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* DomesticAbuse: The subject matter of "Behind the Wall". The violence itself is not described beyond "loud voices behind the wall," but it's bad enough that an ambulance comes to the scene after a horrible silence following the screaming one night, suggesting that [[DownerEnding the worst has happened.]]

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* DomesticAbuse: The subject matter of "Behind the Wall". The violence itself is not described beyond "loud voices behind the wall," but it's bad enough that an ambulance comes to the scene after a horrible silence that chills the narrator's soul following the screaming one night, suggesting that [[DownerEnding the worst has happened.]]

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Removed: 374

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* DownerEnding:
** The narrator of "Fast Car" has, by the end, realized that her boyfriend and the father of her children is a deadbeat who will never help her or the kids, and she kicks him to the curb. Possibly more of a BittersweetEnding, since the narrator seems to have escaped poverty (she says "I got a job that pays all our bills"), but her boyfriend isn't a good partner or parent.

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* DownerEnding:
**
DownerEnding: The narrator of "Fast Car" has, by the end, realized that her boyfriend and the father of her children is a deadbeat who will never help her or the kids, and she kicks him to the curb. Possibly more of a BittersweetEnding, since the narrator seems to have escaped poverty (she says "I got a job that pays all our bills"), but her boyfriend isn't a good partner or parent.

Added: 374

Changed: 500

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* DomesticAbuse: The subject matter of "Behind the Wall". The violence itself is not described beyond "loud voices behind the wall," but it's bad enough that an ambulance comes to the scene.
* DownerEnding: The narrator of "Fast Car" has, by the end, realized that her boyfriend and the father of her children is a deadbeat who will never help her or the kids, and she kicks him to the curb. Possibly more of a BittersweetEnding, since the narrator seems to have escaped poverty (she says "I got a job that pays all our bills"), but her boyfriend isn't a good partner or parent.

to:

* DomesticAbuse: The subject matter of "Behind the Wall". The violence itself is not described beyond "loud voices behind the wall," but it's bad enough that an ambulance comes to the scene.
scene after a horrible silence following the screaming one night, suggesting that [[DownerEnding the worst has happened.]]
* DownerEnding: DownerEnding:
**
The narrator of "Fast Car" has, by the end, realized that her boyfriend and the father of her children is a deadbeat who will never help her or the kids, and she kicks him to the curb. Possibly more of a BittersweetEnding, since the narrator seems to have escaped poverty (she says "I got a job that pays all our bills"), but her boyfriend isn't a good partner or parent.



* PoliceAreUseless: In "Behind The Wall", Tracy sings about how the police are useless when it comes to the horrible situation in the song -- not only do they come late if they come at all, but they're disinclined to deal with domestic violence situations.

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* PoliceAreUseless: In "Behind The Wall", Tracy sings about how the police are useless when it comes to the horrible situation in the song -- not only do they come late if they come at all, but they're disinclined to deal with domestic violence abuse situations.
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* PoliceAreUseless: In "Behind The Wall", Tracy sings about how the police are useless when it comes to the horrible situation the wife is in -- not only do they come late if they come at all, but they're disinclined to deal with domestic violence situations.

to:

* PoliceAreUseless: In "Behind The Wall", Tracy sings about how the police are useless when it comes to the horrible situation in the wife is in song -- not only do they come late if they come at all, but they're disinclined to deal with domestic violence situations.
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Added DiffLines:

* PoliceAreUseless: In "Behind The Wall", Tracy sings about how the police are useless when it comes to the horrible situation the wife is in -- not only do they come late if they come at all, but they're disinclined to deal with domestic violence situations.
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Added DiffLines:

* BreakupSong: "Fast Car" reveals itself to be one in the last verse.
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Slight edit to the "Bookends" entry, as the partner in "Fast Car" is never explicitly identified as male.


* {{Bookends}}: "Fast Car" begins with the narrator taking care of her [[AlcoholicParent alcoholic father]], her [[MissingMom mother having skipped out]] years before. By the end of the song, that's [[HereWeGoAgain exactly what the narrator does]] with her deadbeat boyfriend.

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* {{Bookends}}: "Fast Car" begins with the narrator taking care of her [[AlcoholicParent alcoholic father]], her [[MissingMom mother having skipped out]] years before. By the end of the song, that's [[HereWeGoAgain exactly what the narrator does]] with her deadbeat boyfriend.partner.
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Fixed a wrong trope title.


* DomesticViolence: The subject matter of "Behind the Wall". The violence itself is not described beyond "loud voices behind the wall," but it's bad enough that an ambulance comes to the scene.

to:

* DomesticViolence: DomesticAbuse: The subject matter of "Behind the Wall". The violence itself is not described beyond "loud voices behind the wall," but it's bad enough that an ambulance comes to the scene.
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Added DiffLines:

* DomesticViolence: The subject matter of "Behind the Wall". The violence itself is not described beyond "loud voices behind the wall," but it's bad enough that an ambulance comes to the scene.
Is there an issue? Send a MessageReason:
None


* DownerEnding: The narrator of "Fast Car" has, by the end, realized that her boyfriend and the father of her children is a deadbeat who will never help her or the kids, and she kicks him to the curb.

to:

* DownerEnding: The narrator of "Fast Car" has, by the end, realized that her boyfriend and the father of her children is a deadbeat who will never help her or the kids, and she kicks him to the curb. Possibly more of a BittersweetEnding, since the narrator seems to have escaped poverty (she says "I got a job that pays all our bills"), but her boyfriend isn't a good partner or parent.
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Added DiffLines:

* TheOneWhoMadeItOut: "Fast Car" uses this at least metaphorically if not literally in a narrative about escaping one's problems.
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Never Accepted in her Hometown

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* [[NeverAcceptedInHisHometown Never Accepted in Her Hometown]]: Her fan base is, or at least was initially, mostly white. She has been disparaged by other black musicians, such as [[Music/PublicEnemy Chuck D]], for her choice of genre.
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Tracy Chapman (born March 30, 1964) is an American singer/songwriter who first rose to fame in 1988 with the hit "Fast Car" from her self-titled debut album; the album also earned her the Best New Artist Grammy that year. Chapman was at first regarded as something of an oddity, in that she was a black woman who played guitar and wrote songs that were best classified as "alternative folk", but her strong, melodic voice, socially conscious lyrics, and solid musical talent made people sit up and take notice.

to:

Tracy Chapman (born March 30, 1964) is an American singer/songwriter who first rose to fame in 1988 with the hit "Fast Car" from her self-titled debut album; the album also earned her the Best New Artist Grammy that year. Chapman was at first regarded as something of an oddity, in that she was [[CulturalRebel a black woman who played guitar and wrote songs that were best classified as "alternative folk", folk"]], but her strong, melodic voice, socially conscious lyrics, and solid musical talent made people sit up and take notice.
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* AmbiguousGender: [[DudeNotFunny Many cruel jokes about her refer to]][[TakeThat not knowing she was a woman when the observer first saw a picture of her or heard her music]].

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* AmbiguousGender: [[DudeNotFunny Many cruel jokes about her refer to]][[TakeThat to]] [[TakeThat not knowing she was a woman when the observer first saw a picture of her or heard her music]].
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Added DiffLines:

* AmbiguousGender: [[DudeNotFunny Many cruel jokes about her refer to]][[TakeThat not knowing she was a woman when the observer first saw a picture of her or heard her music]].
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* TheReasonYouSuckSpeech: "Mountain O' Things" is this to people who have a lot of money and fancy things but don't do anything with them.
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* ProtestSong: A lot of 'em. "Talkin' Bout A Revolution", "Across The Lines" and "America" among others. "Fast Car" also counts, albeit in a [[BruceSpringsteen Springsteen]]-esque tragic ballad style.

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* ProtestSong: A lot of 'em. "Talkin' Bout A Revolution", "Across The Lines" and "America" among others. "Fast Car" also counts, albeit in a [[BruceSpringsteen [[Music/BruceSpringsteen Springsteen]]-esque tragic ballad style.
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* GrassIsGreener: "Fast Car" is basically about running away from your problems in the hope for a better life when in fact, the grass really isn't greener on the other side.
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* BookEnds: "Fast Car" begins with the Narrator taking care of her alcoholic father, her mother having skipped out years before. By the end of the song, that's exactly what the Narrator does with her deadbeat boyfriend.

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* BookEnds: {{Bookends}}: "Fast Car" begins with the Narrator narrator taking care of her [[AlcoholicParent alcoholic father, father]], her [[MissingMom mother having skipped out out]] years before. By the end of the song, that's [[HereWeGoAgain exactly what the Narrator does narrator does]] with her deadbeat boyfriend.
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no bolding for creators


->''You got a fast car''\\

to:

->''You ->''"You got a fast car''\\



''We leave tonight or live and die this way''

'''Tracy Chapman''' (born March 30, 1964) is an American singer/songwriter who first rose to fame in 1988 with the hit "Fast Car" from her self-titled debut album; the album also earned her the Best New Artist Grammy that year. Chapman was at first regarded as something of an oddity, in that she was a black woman who played guitar and wrote songs that were best classified as "alternative folk", but her strong, melodic voice, socially conscious lyrics, and solid musical talent made people sit up and take notice.

to:

''We leave tonight or live and die this way''

'''Tracy Chapman'''
way"''

Tracy Chapman
(born March 30, 1964) is an American singer/songwriter who first rose to fame in 1988 with the hit "Fast Car" from her self-titled debut album; the album also earned her the Best New Artist Grammy that year. Chapman was at first regarded as something of an oddity, in that she was a black woman who played guitar and wrote songs that were best classified as "alternative folk", but her strong, melodic voice, socially conscious lyrics, and solid musical talent made people sit up and take notice.
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None


Tracy Chapman is an American singer/songwriter who first rose to fame in 1988 with the hit "Fast Car" from her self-titled debut album; the album also earned her the Best New Artist Grammy that year. Chapman was at first regarded as something of an oddity, in that she was a black woman who played guitar and wrote songs that were best classified as "alternative folk", but her strong, melodic voice, socially conscious lyrics, and solid musical talent made people sit up and take notice.

to:

Tracy Chapman '''Tracy Chapman''' (born March 30, 1964) is an American singer/songwriter who first rose to fame in 1988 with the hit "Fast Car" from her self-titled debut album; the album also earned her the Best New Artist Grammy that year. Chapman was at first regarded as something of an oddity, in that she was a black woman who played guitar and wrote songs that were best classified as "alternative folk", but her strong, melodic voice, socially conscious lyrics, and solid musical talent made people sit up and take notice.

Added: 31

Removed: 379

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Added \"A Cappella\" and removed the trivia


* ACappella: "Behind the Wall".



* OneHitWonder: Averted, as "Fast Car" put her on the map, but her biggest hit was 9 years later.



* WordOfGay: While it's widely assumed that Tracy is a lesbian(or at least bisexual), and it's known for a fact that in the 90's she was in a long-term relationship with writer Alice Walker, she refuses to confirm or deny this, saying that her private life is not anyone's business.
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* BookEnds: The song begins with the Narrator taking care of her alcoholic father, her mother having skipped out years before. By the end of the song, that's exactly what the Narrator does with her deadbeat boyfriend.

to:

* BookEnds: The song "Fast Car" begins with the Narrator taking care of her alcoholic father, her mother having skipped out years before. By the end of the song, that's exactly what the Narrator does with her deadbeat boyfriend.

Added: 217

Changed: 96

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* BookEnds: The song begins with the Narrator taking care of her alcoholic father, her mother having skipped out years before. By the end of the song, that's exactly what the Narrator does with her deadbeat boyfriend.



* ProtestSong: A lot of 'em. "Talkin' Bout A Revolution", "Across The Lines" and "America" among others.

to:

* ProtestSong: A lot of 'em. "Talkin' Bout A Revolution", "Across The Lines" and "America" among others. "Fast Car" also counts, albeit in a [[BruceSpringsteen Springsteen]]-esque tragic ballad style.

Changed: 12

Removed: 192

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Quote formatting, YMMV to YMMV.


->''You got a fast car''
->''But is it fast enough so we can fly away?''
->''We gotta make a decision''
->''We leave tonight or live and die this way''

to:

->''You got a fast car''
->''But
car''\\
''But
is it fast enough so we can fly away?''
->''We
away?''\\
''We
gotta make a decision''
->''We
decision''\\
''We
leave tonight or live and die this way''



* EarWorm: Try to get "Fast Car" or "Give Me One Reason" out of your head after you listen to them.



* SignatureSong: Has three; "Fast Car", "Talkin' Bout A Revolution" and "Give Me One Reason".
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->You got a fast car
->But is it fast enough so we can fly away?
->We gotta make a decision
->We leave tonight or live and die this way

to:

->You ->''You got a fast car
->But
car''
->''But
is it fast enough so we can fly away?
->We
away?''
->''We
gotta make a decision
->We
decision''
->''We
leave tonight or live and die this way
way''
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None


> You got a fast car
> But is it fast enough so we can fly away?
> We gotta make a decision
> We leave tonight or live and die this way

to:

> You ->You got a fast car
> But ->But is it fast enough so we can fly away?
> We ->We gotta make a decision
> We ->We leave tonight or live and die this way
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None

Added DiffLines:

> You got a fast car
> But is it fast enough so we can fly away?
> We gotta make a decision
> We leave tonight or live and die this way
Is there an issue? Send a MessageReason:
None

Added DiffLines:

[[quoteright:300:http://static.tvtropes.org/pmwiki/pub/images/tc1_1661.JPG]]

Tracy Chapman is an American singer/songwriter who first rose to fame in 1988 with the hit "Fast Car" from her self-titled debut album; the album also earned her the Best New Artist Grammy that year. Chapman was at first regarded as something of an oddity, in that she was a black woman who played guitar and wrote songs that were best classified as "alternative folk", but her strong, melodic voice, socially conscious lyrics, and solid musical talent made people sit up and take notice.

She largely avoided the "Best New Artist" curse, as her biggest hit, the bluesy "Give Me One Reason" reached #3 on the Billboard chart in 1997 and won the Grammy for Best Rock Song, but she has more or less remained a cult artist, with a small but extremely devoted fanbase.

Chapman is also known for her activism, supporting such causes as Amnesty International, Make Poverty History, and has long supported the city school system in her hometown of Cleveland, Ohio.

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!! Related Tropes
* DownerEnding: The narrator of "Fast Car" has, by the end, realized that her boyfriend and the father of her children is a deadbeat who will never help her or the kids, and she kicks him to the curb.
* DreadlockRasta: For the 'rebelling against authority' reason.
* EarWorm: Try to get "Fast Car" or "Give Me One Reason" out of your head after you listen to them.
* GenreRoulette: Sometimes its folk, sometimes its pop, sometimes its blues, but it's always good.
* OneHitWonder: Averted, as "Fast Car" put her on the map, but her biggest hit was 9 years later.
* PerformanceVideo: "Give Me One Reason", which is filmed as if it was in a blues club.
* ProtestSong: A lot of 'em. "Talkin' Bout A Revolution", "Across The Lines" and "America" among others.
* SelfTitledAlbum: Her 1988 debut, ''Tracy Chapman''.
* SignatureSong: Has three; "Fast Car", "Talkin' Bout A Revolution" and "Give Me One Reason".
* SingerSongwriter
* ThreeChordsAndTheTruth: The genesis of her style, particularly evident on ''Tracy Chapman''.
* TwelveBarBlues: Is a big fan of the blues, and got her biggest hit with the classic blues "Give Me One Reason".
* WordOfGay: While it's widely assumed that Tracy is a lesbian(or at least bisexual), and it's known for a fact that in the 90's she was in a long-term relationship with writer Alice Walker, she refuses to confirm or deny this, saying that her private life is not anyone's business.
----

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