]], flat out stating it twice in a matter of seconds. That may be a hint that it's actually a simulation of 1987; it may be for the characters' benefit, a way of assuring them that they are in the year they intended.

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** Just in general, the period setting of the episode is laid on so heavy-handedly that even Yorkie calls out its artificiality ("Everyone dresses like in a movie"). The opening scene certainly isn't subtle in establishing that the year is [[TheEighties 1987]], flat out stating it twice in a matter of seconds. That may be a hint that it's actually a simulation of 1987; it may be for the characters' benefit, a way of assuring them that they are in the year they intended.
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Your Cheating Heart is an index, not a trope.


* YourCheatingHeart: Subverted. Yorkie seemed to be cheating on her fiancé with Kelly, but it's revealed that she's been completely paralyzed the entire time and the marriage was only so she could be legally euthanized.
Tabs MOD

Changed: 14

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** For her second visit to meet Kelly, Yorkie tries changing from her regular {{Adorkable}} getup into stereotypical [[TheEighties '80s]] costumes from ''Film/TheBreakfastClub'' and Robert Palmer's ''Addicted to Love'' music video.

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** For her second visit to meet Kelly, Yorkie tries changing from her regular {{Adorkable}} getup into stereotypical [[TheEighties '80s]] costumes from ''Film/TheBreakfastClub'' and Robert Palmer's ''Addicted to Love'' music video.
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* QueerColors: Pink, blue, and purple lights are a recurring motif for Kelly. She's bisexual, having been married to a man [[spoiler:in her life on earth]] and now in a relationship with Yorkie.
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* BothSidesHaveAPoint: Yorkie and Kelly both have very different viewpoints on being uploaded into the Cloud post mortem, but the episode does not treat either as the "right" one. Yorkie has been paralyzed most of her life and doesn't seem to believe in life after death, and is thus eager to be uploaded so she can live the life she was deprived of forever. Kelly, meanwhile, is reluctant to go through with it out of fear of never seeing her husband and daughter in the afterlife. Beliefs aside, she also doesn't think it fair for her to live in youthful eternity when her daughter never had the chance--which is why her husband did not upload himself. Again, the episode does offer an absolute solution to the situation.

to:

* BothSidesHaveAPoint: Yorkie and Kelly both have very different viewpoints on being uploaded into the Cloud post mortem, but the episode does not treat either as the "right" one. Yorkie has been paralyzed most of her life and doesn't seem to believe in life after death, and is thus eager to be uploaded so she can live the life she was deprived of forever. Kelly, meanwhile, is reluctant to go through with it out of fear of never seeing her husband and daughter in the afterlife. Beliefs aside, she also doesn't think it fair for her to live in youthful eternity when her daughter never had the chance--which is why her husband did not upload himself. Again, the episode does not offer an absolute solution to the situation.

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